Category Archives: London Pubs

Tracing London’s old pubs

Soho Pubs – Part 2

Tickets for my final Southbank walk until next summer: The South Bank – Marsh, Industry, Culture and the Festival of Britain, on the 20th of October, are now available by clicking here.

I am back in Soho for this week’s post, continuing my exploration of Soho pubs, including one that claims to be “the West End’s best known pub”, and that “it’s a deeply loved London institution with a rich history”.

The pub with these claims will be later in the post, and is one of many fascinating and individual pubs to be found across part of London which, along with the City, has the highest density of pubs, and where drinking has been embedded in the culture of the place.

Today’s tour starts with:

The Crown and Two Chairmen – Dean Street

The Crown and Two Chairmen is one of the more unusual London pub names. The building we see today dates from 1929, however there has been a pub on the site since 1736 when it was called just the Crown.

The story about the change of name to the Crown and Two Chairmen is that two sedan chair men who were taking Queen Anne to have her portrait painted by Sir James Thornhill, who apparently had his studio in the area, would call at the pub for a drink.

One of the places where this story was put forward was an article in the Sporting Life on the 3rd of November 1926 on historic pubs, where the following was written about the Crown and Two Chairmen, as one of the oldest-established hostelries in the West End:

“It is the only inn of the name in London, and is said to derive its title from the fact that the bearers of Queen Anne’s chair were wont to beguile their time there while Her Majesty was sitting for her portrait to Sir James Thornhill, who lived in the house opposite. This house, No. 74, is still standing next door to the Royalty Theatre.

The Crown and Two Chairmen is probably the tavern mentioned by George Augustus Sala as the one in which he first saw Thackeray. The house was kept by one Dick Moreland, supposed to have been the last landlord in London to wear a pigtail and top-boots, and a small club was held upstairs.”

The problem with this story is that Queen Anne died in 1714, twenty two years before the original pub seems to have been built. The change in name was probably to separate the pub from another pub with the same original name, the Crown in Brewer Street.

I cannot find exactly when the pub changed name, the earliest reference I can find is from August 1811, when the landlord of the pub was unwittingly involved with handling a stolen £10 note. In this reference, the pub had the name of Crown and Two Chairmen.

Whether or not the Queen Anne reference is correct, the pub has one of the more unusual names in London.

The Dog and Duck – Bateman Street

So many London pubs are on the corner of two streets. This makes sense as a corner location stands out far more than within a terrace. Potential customers walking along multiple streets can see the pub, however it does cause confusion with the address of a pub. What street should apply?

Taking the Dog and Duck, the longest side of the building, with three upper floor window bays is on Bateman Street, and this is the street used in the address of the pub, however, searching for references to the pub, Frith Street is used just as many times as Bateman Street, and Frith Street has by far the shortest side of the pub, with just a single window bay.

As an example, the building is Grade II listed, and in the Historic England listing, Bateman Street is given as the address of the pub in the header to the entry, however Frith Street is used in the entry detail.

The listing states that that Dog and Duck was built in 1897, and designed by Francis Chambers for the Cannon Brewery. The interior of the pub is “an exceptional survival of a small late Victorian pub interior with tile work, mirrors and high-quality joinery”.

Although the current pub building dates from 1897, it was built on the site of an early 18th century pub with the same name. The earliest reference I can find to the pub dates from the 17th of July, 1752, and reads: “On Tuesday, about Five o’clock in the afternoon, as Lieutenant-Colonel Demarr, of Col. Holmes’s late Regiment of Marines was going along Thrift Street, Soho, he was suddenly taken ill, and went into the Dog and Duck Alehouse, where a Surgeon was sent for to bleed him, but to no purpose, for he expired in a short time.”

The spelling of the street as Thrift Street in the above article must have been an error, as the name Frith Street appears on maps in the 17th century and onwards.

In 2003, newspapers were reporting that the pop star Madonna was a visitor to the Dog and Duck, and that “The ‘Material Girl’ told how she had developed a taste for Landlord at the Dog and Duck in London’s Soho, where it has been sold for about 10 years. her revelation on Jonathan Ross’s BBC talk show has caused a flurry of media activity and now the Campaign for Real Ale are claiming bitter is back in Vogue”.

A nice touch with exterior decoration to the pub is that on the corner of the pub, where there should be a window on the third floor is the following relief showing a dog with a duck in its mouth:

The French House – Dean Street

The pub has had the formal name of the French House for a relatively short period of time, it was originally called the York Minster.

Another example of being careful with sources, Wikipedia states that the “pub was opened by a German national named Christian Schmitt in 1891 and traded as York Minster”, however there are plenty of newspaper reports that mention the pub, going back several decades in the 19th century, with the earliest I could find being from 1837 when a horse trotting challenge was being advertised and that the challenge could be backed at the York Minster, Dean Street, Soho.

The French theme to the pub has been around for some time, in parallel to being called the York Minster.

Although an early landlord was a German national, the pub was for long managed by a Belgian national, one Victor Berlemont, who had a son, Gaston Berlemont who was born in the pub in 1914.

Gaston was a British national, who lived in Soho, and served in the RAF, and became the landlord of the York Minister when his father died in 1951. He continued as landlord until retirement, rather appropriately on Bastille Day in 1989.

The pub was popular with the Free French forces during the Second World War and later Gaston promoted a Gallic image for the pub, and long before the change of name, it became known as “The French”.

There are two films of Gaston’s retirement on the 14th of July 1989 on YouTube. Part 1 is here (if received via email, you will need to go to the post on the website here to view):

And part 2 is here:

As can be seen in the above two films, the name of the pub in 1989 was the French House, and the name change had taken place 5 years earlier in 1984 after the fire at the real York Minster, when apparently donations for the repair of the church in York were being received at the pub in Soho, which Gaston did forward to York (and there is a story that wine destined for the pub in Soho reached the real York Minster in York).

The change in name was really just a formality for the pub due to its decades long association with a French influence. For example, in The Tatler on the 28th of January, 1953, the pub was described as follows: “York Minster, Dean Street, opposite bombed St. Anne’s. Upstairs in the small pub there is excellent, plain French cooking to be had most days. It is lucky if you happen to like one of the plats du jour, for they are one of the best bets. You can have wine by the glass and those who favour the drink can watch absinthe dripping into their glass on the zinc downstairs. There is nothing very French-looking about the York Minster (nothing except the period, to remind you of the Toulouse-Lautrec film), but most of the clientele is Soho-French. So is the patron.”

The French influence continues to this day, with the French flags on the front of the pub, and with the menu at the first floor restaurant.

Admiral Duncan – Old Compton Street

The Admiral Duncan in Old Compton Street, known as Soho’s oldest gay pub, was the scene of a bomb attack in 1999, when it was the third London site attacked by the so called at the time “London Nail Bomber”.

Although no one had died in the previous two attacks, the bomb at the Admiral Duncan killed three,. When the attacker was sent for trial, newspapers summarized the accusations: “A 23 year old engineer accused of murdering three people in London nail bombings was committed for trial yesterday at the Old Bailey. **********, of Cove, Hampshire, is accused of murdering Andrea Dykes, John Light and Nicholas Moore in a bomb blast at the Admiral Duncan pub in Soho, central London, on April 30th. He is also accused of three counts of causing an explosion relating to the bombing at Electric Avenue, Brixton, south London, on April 17th, a bombing in the Brick Lane, east London the following Saturday and at Soho on April 30th.”

He should have been charged with four murders as Andrea Dykes was pregnant.

The choice of bomb locations, where minority and vulnerable people were targets gives some indication of the attacker’s motivations as a neo-Nazi, who used bombs packed with nails, designed to cause maximum harm to anyone in the vicinity of the explosion, and many of the 139 injured in the three attacks had horrific injuries.

He told police that he “wanted to be an infamous murderer who started a race war”.

The above newspaper report included his name, however I have deleted it, as people who do this should not have their names remembered (as was his intention), rather they should be consigned to oblivion. He was given 6 life sentences, and hopefully should never be released, although he is eligible for parole in his seventies.

The Admiral Duncan pub seems to date from the early decades of the 19th century, I suspect it was 1826 as the Admiral Duncan was advertising for staff, for example with the following advert from the Morning Advertiser on Thursday 15th of June, 1826: “WANTED in a Public-House a SERVANT of ALL-WORK. A young Woman of good character may apply at the Admiral Duncan, Old Compton-street, Soho.”

The bomb attacks were the result of an individuals hatred and discrimination of other communities, and the above advert of staff in 1826 ended with another example, as it ended with “No Irish person need apply”.

A couple of month later, the Admiral Duncan was advertising for “a SERVANT of ALL-WORK – A young English WOMAN of good character”.

I do not know if this was specific to the landlord of the Admiral Duncan in 1826, as you do not see this type of discrimination that often in adverts for pub staff in the early 19th century.

The pub is named after Admiral Adam Duncan, who was the Admiral in charge of the Royal Navy fleet that defeated the Dutch fleet in the battle of Camperdown (or Camperduin, the Dutch name of the town on the coast of the Netherlands) off where the battle was fought.

The battle was a significant victory, and is ranked as one of the most important actions in the history of the Royal Navy.

Duncan was made a Viscount and received an annual pension of £3,000 as a reward for his success, and there seems to have been a number of pubs given the name of the Admiral Duncan in the first half of the 19th century.

Comptons – Old Compton Street

Comptons in Old Compton Street is another Soho LBGTQ pub, however the current name is relatively recent.

It started out as the Swiss Hotel a private hotel that seems to have catered for the Swiss community as in 1874 is was advertising for “a young Swiss”, who also speaks English. Whether having Swiss staff was to support a Swiss customer base, or as a novelty for English customers is not clear.

It could be the former as a year earlier in 1873, there was an advert placed by a Swiss person who gave the Swiss Hotel as an address, and who was looking for a position as an indoor servant, and among their abilities were listed as being able to speak French, German and Italian, and a little English. The hotel seems to have been a place for those from Switzerland to stay.

The earliest reference to the Swiss Hotel I can find dates from 1871 when there is a record of the license being transferred from James Dennler to Rodolphe Stauffer.

The Survey of London volumes for Soho entry for the Swiss Hotel opens with “This was built in 1890 to the plans of the architects W. A. Williams and Hopton, who exhibited their design in that year at the Royal Academy.”

The Survey of London does not make any mention of the Swiss Hotel as being in Old Compton Street before 1890, however taking newspapers from the 1870s and 1880s, there are mentions of the Swiss Hotel, and 1890 could be a reference to the build of the current building on the site, rather than the institution of the Swiss Hotel.

The last reference to the name Swiss Hotel I could find is from 1969 when it was the site for a large gathering of West End members of the National Association of Theatrical and Kine Employees union.

By 1972 is was known as the Swiss Tavern, and was the home of the Playroom Theatre Club, which was advertised as “A new lunchtime company, has been formed by Jonathan Burn and Alan West at the Swiss Tavern, 53 Old Compton Street, W.1. The aim is to present original and experimental productions, for which applicants are welcomed whether engaged in the evenings or not. Workshop exercises with emphasis not only on the group but on individual expression will be part of the activities. A number of directors, writers, actors designers and technical personnel are already collaborating but a total number of from ten to fourteen is needed.”

One of the productions put on at the Playroom Theatre Club in 1973 attracted much publicity, including the following from the “Entertainment” section of the Marylebone Mercury (excuse the language):

“On the fringe of respectability – THEATRE on the cheap is alive and doing all right in the pubs of Soho. They call it fringe theatre and it certainly is in every way – on the borderline of respectability, like Soho itself, and of bankcrupty.

The Playroom Theatre Club, above the Swiss Tavern pub in Old Compton Street has been going a year almost with productions like ‘Areatha in the Ice Palace’ and ‘Wankers’.

The Swiss Tavern is opposite a sex-movie club, next door to a strip club. No wonder one of the biggest hits by Playroom was ‘Wankers’, which had to be retained for an extra week.

People who think ‘ pornography’ must be awfully disappointed, said producer Judith Wills from Missouri.”

Later in the article, the producers complained that “So far, despite pressure, the Arts Council has refused to help this sort of fringe theatre”, and that this refusal could have been due to being over a pub. There was a number of other fringe theatre groups operating in pubs across Soho.

The Playroom Theatre Group does not seem to have lasted beyond the end of 1973, however the Swiss Tavern continued to be one of the Soho pubs frequented by those in the acting profession.

The name Swiss Tavern disappeared in the 1980s, and by the end of the decade it was known as Compton’s, and in the 1990s, its current identity was well established, as this report from the Scotsman on the 13th of June 1996, illustrates:

“SORRY, but there only is one game in town – England v Scotland on Saturday. It is understood that much of London pubs, clubs and other places of entertainment, plans to close down in spite of Scottish fans having one of the best reputations in world football.

But at least one pub will be open. Compton’s in Old Compton Street run by Stevie and George from Glasgow, will welcome Scots. One thing to remember; it is reputed to be Soho’s best gay pub.”

The Golden Lion – Dean Street

The Survey of London records that the Golden Lion existed in 1728, so this is an old pub, although the building on the site today is a later version of the pub, having been built at the end of the 1920s for the brewer William Younger.

The current version of the Golden Lion does retain a number of features saved from the earlier building, including this rather impressive sun dial from the time before the rebuild when it was known as Ye Golden Lion:

The journalist, author, TV presenter, and Soho drinker, Daniel Farson wrote the book “Soho in the Fifties” about his time in Soho during the decade, the people he met, the pubs restaurants etc. The book contains many of Farson’s photos of life around Soho at the time, and it is a brilliant book for a snapshot of Soho, a Soho that for the most part, has been lost.

He wrote about the Golden lion under the title “The Queer Pubs”:

“In Soho there were two ‘queer pubs’ as they were called then, the Fitzroy off Charlotte Street to the north, and the Golden Lion in Dean Street to the south. Though the Lion was a few doors away from the French, the two pubs had so little in common that they might have been in separate towns. Married couples wandered into the Lion by mistake and left swiftly when they discovered they were surrounded by strange men, or remained, delighted by their chance discovery, but Gaston (at the French) did not encourage stragglers who crossed the frontier for a change of scene, and one of his quizzical stares sufficed to scare them off again. Only a few customers were regulars of both.”

The Golden Lion later achieved some notoriety as the serial killer Dennis Nilsen picked up at least one of his victims at the pub.

The Coach & Horses – Greek Street

On the sign on the corner of the pub, the Coach & Horses claims that it is “the West End’s best known pub”, and on the pub’s website, that “it’s a deeply loved London institution with a rich history”, but fails to put any of this history on the pub’s website.

The claims seem to stem from one man, Norman Balon, the Landlord for an incredible length of time from 1943 to 2006, when he lived up to his self proclaimed reputation as being the “rudest landlord in London”.

Typical of the many accounts of Norman Balon’s last day at the Coach and Horses is the following:

“The strangely coveted title of London’s Rudest Landlord is now vacant, as its long-time holder, Norman Balon of the Coach and Horses, Soho, tucks the sale price of the pub into his locally made suit and takes the Underground home to his home in Golders Green.

Mr. Balon, 79, has told more people to drink up and leave than Jeffrey Bernard drank large vodka-ice-and-sodas at his bar side during the decades he wrote Low Life, his celebrated Spectator column.

Last week the pub overflowed like a badly pulled pint with well-wishers. Richard Ingrams, founder of satirical magazine Private Eye made a two-sentence speech: ‘the only man grumpier than me. I salute you’.

Writer Beryl Bainbridge cheered, Spencer Bright, biographer of both Boy George and Norman Balon, looked sad.

For this is the pub behind Michael Heath’s extraordinary cartoon strip ‘The Regulars’ in Private Eye, which once had one Regular saying to another ‘I’m sorry I was rude last night. You see, I was sober’.

At the farewell bash, Heath remarked ‘I don’t remember Norman being rude. in fact, i don’t remember anything from those years’.

By classic Soho standards of stiletto rudeness, Norman Balon was a measured man. Tourists asking for sandwiches might, though, be puzzled to be told to leave and not come back. It was a defense mechanism against bores. The Coach, as everyone called it, was a pub for talking, since Mr. Balon would tolerate no jukebox, among other things.”

The Coach and Horses featured in the play, “Jeffrey Bernard is Unwell”, by Keith Waterhouse, which opened in London at the Apollo Theatre in Shaftesbury Lane in October 1989, with Peter O’Toole playing the lead character of Jeffrey Bernard, with a small supporting cast.

Jeffrey Bernard was a journalist who wrote for Private Eye and Sporting Life, and for the Spectator under the name of “Low Life”, where he wrote about his life in Soho and in the Coach and Horses where he was very much a regular.

The magazine Private Eye held their lunches at the pub for 25 years.

Norman Balon’s biography was ghost written by Spencer Bright and went by the title of “You’re Barred, You Bastards: The Memoirs of a Soho Publican”.

There is a conversation with Norman Balon here (again click here to go to the website if you cannot see the post):

There is a 1987 BBC Arena documentary about Jeffrey Bernard which includes film within the Coach & Horses:

And another documentary on Jeffrey Bernard – Reach for the Ground, which includes some film of Soho as it was:

The Coach and Horses is Grade II listed, both the pub building, and as part of a block of adjoinging buildings. It is listed for the exterior architecure and for surviving internal features.

The first record of a license for the Coach and Horses dates back to 1724. The current building dates from around 1840, and the pub was remodeled and extended in 1889, with the interior bar from 1930 when the pub was taken over by Taylor, Walker & Company.

It is a wonderful pub, and a reminder of a lost Soho.

The Three Greyhounds – Greek Street

The Three Greyhounds claims that the name comes from the greyhounds that roamed the area that became Soho, when it was open field.

The pub appears to date back to 1837, when Soho was a densely built and populated area of London, and greyhounds roaming the fields would have been a couple of centuries before. The mock Tudor styling of the pub probably intends to give its appearance some age.

I cannot find too much of a history to the Three Greyhounds, apart from it being a typical Soho pub which attracted its fair share of writers, musicians, those active in the theatre industry etc. All who were once part of the drinking culture of Soho.

