St Vedas and Foster Lane

This week’s photo finds us in Gresham Street in 1947 looking towards St. Paul’s Cathedral. With the exception of St. Paul’s and the church spires, all the other buildings have been demolished over the years following the war and only the street names and churches provide a tangible link back to the long pre-war period.

St Vedas

The church in the foreground is St Vedas on Foster Lane, a Wren church built following the Great Fire of London.

As with many City churches, the core of the church has been destroyed with only the shell remaining, however the tower still stands and fortunately is structurally sound. It was the raid on the 29th December 1940 that caused the majority of the damage in the area around St. Paul’s. As well as high explosive bombs, over 100,000 incendiary bombs created so many fires that the area was devastated. Only the work of many volunteer fire-fighters managed to save St. Paul’s.

My grandfather had experience of incendiary bombs during one of the many raids that hit the area they were living in just to the west of Euston Station. An incendiary penetrated the flat above and armed with buckets of water and a stirrup pump he managed to put it out before a fire took full hold. If you could get to an incendiary bomb quickly you would have a chance. The problem was the sheer number of them that would fall in a raid with limited numbers of fire-fighters to get to them quickly, or they would lodge in inaccessible places and could not be put out. This, along with the risk of high explosive bombs falling at the same time.

The photo was taken from Gresham Street, looking across Gutter Lane to St Vedas. I spent an hour somewhat optimistically walking around this area trying to get any view of St Vedas from Gresham Street and surroundings for a comparison photo, however with the degree of new building in the area it is impossible. Coming from the Gresham Street area, you do not realise there is a church until you are almost alongside.

The only place I could get a clear photo of St Vedas is from the Cheapside / New Change crossing just across from St. Paul’s where St Vedas still stands proudly in amongst the building of the last 65 years.

St Vedas

A church was established on the site in the twelfth century dedicated to St Vedas who was a French saint, Bishop of Arras and Cambray in the reign of Clovis (who lived from 466 to 511) and apparently performed many miracles on the blind and lame. Following the invasions of the region by tribes in the late Roman period, Vedas helped to restore the Christian Church.

The dedication to St Vedas may have been by the Flemish community in London in the 12th and 13th centuries. It is an unusual dedication for a church in the United Kingdom as there is only one other church that is currently dedicated to St. Vedas which is in Tathwell in Lincolnshire.

Foster Lane was also known in the 13th Century as St Vedas Lane, which was gradually corrupted over time to Foster Lane (the church has also been referred to as St. Foster).

Foster is evolved from Vedast in such steps as Vastes, Fastes, Fastres, Faster, Faister and Fauster. For 100 years or more prior to the Great Fire, the church was known as St. Foster’s and is now also known as St. Vedas alias Foster.

In the 19th century, the interior of St Vedas was described as:

“a melancholy instance of ornamentation. The church is divided by a range of Tuscan columns, and the ceiling is enriched with dusty wreaths of stucco flowers and fruit. The altarpiece consists of four Corinthian columns, carved in oak and garnished with cherubim and palm branches. In the centre above the entablature is a group of well executed winged figures and beneath is a sculptured pelican.”

From 1838 there is a reference that the church did not have stained glass, the windows being covered by transparent blinds painted with various Scriptural subjects.

The following photo from “The Old Churches of London” shows the altarpiece  in St. Vedas before destruction in the war, exactly fitting the 19th century description.

St Vedas

Work on reconstruction of St. Vedas commenced in 1953 and it is now a very bright and simple interior. There is still an altarpiece but without the degree of melancholy ornamentation as in the 19th century description. The following photo is as you enter the church and look down to the altar.

St Vedas And looking back towards the entrance to the church:

St Vedas

The following picture from “The Old Churches of London” provides an interesting view of the surroundings of St Vedas looking towards St. Mary-le-Bow in Cheapside.

St Vedas

This was still at a time when the spires of the City churches stood well above the surrounding buildings.

The spire of St Vedas is unusual when compared to many other Wren churches in that there are no vases to decorate the spire. The contrasting surfaces and cornices, concave and convex, emphasise the angles and on the light and shade across the spire.

It is always interesting to look at the outside of City buildings and on St Vedas I found two boundary markers just to the side of the main door. Interesting is the use of “alias Foster” as part of the name.St Vedas

St Vedas is a lovely church to visit and despite being so close to St. Paul’s and the thousands of people who visit this landmark everyday, and being in the heart of the city, it is a quiet and peaceful church. In the all too brief fifteen minutes I spent visiting the church I was not disturbed by a single person.

The sources I used to research this post are:

  • The Old Churches Of London by Gerald Cobb published 1942
  • London by George H. Cunningham published 1927
  • Old & New London by Edward Walford published 1878

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Building the Foundations of the Royal Festival Hall

I have a number of photos of the Southbank as it was just after the war and prior to any demolition for the Festival of Britain, along with a few photos of the building of the Royal Festival Hall and I thought I had found all my father’s photos of this area of London, however I was recently scanning some more negatives and found a set of photos taken in 1948 as the site was cleared and the foundations for the Royal Festival Hall were being started.

I find these fascinating on a number of levels. The methods of construction, the immediate surroundings and the views of London in the distance.

These photos were taken from the end of the footbridge that ran alongside Hungerford railway bridge.

This first photo is looking directly into what will be the Royal Festival Hall. The area has been cleared and the ground dug out ready for the foundations and building to commence.

The remains of the buildings on the edge of the site are running along the roadway that leads to Waterloo Bridge which is just to the left. St. Paul’s can be seen in the distance standing clear as the tallest building in London. The chimney is on the south side of the river, just further along the Southbank.

