Category Archives: London Churches

Post War London from the Stone Gallery, St. Paul’s – The North and West

For this week’s post, we continue on our walk around the Stone Gallery of St. Paul’s Cathedral, 376 steps and 53 meters from the cathedral floor. We have covered the south and east views and this week it is the turn of the north and south and the first photo is looking roughly due north:

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The street on the left is King Edward Street and the street on the right is St. Martin’s Le-Grand. The large buildings that occupy the space between these were General Post Office buildings  with the larger building in the centre of the photo being the headquarters of the General Post Office.

Whilst the roads are still in the same position, the view again is very different. In the following photo, apart from the streets my only reference points are the building on the extreme left of the photo and the church tower of St. Giles, Cripplegate on the right. These appear to be the only buildings that remains from the immediate post war period.

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Now walk a few feet to the left and look out over to Christchurch Greyfriars.

Newgate Street is running left to right with King Edward Street heading north from Newgate Street.

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And the same view today. The body of the church has been left to this day as it was after being destroyed in 1940. Flower beds now occupy the space where the pews once stood. Apart from the church, the building just behind the body of the church also remains.

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The above photos and the ones below are looking down on the area of Paternoster Square and Paternoster Row.

Paternoster Row was mentioned in the thirteenth century when Stow states that it was built around 1282 and that rents from the houses were used for the maintenance of London bridge. Before the war, this area was well-known for book publishing, distribution and warehousing, a fact that contributed to the intensity of the fires that raged in this area. This trade started well before the 20th century. It was in Paternoster Row in 1720 that William Taylor published Robinson Crusoe after Defoe had tried all over London to sell the manuscript. In 1724 Taylor’s publishing business was purchased by Thomas Longman who had founded the publishing firm of Longman, Green and Company also in Paternoster Row. Longman is still an imprint today, owned by the Pearson publishing company.

The following paragraphs are from the book “The Lost Treasures of London” by William Kent and give some idea of the dreadful loss to the long-established businesses that use to thrive in the City.

“On the night of the 29th December 1940 the bombs rained down here and Paternoster Row was more completely destroyed than any other City thoroughfare of importance. All that remained were a few buildings at the east end. The devastation in respect of books has been indicated by Evan Pughe, the Deputy Chairman of Simpkin Marshall and Co. Ltd:

On the night of the 29th December 1940, Simpkin Marshall, Ltd, the greatest distributor of English books in the world, carrying the largest comprehensive stock, lost approximately four million books when their premises in Ave Maria Lane, Stationers’ Hall Court, Stationers’ Hall, Amen Corner, Paternoster Row and Ludgate Hill, were entirely destroyed by the incendiary bombs of the enemy.

This disastrous fire eliminated everything. All the old records of the business going back a hundred and thirty years were destroyed; and most important of all, the great cataloguing system, the only one of its kind in the world, dating back for a hundred and fifty years. These catalogues were handwritten records of books, cross-referenced, so that books on all subjects could easily be traced. These records could immediately give books that had been published on any subject during the hundred and fifty years covered by them, the publisher, date of publication, the price, the size of the books, etc. They were invaluable and their loss will be felt by the reading public for many years to come.”

As a result of the blitz, Simpkin Marshall went out of business. It is hard to imagine the loss that must have been felt when Londoners returned to their place of work after an air raid and realised not just the loss of the buildings, but also what was held within and long established businesses.

Turning a bit more to the left and peering down we can get a glimpse of the Chapter House and the road that was St. Paul’s Church Yard that closely circled the cathedral.

The five circular shapes just behind the Chapter House are the impressions left by water storage tanks. Access to water was always a problem during the blitz. Damage to water distribution pipes, blocked roads and low tides in the Thames all contributed to the lack of the plentiful supplies of water needed to fight the sheer number of fires that would take hold after a raid. After the Paternoster area was destroyed on the 29th December 1940, the area was quickly cleared and these water tanks were built and kept full ready for the next raid.

Further back can be seen the rectangular shape and surrounding streets of Paternoster Square.

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I was able to frame the following 2014 photo reasonably well using the statue at the bottom right, to take a photo in exactly the same position as my father 67 years ago. The current incarnation of the Chapter House is currently undergoing re-building / restoration work hence the protective covering.

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Now look up again and walk further to the left and out across to the west. In 1947 the Old Bailey with the “Lady of Justice” holding the sword and scales of justice stand well above the surrounding buildings, with the Senate House of the University of London the next tallest building in the distance.

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In 2014, the Old Bailey still stands clear but the rest of the view towards the west is very different. The view of the Senate House is now obscured, and the next tallest building on the horizon is the BT Tower.

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Turning to look further to the left, we can see one of the western towers at the front of St. Paul’s.