The journalist, author, TV presenter, and Soho drinker, Daniel Farson quoted earlier in the section on the Golden Lion, included in his book a summary of “A Soho Type of Person” and which encapsulates how drinking was such an important part of the culture of Soho:

A Soho Type of Person:

The drinkers in the French symbolised Soho in 1951.

What makes a Soho type of person? You need a Bohemian streak to find the lure irresistible. You would never contemplate going out for ‘just the one’ unless it was the one day. Soho people rarely use ‘drink’ in the singular – lets meet for a drink, or we’ll discuss it over a drink – for they know that that much singularity is absurd. Yet they take offence if someone asks them if they want ‘another’ for the semblance of self-discipline is vital.

An alcoholic hates drink; the Soho person loves it. This is why there are so few alcoholics in Soho though plenty of drunks.

Soho people do not tell ‘jokes’ and avoid the eyes of those who do. They relish true stories, especially of their friends’ disasters. equally they enjoy celebrating a friend’s success….when the friend is paying. The good luck might rub off.

A Soho person is someone:

  • who is not afraid to cry in public;
  • who rarely travels by public transport, preferring the privacy of taxis;
  • who regards taxes of the other sort, and all brown envelopes with little windows, as an unwarrantable intrusion;
  • who cashes cheques anywhere, except the bank;
  • who seldom knows the date;
  • who will miss a dinner appointment if he is enjoying himself;
  • who has been barred from at least one pub, club or restaurant;
  • whose life staggers from the gutter to the Ritz and maybe back again.

Pubs have long been an important part of life in Soho, and is one of the reasons why so many pubs remain. I will continue exploring these wonderful institutions in part 3 of my tour of Soho pubs.

For more on the author Daniel Farson quoted in this post, see my post on The Waterman’s Arms – Isle of Dogs.

alondoninheritance.com

Soho Pubs – Part 1

There are two areas of London that probably have the highest concentration of pubs in the whole city – the City of London and Soho.

Much of the wider London area once had a far higher number of pubs than now. You only have to look at old OS maps from the end of the 19th century to see just how many there were in, for example, east London, with some areas having a pub almost on every street corner.

Whilst many have closed, a high number have survived in the City of London due to the number of City workers and the type of business in the City being conducive to socialising and meeting in pubs. Whilst the traditional liquid lunch has mainly become a thing of the past, one only has to walk through the City on a summer’s afternoon to see plenty of busy pubs, with drinkers spilling out onto the pavement.

I went on a walk to find City of London pubs back in 2020, and the first of three posts on these establishments can be found here.

The other area of London with a high density of pubs is Soho.

As with the City of London, Soho has always been a distinctive area with historically many aspects of the place being conducive to pub culture. There continue to be a high number of pubs in Soho to this day. Generally always busy with locals, workers, visitors and tourists, and four years after searching for City pubs, I thought I would explore Soho pubs, and today is the first of three posts over the coming couple of months detailing the results.

Every Soho pub has a back story. Some extensive, some quite humble, but there is something to discover for each pub, the majority of which have been there, and often rebuilt, since the 18th century.

So today is the first post on Soho pubs, and I will start with a visit to:

The Devonshire – Denman Street

There are plenty of pubs closing and it is not often that a pub reopens, but that it what has happened with the Devonshire.

Originally the Devonshire Arms, the pub dates back to 1793, and for the following 219 years it was a typical Soho local pub.

The Devonshire Arms closed in 2012 and soon after became a Jamie’s Italian restaurant.

The building’s use as a restaurant ended a couple of years ago, and new owners completely refurbished the building to the standard of a traditional pub on the ground floor, and restaurant seating on the upper floors, and reopened as the Devonshire in 2023.

Judging by how many people are using the pub every time I have been in, or walked past, it appears to be very successful, and apparently has the reputation of selling the most pints of Guinness of any pub in London.

Looking back at the history of the pub, the only thing I could find were recurring stories of typical London low level crime, however there was one report, dating from the 18th of August, 1894 which highlighted some of the challenges of policing 19th century London:

“On Saturday evening a desperate affray took place outside the Devonshire Arms public-house, Denman-street. it appears that a constable was called to eject some men and women from the public-house named. When they got outside the mob made a rush at the policeman, who was thrown to the ground. He got up, however, and blew his whistle, and several other constables quickly arrived. A desperate fight then took place, in the course of which one of the policemen was stabbed in the back by one of the women with a large hair pin. Other constables then arrived, and after much trouble four men and two women were taken to Vine-street station. Several hundred people witnessed the conflict.”

Hopefully the Devonshire now has a more peaceful, and long future as a restored Soho pub.

The Queens Head – Denman Street

The Queens Head in Denman Street is a lovely traditional, independent London pub.

My use of the word traditional is for a pub which has a bar, typically all wood, with hand pumps. Shelves behind the bar full of bottles of spirits. A large bar area with a mix of seating and standing, with wooden seats and tables. The Queens Head is independent in that it is not tied to a specific brewery, and therefore able to sell a range of beers and spirits.

The Queens Head claims to date back to 1736. I cannot find any evidence that would either confirm or contradict the date.

There are plenty of newspaper references to the Queens Head, petty crime, the societies who used the pub as their meeting place etc. but my favourite was an article that shows that back in 1874 you could get a large fine or a prison sentence for lying on your CV.

John Holder,a 24 year old barman was taken to court accused of fraud. He had applied for a job as a barmen at the Nightingale Pub in St. John’s Wood.

He said to his prospective new employer that he had worked at the Queens Head in Denman Street but had left after a change of ownership, and that Mr. Cardwell, his previous employer at the Queens Head would give him a reference.

He gave an address for Mr. Cardwell, and his prospective employer went to the address to confirm his references, however his was told that no one knew Mr. Cardwell, and after talking to the Queens Head, it was confirmed that John Holder had not worked at the pub.

In mitigation, poor John Holder told the court that he had been out of work for some time, and could not get a job, and was very sorry for what he had done.

Despite this, he was convicted of fraud and he had to either pay the full penalty of £20 and 10 shillings of costs, or be imprisoned in the House of Correction for three months.

Given his lack of work, I suspect he ended up in the House of Correction for three months, a penalty which seems very harsh for someone who appears to have just been desperate to get a job.

The Crown – Brewer Street

The Crown in Brewer Street, at the corner with Lower James Street.

The Crown is one of the many Soho pubs that has some interesting decoration. Facing Brewer Street, the pub has two upper floors, with a row of four windows along each floor, however along the narrower side of the building, the second floor has a large semi-circle of decoration with the name of the Crown Tavern displayed.

There is some interesting history covering the location of the pub on a panel on the ground floor:

The panel states that the Crown sits on the site of one of the most well known concert halls of the 18th century, the Hickford Rooms.

I found an article about the Hickford Rooms in an issue of the Musical Times, titled “A Forgotten Concert Room”. The following is from the first paragraph of the article, and I will give you the date of the article after this extract:

“Modern London is becoming a new Americanised city, and all its old and peculiarly English characteristics are fast becoming improved out of existence. If anyone who left it during the sixties of the last century return to visit it today, he will imagine himself to be in some foreign town, and for the most part fail to recognise the London he knew so intimately of old.”

That was the opening to the article, published in the Musical Times on the 1st of September 1906, and illustrates what is a theme of the blog, that London has undergone almost continuous change for the entire period there has been people living in what we now call London.

The introduction also follows up on last week’s blog, that the 19th century was one of the periods when there was a high degree of change that set the city on course for the following century.

The article provides the following introduction to Hickford’s Room:

“The long-forgotten old concert-room in Brewer Street has fortunately escaped demolition, and it recalls a chapter of London’s musical history little noticed by the general reader. The building now forms part of the premises of the Club Francais, but for thirty-five years during the middle of the 18th century, it was a much frequented and fashionable resort, and was known by the name of Hickford’s Room.

John Hickford, the proprietor, began life as a dancing-master in the latter part of Queen Anne’s reign, and originally had a dancing school in James Street, Haymarket. There was at that time only one other room in the West-end large enough for concerts of any pretensions, and as that was sometimes difficult to secure, and its proprietor was not a particularly agreeable man, certain well-known artists began to make use of Mr. Hickford’s great dancing room wherein to give their concerts.”

The school mentioned above was in Haymarket, but became so successful that Hickford then moved to the site in Brewer Street, where it was assumed the new hall was designed specifically for Hickford.

The front door of the new hall opened into a square hall, which gave access to the concert room which was at the back of the building, and there was also a staircase which gave access to a small gallery.

The concert room was fifty feet long and thirty feet wide, and the ceiling was coved, and there were moldings, cornices and other decorations, that were in an “elegant style that the brothers Adam improved upon”.

The article mentions a large number of artists who performed at Hickford’s Room, and has the following to say about Mozart playing in Brewer Street:

“Two other shadows, brother and sister, play the harpsichord. The boy is eight years old, the girl thirteen, a demure, motherly child, her hair crowned by a mop-cap. The boy’s playing is phenomenal, and he bids fair to rival Mr. Handel in composition. But the scanty audience is not interested, it cares no longer for these two children who only a year ago were the spoiled darlings of the whole town. The little boy fulfilled in manhood the brilliant promise of his youth, and London should be proud that it still possesses a room once distinguished by the performance of Wolfgang Amadeus Mozart.”

Hickford’s Hall soon faced competition from other halls in London, along with changing fashions as in the later part of the 18th century, interest changed from small musical recitals to orchestral performances, which Hickford’s Hall was not large enough to accommodate.

As well as music, the hall put on other events such as talks and lectures, including in 1761, Thomas Sheridan who gave a “Course of Lectures on Elocution”.

Over the following years, the hall went through a number of changes in owners and use, but survived until 1934 when it was demolished to make way for an annex of the Regent Palace Hotel.

If the hall lasted until 1934, it obviously raises the question of how can the pub be on the site.

As far as I can tell (given the time available for a weekly blog post), the house and main entrance to the hall was on the site of the Crown, and the hall was to the rear of the Crown.

The earliest reference to the crown that I can find are from the years around 1830, so I suspect the house and entrance to the hall were demolished and the Crown was built, with the hall surviving just behind the pub, until demolition in 1934.

Glasshouse Stores – Brewer Street

The Glasshouse Stores is another pub that claims to date back to the 1730s, however the rather unusual current name is not the original, as it had the more traditional pub name of the Coach and Horses.

The last time I can find the original name mentioned is in 1849, and by 1872 the name Glasshouse Stores was in use, as the pub was advertising for an active, single young man, to work as a Potman, and also to wait on the Billiard Room, to wash pewter and also the windows of the pub – so basically anything that was needed.

No idea why the pub changed its name, or the relevance of the new name, however it demonstrates that changing a pub name is not a recent phenomena.

The Sun and 13 Cantons – Great Pulteney Street

The Sun and 13 Cantons must have one of the most unusual pub names in London.

The pub’s website claims that the source of the name is from the Swiss watch-making community that lived and worked in Soho in the late 1800s.

The pub also claims that the name of the pub was originally just “The Sun”, and the 13 Cantons was added in 1882 when the pub reopened after a rebuild, however I am not so sure, and am confident that the pub had its full name of The Sun and 13 Cantons earlier in the 19th century. For example, the following is from the London Morning Advertiser on the 13th of May, 1823:

“Dr. Dell, of the Sun and 13 Cantons, Great Pultney-street, was fined fifteen shillings and costs for the like offence.”

The “like offence” was referring to another fine in the paper where a licensee of a different pub was fined for serving customers after twelve o’clock.

The Englishman (published in London) on the 3rd of June, 1832 had a report about a fire where a couple of people had died, and in the report was stated:

“The inquest was held at the Sun and 13 Cantons, Great Pulteney-street”

To add some mystery, in the London Morning Post on the 22nd of April, 1825, there was an advert for an auction, where Lot 2 was “The Sun and 13 Cantons, Liquor Shop and Public House, on the east side of Castle-street, Leicester Square, adjoining Cecil-court.”

So there are two newspaper reports, one from 1823 and the other form 1832 both referring to the Sun and 13 Cantons being in Great Pultney Street, as it still is today, on the corner with Beak Street, well before the 1882 mentioned on the pub’s website.

The 1825 report is strange as it refers to a pub with the same name, but being in a different, but nearby, location. It is an unusual name for there to be two pubs of the same name, although they were close, so probably had the same association with local Swiss watch makers.

An interesting pub, with a name that recalls some of the people and trades that have made Soho their home.

Old Coffee House – Beak Street

The Old Coffee House is a really good, family run pub, and is well worth a visit for a proper local pub.

The name is strange for a pub, but it does tell of the early history of the site.

The main entrance to the pub today is on Beak Street, and to find the original purpose of the site, we need to look at name changes. The first part of Beak Street was built in 1689 by Thomas Beak, and he gave his name to this first section of the street.

The section of the street where the Old Coffee House is located was developed in 1718, and went by the name of Silver Street. This name was dropped in 1883, when the whole of both Beak and Silver Streets became Beak Street.

A Coffee House was originally on the site of the current pub, and went by the name of the Silver Street Coffee House. I cannot find exactly when the establishment changed from being a coffee house to a pub, but it seems to have been around the 1870s / 1880s, and with a lovely bit of continuity, it kept the Coffee House name as part of the new pub name.

The Old Coffee House appears to have had a number of associations with the theatre, as in the 1920s it was the meeting place on a Sunday morning for members of the Electrical Trades Union Cinema & Theatrical Branch, and in 1948, the Sphere was reporting that the pub had “a very large audition room which has often been used for theatrical rehearsals”. The pub is larger than the pink painted section suggests, as the pub extends further along Marshall Street to the right.

A lovely, traditional Soho pub.

John Snow – Corner of Broadwick Street and Lexington Street

The John Snow pub stands on the corner of Broadwick Street (originally Broad Street) and Lexington Street (originally Cambridge Street). A number of streets in this area of Soho have changed their names since the mid 19th century.

The pub building dates from the 1870s, and was originally called the “Newcastle-upon-Tyne”, The name changed in 1955 to commemorate the centenary of the work in the area of John Snow.

Dr. John Snow, often called the founding father of Epidemiology was known for his work on the transmission of Cholera in London, and he would demonstrate conclusively how this killer of large numbers of Londoners was transmitted. Perhaps hs most well known work was on the location of the source of a Cholera outbreak in 1854 in Broad Street, Soho area.

It is a really fascinating story, and instead of including it in this post about Soho pubs, click here for a dedicated post I wrote a couple of years ago about John Snow and the Soho Cholera Outbreak of 1854.

Star and Garter – Poland Street

The Star and Garter in Poland Street is a lovely little pub squashed between two much later and larger buildings.

Researching the pub, it highlights how pubs once served an essential purpose as the meeting place of clubs and societies, and with the Star and Garter it seems to have been the regular meeting place of two groups who were looking to protect the interests of workers and to campaign for improved rights.

in 1834, the Star and Garter was the meeting place for a Society of Journeymen Tailors, and on joining the society, those working in the trade would “meet with constant employment, and the protection from malicious threats of those who are regardless of their own, or the wellbeing of others”.

In 1868 the Star and Garter was the meeting place of the “West End Cabinetmakers’ Branch of the Reform League”. The Reform League was founded in 1865, and campaigned for all adult males to have the vote.

These meetings also identify some of the trades that once occupied Soho, and as well as watchmakers (from the Sun and 13 Cantons), we also now have tailors and cabinet makers.

The meetings in the Star and Garter in 1868 tell of the long struggle for universal suffrage, the right for every adult in the country to have the vote.

In 1831, only 4,500 men in the whole of the country could vote in parliamentary elections. These 4,500 were generally landowners, and there was incredible inconsistencies across the country where the Borough of Dunwich in Suffolk (population 32, and one of the Rotten Boroughs) could elect two MPs, whilst the expanding industrial cities of Birmingham and Manchester did not have any MPs.

Parliament did, very grudgingly, expand the male vote, for example the Second Reform Act of 1867 expanded the vote to men who owned houses or lodgers who paid rent of £10 a year or more.

It would not be until the 1918 Representation of the People Act that the vote was extended to all men, and also gave the vote to women over the age of thirty who owned property, and all women would have to wait until the Equal Franchise Act of 1928, when any women over the age of 21 (the same as men) would get the vote.

When you sit in pubs such as the Star and Garter, having a pint on a summer afternoon, it is fascinating to think of the Londoners who met here to plan how they would be part of a wider campaign for the vote.

Blue Posts – Corner of Broadwick Street and Berwick Street

On the corner of Broadwick Street and Berwick Street is the Blue Posts pub. The current rather attractive building dates from a 1914 rebuild, however there had been a pub on the site since the original development of the area.

The lantern and decoration on the corner of the pub:

As with other Soho pubs, the Blue Posts was frequently used for auditioning those who wanted to get into the entertainment business, and a typical advert (this example from the Stage in 1925) reads:

“Wanted for Mrs Sydney T. Russelle’s Troupes, good all round Lady Dancers. immediate work for the Continent and England. Only first-class ladies need apply between 2 and 4 Thurs and Fridays at the Blue Posts, Berwick Street”

The Blue Posts also has a rather obscure claim to cinematic fame when a model of the pub was destroyed by a brontosaurus in the 1925 film Lost World. The following clip shows the pub just before the brontosaurus crashes in and demolishes the building:

Apparently the animators, who created a rather impressive animated film for the 1920s, drank in the pub they chose to destroy for the film.

There is a Westminster City Council green plaque on the Berwick Street side of the pub, recording that Jessie Matthews, “Musical Comedy Star of Stage and Screen” was born in Berwick Street in 1907. She was not born in the pub, rather in a flat above a butchers shop at 94 Berwick Street, which is almost half way along Berwick Street from the pub.

Perhaps the Council decided that the Blue Posts was a more permanent building, in a more visible location, to display the plaque then the place of her birth.

Duke of Wellington – Wardour Street

The website of the pub describes the pub as “Serving the LGBTQIA+ community for over 20 years, the Duke of Wellington takes pride in being your Soho local” and it is a very busy Soho pub.

It has long had a Wardour Street address, desite the long length of the building being on Winnett Street.

In 1966, the Tatler described the Duke of Wellington as “facing the stage door of the Queen’s Theatre. perhaps the most famous after-theatre pub in Soho. It has been the property of Christ College Hospital since 1723, and Mr. W. Evans has been the tenant since 1931. Old Tudor beams, stag heads and antique vaults. Home-made lunches are enjoyable and plenty of stimulating theatre chat could keep one going until closing time.”