Old RFH 1

In the following photo the camera has moved slightly to the left and we can now see the Shot Tower that will remain for the Festival of Britain, and the start of Waterloo Bridge. After the Festival of Britain the Hayward Gallery and Purcell Room would be built in the space occupied by the Shot Tower and along the approach road to Waterloo Bridge, filling the gap between the approach road and the Royal Festival Hall. The Hayward Gallery and Purcell Room are true examples of Brutalist architecture with considerable exposed concrete, very different to the Royal Festival Hall.Old RFH 3

And now further to the left again to see not just the construction site of the Royal Festival Hall but also the construction of the new embankment along the Thames.

Old RFH 4

It is surprising how that, apart from the different types of crane where most building sites now use Tower Cranes, the building site is very much as you find building sites today, however on enlarging the photos to look at the workmen, there is an almost complete absence of any of the protective clothing that would now be considered mandatory.

Trying to take a 2014 comparison photo is next to impossible. The following photo is taken from the end of the Hungerford Foot Bridge looking over towards Waterloo Bridge as close to the above photo as I could get, however the trees and building on the Southbank now completely obscure the view.

DSC_1588

The following photo is looking down into the construction site. Note all the old multi-floor, empty window buildings along the approach road to Waterloo Bridge. These would soon be demolished ready for the Festival of Britain. What was the Shell Centre Downstream building (now converted into apartments) now stands on the site of these buildings and the area behind the Royal Festival Hall.

Old RFH 2And turning to the right we can see on the right hand side the pathway along the side of Hungerford Bridge from Belvedere Road. The buildings in the distance still exist. The church is St. John’s, Waterloo, the building to the left of the church is now the James Clark Maxwell Building of King’s College London. The building to the left of this was the Royal Waterloo Hospital for Women and Children (which closed in 1976) and the building to the left of this is now also part of King’s College London.

Old RFH 5

I took the following photo from the end of the footbridge looking down to what was the ground level pathway between the Royal Festival Hall construction site and Hungerford Bridge. Still a very busy route from Waterloo Station to the foot bridge and across to the north bank of the Thames, but as with the rest of the site a complete change to how it was in 1948.

DSC_1584

The original photos were taken from the same position with the same camera settings, so I was able to stitch my father’s original photos together into a panorama showing the whole of the Royal Festival Hall construction site from the edge of the River Thames to the edge of Hungerford Bridge to provide a complete view of the construction site and the horizon as it was in 1948.

Panorama

The Royal Festival Hall is on a superb position on the south bank of the River Thames with sweeping views from Westminster across to the City. The building was the only permanent part of the Festival of Britain and one of the first major construction projects after the devastation caused by the bombing during the war.

Considering many of the other buildings that were constructed in the post war period, the design and architecture of the Royal Festival Hall works well within the location, is well proportioned and does not brutally dominate the area.

The following photo shows the view from the north bank of the Thames:

trees

I did not really expect to ever take this view as I am a firm believer that London needs more trees and green spaces, however with the river frontage of the Royal Festival Hall the trees tend to obscure the building from the river and the north bank and do not open up a view of the building to the wide sweep of the river and the rest of London as I am sure the original architects intended.

It would perhaps be good to open up this area to provide an unobstructed view of the Royal Festival Hall from the north bank of the Thames and to open up the wide curve of the Thames from Westminster to City from the Royal Festival Hall, and give one of the few good examples of immediate post war reconstruction the visibility it deserves.

You may also be interested in my earlier posts of the Southbank site:

The South Bank – Before the Festival of Britain and the Royal Festival Hall

The Royal Festival Hall – Before, During and After Construction 

 alondoninheritance.com

 

Route 159 – Marble Arch to Shrewsbury

Imagine you are a young Londoner in the late 1940s. Apart from a very brief period being evacuated to the countryside, you spent the whole of wartime in London. National Service then gave you experience of the world outside of London. You want to travel and explore but money is still very tight, international travel is still limited, petrol rationing is still in force, what would you do?

For many Londoners the answer was a bike and the Youth Hosteling Association. Membership of the YHA had reached 100,000 during the war and continued to rise for the first few years after the war due to challenges with travelling outside of the UK and the need for a cost-effective method of travel within the UK.

Cycling magazine had published a series of routes centred on London giving directions and distances across the country. The title of this week’s post is the route covering the 160 miles from Marble Arch to Shrewsbury, route number 159.

Main roads just after the war were very different to roads today. This was before the Motorway network, most long distance goods transport was still via train rather than lorry, and petrol rationing (which did not end until May 1950) restricted the amount of private cars on the road.

So for this week, let’s head out from London, along the old A5 and see how the area around Shrewsbury has changed.

old road

Our first stop is just to the south of Shrewsbury and the ruins of part of the old Roman town of Wroxeter (or ‘Viroconium’), which was the fourth largest city in Roman Britain, almost half the size of Roman London. The town was established in around 58AD and lasted for about 500 years during and for sometime after the Roman occupation.

Wroxeter was on Watling Street which started in the channel ports of Dover and Richborough, to London then up-country following a route with parallels to the original A5 (before the current A5 which has been considerably re-routed). Wroxeter also had a quay on the River Severn which gave the town access to the sea.

I would imagine there would have been considerable travel between London and Wroxeter during Roman times.

Much of the town still lies below ground, however the ruins of the Municipal Baths have been excavated and exposed.

This is how they appeared in the late 1940s:

old wroxeter

And in 2014 as an English Heritage site. Much the same as you would expect for something that has already lasted for over 1700 years.

new wroxeter

Leaving Wroxeter, we continue on the old A5 (now the B4380) and cross the River Severn at Atcham. This is an unusual river crossing as whilst a new, wider bridge was built in 1929 to support increasing levels of traffic, the original bridge built in 1774 was left in place and can still be crossed on foot.