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And the same view today in 2014:

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Looking at these towers at the front of St. Paul’s, at the Dome, across the different levels of roof across the cathedral, the many small walkways, along with the many stairways leading up to the heights of the cathedral really bring home the complexity of protecting the cathedral during the air raids of the blitz.

The Very Reverend W.R. Matthews, Dean of St. Paul’s wrote an account of St. Paul’s Cathedral in Wartime published in 1946. The following extract covering the 29th December 1940 brings to life the challenges that the Fire Watchers faced whilst protecting the cathedral. We join the account after the external water supplies have dried up:

“The Watch was now forced back on their reserves and had to rely entirely on stirrup pumps and sandbags. How we blessed the prescience of our commander, who had insisted on having our supplies of reserve water augmented in case of an emergency like that which we now confronted. Tanks, baths and pails full of water with their compliment of crowbars, shovels and other fire-fighting equipment were now liberally installed in all the vulnerable parts of the building and were so arranged that men approaching the scene of the fire from any direction would be certain of finding the necessary appliances to hand. But for these precautions there might well have been a different story to tell of the fate of St. Paul’s that night.

The action in the cathedral became for a while a number of separate battles in which small squads fought incipient fires at different places on and beneath the roofs. Some of the bombs were easily dealt with, as for example that one which fell on to the floor of the Library aisle and was extinguished by Mr Allen and myself. I have a special affection for the scar left by that bomb on the floor – it represents, I feel, my one little positive contribution to the defeat of Hitler ! But some of these battles were arduous and protracted. Bombs which lodged in the roof timber were very dangerous and hard to tackle. More than one of these took three-quarters of an hour before they were put out and had to be attacked by two squads, one from below and the other from above. The lower squad had the additional discomfort of being drenched by the pumps of their more elevated colleagues”.

The account also makes clear the need for a “head for heights” when working in the roof spaces and above the cathedral floor. It is the bravery of the Fire Watchers that we have to thank for the survival of the cathedral.

Now for the final view from the Stone Gallery in 1947 and we are looking out over the southerly of the western towers across the River Thames to Westminster. We can see Waterloo Bridge along with the Shot Tower on the south bank of the Thames.

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And in 2014, the view of the river and Waterloo Bridge remain but there has been considerable change on both banks of the river. In the 1947 photo, the south bank would soon be cleared for the Festival of Britain, after which the site was part occupied by the Shell Centre building then continuous development leading up to the London Eye.

In the foreground in the extreme lower left of the photos is St. Benets, Paul’s Wharf.

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The following map from Bartholomew’s 1940 Reference Atlas of Greater London covers the area to the north of St. Paul’s and shows the streets between St. Paul’s Church Yard and Newgate Street. This was the area shown in the photos covering Paternoster Row and Square and shows the many small streets that were occupied by numerous businesses including that of Simpkin Marshall Ltd. These were soon to be lost with the rebuilding of the area over the coming decades.

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Compare this 1940 map with the Google map of today:

View Larger Map
That completes our walk around the Stone Gallery. The air raid of the 29th December 1940 destroyed a significant part of the surroundings of St. Paul’s and the area has since changed dramatically.

The air raids destroyed not only buildings but also business that had been operating for many years, not to mention the thousands of lives that were lost. That St. Paul’s remains is thanks to the bravery of those who protected the building as the area was covered by a deluge of bombs.

For Londoners, it must have seemed that their City was changing forever almost on a nightly basis.

The following photo is from the Imperial War Museum collection © IWM (D 6412) and was taken in January 1942 and perhaps typifies the atmosphere that must have pervaded many parts of the city.

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The Stone Gallery (and the higher Golden gallery) provide a perfect location to view the wide sweep of London, from Shooters Hill, to Alexandra Palace, the City, Westminster, North and South Bank. The last stone of the cathedral’s structure was laid in 1708 and since that time it has looked down on a City that has changed beyond all recognition and hopefully will continue to do so for many centuries to come.

The sources I used to research this post are:

  • The Lost Treasures of London by William Kent published 1947
  • St. Paul’s Cathedral In Wartime by the Very Reverend W.R. Matthews, Dean of St. Paul’s published 1946
  • The Blitz by Constantine Fitz Gibbon published 1957
  • The City That Wouldn’t Die by Richard Collier published 1959
  • London by George H. Cunningham published 1927
  • Bartholomew’s Reference Atlas of Greater London published 1940
  • The Streets of London by Gertrude Burford Rawlings published 1926
  • And for a detailed minute by minute account I recommend reading The City Ablaze – The Second Great Fire of London 29th December 1940 by David Johnson published 1980

 alondoninheritance.com

Post War London from the Stone Gallery, St. Paul’s – The South and East

Soon after the end of the war, my father climbed the 376 steps from the cathedral floor up to the Stone Gallery at St. Paul’s Cathedral to get the view that only the Stone Gallery can provide of the sweep of London from the City to Westminster. From here he was able to take in what had become of the city that he had grown up in during the long years of the war.