Today, the pub is owned by the Stonegate Group (was known as the Stonegate Pub Company). I cannot find whether this is freehold or leased, but I suspect that Christ College Hospital have sold the site in the past few decades.

The Ship – Wardour Street

The Ship has a Wardour Street address, and is on the corner of Wardour Street and Flaxman Court.

Again, a lovely traditional pub, but a pub which had a more interesting name than just the Ship.

Dating from the late 18th century, and rebuilt in the late 19th century, the pub was originally called “The Ship in Distress”.

I cannot find any reference to the source of the name, whether it referred to a specific ship, or whether it was just an imagined name.

The last mention I can find of the name Ship in Distress is on the 9th of July, 1865, when in a list of license transfers in the Weekly Advertiser, the license for the Ship in Distress was reported as transferring from Charles Humby to Robert Henwood, although in 1859, the pub was referred to as the “New Ship” in a number of newspapers, for example with reports of the results of a Billiard competition between pubs.

The pub may have changed name at the same time as a rebuild, and the use of the old name with the license renewal six years after the name “New Ship” was in use, may just have been an error with records not catching up with name changes.

The name may have changed as the “Ship in Distress” is a rather depressing name, recording either a factual or fictional tragic event. New landlords / owners may have wanted to have a more positive name, and changed to the Ship, which was probably how the pub was called in day to day use.

In recent decades, the Ship was frequently used by many of the musicians who lived, performed, and had business in the area of Wardour Street. The Marquis Club was a short walk from the Ship, and there are various stories about Keith Moon of the Who being banned from the Ship, the Clash drinking in the pub, along with many other musicians.

The George – D’Arblay Street

The George is on the corner of D’Arblay Street and Wardour Street.

To help with dating the building, the year 1897 is displayed on the corner of the building, on the first floor, and on the second floor there is an image of presumably one of the King George’s that the pub is named after.

The Survey of London records that the George has been here since at least 1739, so at around the same time as the street was laid out in 1735. Based on this date, the George could be George II who became monarch in the year 1727.

The George was originally on Portland Street, the original name of the street that became D’Arblay Street in 1909 after Fanny Burney (the novelist, diarist and playwright, who lived from 1752 to 1840), and who lived in Soho, and married French émigré General Alexandre D’Arblay.

I find it strange that to name a street after a woman, you use the surname of her husband. I am always cautious with applying a 21st century view to earlier times, however a quick newspaper search, and the name Fanny Burney was used many, many more times both during and after her life, rather than Madame D’Arblay as she was also known, so rather than D’Arblay Street, perhaps the street should be called Burney Street.

The Hat Tavern – Great Chapel Street

I was in two minds whether to include this establishment, which has a full name of Mr Fogg’s Hat Tavern, and is on the corner of Great Chapel Street and Hollen Street. It is one of a number of taverns and gin establishments across London which go under the Mr. Fogg brand, named after Phileas J. Fogg, the lead character in Jules Verne novel Around the World in Eighty Days.

It is a pub on the ground floor, and a gin club in the basement.

The name Hat Tavern is taken from the building on the opposite side of Hollen Street, which still has the wording “Hat Factory Henry Heath Oxford Street”.

The Henry Heath Hat Factory occupied a large site between Hollen Street and Oxford Street, where hats were manufactured, and sold from the building that faced onto Oxford Street.

The company manufactured hats for a range for uses, from sporting (such as ventilated hunting caps for ladies and gentlemen) to formal (with silk hats).

In 1885, the company was advertising “The Exhibition of ‘RATIONAL DRESS’ – HENRY HEATH of 107, Oxford Street has a sensible improvement in the shape of a soft-banded hat. Everyone knows the painful sensation experienced from the pressure of the usual stiff felt or silk hat; this is quite obviated in the hat manufactured by HENRY HEATH”.

In 1922, Henry Heath celebrated their centenary, and in newspapers announced that their rebuilt showroom in Oxford Street was now open. The factory between Oxford and Hollen Streets employed 200 workers, and their hat making skills led to the following 1922 description of the business in the Pall Mall Gazette:

“Henry Heath has supplied the headgear of each succeeding monarch during the century that has elapsed between George IV and George V, as well as of all the notabilities of each reign. The Prince of Wales, just before his Indian tour, appointed Henry Heath his hatter by Royal Warrant. many foreign monarchs too, have been fitted by Henry Heath, and have appointed him Royal hatter; the King of Spain amongst them.

Such is the International reputation of ‘Ye Hatterie’ as the famous establishment in Oxford-street is known, that visitors from all parts of the globe come to this historic house to be fitted with their headgear while sojourning in London.”

The last mention of Henry Heath hats I could find was in Country Life in 1962 where one of their soft brown hats were been shown as part of an overall outfit. In the 1930s, 40s and 50s they seem to have either moved to, or opened a showroom in New Bond Street, and the number of adverts in the London press declined gradually.

Whether they were still an independent company in the 1960s, I cannot confirm, however it appears that the Henry Heath brand disappeared in the 1960s, most likely the victim of changing fashions and cheaper imports.

The building that once had Henry Heath’s showroom is still to be seen in Oxford Street, and it is an interesting building which I will save for a future post.

That was a bit of a diversion, but it explains why the Hat Tavern has the name.

Before the Hat Tavern opened, the building was the Star pub / coffee shop, before that the Bloemfontein, and originally the George, with the first reference I could find for the George being in the Morning Chronicle in 1817.

The Nellie Dean of Soho – Dean Street

The Nellie Dean of Soho occupies a listed building, and the Grade II listing details on the Historic England site states:

“Corner public house. Possibly earlier C18 fabric, refronted c.1800 with c.1900 pub front. Stock brick, slate roof, 3 storeys and dormered mansard. 4 windows wide with 3 window returns to Carlisle Street. c.1900 pilastered pub front to ground floor with angled entrance on corner. Upper floors have recessed sash windows, no glazing bars, under red brick gauged flat arches. Crowning stucco cornice with open cast iron balustrade in front of mansard. Formerly called the “Highlander”. A public house was on the site in 1748. Prominent corner with strong group value.”

The first reference I can find to the Highlander pub is from 1826 when the pub featured in a court report where the defendant was identified as living at the Highlander.

The name Nellie Dean comes from the sentimental song “(You’re My Heart’s Desire, I Love You) Nellie Dean” written by the American composer Henry W. Armstrong in 1905.

The song became the signature song of the music hall star Gertie Gitana, after her brother had heard the song whilst in America.

Gertie Gitana died in 1957, and the following is typical of newspaper reporting of her burial at Wigston Magna, Leicestershire:

“A cold wind blew through the scores of wreaths that had been hung over the railings at the edge of the grave as more than 200 people stood in silent tribute to the gay, sunbonnet girl of the old time music hall.

Gertie was more than just a variety artist. She expressed the spirit of her age and the careless rapture that went with it. Her songs were sad, but they were also gay.

Before Nellie Dean became a stock song for gentlemen songsters on a spree, she could, by swinging it, make it sound like the happiest ballad in the world.

To many she was Nellie Dean and many of the wreaths at her graveside were addressed in this way. Flowers arranged in notes of music came from her music hall friends. There were wreaths from the Variety Artists Federation, the Water Rats, Robb Wilton and entertainers from each corner of the British Isles.

All wished to say to Gertie Gitana – Thanks for the memory.”

Gertie Gitana singing Nellie Dean (if you cannot see the video, click here to go to the website):

And that is the origin of the Nellie Dean of Soho in Dean Street. I wonder if Nellie Dean is still a “stock song for gentlemen songsters on a spree” in the pubs of Soho.

I will continue my exploration of Soho pubs in a few weeks time.

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Centuries of Change in Farringdon Street

Today’s post was not on my list of posts to write. Last Sunday, I was in the City to explore a site for a future post. It was a grey, overcast morning, and at one point there was a fine, wind driven drizzle, so I decided to head back home (I should have stayed for the afternoon as the sun came out).

Walking towards the Holborn Viaduct Bridge over Farringdon Street, I noticed another new building site where the previous building had been demolished and construction of the concrete core of the future development was underway.

I walked down from Holborn Viaduct, down to Farringdon Street as I wanted to see if a bit of Victorian construction was visible.

The following photo is from Farringdon Street. Part of the bridge over Farringdon Street is on the left, then there is one of the four pavilions, one on each corner of the bridge, then an open space with the new concrete core of the new building on the right edge of the photo:

Farringdon Street is the route of the lost River Fleet, and the bridge carries the road over what was the river, hence the low level of Farringdown Street, and the slope of the streets on either side.

Walking along the road to cross the bridge, it is not really obvious that the bridge is not the only part of the overall construction of the road, as you are walking along a manmade viaduct of some length.

Holborn Bridge is part of Holborn Viaduct, the 427m long viaduct designed to provide a bridge over the valley of the Fleet River and a level road between Holborn Circus and Newgate Street.

The construction contract for Holborn Viaduct was awarded on the 7th May 1866 and on the 6th November 1869 it was opened by Queen Victoria.

The construction of this 427m viaduct is not that visible, unless buildings along the viaduct are demolished, and it was this that I wanted to see.

Looking across the cleared construction site, and the side of the viaduct was clearly visible:

This is a view of what remains of the 1860s construction of Holborn Viaduct, and how the long approach to the bridge was built up in height.

At the top, there is a distnct layer which makes up the made ground under the street.

We then come to the core of the viaduct, with the edge of brick walls, which presumably run the width of the viaduct across the street, and in the lower half of the viaduct there are clearly defined brick arches.

Much of the side of the viaduct appears to have been skimmed and filled with concrete. I assume the whole of the viaduct has been filled, but it would be interesting to know whether there is any open space within the arches of the viaduct.

I also assume that the concrete skim and possible fill is of later date, and the brick columns and arches are from the 1860s build of Holborn Viaduct.

It is not often that you can see the hidden details of Victorian design and construction techniques, and the outline of the brick arches that support Holborn Viaduct will probably be soon covered again by the new building that will be built on the site, but they show the considerable construction work either side of the bridge, and which you are walking over as you walk along Holborn Viaduct, towards the bridge over Farringdon Street.

There has been a considerable amount of construction in Farringdon Street in the small section between Holborn Viaduct and Ludgate Circus in the last few years, the above example being just the latest, and I wanted to see what was happening at another, where the Hoop & Grapes pub was located:

The Hoop & Grapes has been closed for the last couple of years, when the buildings on either side of the pub were demolished.

The new building on the right of the pub is making good progress, and there will soon be more construction on the left, and until this is complete the left hand wall of the pub is shored up.

The building is Grade II listed and is of some age. According to the listing details, the building was part of a terrace, with the house being built around 1720 for a vintner, and converted to a public house in 1832.

The listing also states that the “Basement has brick vaults thought to be part of 17th century warehousing vaults built in connection with the formation of the Fleet Canal. Built on part of the site of St. Bride’s Burial Ground.”

Rocque’s 1746 map still shows St. Bride’s burial ground (ringed in map extract below), although there is a space between the burial ground and Fleet Market, so the terrace which included the building that would become the Hoop & Grapes could have been within this small space, or perhaps to one side:

The Fleet Canal reference in the Historic England listing refers to when this stretch of the River Fleet was constrained within a channel, along which, and partly over, the Fleet Market developed.

Another view looking at the new developments and the old Hoop & Grapes pub, which has seen the area change beyond all recognition since the house was built:

I really struggle with some of these redevelopments.

London has always changed. Some of the terrace houses that survived to the 20th century along with the Hoop & Grapes were damaged during the war, and then demolished.

New officces were built surrounding the pub in the 1950s. These were in turn demolished in the 1990s, and it is these buildings which are being demolished for the new development.

Each iteration of development seems to get larger and more overpowering for buildings that survive, and based on the lifespan of the post-war developments on the site, the building currently being built, will be demolished in turn, in the 2060s / 2070s.

Again, it is good that buildings such as the pub survive, but they almost become a museum exhibit, stuck in a streetscape that they have no relationship with, and totally out of context.

I photographed the Hoop & Grapes in 2020, when I had a walk around all the City of London pubs:

I do not know whether the pub will reopen when redevelopment of the surrounding buildings has been completed.

The City of London Corporation seems to be making some efforts to retain City pubs, and they have announced that the Still and Star, Aldgate, St Brides Tavern, Blackfriars, the White Swan, Fetter Lane and the King’s Arms at 55 Old Broad Street / London Wall, will all be reopening in the coming years, however this often refers to the name being retained and the pub being relocated to a new structure within a new development.

There is no mention of the Hoop & Grapes.

A very short distance south along Farringdon Street, on the opposite side of the road is 5 Fleet Place, the cream coloured building that was completed in 2007:

In the above photo, you can just see a road sign with a white arrow on a blue background on the street at the corner of the building. Look through the square arch of the building to the left of the arrow sign, and there are three plaques. which tell of religious and political history:

Staring from the bottom is a stone that was laid on the 10th of May, 1872 at the new Congregational Memorial Hall and Library:

The stone states that the Memorial Hall was erected to commemorate “The Fidelity of Conscience shown by the Ejected Ministers of 1662”.

To understand what was being commemorated, we need to go back to the mid-16th century and the Act of Uniformity of 1558. This was passed in 1559 and established that the church should be unified around Anglicanism and worship should be according to the Book of Common Prayer.

This act was an attempt to address the conflict between Catholicism and Protestantism that had been simmering since the break from the Church of Rome by Henry VIII.

The act lasted until 1650 when it was repealed by the Rump Parliament established during the first year of the new Commonwealth of England, set up immediately after the English Civil War.

It was repealed to provide greater religious freedom for Puritans and non-conformists.

There was a strong religious independent and Puritan element to Parliamentary forces in the Civil War, and is why many churches had their decoration and statues damaged and destroyed by Parliamentary soldiers as these were seen as being a residual influence of the Church of Rome.

When Charles II was returned to the throne, there was pressure from the Church of England to unify the church around Anglican principles and the Book of Common Prayer.

The Act was brought back into law, and Ministers were forced to swear an oath that they would give “unfeigned assent and consent to all and everything contained and prescribed” in the Book of Common Prayer.

Many Puritan, Presbyterian and Independent ministers could not swear such an oath, and around 2,000 were forced out by the “Great Ejection” from the Church of England on St. Bartholomew’s Day, the 24th of August, 1662 – the event recorded by the stone.

Title page from the pamphlet “‘The Farewell Sermons of the Late London Ministers'” showing 12 of the ejected ministers:

© The Trustees of the British Museum Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)

Newspaper reports of the ceremony to lay the foundation stone included the following which gives some background as to how the memorial hall was funded and the facilities within the building:

“The Act of Uniformity passed in the year 1662, had the effect of ejecting from their charges more that two thousand ministers who could not conscientiously subscribe to it. At a meeting of the Congregational Union, held at Birmingham in 1861, it was resolved to commemorate the event.

A conference was convened and held, at which it was decided that a bicentenary memorial fund should be raised, among the objects specified being the erection of new chapels, the extinction of chapel debts, and especially the erection of a Congregational Memorial Hall. A committee was appointed to carry the scheme into full effect, and at the next annual meeting it was reported that the total amount paid and promised in connection with this commemoration was nearly £250,000.

A site was found in Farringdon-street, which had formed part of the old Fleet Prison, and the ground was purchased at a cost of £23,000. The architect’s designs comprise a hall to hold from 1,200 to 1,500 people, a library, a board-room, and other offices. The whole is erected at a cost of not less than £30,000.”

The Congregational Hall and Library as it appeared in the 1920s (the building with the large tower):

The library was a considerable resource of over 8,000 volumes and manuscripts covering dissenting religious history.

The library was moved to Manchester during the war, for safety, and also because the Government requisitioned the building between 1940 and 1950 for war purposes.

The library returned in 1957, however ten years later, the collection had to be moved out again as the site was being redeveloped, which brings us to the second plaque:

Around 100 years after completion, maintenance of a large Victorian building was difficult and expensive, so the Congregational Memorial Hall Trust decided to have the site redeveloped with a new office block on site, along with space for the library and for meetings.

The above foundation stone is from this new building – Caroone House.

The library though did not return to the new building. It had been moved to 14 Gordon Square in advance of the redevelopment, and was housed with and administered by Dr. Williams’s Library, another library of religious dissenting books and manuscripts.

The library had to move out of Gordon Square a couple of years ago due to the potential costs of the redevelopment of the site, and the library is now housed at Westminster College, Cambridge, a theological collection that brings together Congregational and Presbyterian college traditions.

And now for the third plaque. It is not often that one of my posts has a very topical subject, but for this week’s post, in 1900, the Congregational Memorial Hall was the site of the founding of the Labour Party:

Rather than a northern industrial town, the meeting that resulted in the founding of the Labour Party was held in the Congregational Memorial Hall, in Farringdon Street on the 27th of February, 1900.

The meeting was the inaugural meeting of the Labour Representation Committee and the purpose of the meeting, which had been arranged by the Trades Union Congress, was to agree on how the various strands of the Labour movement could be brought together into a single party.

Up until the 1900 meeting, the interests of labour had been represented by the Trades Union Congress, the Independent Labour Party and the Social Democratic Federation, who all attended the meeting in Farringdon Street.

The Cooperative Movement had been invited but did not attend as their aim was to maintain a politically neutral approach.

130 delegates met in the library of the Congregational Hall, and the following paragraph from the end of a report on the meeting in the London Daily News gives an indication of the approach of the new unified Labour Party:

“The speeches for the most part were couched in a spirit of broad toleration. Mr. Burns and Mr. Harnes, and Mr. Steadman and Mr. Tillett, all protested against the spirit of narrow sectarianism which has prevailed so largely hitherto.

And Mr. Hardie and Mr. Burgess, from the Independent Labour Party also took the same line, and strongly condemned a proposal that a Labour Party should be organised upon the basis of ‘recognising the existence of a class war’, which got defeated by the adoption of an amending resolution.”

Caroone House was demolished in 2004, so that the office block we see today could be built, and which was completed in 2007. The two foundation stones and the plaque recording the founding of Labour were reinstalled.