My father took the following photo of the original bridge, with the new bridge in the background in the late 1940s. A summer photo with a slow flowing River Severn and a spot of fishing taking place just into the river.

old bridge

Again, the scene is virtually the same today as my 2014 photo shows. Apart from some minor changes to the river bank and the sand banks in the river, nothing has changed, however I did not have the luck of finding someone fishing in the river.

new bridge

Next we reach Shrewsbury, and one of the first landmarks we pass, just prior to crossing the River Severn to enter the main part of Shrewsbury is Shrewsbury Abbey. The following was the late 1940s view of Shrewsbury Abbey:

old shrewsbury cathedral

And the 2014 view from roughly the same position is below:

new shrewsbury cathedral

A few changes to road layout and street furniture, however very similar to the scene some 65 years ago.

The Abbey is close to the River Severn and unfortunately suffers from flooding relatively frequently. The Abbey was founded in 1083 although today only the nave survives from the original Abbey as it suffered much destruction and damage during the dissolution and the post-reformation period and also during the Civil War as Shrewsbury was a Royalist town.

To enter the centre of Shrewsbury we now cross the English Bridge. Again, this was on the original pre-A5 road from London and Thomas Telford used this bridge as part of the route from London to Holyhead for onwards sea travel to Ireland. The bridge is named the English Bridge as it is facing the road route into the heart of England, whilst the bridge on the opposite side of Shrewsbury continuing the road onwards is called the Welsh Bridge as it is facing the onwards route into Wales.

Although the present bridge is a 1926 rebuild of the bridge completed in 1774, a bridge has been on the site for many centuries.

The following is the late 1940s view of the bridge from the side of the River Severn closest to the centre of Shrewsbury:

old english bridge

And the following is my 2014 photo from roughly the same spot. Incredible how, some 65 years later, the view is almost identical.

new english bridge

And now after cycling 160 miles after leaving central London along the original A5 road with light traffic and through some beautiful countryside, we now reach our destination, the centre of Shrewsbury.

Shrewsbury is a very historic market town and county town of Shropshire. The centre of Shrewsbury has many timber-framed buildings from the 14th and 15th centuries and a street plan that is largely unchanged since the medieval period.

This is how one of the main road junctions appeared in the late 1940s:

old shrewsbury street

And again in 2014, apart from minor changes, very few differences in some 65 years.

new shrewsbury street

The timbered building in the centre of the picture is Henry Tudor House, built in the early 1400s and originally a collection of different shops and houses. Henry Tudor (Henry VII) sought refuge here on his way to the battle of Bosworth. This is where the Tudor dynasty replaced the Plantagenet dynasty as Henry’s army killed Richard III.

This is recorded by a sign on the front of the building:

plaque shrewsbury

And as proof that many of the original lanes and steps have survived, here is Bear Steps in the late 1940s:

old bear steps

And as they remain in 2014:

new bear steps 1

Although many of the views are very similar over a period of 65 years, as with London, the way of life would change dramatically. Roads, transport, tourism would not be the same again. The days of long distance cycling for pleasure and to experience countryside and towns would be soon long gone.

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St. Nicholas, Cole Abbey – A Bombed Church and Film Location

This week’s photo taken in 1947, is looking across to St. Paul’s Cathedral from just south of Queen Victoria Street.

Dads Nicolas Cole

The photo clearly shows the devastation that wartime bombing caused to this area of the city and how amazing that despite this, St. Paul’s survived with relatively minimal damage.

The areas that were bombed were quickly cleared of any standing structures to make these areas reasonably safe, with just rubble, foundations and cellars remaining.

The exceptions to this were the churches of the city which, despite suffering terrible damage, were left standing ready for rebuilding.

The church in the foreground is St. Nicholas, Cole Abbey on Queen Victoria Street. The rebuilt church still stands, however finding the exact location of the original photo is impossible due to the amount of rebuilding and loss of many of the smaller streets.

The following is my 2014 photo:

2014 St Nicolas Cole Abbey

I am not in the exact position, my father’s photo was taken further back towards Upper Thames Street, however I could not get to the point I wanted due to the building that is now across the site.

The view across to St. Paul’s is also totally obscured by building with the exception of the very top of the dome.

As with the majority of City churches, it has been a location for a church for many centuries as the original St. Nicholas, Cole Abbey was founded before 1144. The church on the site was destroyed in the Great Fire and rebuilt by Wren as the first rebuilt after the Fire. The name of the church is somewhat misleading as it was never the site of an abbey. Some sources attribute the name to a derivation of coldharbour.

This is what St. Nicholas Cole Abbey looked like in the 1930s (from The Old Churches of London by Gerald Cobb):

old nicolas

Interesting to compare the 1930s drawing with the rebuilt church of today and admire how accurately the steeple on top of the tower has been rebuilt after complete destruction during the war.

St. Nicholas, Cole Abbey has also featured in film. The excellent Lavender Hill Mob released in 1951 was filmed in a number of London locations, including the bombed landscape between St. Paul’s and the river. The theme of the film is a gold bullion robbery which takes place outside of St. Nicholas when the van carrying the gold is hijacked and driven to a warehouse on the edge of the river.

This film is very well worth purchasing, not just for the story, the excellent Alec Guinness and Stanley Holloway along with a very early appearance by Audrey Hepburn, but also for the many scenes shot in the City just after the war and prior to the start of any rebuilding.

The following still from the film shows the hijacked van with the gold bullion being driven past St. Nicholas:

Lavender Hill Mob 1

And approaching the warehouse with St. Nicholas very clear in the background:

Lavender Hill Mob 2The area is so different today, however fortunately as across the City, the Wren churches continue to provide landmarks to the earlier topography of the City.

The sources I used to research this post are:

  • The Old Churches Of London by Gerald Cobb published 1942
  • London by George H. Cunningham published 1927
  • Old & New London by Edward Walford published 1878
  • And the film “The Lavender Hill Mob” released 1951 (and currently available on a remastered DVD)

alondoninheritance.com

The Canopies and Carving of Queen Anne’s Gate

In tracking down the locations where my father’s photos were taken, there are three distinct categories of photo:

  1. Those with a very recognisable scene
  2. Some have a street name or some other indicator of the location in the photo
  3. Many have no clue within the photo as to where it was taken

Today’s photo falls into the last category. It is one I have looked at many times, mainly fearing that like many London streets from the 18th Century, this one had been lost forever, however whilst tracking down Cockpit Steps for last week’s post I turned a corner and suddenly found myself looking at a street scene where the buildings had hardly changed in 60 years. I had come out of St. Jame’s Park Underground Station, walked up the first leg of Queen Anne’s Gate, turned to the right to head down to Cockpit Steps and found myself facing the same street scene that looked like this over 60 years ago:

Dads original photo QAG

My 2014 photo from the location:

2014 QAG

There have been some minor changes to the buildings, however apart from the ever-present impact of the car, the scene is basically the same.

Queen Anne’s Gate is a fascinating road. It was originally a street and a square. The section nearest the camera was Queen Square and the part furthest from the camera was Park Street. They were separated by a wall until 1873  when the two areas were combined into Queen Anne’s Gate. The building of the wall has many echoes with traffic concerns of today. Queen Square was constructed first, then when Park Street was constructed, residents of Queen Square were so concerned that the road would be used as a cut through for carriages to avoid the traffic of King Street, the Sanctuary and Tothill Street that a subscription was collected for the building of the wall to avoid the residents having the peace of their square disturbed.

The wall was just over halfway down the street and although the wall is long gone, the statue of Queen Anne still stands at this point:

DSC_1287

The street name sign still retains faded versions of the different street names. Note also the plaque underneath the street name sign. There is a another of these on the junction with Carteret Street:

carteret street

This is the symbol for Christ’s Hospital and is used to show that these buildings were owned by Christ’s Hospital. I believe that Christ’s Hospital owned these buildings until as recently as the mid 1990’s. Queen Square was originally the freehold estate of Sir Theodore Janssen, one of the directors of the South Sea Company in 1720, and when the South Sea crash came Queen Square was seized and sold to help pay of the debts of the institution.

The buildings in what was Queen Square (the part of Queen Anne’s Gate covered by my old and new photos) were completed around 1704 in the reign of Queen Anne (1702 to 1714), a monarch that does not get much visibility these days, however she was on the throne at a crucial time in the history of the United Kingdom when the Acts of Union came into force on the 1st of May 1707 which united Scotland and England into the single Kingdom of Great Britain.

Anne was therefore the first Queen of Great Britain and Ireland.

Intriguing to think that these buildings were completed before the act of union and dependent on the outcome of the Scottish vote in September may see a very changed situation.

Queen Anne’s Gate has a large number of Blue Plaques.  The following plaque is for Sir Edward Grey in what was the Park Street end of the road. Sir Edward Grey was the Foreign Secretary at the time of the outbreak of the First World War.

DSC_1345

Other Blue Plaques along the street:

Blue Plaques all

The architecture of the buildings in the original Queen Square part of Queen Anne’s Gate is superb, and the main doors to the majority of buildings have very elaborate decorated wooden canopies, the following being a typical example:

DSC_1356

Also along the buildings are elaborate stone carvings of which the following two are examples:

carved figures

This type of decorative stone carving and the carved wooden canopies were soon to be replaced by the Georgian style of architecture which was neater (less intricate carving) and more magnificent stone work. One of the key drivers behind this change was the considerable number of books published by craftsmen for craftsmen from about 1715, which led to the gradual standardisation of ornamentation. Architectural pattern-books resulted in much standard Georgian architecture across London. These Queen Anne’s Gate buildings were very much the end of an era.

The following map is a repeat of last week’s map showing the location of Cockpit Steps. Queen Ann’s Gate can be seen just to the left of the location of Cockpit Steps. The map also shows how the first part of Queen Anne’s gate is a cut through from St. James Park Underground Station through to Birdcage Walk.

cockpit map 2

As it was in 1940 it continues to be now, and whilst I was stood on the corner waiting to take a photo down what was Queen Square, there was an almost constant stream of people walking from the station area to Birdcage Walk with hardly a glance at the magnificent buildings that are over 300 years old.

The following is a sample of the doors and carved canopies along Queen Anne’s Gate:

DSC_1366

DSC_1364

DSC_1363

DSC_1362I am really pleased to have found the location of this photo. Not just for finding the location, but also that these buildings have survived the developments of the last 60 years.

If you arrive at St. James Park underground station, do not cut straight through to Birdcage Walk, take a detour down Queen Anne’s Gate and admire these superb buildings.

The sources I used to research this post are:

  • Georgian London by John Summerson published 1945
  • London: The Art of Georgian Building by Dan Cruikshank and Peter Wyld published 1975
  • The Face of London by Harold P. Clunn published 1951
  • London by George H. Cunningham published 1927
  • Old & New London by Edward Walford published 1878
  • Bartholomew’s Reference Atlas of Greater London published 1940

alondoninheritance.com

 

Cockpit Steps – A Hidden Alley Leading To Birdcage Walk

Unlike my posts of the previous two weeks, the location of this week’s post was very easy to find and also unlike the previous posts the location has hardly changed and I was able to work out the exact position to take 2014 photos some 65 years after my father took the originals.

The following photo from about 1950 was taken halfway down Cockpit Steps, looking up towards the corner of Dartmouth Street and Old Queen Street. The steps link this corner with Birdcage Walk, alongside St. James Park.

Dads Cockpit 1

The following is my 2014 photo taken from the same location:

My Cockpit 1

The scene is very similar. The lamp-post is still the same and although there is still a post box in the same position, it is a later model.