A very short walk along part of Farringdon Street, where we can see part of the viaduct constructed by the Victorians to create a wider and higher bridge over what was the route of the River Fleet, a 300 year old house that once looked onto the river and that once housed a pub, and hopefully will do so in the future, as it is surrounded by much larger steel and glass office blocks, and the site of a hall, built to commemorate a religious schism in the 17th century, and the founding of the Labour Party at the very start of the 20th century.

Another example of just how much diverse history can be found during a short walk along a City street.

The next time I write about Farringdon Street, I hope that the Hoop & Grapes will be open again as a traditional London pub, rather than what seems to happen to so many pubs where development takes place – a reimagined pub.

Despite the appearance of Farringdon Street today, it is a very historic street, and the Fleet Prison which was on the site of the Congregational Memorial Hall will be the subject of a future post.

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Post Office Tower and Tower Tavern

If you would like to explore the history of Puddle Dock, Thames Street and the area between Queen Victoria Street and the Thames, one place has just become free on my walk this coming Thursday, the 25th click here for details and booking, and one place on Sunday the 28th, click here for details and booking.

In February, BT announced the sale of the BT Tower to MCR Hotels for a sum of £275m, and that MCR Hotels plan to “preserve BT Tower as an iconic hotel, securing its place as a London landmark for the future”.

The BT Tower has been a significant London landmark since completion in 1964, and opening for operations the following year, however in the intervening 60 years, the original technical requirements for the tower’s design and construction have become redundant, and as I will explore in today’s post, the tower has now outlived its original purpose, and it will be interesting to see how it transforms over the coming years.

In this post, I am going to call the building the Post Office Tower rather than the BT Tower, simply because that was the original name of both the tower, and the organisation responsible for building the tower, and I must admit (probably age), but I still think of the building as the Post Office Tower.

Located just to the west of Tottenham Court Road, and south of Euston Road, the Post Office Tower is a major landmark within the surrounding streets:

Post Office Tower

The above photo is from April 2024, and towards the upper part of the tower, there is an open section which looks almost as if the tower is still being built, however it is this open section of the tower which was the reason why the tower was built.

I took the following photo in 1980 of the Champion pub, at the junction of Eastcastle Street and Wells Street, with the Post Office Tower in the background, and at time of the photo, there were some strangely shaped objects fitted to this open section:

Post Office Tower

The following photo of the top section of the tower shows the upper part where the kitchen, cocktail bar, revolving restaurant and public observation floors were originally located. Below these floors is the open section with the round, concrete core of the building at the centre:

Post Office Tower

View from close to the base of the Post Office Tower:

Post Office Tower

I have one of the wonderful large (A0 I think) posters produced by the General Post Office (GPO), after the opening of the building. The GPO was the combination of what is now BT, the Post Office and Royal Mail, and was then a state run organisation before being broken up and privatised.

The poster shows in detail the functions of the Post Office Tower:

Post Office Tower

The poster records that “the Tower is 620 feet high, and weighs 13,000 tons. It is constructed of concrete reinforced with high tensile and mild steel and has no less than 50,000 square feet of glass on its outside covering. It will withstand high winds with the minimum of deflection – so as not to upset the alignment of the radio beams. Gusts of 90 mph are estimated to induce a deflection of only 15 inches at the very top of the Tower!”.

It was built between 1961 and 1965 and was designed by the Ministry of Public Building and Works Architect’s Department with Eric Bedford as the Chief Architect and G.R. Yeats as the Senior Architect in Charge.

The core of the tower is a reinforced concrete cylinder with a height of 582 feet. Not that obvious when looking at the Post Office Tower, however this concrete cylinder does taper, starting at 35 feet in diameter with two foot thick walls at the base, tapering to 22 feet in diameter and one foot thick walls at the top of the tower. This taper means that the lower floors are smaller than the upper floors.

This tapering of the central core is not that visible from outside the tower, but look at the poster above and the difference in the size of the core is very obvious between the lower and upper parts.

Reinforced concrete floors surround the concrete cylinder, with seventeen floors of equipment rooms and offices below the level where the radio antennas were mounted.

Working down from the top of the Tower, there was a storm warning radar mounted at the very top of the Tower, below which there was a circular room where lift and ventilating equipment was housed, along with water tanks. Below this was the kitchen, cocktail bar, revolving restaurant and public observation floors:

Post Office Tower Restaurant

The restaurant was appropriately named as the “Top of the Tower” and was opened on the 19th of May 1966 by the Postmaster General, Anthony Wedgwood Benn, and Sir Billy Butlin, as the Butlin Organisation were the operators of the restaurant.

It was Britain’s first revolving restaurant, with the arrows in the above image showing the direction of travel, with one revolution taking 25 minutes.

The restaurant and viewing area were a huge success with over one million visitors in the first year of operation. The intention of the GPO was that entry fees to the Tower would help cover some of the costs of the building.

Public access came to an end after a bomb exploded in the men’s toilets in the restaurant on the 31st October of 1971. There was limited public access until 1981, but after that, the floors at the top of the Tower were used for invited meetings, presentations, charity events etc.

We then come to the section of the tower which is the reason for the Post Office Tower’s existence, height and shape. This is where the radio antennas were mounted:

Microwave Radio Network

In the post war period, the amount of telephone use was growing rapidly, and this was joined by the growth of television, services which both required a method of transmitting telephone calls and television signals across the country.

This had traditionally been achieved by copper cables running the length of the country, and connecting key cities from where further networks of cables ran out eventually reaching individual homes and telephones.

TV signals were distributed between outside events, studios and transmitter sites.

The copper cable network was not a cost effective or technical means of supporting this rapid growth through the 1960s and 1970s, so a new network was designed whereby both telephone calls and TV transmissions would be carried across the country using microwave radio signals – linking up key locations where signals would then be converted back from microwave radio signal to electrical signal for local transmission via copper cable.

The key problem with microwave radio is that the signal is line of sight. The sending antenna needs to see the receiving antenna, so to send a signal between geographically spread locations, antennas had to be mounted on high towers, capable of seeing their adjoining towers without any obstructions in-between – hence the height of the Post Office Tower.

This diagram from the above poster shows graphically how this worked:

Microwave Radio Network

For the Post Office Tower, the height of the antenna platforms was dictated by the height needed to “see” a surrounding network of towers, and the space where they were mounted was circular to give maximum flexibility for moving and pointing antennas in any direction, as well as the space to add additional antennas, as and when needed.

This circular shape was then mirrored across the whole of the tower, and it was a shape that also resulted in minimum wind resistance. The tower needed to be stable, as a small change could mean that the microwave radio beam between the Post Office Tower and an adjacent tower would become out of alignment.

To support this new, cross country communications system, a network of towers sprang up across the country.

But the towers had another, more secretive purpose.

I have a copy of The Sunday Times Magazine published on the 28th of January 1973, and in the issue there is an article titled “The National Guard”, by Peter Laurie and developed from his book “Beneath the City Streets”.

The article explored what else the towers supported, in addition to telephone and television signals.

At the time of the Post Office Tower’s construction, the Cold War was in full flow between the West and Russia. The risk of a nuclear war was all to real, and the Cuban Missile Crisis took place in October 1962, whilst the tower was being built.

There were a number of radio networks across the country, as well as telephone and television, the Gas and Electricity boards had a network to control their nations grids, there was a network for Civil Air Traffic Control, and a separate network for the United States Air force for their fighter and bomber control.

Peter Laurie’s article explained that the towers also included a network to “safeguard vital national communications in the interests of defence” – which seemed to include both air defence warning and control systems against an attack by Russian nuclear bombers, and to provide Government communications to dispersed underground national and regional seats of Government across the country.

The Sunday Time Magazine article included a collection of photos of towers across the country, of which the Post office Tower was part:

Microwave Radio Network

You can still see how the network works today. If you go to the Sky Garden at 20 Fenchurch Street on a clear day, and look to the east, on the far horizon who can see the ghostly outline of a tower.

This is the tower at Kelvedon Hatch in Essex, and in the above matrix of photos, it is the tower in the top row, second from the left.

My photo shows the tower, just visible on the horizon to the right:

Microwave Radio Network

As can be seen in the above photo, being up a high point in London, enables a line of site to another, distant high point, over which a microwave radio signal could be transmitted.

Other towers surrounding London include a tower near High Wycombe, which is next to the M40 and very visible if you drive along this motorway, along with another tower at Bagshot in Surrey. These are both in the matrix of photos above.

The network extended across the whole country, with each tower serving as a local connection into the network, as well as the relay point to surrounding towers.

In the matrix of photos above, the caption to the Kelvedon Hatch tower states that it was “near a regional seat of government, north of Brentwood”.

This was the underground bunker at Kelvedon Hatch which would have formed a regional seat of Government in the event of nuclear war. I worked in the bunker a couple of times as a Post Office Apprentice in the late 1970s, and wrote about the bunker in this post.

The microwave radio network was a vast improvement in the volume of data that could be transmitted across the country over the previous copper network, however technology does not stand still and during the 1980s and 1990s, a network of fibre optic cables was being laid across the country.

Fibre optic cables were relatively cheap, and small bundles of cables could carry very large volumes of data, considerably more than a microwave radio network, and with the coming of the Internet, data volumes started to increase exponentially, therefore the new fibre optic network started to take over from the microwave radio network.

The last elements of the radio network were switched off between 2006 and 2007, and the radio dishes and horn antennas were removed in 2011 due to concerns regarding their condition and the safety of the surrounding area.

Permission for removal was needed because the tower is Grade II listed, and planning approval was granted by Camden Council. There was a proposal to install dummy dishes to replicate the appearance, however BT rejected this on the grounds of cost.

This is why this section of the tower looks almost as if it is an unfinished part of building works.

Postcard from the 1960s soon after completion of the Post Office Tower showing the horn and dish antennas mounted on the tower, and at the base is the Museum telephone exchange, with the small tower providing some of the local radio links:

Post Office Tower

The Post Office Tower was opened in October 1965, and the following news report is typical of the reporting of the opening of the tower:

“FROM BIG BEN TO BENN’S BIG TOWER – The Post Office Tower symbolises 20th century Britain in much the same way as Big Ben symbolised 19th century Britain, said Postmaster General, Mr. Anthony Wedgwood Benn, today.

Both speak eloquently for the age in which they were built.

He added: Big Ben represents the fussy grandeur of the Gothic revival that epitomised Victorian imperial influence, built on the foundation of the first industrial revolution.

The Post Office Tower, lean, practical and futuristic, symbolises the technical and architectural skill of this new age.

Mr. Wedgewood Benn was speaking at the ceremony at which the Prime Minister, Mr. Harold Wilson, inaugurated the operational working of the Tower.

Mr. Wilson talked over a microwave telephone link from the Tower to the Lord Mayor of Birmingham; and audiences in each city watched the ceremony by means of a closed circuit television link via the Tower.

Mr. Wedgwood Benn continued: This new, bigger Big Ben captures the sprit of our time, and visitors to London will remember it as the dominating feature of our capital city. Significantly, it is a great communications centre, that will allow the vast expansion in telephony, telegraphy, data transmission and the distribution of sound and television programmes, linked to the world satellite system.

He added that there was a great growth in telephone traffic. Trunk calls were increasing at a rate of about 17 per cent a year.”

Birmingham also had its own microwave tower, connected into the national network, and which was 500 feet tall, and cost £3 million to build.

We can now continue down the Post Office Tower, and the poster shows the apparatus rooms on each of the floors, which contained apparatus for telephone and television systems, and any other systems that would have used the microwave radio network:

Post Office Tower

These rooms continued down through all the floors wrapped around the central concrete column:

Post Office Tower

Since its’ completion, the Post Office Tower has been a significant feature on London’s skyline. Apart from Centre Point (which was built over the same period as the Post Office Tower), there are no other tall buildings in the immediate vicinity.

In 1980, I took the following photo from the viewing gallery of the Shell Centre building on the South Bank, showing the Post Office Tower:

Post Office Tower

This photo was from a few years ago, taken from St. Paul’s Cathedral:

Post Office Tower

And this is from the viewing galleries of the Shard, where unusually, you are looking down on the Post Office Tower:

Post Office Tower

One question about the tower I have not answered is why it is located where it is in London?

The answer comes from London’s historic distribution of telephone exchanges, as the site of the tower was the site of the Museum Telephone Exchange.

Prior to the all number system of telephone numbers we use today, London’s telephone system used a combination of three letters and four numbers. This was called the Director system and used due to the large number of telephone exchanges in London, with three letters identifying each exchange, so if you had a telephone connected to the Museum Exchange, your number would be of the format MUS 1234 (this was when telephone dials had letters as well as numbers around the edge of the dial).

The Museum Telephone Exchange was already a hub for London’s telecommunications network, including audio and video circuits, and the Museum exchange included a link to the BBC’s Broadcasting House, so it was the logical site for a tower that would network and connect London with the rest of the country.

Before the Post Office Tower, the Museum Telephone Exchange already had small mast on the roof, and a name used in the early days of planning for the Post Office Tower was the Museum Exchange Tower.

After construction had been completed, Peter Lind, the company responsible for construction, had large adverts in many newspapers advertising that they had constructed “Britain’s Tallest Building” and although calling it the G.P.O. Tower in the headline, in the text under a photo of the tower it was called the “Museum Telephone Exchange and Radio Tower”.

The tower is still surrounded at its base by a number of BT buildings which have long been used for telecommunications equipment. Whether any or all of these are included in the sale of the Post Office Tower is not clear.

Whilst the tower is listed, the surrounding buildings at the base are not, so it will be interesting to see what happens to these in the coming years:

Post Office Tower

The above photo shows the view along Cleveland Street with BT buildings on the right, and in the following photo are more BT buildings at the junction of Cleveland Street and Maple Street:

Post Office Tower

Whilst we can see the majority of the Post Office Tower from the surrounding streets, there is one really interesting part of the structure that can only be seen from one side street

Walk down Cleveland Mews, and this is the view:

Post Office Tower

As mentioned earlier, the tower needs to be as stable as possible so the microwave radio beams could maintain their alignment with distant masts. To help provide this stability, towards the base of the tower there was a “collar” which extended from the ground level buildings around the central concrete column. As well as providing stability, the collar also provided access to the tower:

Post Office Tower

The collar can be seen in this extract from the poster, where it is described as a connecting bridge and brace for the tower:

Post Office Tower

in the above image, we can also see the concrete conical pyramid on which the tower was built, and which helped spread the load over the concrete foundations below.

The foundations of the tower below the conical pyramid consisted of a large layer of reinforced concrete, below this was a layer of oil which formed an anti-friction gasket, below which was a thin layer of concrete, and then natural ground.

Looking up at the Post Office Tower from Cleveland Mews, and we can see the central concrete column at its widest diameter, then the collar / brace, and then the tower rising above London.

Post Office Tower

The Post Office Tower is a remarkable bit of engineering and construction, all to raise a set of antennas to a sufficient height so that they could communicate with a network of relay towers in the counties surrounding London.

The Post Office Tower seen from Fitzroy Square:

Post Office Tower

Many historic landmarks have a local pub named after them, and the Post Office Tower is no different as at the junction of Cleveland Street and Clipstone Street, is:

The Tower Tavern

Tower Tavern

The Tower Tavern is not exactly the most attractive pub in London, and the style of the building probably comes from the period when it was built, as the pub dates from around 1970:

Tower Tavern

It was built following the demolition of an adjacent pub (the subject of a future post about the area), and was a pub frequented by Post Office / BT workers as well as those who lived and worked in the area, and despite its outward appearance was a perfectly decent pub.

Soon after opening, the Tower Tavern was regularly advertising in the papers that you should “Make a date to meet at The Tower – a fine Bass Charrington House”, and in 1971 it claimed to have a model of an original telephone box in the pub.

In 1993 the Tower Tavern was advertising that you could buy:

  • Carling Black Label 80p per pint
  • Tennents Pilsner 80p per pint
  • Tennents Extra 95p per pint
  • Bitters £1.20 per pint
  • Double Spirits £1.50
  • Indian curries and rice £3.00

The Tower Tavern closed in 2021, possibly due to the impact of COVID / rent increases etc. The pub is owned by the University of Westminster who also have the buildings that surround the pub.

The pub has a lovely sign, with a rather dramatic painting of the Post Office Tower with its full compliment of microwave radio dishes and horns across the upper levels:

Tower Tavern

The Tower Tavern pub sign with the real Post Office Tower behind:

Tower Tavern

I do not know what plans the University of Westminster has for the old Tower Tavern, but I would be surprised if it opens again as a pub. I hope the pub sign is saved though, and put on public display as a reminder of the Post Office Tower’s history.

The Post Office Tower in Film

As you would expect, the Post Office Tower features in numerous films, TV reports etc. Below are a selection that provide an overview of the tower’s design, construction, purpose and use, visiting the tower, the restaurant, and how the tower often appeared in popular culture.

If you receive this post via email, and the embedded videos do not appear, click here to view the post on the website to see the films.

The Post Office Tower of London

This 19 minute film has some wonderful aerial shots of London, covers the purpose, design and construction of the tower, with some good technical detail, along with visiting the tower and the restaurant:

Top Of The Tower

This 2 minute video again has some wonderful views of London from above, and within the Post Office Tower, the film focuses on the restaurant at the top of the tower:

Look At Life – Eating High

This film includes an overview of other restaurants at the top of tall structures as well as a detailed look at the Post Office Tower restaurant.

The film also includes the mechanism that rotated the restaurant, and shows how remarkably simple this was:

GPO Tower Construction

This silent film shows views from the tower, as well as construction of the tower. If you work in construction health & safety, then best not to watch:

The Goodies

And finally, the Post Office Tower frequently appeared in popular culture, one example was when it was demolished by a giant kitten in an episode of the Goodies:

The Post Office Tower is an iconic London landmark and when you look at the tower, you are looking at something built to serve the explosion of telephone calls, television distribution, and data from the late 1950s and through the 1960s.

You are also looking at something where the design, height and shape was dictated by the leading edge telecommunications technology of the early 1960s.

You are looking at a building in a specific location that was dictated by how the telephone network had developed across London, and where a key telephone exchange was located, and it was part of a network of towers that spanned the country, and linked to Europe via a microwave radio link across the Channel, and the rest of the World via the Goonhilly satellite station in Cornwall.

And it also had a resturant.

Whatever happens to the tower in the future, I hope that some of this heritage survives.

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The Footman and Red Lion – A Tale of Two Charles Street Pubs

Charles Street is a typical Mayfair street. A varied range of architecture, a hotel, private houses, investment and wealth management companies, corporate offices, embassies, and much more hidden behind the facades of tall buildings that line the street.

I recently went for a walk along the street to find two pubs, the Footman and the Red Lion.

A photo of the Footman appeared in the 1920s three volume set of Wonderful London, when it was known as the Running Footman:

Running Footman pub

The following text is the commentary to the above photo in Wonderful London:

“THE RUNNING FOOTMAN, A PICTURE OF THE OLD MAYFAIR – Charles Street, off Berkeley Square, retains a pub named after that special kind of servant whose duty it was to run before the crawling family coach, help it out of ruts, warn toll-keepers, and clear the way generally. He wore a livery and usually carried a cane. The last person to employ a Running Footman is said to have been ‘Old Q.’ the Duke of Queensbery who died in 1810. The faded sign is fixed to the bay in the side street and appears here, over the taxi. The tavern is a bit of London from the days of ‘the Quality’, whose servants it served.”

Wonderful London has a rather rose tinted view of the role of a running footman. I suspect in reality it was really difficult and exhausting to keep ahead of a coach, and carry out any other manual activities such as lifting the coach out of outs.

I found an alternative description of the role of a running footman, which is probably more realistic:

“The Running Footman – men have adopted various inhuman methods to increase their self-importance at different epochs, but few more inhuman than that of the running footman, of whom Mr. John Owen writes in his new novel, published today under the title of ‘The Running Footman’.

This 18th century barbarism, whereby a man was forced to run 30 yards in front of his master’s coach for incredible distances, naturally resulted in the runners death from heart disease or consumption.”

The following print from 1741 is a satirical interpretation of the opposition methods in the parliamentary motion to remove Robert Walpole from office, and shows a Running Footman at the left of the print, running in front of a team of horses and the coach.

As described in Wonderful London, he is carrying a cane © The Trustees of the British Museum):

Running Footman pub

There was an interesting story of a Running Footman in the newspapers on the 5th of October, 1728, which hints at how fast they could run:

“A Foot Race of two Miles being Advertised to be Run last Thursday on the Marshes near Hackney River by young Women for a Holland Shift, as three were dressing in order to start, one of them was discovered to be a Running Footman to a Person of Quality, who seeing he was betrayed found means to re-mount the Horse he rode on with a Side-Saddle. The Mob understanding the matter pursued him in order to duck him in the River, but to make more speed, he dismounted, rid himself of his Petticoats, took to his Heels and got clear of them, after much more Diversion than the Race, which was afterwards run by the other two.”

The pub that is shown in the Wonderful London photo would only last for around another 10 years, as in the 1930s, the Running Footman would be rebuilt in the red brick style of pubs of the time, and it is this version of the pub that we find in Charles Street today, with the name truncated to just The Footman:

Running Footman pub

The shorter name is relatively recent as the pub also had the names “The Only Running Footman” and “I am the Only Running Footman”.

The original pub dates from the mid-18th century, and there are online references to the pub originally being called the Running Horse, although I cannot find any references from the late 18th century of a pub in Charles Street with this name.

The first newspaper references to the Running Footman date from the first decades of the 19th century, for example in May 1821 there were stables for sale in Charles Street, and the Running Footman was given as one of the places were details of the sale could be found.

The 1930s rebuild features an interesting extension to the roof, and the building is now taller than the rest of the terrace of which it was part:

Running Footman pub

The above photo shows the eastern end of Charles Street, with the southern end of Berkeley Square to the right.

Charles Street seems to have been laid out during the later part of the 17th century. Rocque’s map of 1746 shows the surrounding built area, the upper eastern part of Charles Street has been built, and a blank space with street outlines covering the area west and north of Charles Street. The yellow circle marks the location of the Running Footman:

Running Footman pub

Although the map shows street outlines, the layout today is slightly different, and Charles Street extends to the corner of the space occupied by the large house at left, where it turns north. It was here I was heading next to find another pub, and to look at the mix of architecture along the street.

The original build of Charles Street was mid to late 18th century / early 19th century, brick terrace houses, and over the following decades many of these would be combined and rebuilt to leave the mix of architectural styles and periods that we see today:

Charles Street

At the junction with Queen Street, there is an open space with a tree in the centre, with the street turning slightly to the north. This point was the original end of Charles Street as shown in Rocque’s 1746 map, so the street may have originally terminated here, before being extended on as development of the area completed.

Charles Street

And as we walk along Charles Street, we continue to see the mix of architecture, including where original terrace houses have been combined and a new stone façade has been built over the original brick:

Charles Street

On the house shown above, there is a London County Council plaque stating that Archibald Philip Primrose, the 5th Earl of Rosebery was born in the house in 1847:

Rosebery

He was Prime Minister in the years 1894 and 1895, and he was also Chairman of the London County Council in 1889 and 1890, then again in 1892, and Rosebery Avenue in Clerkenwell is named after him. Rosebery Avenue was one of the late 19th century major roads built across London to ease the growing congestion of the time, and that swept away many old street, courts and alleys.

Towards the western end of Charles Street, the street suddenly narrows as it turns to run along the northern edge of large, terrace houses. This change in the street marks the point where the original gardens of Chesterfield House (see the extract from Rocque’s map earlier in the post) extended, with the street turning along the north east corner of the old gardens:

Red Lion Pub Charles Street

At the end of the narrow section of Charles Street, where there is a sharp bend up towards Waverton Street we can see what remains of the Red Lion, the second pub I was looking for in Charles Street (the scaffolding is on the building opposite, not on the old pub):

Red Lion Pub Charles Street

The Red Lion is now a residential property, having closed as a pub in 2009.

The building still retains some of the features of a London pub on the facade facing the street, however the rest of the building is very different.

After closing as a pub, it underwent a very significant rebuild, both above and below ground to create a very different space behind the façade.

I would not normally put a link to the Mail Online in the blog, however this is where I found an article on the conversion of the building from pub to residential, which includes a number of photos of the interior of the building, which are hard to reconcile with the view when you stand outside, and shows what can be done if you have £25 million to spare (in 2009).

The article is here.

A look down Red Lion Yard at the side of the old pub shows the way that the building has been extended above ground, in addition to the two levels below ground which doubled the overall space:

Red Lion Yard

The article described the pub as a “dingy drinking establishment“. It did seem to have been left to run down over the last few years of being a pub, but in the few times I went in, it always seemed to be reasonably busy.

Unlike the Running Footman, the Red Lion was in a rather hidden part of the local streets, and it was a “local” pub so perhaps trade was not enough to keep the pub viable.

I suspect that when the company that owned the pub was offered a good sum of money, it was worth selling for development rather than retaining as a pub.

At the end of the alley leading into Red Lion Yard is this square of buildings, which again shows a level of redevelopment:

Red Lion Yard

Entrance to Red Lion Yard alongside the old Red Lion:

Red Lion pub Charles Street

Although the Red Lion is at the end of Charles Street, it is also in the southern edge of Waverton Street, with a short section leading up to Hill Street before continuing northwards. A short distance from the Red Lion in Waverton Street, significant development continues:

Charles Street

Looking back from in front of the Red Lion, along Charles Street. Again this narrow section of the street once had the gardens of Chesterfield House on the right:

Charles Street

Walking back along Charles Street, and this is Dartmouth House:

Dartmouth House Charles Street

Dartmouth House is another building which started off as part of a brick terrace of houses, but after combining individual houses, extending the resulting building and constructing a new stone façade, we get the building we see today.

the first recorded resident was the Dowager Duchess of Chandos in 1757, and for the following centuries the house has been occupied mainly by a succession of Dukes, Earls, a Dowager and a Marquis – or “The Quality” as Wonderful London and other early references to the role of a Running Footman would have referred to them.

Since 1926, Dartmouth House has been the headquarters of the English Speaking Union (ESU).

The ESU have published a brief history of the house, and within this they reference the River Tyburn and that the brook runs under Dartmouth House and caused serious damage to papers stored in the basement in the 1990s.

According to “The Lost Rivers of London” by Nicholas Barton and Stephen Myers the Tyburn runs slightly to the east and south. Under the south eastern corner of Berkeley Square towards Curzon Street, rather than running under Dartmouth House, however the basement of Dartmouth House is within what would have been the marshy area surrounding the Tyburn and any remaining springs, a high water table after heavy rains etc. could still result in basement flooding.

Just one of the ways in which the pre-built environment, when the area was all fields streams and ponds, occasionally still bursts through to the 21st century.

A house with a green City of Westminster plaque on the ground floor:

Charles Street

The plaque states that Lady Dorothy Nevill lived in the house from 1873 to 1913:

Charles Street

Born in 1826, she was the daughter of Horace Walpole and Mary Fawkener.

When she died in 1913, obituaries stated that she was one of the more important links between the Victorian and present eras, and that she had lived through the reigns of George IV, William IV, Victoria, Edward VII and George V.

Her obituaries stated that she was “profoundly conscious of the fact that she was connected in blood with many of the leading families in England; but unlike most British aristocrats (remarks the Times), though a keen Conservative in politics, fully alive to the changes that time had brought upon English Society.”

Her support of Conservative politics was such that she “was one of the two or three ladies responsible for the founding of the Primrose League; indeed it is said to have been first suggested at her luncheon table; and every year on April 19 her windows and balconies were covered with primroses”.

The Primrose League (named after the favourite flower of Benjamin Disraeli) was founded in 1883 and was a Conservative supporting, mass membership organisation, formed to promote the aims of the Conservative party across the country, and support the election of Conservative candidates.

The success of the league was such that in ten years, membership had reached over one million, and there were members across the country, including the industrial towns of the north.

There were however, many sceptical of the organisation, and the Edinburgh Evening News on the 2nd of February 1884 was reporting that:

“That latest of Conservative follies, the Primrose League, is pushing its way. A considerable number of people have joined it, and its organisors assert that it will in the course of time become a powerful element of Tory reaction. It has been decided to start a branch of the League at Birmingham, with a view of assisting the candidature of Lord Randolph Churchill.

A correspondent suggests however, that an institution like the Primrose League is more suited for the atmousphere of Belgravia than Birmingham.

It was established by some rather weak-minded Conservatives in the West End of London, and it is not likely that it will be largely supported by the artisans of Birmingham. The League intends to hold a great demonstration on April 19th, the anniversary of Lord Beaconsfield’s death. There is some talk of its members walking through the metropolis in a monster procession.”

Surprisingly, the Primrose League lasted until 2004, when it was disbanded.

Her obituary also remarked that “The Sunday luncheon parties at her little house in Charles Street were the meeting place of people of all kinds of opinion, drawn from many walks of life, though she herself was fond of saying that her society was exclusive, dull people being never admitted”.

I like the description of her house in Charles Street being described as “her little house”, but I suppose that all things are relative for “The Quality”.

Whilst many of the buildings along Charles Street have changed significantly since the street was first developed, there are some original houses, and some of these have had some rather strange additions, such as this terrace house with a stone bay window that looks as if it has been randomly stuck on the building:

Running Footman pub

At the Berkeley Square end of the street there is, what the Historic England listing describes as “Two full height canted bays of 3 sashes each per floor and a 2 storey 2 window extension to left hand”. This is the rear of the Grade II listed 52 and 52A Berkeley Square, which date back to around 1750 and form part of the first development along Charles Street:

Charles Street

Charles Street is an interesting little street. Many of the buildings have an aristocratic heritage, as does the origins of the name of the Footman pub.

It is brilliant that the Footman survives, and the loss of the Red Lion is a shame. I do not know the reasons for the pub’s closure, but I often wonder in the planning decisions for pub conversions, just how much consideration is given to the change in use, and the loss of a community asset.

These converted properties often become trophy assets that add very little to the area.

Theoretically, it should now be much harder to get planning permission for the conversion of a pub.

The London Plan, published by the Mayor of London, includes “Policy HC7
Protecting public houses”
which does appear to provide a strong framework for resisting the conversion of a pub to alternative uses, however I suspect there are always ways and means to get around such constraints.

On a positive note for the area, Charles Street is in the City of Westminster, which in the 2017 London Pubs Annual Data Note (part of the Greater London Authorities Cultural Infrastructure Report), and Westminster had the highest number of pubs of any borough in London with 430,

In second place was Camden with 230 and in third place was Islington with 215. Barking and Dagenham had the fewest number of pubs, with just 20.

I did not take any photos of the Red Lion when it was open, which I regret. You do not appreciate places until they are gone, and this is now one of the reasons why I probably take too many photos of even the most mundane street scene, as you know for sure, that within London – at some point it will have changed.

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St Bride’s Tavern, Bridewell Place, Prison and Palace

In 2020 I wrote a couple of posts on City of London pubs. It was in the middle of the Covid pandemic, and between a couple of lock downs I walked a very quiet City of London, photographing all the old pubs. A project based on what I have learnt from exploring all my father’s photos – it is the ordinary that changes so quickly, and we seldom notice trends or significant changes until they have happened.

Since that post, just three years ago, three pubs have closed. The White Swan in Fetter Lane has been demolished, the Tipperary in Fleet Street has been closed for some time and it is doubtful if it will reopen, and the latest pub to close is the St. Bride’s Tavern in Bridewell Place, which I photographed a couple of weeks ago:

St. Bride's Tavern

It was not down to a post pandemic lack of trade, or any financial problems with the pub, it was that the owner of the property would not let the pub renew the lease in January 2023, so the pub closed on Friday the 23rd of December 2022.

The owner of the land plans to strip back the office block to the right of the pub in the above photo, demolish the pub, and rebuild the building on the right with a new extension where the St. Bride’s Tavern is now located. to create a much large office block.

There was a well supported application to the City of London Environment Department to nominate the St. Bride’s Tavern as an Asset of Community Value, however this did not work, and closure went ahead.

With the trend of recent years for greater working from home, and a general decline in the need for office space, I really do wonder why establishments such as the St. Bride’s Tavern need to be demolished to create new office space.

The City of London was also planning to pivot more towards heritage, culture, arts and tourism as a response to post pandemic working, and retaining pubs would align with this strategy, however the City is being reasonably successful in tempting businesses to move back to the City from Canary Wharf as companies such as HSBC let go of large office space in the Isle of Dogs, in favour of smaller offices in the City.

An image of the new development can be seen on the website of the company that secured planning approval for the development. Click here to see the news item.

The image at top left shows the smaller extension of the new development to the rear of the main building on New Bridge Street, and the details of the development include the statement that there will be a “re-provided public house at ground-floor and part-basement level”, however a pub as part of the ground floor and basement of a modern office block just does not have the character and attraction of a dedicated building.

The building in which the St. Bride’s Tavern was located is not particularly attractive. A post-war development, which does have a rather unusual central bay of windows that runs up to include the second floor. This always looked good in the evening when the bay windows were lit.

The following photo shows St. Bride’s Tavern when it was open back in 2020:

St. Bride's Tavern

Decoration at the top of the bay windows:

St. Bride's Tavern

The pub sign has been removed, however I did photograph the sign back in 2020, which showed the tower of the church after which the pub was named:

St. Bride's Tavern

The pub is a post war building as the pre-war buildings on the site had been damaged during the war.

I am not sure that the site of the pub today is the original site of the pub as in the 1894 Ordnance Survey map it was not marked as a Public House and the building on the site appears to have been occupied by a Police Station of the 3rd Division.

Searching through old newspaper reports about the pub and a St. Bride’s Tavern appears to have been in the street behind the current pub – Bride Lane, for example in the Daily News on Saturday October the 19th, 1901, the pub was up for sale: “Freehold ground rent of £100 per annum, exceptionally well secured upon those fully-licensed premises, licensed as the White Boar, but also known as the St. Bride’s Tavern, Bride-lane, Fleet-street”.

Also, in the East London Observer on the 8th of December, 1900, there was a report on the marriage of Charles Seaward who was the Licensed Victualler of the Drum and Monkey pub in Whitecross-street and Miss Clara C. Wilkins, the manageress of the St. Bride’s Tavern, Bride-lane, Ludgate Circus. The wedding took place at St. Bride’s Church and the wedding breakfast was held in the St. Bride’s Tavern, from where the newly married couple would leave, later in the day, for a honeymoon in Brighton.

In the following extract from the 1894 OS map, I have ringed the current site of the St. Bride’s Tavern in red (and not labelled as a public house), and the pub that I believe was the original White Boar / St. Bride’s Tavern in yellow, and in the 1951 revision of the OS map, the pub in Bride Lane is still marked, with the space of the current pub an empty space (‘Reproduced with the permission of the National Library of Scotland“):

St. Bride's Tavern

The current St. Bride’s Tavern building does extend all the way between Bridewell Place and Bride Lane, so I suspect that the original pub may have wanted a larger site, and had available the land almost directly opposite, with the new pub still retaining an aspect (although the rear) onto Bride Lane.

If the site of the current pub was also the site of the original, it would have faced onto Bride Lane so could have had that address, but it was not marked as a public house in the OS map.

I have marked the site today of the pub with a red circle in the following map (© OpenStreetMap contributors):

St. Bride's Tavern

The St. Bride’s Tavern is named after the nearby church, as the image on the pub sign confirms, however the pub is in Bridewell Place, which is a very historic name and location.

The name Bridewell originally came from a well between Fleet Street and the Thames, which was dedicated to St. Bride. The name Bridewell was also given to what was described as a “stately and beautiful house” built by Henry VIII in 1522.

London Past and Present, by Henry B. Wheatley (1891) provides the following information: “Built by Henry VIII in the year 1522 for the reception of Charles V of Spain. Charles himself was lodged at Blackfriars, but his nobles in this new built Bridewell, ‘a gallery being made out of the house over the water (the Fleet) and through the wall of the City into the Emperor’s lodgings at the Blackfriars”

The Agas map includes an image of Bridewell, alongside the Fleet and part of which looked onto the Thames. In the 16th century the bank of the river was further in land than the river is today:

Bridewell

The following print from 1818 shows Bridewell Palace as it appeared in 1660 © The Trustees of the British Museum):

Bridewell

We can see what was by the 17th century, the narrow entrance to the Fleet, Bridewell on the left bank and part of Blackfriars on the right.