Walk down the steps, and there is nothing to suggest any history to the location, however the name is a clear indication of what was here a couple of centuries ago as this was the location of one of the three main cock-pits in London (the others were in Whitehall and Drury Lane) where the sport of cock-fighting was held. Whilst to us this is a barbaric sport, for centuries it was very popular and had royal patronage.

The location of the steps is shown in the following map from Bartholomew’s Reference Atlas of Greater London, where they are shown as a continuation of Dartmouth Street, however they do have their own unique identity.

cockpit map 2

The cock-pit was finally taken down in 1816.

The cock-pit was a typical London scene for Hogarth and the following is Hogarth’s view of the cock-pit at the end of Cockpit Steps:

Hogarth_The-cockpit

It is easy to imagine the intrigue, secret meetings and arguments that would have taken place in such a place. It was here that Robert Harley, afterwards Earl of Oxford was stabbed, though not fatally, with a penknife by a French noble refugee, the Marquis de Guiscard who was brought before him and the rest of the Cabinet Council by the Queen’s Messenger, charged with treacherous correspondence with the rival court at St. Germain, whilst drawing a pension from the English Court.

My father’s original photo of the entrance to Cockpit Steps also shows that very little has changed.

Dads Cockpit 2

And my 2014 photo from the same position:

My Cockpit 2

Whilst walking down the steps, I noticed some very worn graffiti carved into the brickwork. Probably wishful thinking but is this one from 1907?

Initials

The lower entrance to Cockpit Steps is from Birdcage Walk and is the location of the original cock-pit. Even on a busy Saturday morning the steps were very quiet. Lots of tourists and walkers passing along Birdcage Walk between Buckingham Palace and Westminster but hardly a glance at this hidden location.

The entrance from Birdcage Walk:

Cockpit Entrance

Looking down Old Queen Street with the entrance to Cockpit Steps in the bottom left:

Old Queen Street

 

The sources I used to research this post are:

  • The Streets of London by Gertrude Burford Rawlings
  • Old & New London by Edward Walford published 1878
  • Bartholomew’s Reference Atlas of Greater London published 1940

alondoninheritance.com

Queen Victoria Street and Upper Thames Street – A Lost Road Junction

Very much like last week’s post, this week’s was initially a bit of a puzzle and I could not locate where the following original photo had been taken.

Dads photo qvs

There are no street names and no instantly recognisable buildings. I could not recall anywhere in central London with two streets joining, separated by a long length of steps. My only clue was the rather dark sign on the right hand side stating Southern Electric and Underground.

After checking the London stations of the Southern Railway I finally found where the photo was taken, but only because the buildings in the middle distance of the photo are still there, the rest of the scene is completely different.

The location is outside Blackfriars Station, looking east up Queen Victoria Street and my 2014 photo from the same position is shown below:

P1020341-BW

The foreground has completely changed, but what confirms the scene is the church tower (St Andrew by the Wardrobe) and the buildings around the church (the building behind the church is the British & Foreign Bible Society and the taller building behind that is the original Post Office Faraday building, opened on the 4th May 1933 and one of the main hubs for London telephone services).

John Stow in his 1603 Survey of London was rather dismissive of the church of St. Andrew, with the single sentence “then turning up towards the north, is the parish church of St. Andrew in the Wardrobe, a proper church, but few Monuments hath it”.

The “Wardrobe” reference in the church name is to the King’s Wardrobe that was moved out of the Tower of London in the reign of King Edward the Third. This was in a great house built by Sir John Beauchampe, Knight of the Garter, Warden of the Sinke Portes and Constable of Dover. He died in 1359 and his executors sold the house to King Edward the Third. Following this sale, the parson of St. Andrew’s complained to the King that “the said Beauchamp had pulled downe divers houses in their place to build the said house.”

As well as the buildings in the foreground, even the level of the streets has been changed with the level on the right being taken up to that of Queen Victoria Street thereby removing the steps at the road junction. It would be good to think that some part of those steps were left and are buried beneath the current street level adding to the layers of history buried beneath the City’s surface.

This small area is also a good example of how continuous development has reshaped London over the years, not just the buildings, but also the main thoroughfares through the City, and how the City has tried to manage the increasing volume of traffic passing within and through the City.

Queen Victoria Street is the main street on the left of both photos. In the long history of London, this, as the name implies, is a recent road.

It was fully opened to the public on Saturday 4th November 1871 and to quote from “The Face of London” by Harold P. Clunn:

“Queen Victoria Street was constructed by the late Metropolitan Board of Works as a continuation of the Victoria Embankment, with the object of providing London with a new main artery from the Mansion House to Charing Cross. It was the greatest improvement carried out in the City of London during the nineteenth century. Not only did it provide invaluable relief to the enormous traffic of Cheapside, but it completely altered the appearance of the City centre.”

The photos also demonstrate how the City has responded in recent decades when even Queen Victoria Street and the centre of the City were unable to manage the increasing volumes of traffic.

In the original photo there is a road that drops away to the right. This is the original route of Upper Thames Street which, with Lower Thames Street was the main through road running parallel to the River Thames and connected to all the short lanes and wharfs leading down to the river.

The following map is from Bartholomew’s Greater London Street Atlas of 1940, with the area of today’s post identified by the red oval.

QVS Map 1

The original photo was taken in front of Blackfriars Station looking up Queen Victoria Street and the road turning right below the steps can be clearly identified in the map as Upper Thames Street.

In recent decades the route of Upper Thames Street has been relocated to run far closer to the river, and rather than joining Queen Victoria Street, it nows runs underneath the river side of Blackfriars Station, underneath Blackfriars Bridge straight into the Embankment.

The following Google map shows the area as it is now with the re-routing of Upper Thames Street.


View Larger Map

Not clearly visible in the 2014 photo is the road, just past the bus stop, that leads down underneath the complex of buildings around Blackfriars Station to Upper Thames Street. This road is Puddle Dock, a reference to the original dock that was on this site.

Stow names this as Pudle Wharfe in 1603 and states almost against this wharf there is “one ancient building of stone and timber, builded by the Lords of Barkley and therefore called Barklies Inne. This house is now all ruine and letten out in severall tenements”

Puddle Dock was also probably the landing place for the first Baynard’s Castle which was built in this area by William the Conqueror. The role of Baynard’s Castle was to protect the western edge of the city as the Tower of London protected the east. The first Baynard’s Castle lasted from the 11th to the 14th century following which it was replaced by the second Baynard’s Castle further to the east.

Development of the Puddle Dock area started in 1952 when the Corporation of London offered the trustees of the Mermaid Theatre the lease of a bombed warehouse at Puddle Dock. The theatre opened in 1959 and is just under the building to the right on the road named Puddle Dock. The theatre has survived many attempts at closure and redevelopment and is now mainly a conference and events centre.

Returning to the original photo, I find it fascinating to look at the people in these photos. The following is an enlargement of the group of people in the centre.

QVS people

The photo was taken on a weekend but note the very formal dress of the men. They have all probably just arrived on a train into Blackfriars and are heading off into the City. The man on the left appears to have a typical pushchair of the time. The adult and child on the right possibly heading down Upper Thames Street to visit the Tower of London?

The streets around them must have seemed permanent. I wonder what they would have thought of the same location today?

The sources I used to research this post are:

  • The Face of London by Harold P. Clunn published 1951
  • London by George H. Cunningham published 1927
  • Old & New London by Edward Walford published 1878
  • Bartholomew’s Reference Atlas of Greater London published 1940
  • Stow’s Survey of London by John Stow, 1603 (Oxford 1908 reprint)

 alondoninheritance.com

A Lost Bank and the Adam and Eve Pub on the corner of Euston Road and Hampstead Road

There are some photos from my father’s collection that I was unsure of whether I could find the location where the photo was taken. This week’s post is a typical example of this type of photo, but also how such a simple photo leads into further investigation of the area where the photo was taken. This is what I wanted to get out of this journey, find the location of where all my father’s photos were taken and increase my knowledge of the history of London.

Two very similar photos taken in the late 1940s show a group of men working on the road at a road junction, with a Bank on the corner behind them.

old hampstead road 2

There was nothing really to identify the location, however on closer examination of the Bank, there is the street name of Hampstead Road. The name on the sign on the right of the Bank cannot be identified so I could not work out the road junction. The angle and the distance does not allow a name to be resolved. So I knew this was in Hampstead Road on a street corner, but where? I have walked Hampstead Road before and could find no location that fits these photos.

I have a number of sources to search, both written and online to try to find locations and I eventually found the location for this one following a search on the English Heritage website searching for a Bank in Hampstead Road. This resulted in a photo of the same bank, identifying the location as on the corner of Hampstead Road and Euston Road, so now I had the location with the photo being taken outside Warren Street underground station looking across the Euston Road to the Bank on the opposite corner.

The junction of Euston Road, Hampstead Road and Tottenham Court Road has changed dramatically over the years since this photo was taken. The Euston Road has been considerably widened with the Euston Underpass being constructed to take traffic along the Euston Road under the junction of Tottenham Court Road and Hampstead Road.

Working along the Euston Road to Great Portland Place underground station shows how the road has been widened at this junction with the road at Great Portland Place being about the original width.

There are still many original building on the south side of Euston Road with Warren Street underground station being one of these that has not changed, therefore the south side marks the original alignment of Euston Road. The north side has all been redeveloped with Euston Tower and the more recent Regent’s Place office buildings. My estimation of where the bank was located is therefore half way across the new road, just over the Euston Underpass.

There was one point that worried me in confirming the location of this photo, there is an Underground sign pointing east along Euston Road, I would have assumed that if this was outside Warren Street it would be pointing to the station, however a quick check confirmed that in the direction of the sign, a short walk along Euston Road is Euston Square underground station, so this sign was directing travellers emerging from the Northern line at Warren Street to the Circle, Hammersmith and Metropolitan lines at Euston Square.

The following is my 2014 photo from roughly the same position outside Warren Street underground station as the original.

P1020335

Very hard to be precise as there has been so much change since the original, and I suspect I should have been more on the current edge of Euston Road slightly to the left. If I have worked out the original road widths correctly then the corner of the Bank in the original photo is roughly where the white truck is in the 2014 photo.

Despite the appearance of this road junction and the surrounding areas, as with anywhere in London there is a considerable amount of hidden history to be discovered.

The following map is from the 1940 edition of Bartholomew’s Reference Atlas of Greater London with the red oval covering the area of today’s post. The junction of Tottenham Court Road, Hampstead Road and Euston Road is under the “J” in the centre of the oval. Warren Street station can just be seen and the photo was taken outside looking diagonally across Euston Road.

Map1

If we cross the Euston Road from Warren Street to the north side we find Euston Tower and the Regent’s Place development. This has completely obliterated Eden Street, Seaton Place, Fitzroy Place, indeed this whole area bounded by Drummond Street and Osnaburgh Street.

Eden Place was probably where the front of Euston Tower is now located and was lost in the widening of Euston Road and the construction of the underpass. Seaton Place was probably at the rear of Euston Tower, this is now a pedestrian walkway between Euston Tower and the other office blocks of Regent’s Place which for some reason is called Brock Street. No idea why the original name could not have been retained.