The print provides the following background: “Bridewell in its original state , was a building of considerable magnitude, as well as grandeur, extending from the banks of the Thames southward, as far north as the present Bride Lane, and having a noble castellated front towards the river, the interior was divided into different squares or courts with cloisters, gardens &c. as represented in the vignette. King Henry VIII built this Palace for the entertainment of the Emperor Charles V, but it retained the dignity of a Royal residence only during the former, being converted into an Hospital by Edward VI who gave it to the City for the maintenance and employment of vagrants and Idle Persons and of Poor Boys uniting it in one cooperation with Bethlem Hospital. A very small part of the original structure now remains.”

So if Henry VIII’s Bridewell extended as far north as Bride Lane, then the St. Bride’s Tavern of today is located inside the very northern edge of the old palace.

London Past and Present, by Henry B. Wheatley (1891) provides the following regarding the change in use of the building: “Bridewell, a manor or house, so called – presented to the City of London by King Edward VI, after an appeal through Mr. Secretary Cecil and a sermon by Bishop Ridley, who begged it of the King as a workhouse for the Poor, and a house of Correction ‘for the strumpet and idle person, for the rioter that consumeth all, and for the vagabond that will abide in no place”.

The problem for the new institution was that the availability of food and lodgings in the workhouse attracted people from across London, and it was “found to be a serious inconvenience. Idle and abandoned people from the outskirts of London and parts adjacent, under colour of seeking an asylum in the new institution, settled in London in great numbers, to the great annoyance of the graver residents.”

A number of children that were housed at Bridewell ended up being transported to the United States following a petition in 1618 from the Virginia Company for 100 children of the streets, who have no homes or anyone to support or provide for them. These children became part of the new colony at Jamestown. 

In response to complaints about the numbers attracted to the institution, the City changed parts of the buildings of the Bridewell into a granary, however in 1666 the original house and precincts were destroyed in the Great Fire.

A new house was built in a “more magnificent and convenient manner than formerly”, and these new buildings, based around two central courtyards, can be seen in the centre of the following extract from Rocque’s 1746 map:

Bridewell

In the early 18th century, Bridewell was a place where are “maintained and brought up in the diverse arts and mysteries a considerable number of apprentices”, however “vagrants and strumpets” were still being committed into Bridewell with an average of 421 per year, with a peak of 673 in 1752.

Bridewell took on the role of a prison, and as well as holding a City Magistrates Court, the buildings also had seventy cells for male offenders and thirty for female.

Taking one year, 1743, we can get a view of some of the reasons why Londoners were being taken to Bridewell;

  • Margaret Skylight (a Fortune Teller) was committed to Bridewell for stealing a pair of diamond ear rings
  • On Saturday last a Man was committed to the Bridewell of this City for retailing Spirituous Liquors without a licence
  • Last Wednesday Francis Karver, alias Blind Fanny was committed to Old Bridewell for hawking newspapers, not being duty stamped, contrary to Act of Parliament
  • On Sunday Night last, a Parcel of Link-Men, who generally ply about Temple-Bar, made a sham Quarrel near that place, and got a great number of people together, several of whom had their pockets pick’d, by another Gang of Roques, who mingled with the Crowd, as has been very often practiced. We hear four Rogues have been since committed to Bridewell
  • Yesterday James Williamson was committed to Bridewell by Mr. Alderman Arnold, for attempting to pick the Pocket of one William Burris, last Saturday Night of his Handkerchief; while he was carrying him to the Constable, one of the Gang picked his Pocket of his Watch.

I hope I have the location of all the above correct, as by the early 18th century, the name Bridewell had become a common term for a prison, or place where someone was remanded before being put up before a judge.

In London there was a Bridewell in Clerkenwell and one at Tothill Fields, Westminster, and there were several so called Bridewell’s across the country, including one at Oxford and another at Colchester.

In newspaper reports, the name was often given as Clerkenwell Bridewell or Oxford Bridewell, whereas the original establishment seems to have been referred to as simply Bridewell or Old Bridewell.

The large numbers of apprentices at Bridewell also seem to have caused much trouble in the surrounding area. They were called Bridewell Boys, and also in 1743: “On Thursday Night last about Nine o’clock, as some Bridewell Boys were coming through Shoe-lane, they attacked two women, who ran for refuge into the Salutation Tavern near Field Lane End, the Boys followed them, and to get at them, broke the glasses of the Bar, on which one of them was seized, whereupon the others retired, but soon returned in greater numbers, armed with broomsticks, &c. and demanded their Companion; which being refused, they broke all the Windows, Lamps, and whatever else they could get at; however at length, several of them were secured, and it is hoped will meet with a Punishment due to their Crime.”

Bridewell also makes an appearance in Captain Grose’s “Dictionary of Buckish Slang, University Wit and Pickpocket Eloquence”, or the “1811 Dictionary of the Vulgar Tongue”, with the term Flogging Cove, which was used to describe the beadle, or whipper, in Bridewell.

This print dating from 1822 shows part of the quadrangle at Bridewell, with the male prison, part of the female, and the Great Hall. Note the bars over the windows in the central block, and small windows in the block to the left © The Trustees of the British Museum):

Bridewell

The end of Bridewell as a prison came in the 1860s when the City Prison at Holloway was built in 1863, following which, the materials of Bridewell were sold at auction and cleared away by the following year, with the chapel being demolished in 1871.

Bridewell featured in one of the prints by Hogarth in his 1732 series “A Harlot’s Progress”, and in this print we see Moll, the women featured through the series, still in her finery, as she is beating hemp, along with other inmates, under the watchful eye of a warden © The Trustees of the British Museum):

Bridewell

Although Bridewell prison has long gone, the 1805 former offices of the Bridewell Prison / Hospital and entrance from New Bridge Street survives.

I have taken a photo of the building and its associated plaque several times, but cannot find them (if you knows of a cheap and efficient application for sorting and indexing thousands of digital photos, I would be really grateful), however the wonderful Geograph site came to the rescue, and the Grade II* listed building can be seen here, between the traffic lights:

Bridewell

Looking south down New Bridge Street cc-by-sa/2.0 – © Basher Eyre – geograph.org.uk/p/923440

The St. Bride’s Tavern will soon be similar to Bridewell – just a memory on the ever changing streets of London.

The development proposals apparently include a pub within the ground floor and basement of the new office block, but this will not be the same as the dedicated pub that currently stands on the site.

Three City of London pubs have now closed since my walk in 2020. How many more over the coming years will suffer the same fate?

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Redchurch Street and the Dolphin Pub

If you would like to come on my Limehouse walk, I have just had a couple of tickets come available. Two tickets on Saturday 19th of August, and one ticket on Sunday 20th of August. All other walks are fully booked.

I was unsure about using this 1980s photo as the subject of a blog post, as there did not seem anything of specific interest in the view. The photo was taken at the junction of Bethnal Green Road (not visible, but to the left) and Redchurch Street, the street on the right:

Redchurch Street

I assume the two old columns were the reason my father took the photos. Rather than lighting columns, I believe these are ventilation columns for the toilets below ground:

Redchurch Street

The following photo is looking over to the location of the toilets, some forty years later in 2023. The toilets have gone, one of the columns remains, and a rather strange building now stands over the site of the toilets.

Redchurch Street

The column appears to be the one that was at the rear of the original photos, and has been relocated to the corner of the junction.

Bethnal Green Road is to the left and Redchurch Street is to the right.

Taking a look inside the building over the site of the toilets, and if you look at the far end to the right, it is hard to see, but there is a descent down to below ground level, a handrail on the left and a sloping ceiling. This was presumably the stairs down to the toilet area below.

Redchurch Street

And to the side of the building are the glass tiles which cover much of the area in the 1980s photos, and originally provided light to the space below, which I assume they still do.

Redchurch Street

The toilets in the 1980s photo were typical of the underground toilets found at many locations across London. They were built around the end of the 19th and start of the 20th centuries and were part of the late Victorian drive to improve the city.

They have now nearly all closed. The demands on local authority budgets have meant that facilities such as these, which are not part of their legal responsibilities to provide, were among the first to go.

The one exception is the City of London, and although they have closed their old toilets, they have at least installed new facilities, or included them as a requirement of planning permission for new developments.

Many of these you have to pay to use, however the City does have a number of free to use toilets tucked away in places such as their car parks under London Wall, or at the Minories.

I have been photographing the above ground remnants of these rather enlightened improvements to the City, so perhaps a subject for a future post.

And that was as far as I thought I could go with the two 1980s photos, but as usual with any London scene, there is always something else to discover and learn, and so it is with these photos.

If you look along the street on the right in the first photo at the top of the post, there is a pub sign, with the ground floor of the pub just visible. This was the Dolphin pub, and I have enlarged the section showing the pub sign below:

Dolphin Pub

The Dolphin closed in 2002, and the ground floor is now occupied by a Labour And Wait store, with the floors above presumably being used as residential.

The old pub as it appears in 2023:

Dolphin Pub

There is not that much to discover about the Dolphin. It did not feature in many news reports, or place any adverts as to the excellence of their beers which was typical practice for most London pubs.

The one newsworthy event seems to have been a robbery in 1929, when a Henry Bently, 39, of Scalater Street in Bethnal Green, leant over the bar to take four £1 notes from the till. He was pursued by the landlord, he escaped, but later came forward as he appears to have been a regular at the pub, and therefore well known.

The interesting thing about the 1929 article was that the address was given as Church Street, rather than Redchurch Street as the street is now know, so I started to look at some maps.

Firstly, the map of the area today, and in the following extract, the dark blue circle is around the space where the toilets were located, and you can see the main road of Bethnal Green Road heading south west, at this junction, with Redchurch Street turning off from Bethnal Green Road. The old Dolphin pub is marked by the red circle ( © OpenStreetMap contributors).

Redchurch Street

Looking at some older maps, starting with Smith’s New Plan of London from 1816, and I have again marked the location of the toilets with a blue circle, and Redchurch Street, then called Church Street is surrounded by the red oval:

Church Street

Look to the north of Church Street and you will see a dense area of streets and buildings, which looks different to the streets in the wider area.

Some of the street names should provide a clue as to the name and reputation of the area as this was the Old Nichol, a notorious area of densely populated streets and courts which was inhabited by some of the poorest people in east london.

The streets and buildings of the old Nichol were demolished in the 1890s and the Boundary Estate, which was built on the site, was opened in 1900. Newspaper reports of the opening described the old and new estates as follows:

“One most interesting feature of the Boundary Street Estate is that it has been built on the site of one of the most notorious slum districts in London. This was known as the ‘Old Nichol’, and is described minutely under the title of ‘The Jago’ by Mr. Arthur Morrison’s story ‘A Child of the Jago’.

A population of 6,004 persons were displaced under the Council’s scheme, and the slum clearance revealed a pitiful state of things. In two common lodging houses, 163 people were found to be living. 2,118 people were living in 752 single rooms, and 2,265 in 506 two-roomed tenements. The inhabitants consisted of the poorest classes of unskilled labourers, and in addition to large numbers of button makers, box-makers, charwomen, worker-women and so-called ‘dealers’, included some of the vilest characters in London.

In one small street alone there lived no fewer than twenty ticket-of-leave men. (see below for explanation) These people were transferred to other districts. Of the inhabitants of the ‘Old Nichol’, those who are new tenants on the Boundary Street Estate can be numbered on the fingers of one hand. The present occupants of the dwellings are mainly of the better classes, policemen, postmen, commissionaires, together with a few clergymen, schoolmasters, and Church workers”.

A ticket-of-leave man was a person who had been released from prison on parole, and the ticket-of-leave was the document handed to the person, documenting their status on parole.

The Boundary Estate was opened by the Prince of Wales in March 1900, and we can jump forward to the 1948 revision of the OS map to see the new estate, with the central circular feature of Arnold Circus, with new streets radiating out from the circus (‘Reproduced with the permission of the National Library of Scotland“).

Boundary Estate

In the above map, I have again marked the location of the toilets by the blue circle, and the Dolphin pub by the red circle.

So far, so good, I then went to the 1898 revision of the OS map, which resulted in a bit of a mystery (‘Reproduced with the permission of the National Library of Scotland“).

Old Nichol

In the above map, I have marked the location of the toilets with the blue circle, however to the left, the entire area north of Redchurch Street is shown as blank space, presumably the area demolished ready for the construction of the Boundary Estate.

The strange thing is that the Boundary Estate does not reach all the way down to Redchurch Street, and the Dolphin on the north side of the street had been built a few decades before the above map, and was still in use during the 1890s.

I checked the 1895 edition of the Post Office Directory, and it lists the Dolphin at number 85, along with a full range of businesses along the northern side of the street, including James Julier Fried Fish Shop at number 19, William Padley’s Dining Rooms at number 29, Nathan Bloom, Cabinet Maker at number 53 and Joseph Barker, Undertaker at number 71.

So the northern side of Church Street in 1895 had a full range of businesses, however in the OS map of three years later, the northern side of the street has disappeared, and is the lower boundary of the Old Nichol, that was in the process of being rebuilt as the Boundary Estate.

There were three years between the Post Office Directory and the OS map, and the streets on the northern side could have been demolished in those three years, however the Dolphin demonstrates this probably did not happen, and looking at the 1948 revision of the map shown above, the northern side of Church Street has the same layout of buildings as could be expected from the 1895 directory. It is very clearly not part of the Boundary Estate.

There is another PH for public house on the 1898 map on the north side of Church Street. This was the Black Dog pub, which although long closed, the original building can still be seen.

Whether the OS map shows a more extended area originally planned for rebuild, which was reduced during the development stage, or whether it was simply an error of mapping, it is unusual to find such a significant error in OS maps.

Redchurch Street / Church Street is a very old street. It is the core of the Redchurch Street Conservation Area as defined by the London Borough of Tower Hamlets. Their conservation area document also helps confirm that the northern side of the street was not demolished as part of the Boundary Street Estate.

To illustrate the age of the street, the following is an extract from Rocque’s 1746 map of London:

Bethnal Green Road

The future Bethnal Green Road is to the right. Church Street is within the red oval, however this part of the street is now part of Bethnal Green Road, which today turns a little south, below New Cock Lane and Cock Lane (within the yellow oval), which today is Redchurch Street.

When the extension to Bethnal Green was built, New Cock Lane seems to have changed name to Church Street, and the junction in the 1980s photo is where Bethnal Green Road and the old New Cock Lane diverged.

The change of name from Church Street to Redchurch Street took place at some point in the first half of the 20th century.

It was still Church Street in 1911, where in the census, James Cooper is listed as the Licensed Victuallier of the Dolphin pub, along with his wife Mary, and his sister-in-law Emma Bass who was listed as a General Help.

In the 1921 census, the street is still Church Street, and Cornelia John Alfred was the landlord, living in the Dolphin with his wife Leah.

So the name change seems to have taken place between 1921 and the 1948 OS map.

According to the Tower Hamlets Conservation Statement, the name Redchurch Street comes from the church of St. James the Great which is strange as the church is a reasonable distance east along Bethnal Green Road. The church was the first red brick church in the area when built around 1840, and seems to have given the description of the church to the name of the street. the church closed in the 1980s and is now housing.

The story of the Old Nichol and the Boundary Estate to the north of Redchurch Street is fascinating, and has been on my very long list of subjects for a blog post, however if you would like to read more about the Old Nichol, I can thoroughly recommend “The Blackest Streets: The Life and Death of a Victorian Slum” by Sarah Wise.

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Two Pubs and the Jesus Hospital Estate

Following last week’s post, I am staying in Bethnal Green, and after finding Ron’s Gents Hairdressers, I walked to find the location of the Queen Victoria pub and the Jesus Hospital Estate. The decorative features at the top of the Queen Victoria was the subject of one of my father’s 1980s photos:

Queen Victoria, Jesus Hospital Estate

When I found the pub, it was covered in scaffolding, and whilst the royal coat of arms at the top of the pub are still there, they had been painted white:

Queen Victoria, Jesus Hospital Estate

Unfortunately, my father did not take a photo of the whole pub building. I suspect due to the limited number of photos available when using a film camera. The pub today:

Queen Victoria pub, Barnet Grove

The Queen Victoria is on the corner of Barnet Grove and Wellington Row, a short walk north from Bethnal Green Road towards Columbia Road.

The pub has suffered the fate of so many pubs across London in that it has been converted to residential. The Queen Victoria closed as a pub in 1993.

I have mentioned a number of times in my posts about just how many pubs there were in London prior to the closures that started slowly after the 1940s, and accelerated quickly from the late 1980s onwards, and the location of the Queen Victoria is a prime example, as directly opposite, there was another pub:

Prince of Wales and Queen Victoria pubs, Barnet Grove

In the above photo, the Queen Victoria is on the right and the Prince of Wales is on the left, with Barnet Grove passing between them.

The Prince of Wales closed in 1995, and as with the Queen Victoria, it was converted to residential. Whilst the Prince of Wales has the pub’s name at the top of the corner of the building, there are no coat of arms:

Prince of Wales, Jesus Hospital Estate

The pub did once have the impressive arms of the Prince of Wales, as can be seen in the photo at this link from the alamy stock image site.

The building today is a shadow of its former self. I suspect the arms at the top of the pub were missing in the 1980s as I am sure my father would have taken a photo of them, as well as the Queen Victoria.

Both pubs seem to have opened in the late 1860s, and in the Hackney and Kingsland Gazette on the 28th of May, 1870, the new owner of the Prince of Wales was advertising:

“THE NEW Wine and Spirit Establishment, Conducted by the old caterer for public favour, C.H. Davies, of the ‘Prince of Wales, Barnet-Grove’, who begs to call attention of his friends and the public to his new premises replete with every comfort for the gentleman and mechanic, also to families who can be supplied with every article of the finest description including MALT LIQUOR, from the eminent Brewers of the day; SPIRITS (both foreign and British) of the highest strength and excellence, and WINES of the rarest vintage. Special arrangements have been entered into with the celebrated firm of Messrs. REID & Co. for a constant supply of their Splendid STOUT and PORTER.

Extensive and Commodious Rooms for large or small parties.

An Harmonic Meeting every Tuesday Evening at eight o’clock for gentlemen. An early visit is respectfully solicited.”

By 1907 a W. Tozer was the owner of the Prince of Wales, as in the Eastern Argus and Hackney Times he was thanking “the residents of the district and the public generally for the patronage they have accorded him since he took the proprietorship off this well known and old-established tavern 3 years ago.”

In the same article, it was mentioned that “The United Order of Druids, Baroness Burdett-Coutts Lodge (No. 948) meets at the house on the 1st and 3rd Tuesday in the month.”

The United Order of Druids was more of a fraternal and benefit society, and was open to all classes. I doubt there was much wandering around the streets of Bethnal Green in white gowns.

The branch that met in the Prince of Wales was the Burdett-Coutts Lodge. The lodge was named after Angela Burdett-Coutts, a remarkable women who was known as the wealthiest woman in the country after she inherited a fortune from her maternal grandfather Thomas Coutts, of Coutts Bank.

Angela Burdett-Coutts was a philanthropist who supported a diverse range of projects and causes. The link between the lodge that met in the Prince of Wales and Burdett-Coutts may have come from her charitable activities in the area with social housing and her founding of Columbia Market in 1869.

There are very few newspaper references to the Queen Victoria. Mostly licence changes, and in one report about an “Exciting Quoits Match”, the pub is named as the Queen Victoria Hotel, when a Mr Sayer, who appears to have been their champion Quoits player, was being challenged by Copeman and Wilstead, for £5.

The challenge was to take place on neutral territory at the May Pole in Chigwell. (Quoits is the game where a ring of iron or rope is thrown in an attempt to land it around a peg).

That there were two pubs directly opposite each other (as well as other pubs in the local area), shows the population density in this part of Bethnal Green. One of the reports mentioning the Prince of Wales covered above, may hint at the diverse range of people who lived here where the pub was advertised as having “every comfort for the gentleman and mechanic“.

In the following map, I have marked the locations of the Queen Victoria (red circle) and Prince of Wales (blue circle), and the surrounding streets show a dense network of terrace houses  ( © OpenStreetMap contributors:

Jesus Hospital Estate

Walking north along Barnet Grove, and continuing after the Prince of Wales pub is a short terrace which still retains the shop fronts, when as well as local pubs, this street also had local shops to serve those who lived in the surrounding streets:

Jesus Hospital Estate

The title of this post is “Two Pubs and the Jesus Hospital Estate”, and I have covered the two pubs, but what about the Jesus Hospital Estate?

As a starter, the two pubs are on the southern edge of the “Jesus Hospital Conservation Area”, and I have marked the approximate boundary of the conservation area in the following map  ( © OpenStreetMap contributors:

Jesus Hospital Estate

The area covered by the current conservation area has changed slightly over the years, however it started as an estate in the 17th century when the land was owned by James Ravenscroft in 1670. At that time, this was, as much of Bethnal Green still was, fields and farm land.

In 1679, James Ravenscroft founded the Jesus Hospital Charity in Barnet, Hertfordshire, and he bestowed the land in Bethnal Green to the charity.

The aims of the Jesus Hospital Charity were to provide for the support and maintenance of lady residents living in Ravenscroft Cottages in Wood Street, Barnet.

The charity is still in operation and has expanded the number of properties it owns in Barnet, and now “provides 63 unfurnished dwellings for ladies aged 50 plus, who reside alone and are fit and able to care for themselves”.

James Ravencroft’s son, George, made his name in the manufacture of lead crystal glass. He was primarily a merchant and came into contact with the glass trade after living for a couple of years in Venice.

On his return to London, he set up a glass works in the area of the Savoy, however he left the glass business in 1679, the same year as his father set-up the Jesus Hospital Charity. His father died the following year in 1680 and George died in 1683.

They were both Roman Catholics which, in the final decades of the 17th century, may not have made the family very popular.

In the early 19th century, the land was still being leased from the charity by farmers, and there had been very little change for the past 150 years, however limited building work did commence in the 1820s and 1830s.

One of the problems with the land in Bethnal Green was that it was some distance (given travel options at the time), from the trustees of the charity in Barnett. The trustees rarely visited. I assume they were happy as long as the money from leasing the land continued to flow to fund the charity’s responsibilities.

During a visit, the trustees found that the land had been developed with very poorly constructed, single storey houses, and that many were in a very dilapated condition. The streets in the area were also in a poor state, as were the sewers.

In 1862, a London surveyor based in Bishopsgate, by the name of George Clarkson was appointed to manage the redevelopment of the charity’s land.

The whole area of the Jesus Hospital Estate was cleared of the original buildings, new sewers were built along with new streets, and a total of 372 houses were built, as well as a number of pubs, including the Queen Victoria and the Prince of Wales.

It is these houses that we see when we walk the streets today.

Another old corner shop on the corner of Barnet Grove and Elwin Street:

Barnet Grove

View along Elwin Street, showing a continuous line of almost identical terrace houses:

Elwin Street

With an almost mirror image along Quilter Street, although along this street there is a slight descent in the height of the land, which is accommodated for along the terrace by a step change in height as the terrace progresses, which can be best seen by the white bar that runs along the terrace just below the first floor windows:

Quilter Street

Along the street there are a couple of houses which have pipes set into the wall, with LCC which I assume is for London County Council:

LCC

An example of which rises several feet above street level to a vent:

LCC

The London County Council never owned the houses along the street, but they would have taken responsibility for the sewers, so I wonder if they were installed as part of upgrades to the sewage system, or the Jesus Hospital Charity paid the LCC for drainage work to the houses.

In 1970, the Greater London Council served a compulsory purchase order on the land owned by the Jesus Hospital Charity. The GLC intended to demolish the estate, and there were plans to construct a large road through the area to link Victoria Park with the City.

There were ten years of legal negotiations between the GLC and the charity, and the estate was finally sold to the GLC in 1980 for a sum of £1.2 million.

Proposals for demolition were abandoned as there were many objections, including from the Jesus Hospital Estate Residents Associations which was formed in 1979 to fight against the GLC’s plans.

The Jesus Hospital Estate is today described by Estate Agents as a highly desirable place to live, and to show the incredible rise in house prices in this part of east London, in 1980 the charity sold the whole estate to the GLC for £1.2 million. Today, there is a single terrace house in Barnet Grove for sale, also for £1.2 million, so the sum you could have purchased the whole estate for in 1980 now buys you a single terrace house.

One of the reasons for the Estate Agents description of the area is that there is a large triangular green almost at the centre of the estate:

Jesus Green

This is Jesus Green, but it was not part of the original 1860s development, when the 19th century approach was to pack as many terrace houses into the area as possible.

In the 1949 revision of the OS map, the area covered by Jesus Green today, is shown as a dense area of terrace houses, with an archway under one the houses in Barnet Grove leading into a central courtyard which housed a number of workshops (‘Reproduced with the permission of the National Library of Scotland“):

Jesus Hospital Estate

I cannot find an exact date, or reason for the demolition, however I believe the houses in this central triangle, outlined in red in the above map, were demolished in the 1970s. The LCC Bomb Damage maps show that this central area was almost untouched, so whether demolition was part of the GLC’s rebuilding plans, or for some other reason, I do not know.

I assume that after plans for demolition, road building and redevelopment were abandoned, the central area was turned into the green space it is today.

We can get an idea of what the streets surrounding the central gardens looked like before the houses in the centre were demolished.

The photo below is the view looking east along Quilter Street from Barnet Grove. There are terrace houses along both sides of the street. Quilter Street continued behind where I was standing to take the photo, but today, the central gardens are on one side and terrace houses on the other.

Quilter Street

The name of the open space, Jesus Gardens is a reminder of the charity that owned the land for around 300 years. There are also a number of other reminders in the street names, for example;

Barnet Grove is obviously a reference to Barnet in Hertfordshire, where the charity was based, and where money generated by leasing the land in Bethnal Green was used to fund the homes for women. Barnet Grove predates the 1860s redevelopment so is one of the oldest streets, and street names in the estate.

Quilter Street is named after James Quilter, a solicitor, who was one of the charity trustees, during the 1860s redevelopment of the estate.

Elwin Street was named after the Reverend T.H Elwin, who was the Chairman of the charity at the time of the redevelopment.

The earlier pub advert referred to “the gentleman and mechanic”, so I had a look in the 1921 census to see who was living in Quilter Street, one of the streets of the Jesus Hospital Estate. A very brief sample:

  • At number 34 was Philip Samuel Hurman, aged 45 and listed as a French Polisher for Bradstad Brothers Pianoforte Manufacturer, along with his wife Esther (45), his son Philip Samuel (21) a Carman for Saunders & Nephew Provision Merchants, a daughter Jane (19) who was a Trousers Machinist for Lockwood & Bradley Wholesale Tailors, and a daughter Ivy Lilian (15) who was a Card Board Box Maker for Wright Brothers, Box Manufacturers
  • At number 47 was Frederick Tayor, aged 66, a retired Brewers Cellarman, along with his three daughters, Emily (34), Ellen (32) and Amy (28) who were all Tie Makers, working for J. Paterson.
  • At number 64 was Charles Moore, aged 40, an out of work cabinet maker. He was living in the house with his wife Emily (45), daughters Emily (20) and Rhoda (15) who were both listed as a Tailoress for Rego Clothing Company, and his son James (18) who was a Labourer for a Mr. Loveday, Glass Silverer
  • At number 90 was Wallace Henry Norris (32) who was a Carman for J.E. Read, Carman & Contractor, along with his wife Elizabeth (28) listed as having Home Duties, and their one year old daughter Ada May. There were also three sons aged 14 and below. the 14 year old son was listed as just having left school.

A very small sample of the thousands who lived in the streets of the estate, but they are typical of all I looked at. Manual workers, employed from a young age and the majority working in one of the very many manufacturing industries that were to be found around Bethnal Green in the 19th and early 20th centuries.

The Jesus Hospital Estate is a fascinating area, away from the bustle of Bethnal Green Road and Columbia Road, an estate which owes its existence to a charity in Barnet, Hertfordshire, and an estate that narrowly avoided full demolition by the GLC in the 1970s.

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In Search Of Peckham Pubs

For today’s post, I am back in Peckham, in search of some Peckham pubs. There was a problem with the emailing out to subscribers last Sunday, so sorry if you did not receive the post on Macs Pie and Mash in Peckham. If you want to catch up, the post can be found here.

I am really grateful to some of the feedback to the post which included references to Macs Pie and Mash in a Museum of London book titled ‘Eels, Pie & Mash’, which includes the following reference to Macs: “This shop was previously a launderette until Mary and Roy Brannan took it over in 1976 and called it Simple Simon’s after the children’s nursery rhyme.”

As well as the pie and mash shop, there were a number of other photos of Peckham taken by my father in 1986, which I have not been able to identify, although one photo was easy:

Peckham Pubs, the Greyhound

This is on the Greyhound pub on Peckham High Street. The Greyhound is a corner pub and has one of the visual decorations, representative of the name of the pub, on the roof line at the corner.

There were, and still are, a number of this type of pub decorations across London. I have photographed many of them ready for a blog post, but still have a few more to visit.

After finding the location of the pie and mash shop, I walked north along Rye Lane in the direction of Peckham High Street to find the Greyhound. It was a sunny day when my father took the Peckham photos, however with the demands of a weekly blog I have to visit places when I can, and when the weather is not so good, so I was in Peckham on a grey, January day, however some of the shops in Rye Lane do a good job of adding colour to a grey, flat light:

Rye Lane

Peckham, in common with most other places in London, once had a very large number of pubs. Many of these were still hanging on in the 1980s and 1990s, but the first couple of decades of the 21st century have seen their number decline dramatically.

Local demographic changes, competition from a considerably increased range of eating and drinking places, cost pressures, etc. have all contributed to the closure of so many pubs.

When a pub closes, they are often demolished, or converted to alternative uses. Where the building remains, it leaves a reminder of the social and cultural history of these local institutions, and I found a number of these in Peckham, starting with:

The Hope, Rye Lane

Peckham Pubs, the Hope

The Hope has now been replaced by a Paddy Power betting shop. The name of the pub can still be seen at the top of the façade, along with some of the original decoration below the first floor windows.

The name of the pub, and vertical decoration between the windows of the first floor were originally the same golden colour as the decoration below the windows.

The Hope closed around 2010, when Paddy Power took over the ground floor.

I cannot find exactly how old the pub was, however I did find an intriguing reference in the Morning Advertiser on the 1st of June 1848 which may indicate the age and origins of the pub and the pub name:

“To be LET, TWO good BEER and ALE HOUSES situated on the outskirts of London, doing 20 barrels per month, besides a good rub in tea, coffee, cooked meat, &c – rents all let off, and both free – price £100, or at valuation. Satisfactory reason will be given by applying at 2, Church Lane, Whitechapel; or Mr. Hope, Greengrocer, Rye-lane, Peckham.”

Unfortunately there is no address given for the two good beer and ale houses on the outskirts of London, however the contact details are for a Mr. Hope in Rye Lane.

There is no way I can confirm this given limited research time, and perhaps I am clutching at straws, however perhaps the beer and ale houses were owned by Mr. Hope of Rye Lane, and perhaps he gave his name to one of them.

The South London Observer provided a good source of all the usual reports of happenings in a 19th and 20th century pub, and an interesting theme was the creative advertising for the Hope when a Mr. George Crump was the landlord from around 1916 to the late 1920s. Some examples:

9th December 1916: “PECKHAM’S NOTED BEER AND WINE HOUSE, THE HOPE, 66, RYE LANE. Mr. George Crump begs to inform the residents of Peckham and elsewhere that he is still supplying the best of everything in Wines, Ales etc.”

2nd of June, 1917: “IMPORTANT NOTICE – The restricted output of beer in no way effects the supply at THE HOPE, RYE LANE, PECKHAM, where Mr. George Crump is still providing the finest Mild Ale and Porter at 4d per half-pint for consumption on the premises only. Cellars always well stocked. Noted house for wines.”

George Crump also seems to have been a bit of a composer:

13th March 1926: “GET THAT SUNSHINE FEELING AND VISIT ‘THE HOPE’ RYE LANE, PECKHAM, where you can see an excellent portrait of GEORGE W. CRUMP by that talented artist Lydia Dreams of ‘Popularity’ fame. GET THAT SUNSHINE FEELING, by George Crump and Joe Archer, sung with immense success by Miss Kitty Collier.”

Lydia Dreams was an artist who had a male persona of Walter H Lambert for some of her paintings, one of which, as the above report confirms, was called “Popularity”. This was a remarkable portrait of many of the music hall artists of the early 20th century, where they are shown, crowded together at Lower Marsh and Waterloo Road.

The painting is apparently held by the Museum of London, however the site dedicated to Arthur Lloyd has a copy online here. No idea what happened to the portrait of Mr. George Crump.

His creative advertising for the Hope pub continues:

18th December 1926: “Prepare for the Festive Season. If you want a Really Merry Christmas you must not fail to have your stock of wines. Mr. Geo. Crump of THE HOPE, RYE LANE, is now offering 5,000 bottles of fine DRURO PORT from 2/9 a bottle.”

22nd December 1928: “THE HOPE, RYE LANE, PECKHAM. Truman, Hanbury and Buxton’s Sparkling Ales. Guinness and Bass always in fine condition. Wines from the Wood and in bottle, of the finest quality.

Specialty Douro port from 3/6 per bottle. Cockburn’s. Sandeman’s, Dow’s etc.”

The above advert concluded with the following wonderful rhyme:

“If you’re feeling alone and there’s no one at home, Don’t get the blues or be snappy, But stroll down the Lane in sunshine or rain, Call in The Hope and be happy.”

George Crump seems to have been the landlord of the Hope for around 18 years, as I found a report on the death of Mrs. S. Crump, who must have been his wife:

16th September 1954: “Mrs. S. Crump. A woman who had served the Peckham public house behind the bar of the Hope, Rye-lane for 18 years, died at the Beer and Wine Trade Benevolent Society Homes. Nunhead, aged 82.

Mrs. Susanna Crump, born at Bethnal Green, had spent 40 years in the district. She was very fond of cats and had pictures and ornaments of them all round her little rooms.”

“Chief mourners at Forest Hill included Mr. and Mrs. G.C. Crump of the Bricklayers Arms , Kender Street, New Cross.”

I suspect that one of the chief mourners, Mr. G.C. Crump was George and Susanna Crump’s son as he had the same first initial as the father. He is noted as being of the Bricklayers Arms in New Cross. I have found multiple family generations in the profession of landlord was common in many London pubs.

A short distance along Rye Lane is Rye Lane Chapel. Obviously not a pub, but an institution catering to the more spiritual needs of the local population:

Rye Lane Chapel

The current building dates from 1863 when it replaced the original chapel which had been demolished to make way for Rye Lane Station. The memorial stone of the original 1819 chapel was retained and is now below the pillar on the left of the entrance. The chapel was very badly damaged by bombing in 1943, but was rebuilt and reopened five years later.

Back to Peckham pubs, and at the northern end of Rye Lane, is the junction with Peckham High Street. Directly opposite is an open pub:

The Kentish Drovers

Peckham Pubs, the Kenitish Drovers

The Kentish Drovers is an old pub, but not the one in the above photo. The current location of the Kentish Drovers was originally a bank, and the pub is now a Wetherspoon’s. It was originally on the opposite side of Peckham High Street, in an area which unfortunately was covered by a very large advertising hoarding so I have no idea if any of the original pub building remains.

The earliest reference I found to the Kentish Drovers was from the Morning Chronicle on the 4th of November, 1805, when the leasehold of a cottage was being offered for sale at an auction at “Mr. Mills’s, the Kentish Drovers, Peckham.”

The description of the cottage is an interesting snapshot of Peckham at the start of the 19th century as it was a “small cottage, with garden and forecourt, pleasantly situated in the orchard.”