It was on this corner of Hampstead Road where the Adam and Eve Tavern was located. The location now is probably exactly where the underpass dives under the Hampstead Road, Tottenham Court Road junction. This was built on the original site of the Tottenham Court from which Tottenham Court Road takes its name. The manor was converted to the original Adam and Eve somewhere around 1645. Up until the later part of the 18th century the tavern and extensive gardens were very popular with Londoners. In the road outside the Adam and Eve, Hogarth set the scene for his “March to Finchley” where a military camp had been set-up and the picture shows the disorderly Guards in true Hogarth style on their way to the Finchley Camp as part of the journey to Scotland to meet the Jacobite Pretender (Charles Stuart).

The March to Finchley is shown below:

Hogarth

The Hogarth picture shows two Taverns with the Adam and Eve on the left and the Old Kings Head is on the right. Strange to think that the Euston Underpass is now running left to right across this picture. The King’s Head was demolished in 1906 to make way for the widening of the Hampstead Road. The very narrow road width of the junction at this point had long been a problem as the King’s Head jutted out into the thoroughfare and calls had been made to address this from the start of the nineteenth century.

Also, when the Adam and Eve and Kings Head were at the peak of their popularity, much of this area was countrified and to demonstrate the rural nature of the area, the following advert appeared in The Postman for December 30th 1708 of a house to be let:

“at Tottenham Court, near St. Gile’s and within less than a mile of London, a very good Farm House, with outhouses and above seventy acres of extraordinary good pastures and meadows with all conveniences for a cowman, are, to be let, together or in parcels, and there is dung ready to lay in”

I took the following photo on the east side of Tottenham Court Road looking over towards Euston Tower and Regent’s Place. The Adam and Eve Tavern was roughly where the red traffic lights are now located with Eden Street just in front of Euston Tower.

P1020337

The following photo is the second of the same scene. It is fascinating to compare working conditions of the late 1940s with those of today. Not a single high visibility jacket or traffic cone in sight.

old hampstead road 1

I have recently received some fantastic photos of the Euston Road, Hampstead Road junction and the building of the underpass from John Cinnamond. They show the junction before the widening of the Euston Road and the building of the Underpass.

The first photo, taken in 1961, is looking east along Euston Road. The bank on the left of the photo is the same as the one in my father’s photo, however this now shows the full view of the road.

Euston Road (Looking East From Hampstead Road) - 1961

The next photo, also taken in 1961 is looking west along Euston Road. Warren Street Underground Station is on the left and this is basically the same today, however the very significant change is to the right of the photo. The pub on the corner is the Adam and Eve. All the buildings on the right of this photo were pulled down in order to make way for the widening of the Euston Road and the Euston Underpass. Where the buildings on the right, facing the camera stood, is now the underpass and a bridge over the underpass leading to the north side of Euston Road.

Euston Road (Looking West From Hampstead Road) - 1961

I have repeated one of my photos from earlier in the post. This is looking across to where the pub and the buildings running to the right in the photo above used to stand.

P1020337

 

Now we come to the building of the Underpass. These photos were taken in 1966 and this is looking across to Warren Street Underground station, the curved building to the left of the photo. The pub and buildings in the early photos ran across to the right, where the hoarding can be seen, but have now been pulled down and the Underpass is being built.

Euston Road Underpass Construction - 1966 (01)

And looking in an easterly direction, the Underpass is where the bank used to stand, which would have been roughly left of centre, slightly set back from where the Underpass goes under the road.

Euston Road Underpass Construction - 1966 (02)

One final photo which again is from 1961 and is looking to the west. The lorry is from the company G.E.C. the engineering and electrical conglomerate that failed so spectacularly after trying to turn itself into an internet / communications business at the height of the dot-com bubble. Interesting not only how the urban landscape changes, but also the businesses operating in that landscape.

Euston Road (Looking West From Hampstead Road) - 1961 (02)

An amazing series of photos and I am very grateful to John for sending and letting me include in the post as they complete the story of how this road junction has changed so considerably.

So, one simple road junction in London, but as with most places across London, a fascinating history.

The sources I used to research this post are:

  • London’s Old Latin Quarter by E. Beresford Chancellor published 1930
  • London by George H. Cunningham published 1927
  • Old & New London by Edward Walford published 1878
  • Bartholomew’s Reference Atlas of Greater London published 1940

 alondoninheritance.com

 

The Sunday Pictorial Film Garden Party

This time of year (if you ignore the recent thunderstorms over London and the vagaries of the British weather) is the ideal time for a Garden Party and what could be better than sharing that Garden Party with your favourite British and visiting American Film Stars.

And this is what took place each year between 1947 and 1952 when Morden Hall Park on the edge of South London would host the Sunday Pictorial Film Garden Party in either June or July when up to 25,000 people would regularly attend these events (the Sunday Pictorial became the Sunday Mirror in 1963)

This was an event where you could meet your favourite Film Star and build an autograph collection or get a photo, as well as raising money for the NSPCC and the Church of England’s Children Society.

These are a series of photos taken by my father at the Garden Party at the point where the Stars would enter the garden on a Jeep, and be driven round from stall to stall where you could queue to meet the Star and collect an autograph or a photo.

Despite trying to identify the Film Stars in each of the photos, I have not had any luck. Some possibles but I do not want to name them until I can be sure. Any feedback with names would be appreciated.

The following photo shows one of the Jeeps emerging from the Stars entrance to the Garden Party  and shows the glamour and excitement created for the waiting crowds as each Jeep would emerge with a new set of Film Stars.

The Stars packed into a Jeep including standing on the edge and balancing on the bonnet. A very nervous man with a camera perched somewhat precariously on the very front, the eager crowd looking to see who would be entering and who they could recognise.

film 8

The Associated Pictures on the front windscreens of the Jeeps in the above and below photos shows that these were Film Stars from the Associated British Picture Cofilm 6rporation.

Although in the following photo the Jeep has just passed, look at the faces of the people on the right of the photo. The excitement of recognising someone who up to now you have only seen on the big screen (this was in the days before the Television was a common part of the home  and the cinema was still the main source of entertainment).

film 5

 

film 4

Crowds pressing up against the temporary fencing:

film 7

 

film 3

Perhaps they had run out of Jeeps?film 2

I recognise the actor sitting in the front of this Jeep, but I cannot find his name:

film 1

There are some superb newsreels from British Pathe covering these Garden Parties. A good example being found here.

So, if you visit Morden Hall Park one weekend this summer, this is the type of event it was hosting over sixty years ago and you would be one of 25,000 other people all looking to get an autograph or photo with their favourite Star.

And if you recognise any of the Film Stars in the photos I would really appreciate a comment or e-mail so I can put names to the photos.

 alondoninheritance.com

 

The Royal Festival Hall – Before, During and After Construction

A few weeks ago I published a post about the South Bank before the Festival Hall with some photos taken on the South Bank. This week I want to cover the same area, but this time showing the scene from the north bank of the Thames as this provides a very clear view of how a small area between Waterloo and Hungerford Bridges has changed.

The following photo was taken by my father from the north side of the Thames next to Hungerford Railway bridge in 1948:

Festival 4

Hungerford Railway Bridge is to the right and Waterloo Bridge is on the left hand side, both bridges framing the future site of the Royal Festival Hall. To the left of the photo is the Shot Tower and to the right is the Lion Brewery.

Until the 16th Century, this area was foreshore to the Thames, overgrown with rushes and willows and subject to flooding at high tides. The road behind the Royal Festival Hall, Belvedere Road was the Narrow Wall, a road built on the embankment to the Thames.

From Old and New London (Edward Walford (1878)): The spot between the Belvedere Road and the river between Waterloo and Westminster Bridges – till recently known as Pedlar’s Acre – was called in the fifteenth and sixteenth centuries Church Osiers from the large osier-bed which occupied the spot (an Osier is a type of Willow) This is a plot of land of some historical notoriety. It was originally a small strip of land one acre and nine poles in extent , situated alongside the Narrow Wall and has belonged to the parish of Lambeth from time immemorial. It is said to have been given by a grateful pedlar. (There is also a story that the pedlar’s dog discovered treasure there whilst scratching around in the ground). On Pedlar’s Acre at one time was a public house with the sign of the pedlar and his dog and on one of the windows in the tap-room the following lines were written:

“Happy the pedlar whose portrait we view,
Since his dog was so faithful and fortunate too;
He at once made him wealthy, and guarded his door,
Secured him from robbers, relieved him when poor.
Then drink to his memory, and wish fate may send,
Such a dog to protect you, enrich and befriend”

What ever the truth of this story, it is still fun whilst walking round the Royal Festival Hall to imagine the Pedlar and his dog digging in the willow beds and finding treasure.

Continuing from Old and New London:

Not far from the southern end of Waterloo Bridge on the site now occupied by the timber-wharfs of Belvedere Road and close by the Lion Brewery, which abuts upon the river stood formerly a noted place of public resort known as Cuper’s Gardens. As far back as the eighteenth century if not earlier it was famous for its displays of fireworks.  

The Shot Tower was built in 1826 as part of the lead works on the site for the production of lead shot. The tower is built of brick, with a diameter at the base of 30 feet. The tower tapers slightly so at the top gallery the diameter is 20 feet. The gallery is 163 feet from ground level.

From the gallery, molten lead was dropped to form large shot, half way down the tower was a floor where molten lead could be dropped to make smaller shot.

The Lion Brewery is on the site of a former Water Works where water was taken from the river for distribution to the local area. Pumping water from the river was replaced by a supply from reservoirs on Brixton Hill and the works were removed in 1853. The site then became a brewery which became the Lion Brewery Company Limited in 1866. The building was damaged by fire in 1931, it was then used for a short time for storage and then remained derelict until demolition in 1949 to make way for the construction of the Royal Festival Hall.

The following photo was taken from the same position a few years later during the construction of the Royal Festival Hall in 1950 (judging from the position of the shadow on the river this was taken at the same time as the 1948 photo, some careful planning to get the comparison right). Construction was fast, from the foundation stone being laid by Clement Atlee in 1949 to the hall being opened on the 3rd May 1951

Festival 1

The Shot Tower remains (apart from the gallery at the top) and would remain for the duration of the Festival of Britain. The core of the Royal Festival Hall is under construction, covered in scaffolding and cranes. The new river frontage is also under construction.

The Royal Festival Hall was constructed by the London County Council and was planned as the one permanent building to remain from the overall Festival of Britain site that occupied the South Bank.

The following is my 2014 photo of the same area. I could not get into exactly the same position as my father when he took the original photos as the new foot bridge extends further into the river from the railway bridge.

DSC_1260

The following Festival of Britain postcard shows a model of the site with the Royal Festival Hall on the left of Hungerford Railway Bridge. Difficult to see from this model, but Belvedere Road runs behind the Royal Festival Hall, under the railway bridge and behind the Dome of Discovery on the right. It is incredible how this small area changed in a few years either side of 1950.

Fesitval postcard

On the north bank of the Thames opposite the Royal Festival Hall is Shell Mex House. The following is a painting of the view from Shell Mex House included in the programme for the Festival of Britain. The Shot Tower and Lion Brewery with Waterloo Station in the background.

View from Shell Mex

The text below the picture is typical of the mood surrounding the Festival of Britain, the prospect of a bright future following the long years of war. The Royal Festival Hall is the only remaining building from the Festival of Britain as the rest was quickly removed after the closure of the festival.

Photo focussing on the area around the Shot Tower:

Festival 2

And again showing the Shot Tower and river:

Festival 3

You may also like to read my earlier post covering the site of the Royal Festival Hall and the area towards Waterloo Station before construction started which can be found here.

 alondoninheritance.com