Peckham was still very rural at the time of the sale of the cottage, and although this was just over 50 years earlier, Rocque’s map shows that Peckham was very rural at the time:

1746 Rocque map of Peckham

I have marked Rye Lane, as in 1746 it was called South Street, presumably as it led south from the large junction at the northern end of the street, where there is an open space at the junction with Peckham High Street and Peckham Hill Street.

There were a large number of pubs around this road junction, and I have marked the location of the Greyhound, on the corner of Peckham High Street and Peckham Hill Street:

The Greyhound

Peckham Pubs, the Greyhound

it is good to see that the Greyhound still has the decoration at the top corner of the building, although today it is a rather plain black and white, unlike the colourful decoration in the 1986 photo.

I was hoping the Greyhound would be open as apparently the four bay Victorian bar back fitting remains, which includes a painting of a greyhound, and the name of the pub in gold mosaic.

I cannot find exactly how old the Greyhound is, the earliest mention being a series of adverts in 1821 for an auction, where catalogues could be collected from the Greyhound, Peckham. The pub today looks to be of later 19th century construction, and given the location of the pub at a major cross roads, I suspect there was a pub here for some years before the current building.

Pubs tend to be associated with beer drinking, but in many pubs the emphasis seems to have been on spirits.

When Mr. R. Phillips took over the Greyhound in 1904 he placed an advert in the South London Observer, where he advertised that he was a “Wine and Spirit Merchant”, and that at the pub, the residents of Peckham could purchase “Special blends of Scotch and Irish Whiskies”, and that he was an “Importer and Bonder of Foreign Wines and Liqueur Brandies”.

On the opposite side of Peckham High Street, is another pub;

The Bun House

Peckham Pubs, the Bun House

The Bun House has a large sign between the second floor windows with the name of the pub, the date, circa 1898, and the brewery name Courage.

As with the Hope pub, it is now closed (January 2012), with the ground floor being occupied by a betting shop.

The date on the building is 1898, which I assume refers to the current building. I suspect that given the location of the pub, there was an earlier version of the Bun House on the same site. Multiple references to the pub call it Ye Olde Bun House, implying that it was of some age, although perhaps this was just a bit of clever marketing.

I cannot find a source for the name. An earlier landlord for the pub was also a sweet seller, so perhaps it was down to the multiple trades that early pubs were often involved with, selling sweets, buns and alcohol, but again this is pure speculation.

As with the Hope, the Bun House had a long connection with one family, as this report from the South London Observer explains:

30th June 1960: “No more a Deveson behind the bar at Ye Olde Bun House – For 46 years, Ye Olde Bun House, Peckham High Street, has had a Deveson in charge. Next Tuesday, the family connection will be severed when the present licensee, Harry, retires from the trade. Harry, now 50, has been licensee at the Bun House, a wine and spirits house since 1930. The inn was established 62 years ago, rebuilt in 1900, and modernised just before World War II.

Mr Deveson took over in 1930 when his father retired, after being the licensee there from 1914. The Devesons have been gradually leaving the public house business – they once had four premises in South London.

Said Sam Lamb, barman at the Bun House since 1944; ‘I don’t know what I shall do when Mr. Deveson leaves. He has been a good friend’.

What will Mr. Deveson do when he leaves? First of all I’ll have a long rest’ he said ‘I am going to live in Kent so I’ll have plenty of fresh air. I shall miss the company at the Bun House.”

I think I found the report on the death of the original Deveson who retired in 1930:

8th September 1944: “The cremation took place yesterday at Honor Oak of Mr. George Ernest Deveson of East Dulwich, a former licensee of Ye Olde Bun House, Peckham High Street, for 30 years, who died on Saturday. He leaves a widow and six children.

One son, Mr. William E. Deveson is the licensee of The Hope, Rye Lane, Peckham and the Princess of Wales, Elephant and Castle, and another son, Mr. F.H. Deveson is now the landlord of Ye Olde Bun House and also of the Foresters Arms, Nunhead.”

Again, an example of both the landlord trade passing through generations, and the wider family running multiple south London pubs, including the Hope in nearby Rye Lane.

One of the first references I could find to the pub was the following report, showing typical pub entertainment in late 19th century Peckham:

24th November 1894: “HODGES’ HARMONIC SOCIETY. A concert under the auspices of Hodges’ Harmonic Society was held on Thursday evening week, at the Old Bun House, High Street, Peckham, when a good company assembled to participate in the excellent programme which has been provided.”

A short distance east along Peckham High Street was:

The Red Bull

Peckham Pubs, the Red Bull

Despite having the name Red Bull, the pub now seems to be known as Barefoot Joe’s Bar, selling cocktails and craft beers. The original Red Bull closed down some years ago and had a number of uses, including retail before opening as a bar in December 2020.

Again, I suspect the Red Bull is much earlier than the current building indicates, as a Red Bull was in Peckham High Street in 1807 when it was mentioned in an advert for a property sale as a place where details of the sale could be collected. The advert shows how at the start of the 19th century, the gardens and orchards of Peckham are starting to be built on:

“A very eligible FREEHOLD ESTATE situate on the north side of the high road from Camberwell, and nearly opposite to the Old Adam and Eve, at the entrance to Peckham; consisting of four pieces of Garden Ground, principally inclosed with brick-walls, and stocked with many standard and wall-fruit trees, a most eligible spot for building upon, having a frontage next the road of 325 feet.”

The Adam and Eve pub mentioned in the advert was to the west of the pubs covered in this post, at 14 Peckham High Street. The building is still there, although the pub has closed.

As the first decades of the 19th century passed, London would cover the fields and integrate what was the village of Peckham into the continuous built environment of south London.

One final pub in this little cluster of pubs around the junction in Peckham High Street:

The Crown

The Crown

The final pub in my initial exploration of Peckham pubs is the Crown, almost opposite the Red Bull, and the Greyhound is a very short distance to the left of the above photo, so with the Bun House and the Kentish Drovers, there were five pubs clustered around this road junction in Peckham High Street.

The size of the pubs also gives some indication that these were expected to be financially successful businesses.

Whilst the building that the Crown once occupied looks to be of the later part of the 19th century, there was a much older pub here, and a reference to the Crown dating to 1774 is the earliest of any of the references to Peckham pubs.

In September 1774, a Mr. Pittit of the Crown in Peckham wrote a letter to a number of newspapers telling of the benefits of a new elixir.

I suspect that the majority, if not all of the pubs covered in this post are much older than the buildings that remain. This was a significant junction of roads in the early village of Peckham, and would have been the obvious place for pubs, not just to serve local residents, but also for those travelling through the village.

The Crown has some interesting newspaper references, including one where the owner was fined for breaching a key wartime law:

6th December 1940: “Black-out fine at Lambeth on Saturday: Miss Rose Miller, the Crown, Peckham High Street, 15s.

As was common practice when a new landlord took over a pub, they would advertise in the local papers, always with an emphasis on the quality of their stock:

3rd August 1895: “HENRY S. ROCKE, (Late of the PRINCE ALFRED, 267, Walworth Road). Wine and Spirit Merchant, Importer and Bonder, has purchased THE CROWN, HIGH STREET PECKHAM. Only the best Articles kept on the Premises.”

And perhaps one of Henry Rocke’s business initiatives was to sell Christmas hampers, which he advertised soon after taking over the pub:

2nd October 1895: “Christmas Half-Guinea Hamper, containing bottles of Fine Brandy or Whisky, Best Gin, Jamaica Rum, Old Port, Pale Sherry, and a packet of Best Tea.”

That is six Peckham pubs. The Greyhound looks to be still open. The Kentish Drovers has moved to the opposite side of the road, the rest are closed.

There are many more pubs in Peckham, some open, many closed, but I will save them for another post later in the year. I am pleased to have found the Greyhound and to confirm that the relief at the top of the building is still there, although not so colourful.

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The Spaniards Inn, Hampstead

Thanks for all the feedback to last week’s series of posts on Eleanor of Castile – very much appreciated. A very different post today, as I am visiting the site of one of my father’s photos, and this is of the Spaniards Inn in Hampstead, photographed in 1948:

The Spaniards Inn

I had to be in Hampstead last week, so used the opportunity to cross this one off my list of my father’s photos to visit, however it was a misty, autumn day. I waited for much longer than the weather forecast predicted it would take for the mist to disappear, and finally had to take a misty comparison photo before I had to leave, so this is the same view today, a misty Spaniards Inn in 2022:

The Spaniards Inn

Different weather, different perspective due to very different cameras, and colour vs. black and white, however, look past that and the two views are almost identical across 74 years.

Even the small triangular pavement between the two car park entrances is still the same. The cars approaching along the road from behind the pub are though very different.

The Spaniards is a very old pub, believed to date back to the 16th century.

As with any pub of such age, there are plenty of stories about the pub, many of which have been repeated in newspapers and books for at least the last 150 years, so may well have a grain of truth.

Regarding the name, I have read two different accounts, firstly that there may have been two Spanish owners of the pub, who killed each other in a duel, secondly, that the pub was named after the Spanish Ambassador to James II.

There are stories that the highwayman Dick Turpin used the pub, and kept his horse in one of the buildings.

What does seem to be true is that the pub played a role in the Gordon Riots. This was in June 1780 when there were violent anti-Catholic riots in London. At the time, Kenwood House, not far from the Spaniards, was the home of the Earl of Mansfield, the Lord Chief Justice. He was rumoured to have pro-Catholic sympathies, so the rioters set out from central London with the intention of burning down Mansfield’s Kenwood House.

The rioters stopped in the large gardens of the Spaniards Inn, and the landlord, along with the Earl of Mansfield’s steward gave the rioters large amount of drink, which gave them time to summon soldiers, and by the time they arrived, the rioters were in no fit state to resist.

The Spaniards Inn also features in Dickens’ book, Pickwick papers where Mrs. Bardell and her friends take the Hampstead Stage to the Spaniards Tea Gardens. The Inn is also mentioned in Bram Stoker’s Dracula, where the vampire hunter Van Helsing, after having supper in Jack Straws Castle, then: “By good chance we got a cab near the “Spaniards,” and drove to town.”

Many of the literary and artistic inhabitants of, and visitors to Hampstead are believed to have visited the Spaniards Inn, including Keats, Shelley, Byron, Hogarth and Constable.

I walked to the Spaniards Inn from Hampstead, firstly walking up to Spaniards Road, where there is one of type of street signs that can be found across Hampstead, which also has a pointing hand symbol indicating the direction to Highgate.

Spaniards Road

The road between Hampstead and Highgate runs along the north and north-western borders of the heath, and the Spaniards Inn can be found at roughly the half way point along the heath’s border. Spaniards Road runs up to the inn, and soon after the road changes name to Hampstead Lane – one of the indicators that the inn has long formed a boundary between Hampstead and Highgate.

The location of the Spaniards Inn is circled in the following map (© OpenStreetMap contributors):

The Spaniards Inn

My father’s photo shows the corner of the Spaniards Inn directly on the road, with a car just coming from behind the pub. To discover why the inn is at such a historic location, we need to zoom out to a wider view of the road that runs to the side of the inn:

The Spaniards Inn

As the road passes the Spaniards Inn, it narrows and bends around the corner of the inn. On the opposite side of the road is a small square building.

This point in the road was the location of a toll gate, and travelers had to pay a toll when passing along the road in the direction of Highgate, as the land to the west of the tollgate was owned by the Bishops of London.

The square building on the opposite side of the road was the 18th century toll gate house.

The Spaniards Inn and the toll gate feature in John Rocque’s 1746 map of London.

In the following extract, I have circled the location of the inn and the gate:

Location of the toll gate

I love the detail that can be found in Rocque’s maps. In the map below, I have zoomed in on the location of the inn and the toll gate. Where the toll gate is located, there is a dotted line across the street (see red arrow), which I assume is a representation of the gate that would have barred the street to allow collection of tolls.

Location of the toll gate

The name Spaniards Gate can be seen above, implying that the gate took the name from the inn. one interesting feature is the way the road is represented on either side of the toll gate. To the right of the toll gate is the Bishop of London’s land. The road looks wider and more defined. To the left of the gate, the road is narrow and seems more like a track.

The toll was collected when you travelled into the Bishops of London land, moving left to right in the above map, and when you passed through the gate, you also started to travel on better roads. Even today, the road widens soon after passing the toll gate heading to the east.

The following print from around 1840 shows a very similar scene to today, although the road and traffic along the road are very different  (© The Trustees of the British Museum).

The Spaniards Inn

As the road between Hampstead and Highgate passes the Spaniards Inn, traffic has to slow as there is not really enough space for two cars to pass through the gap.

The road is a busy road with an almost continuous stream of traffic. It took a while to get some reasonably traffic free photos.

it is remarkable that the toll gate house, and the narrow width of the road has remained as traffic has increased. There have been a number of attempts to remove the toll gate house, and widen the road, for example, one hundred years ago, the Hampstead and St John’s Wood Advertiser on the 14th of December 1922 reported that:

“The proposal to widen the road where it forms a sort of bottle-neck by the Spaniards Inn at the Highgate end of Hampstead Heath, if carried out, would probably mean a destruction of the famous old tavern, and the little brick building that stands opposite to it, on the Kenwood side of the road. In spite of the great volume of traffic on the Spaniards-road itself, on high days and holidays, it is not really a main thoroughfare to anywhere.”

The 1922 proposal to widen the road did not make any progress, and almost 40 years later, in 1961 there was another attempt, as reported in the Hampstead News, Golders Green Gazette and Journal on the 27th of January 1961:

“Tollhouse: Council Must Act – The L.C.C.’s proposed demolition of the Tollhouse at the Spaniards Inn, Hampstead Heath, for road improvements was brought to a head at a meeting of the Hampstead Borough Council at the town hall last night.

Cllr. Richard Butterfield asked the council to approve a motion opposing the demolition because of the historical association and usefulness in helping the traffic problem. He asked that copies of the resolution be sent to the L.C.C., other local authorities involved, local Members of Parliament, and to the Minister of Transport.”

The future of the toll gate even reached the House of Lords when a question was put to the Government on the 2nd of February 1966. Lord Colwyn obviously wanted the toll gate demolished and asked the following question:

“To ask Her Majesty’s Government whether they will arrange for the removal of the obstruction at the Spaniard’s Inn, Hampstead Lane.”

Lord Lindgren, the Parliamentary Secretary in the Ministry of Power replied – “My Lords, I presume that the noble Lord is referring to the old toll gate opposite the Spaniard’s Inn. Her Majesty’s Government have no powers to arrange for its removal. This is a problem essentially for the Greater London Council and the London Boroughs of Barnet and Camden, as the local authorities concerned, and I understand that they will be discussing it soon.”

Lord Colwyn wanted some action, as he replied – “My Lords, I thank the noble Lord very much for his Answer. May I ask whether he would get in touch with the Camden Council and the Barnet Council with a view to moving this obstruction backwards, putting it on Hampstead Heath, or putting up traffic lights? At the moment it causes a terrific traffic block.”

Lord Colwyn was Mr. Frederick Smith. He died not long after asking the above question, and the only reason I can find for appearing to want the demolition of the toll gate was that reports of his death included that he lived in St John’s Wood to the south of Hampstead, so perhaps he travelled along Spaniards Road and felt having the narrow bend in the road was an inconvenience.

The toll gate survived both the plans of the L.C.C. and the attentions of Lord Colwyn, however it would have to wait until 1974 when it would finally be listed as a Grade II building, under the ownership and care of Camden Council.

The following photo shows the toll gate house as seen from the Hampstead side. The oval plaque on the side of the building was put up by the Heath and Hampstead Society to record the function of the building.

Toll gate house

In the above photo, a black and white bollard can be seen at the corner of the building. This was installed in 2008 to provide some protection from the traffic that passes so close to the building.

It is Grade II listed, and the Historic England listing states that the building is inspected regularly and is in good condition.

Just behind the Spaniards Inn is one of the many large buildings that can be found across Hampstead. It is a challenge to walk any distance in Hampstead and not find a blue plaque, and my walk to the Spaniards was no exception.

The building has a blue plaque at the entrance, recording that Dame Henrietta Barnett and Cannon Samuel Barnett lived in the house and that Henrietta was founder of the Hampstead Garden Suburb.

Dame Henrietta Barnett house

The Barnett’s were a married couple that had a significant impact on Hampstead, and on London. On her death in 1936, the Hampstead News dedicated a full page to her life, and the following is an introduction:

“Born 85 years ago, she dedicated herself at an early age to a life of social service. When she was 21 she married Canon S.A. Barnett, who had just been become Vicar of St. Jude’s Whitechapel. This was a very poor district affording ample scope for her unusual abilities and unbounded energy, and she at one threw herself into parish work. In 1875 she was appointed manager of the Forest Gate District School, holding this position until 1897, and from 1876 to 1898 she was honorary secretary of the Metropolitan Association for Befriending Young Students. During this period she found time to engage in promoting homes for workhouse and feeble-minded girls.

It was Mrs. Barnett who started the Children’s Country Holiday Fund, and in 1884 she founded the London Pupil Teachers Association, of which she was President from 1891 to 1907. She also put in much hard work as a member of the committee which formed the Whitechapel Art Gallery.

In 1883 a number of undergraduates from Oxford and Cambridge came, at the suggestion of Mrs. Barnett to live in Whitechapel during the vacations. From this Toynbee Hall developed, and Mrs. Barnett helped her husband enthusiastically in this new field. She later introduced the settlement system in America with great success.

It is, however, as the founder of the Hampstead Garden Suburb that she will be best remembered, at any rate in North West London. Her aim was to establish a healthy community in beautiful surroundings, coupled with architecture and town planning on artistic lines, in a way which did not limit these advantages to the wealthier classes. She formed the Hampstead Garden Suburb Trust, and building was commenced in 1907. All who live in north-west London know what the ‘suburb’ is today.”

The Hampstead Garden Suburb Trust is still in existence, and looks after the more than 5,000 properties and 880 acres of the estate.

Three buildings with some fascinating history. The Barnett’s house, the Spaniards Inn and the toll gate house, all at this historic crossing point between Hampstead and Highgate, and the original western boundary of the Bishops of London land. A boundary that can still be seen on the street today.

Hopefully, both the Spaniards Inn and the toll gate house will still mark the boundary for very many years to come.

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