67 years later I climbed the same 376 steps to take in how London had changed over those intervening years.

In this week’s post, the first of two, I will compare the photos he took then with my photos of 2014, however firstly to get our bearings the following Aerofilms photo from before the war shows how St. Paul’s was surrounded by the dense city streets with buildings much closer to the cathedral than they are now. These were not only offices, but also plenty of warehouses with one of the major publishers / book distributors having their office and warehouse just north of St. Paul’s in Paternoster Square. The spires of the city churches still stood clear of their surroundings, but St. Paul’s dominated the area. In view of what was to come it still amazes me that St. Paul’s survived.

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Much of the devastation around St. Paul’s was caused on the 29th December 1940.

Christmas 1940 had been relatively quiet, however on the evening of the 29th December a large bomber force appeared over the City just after 6pm and for just over the next three hours incendiary bombs rained down on the City along with high explosive bombs. This combination caused maximum damage. High explosive bombs would rip buildings apart, exposing their contents to the impact of the incendiaries. During the peak of the raid over 300 incendiary bombs a minute were falling across the City and St. Paul’s quickly became surrounded by a sea of flame, fire crossing over the small streets and debris falling all around.

St. Paul’s was protected by a team of Fire Watchers who had the dangerous job of watching as the bombs fell and getting to an incendiary as quickly as possible to put it out before a fire became established. At one point an incendiary got stuck in the lead dome of the cathedral, where it could not be reached. A moment of danger as a single incendiary could cause a fire that would have engulfed the dome but miraculously it became free as it burned and melted the surrounding lead, and fell away from the dome landing in the Stone Gallery where the Fire Watchers could easily get to it and safely extinguish the danger.

It was not just incendiary bombs that put St. Paul’s at risk. The Fire Watchers also had to deal with a steady stream of flying embers from the surrounding buildings flying across and onto the cathedral. The heat from the concentration of fires stirred up winds that would spread embers quickly to create new fires where bombs had not landed.

The first waves of bombing finished just after 9pm and most of the area around St. Paul’s was ablaze along with many other areas of the City. The Fire Watchers and Fire Fighters worked hard in the dangerous conditions, a low tide not helping with extracting water from the Thames and the constant worry that the next wave of bombers would soon be over. However towards midnight the tide was rising and fog in the channel prevented the next wave of bombers from launching their next series of raids.

Next morning, Londoners awoke to a very different City.

Now join me as we walk around the Stone Gallery. We start looking over towards the south-east of London:

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The remains of the church in the centre of the photo is St. Nicholas, Cole Abbey and just behind is St Mary Somerset. The road between the two churches is Queen Victoria Street. The bridge spanning the Thames is Southwark Bridge and in the distance we can just see the tower of Southwark Cathedral.

The view today is shown in the following photo:

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As with much of the City of London, the church towers provide us with reference points to confirm the location. St. Nicholas, Cole Abbey in the centre of the photo still stands along Queen Victoria Street with the steeple restored on the top of the tower.

Interesting that the River Thames is much more visible in 2014. Most noticeable is that we can now see the rail bridge into Cannon Street Station. The height of the buildings between St. Paul’s and the Thames appear lower than the buildings constructed in the pre-war period. A success of the regulations governing the views of St. Paul’s and surprising that in one area of London at least the buildings are not in a race for height.

Turning slightly to the left, we can now see the full length of Cannon Street Station with the original roof running the whole length from the Thames facing towers through to the station buildings facing onto Cannon Street. The Monument stands clear of surrounding buildings and the tops of the cranes running along the Thames between Billingsgate and Cannon Street can be seen.

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The same view today is shown below:

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Cannon Street has lost the roof and the dominant position it held on the City skyline. The Monument now bravely maintains its position just above the surrounding buildings, but again is not such a prominent landmark on the skyline and all the cranes have been lost along the Thames.

A slightly different view just further to the left.

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And the same view today. the church in the centre of the above photo and just behind the red crane in the following photo is St. Mary Aldermary

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The spire just edging into the bottom of the above photo is the rebuilt spire of St. Augustine, Watling Street and the tower as it was after the war is seen in the following photo from the Stone Gallery.

The building in front of the church in the following photo is the premises of Andersons Rubber Company. One of the buildings that was on the plot to the right of St. Augustine was Cordwainers Hall. In total a succession of 6 livery halls had been on this site from 1440. The one destroyed by bombing was built-in 1909 and was the last on the site as the Worshipful Company of Cordwainers moved to the Law Society in Chancery Lane, then in 2005 moved to the Clothworker’s Hall in the City.

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The view today could hardly be more different. the spire has been restored to the church, the Andersons building has been demolished and not rebuilt and the plot of land immediately to the right of the church are now gardens and pedestrian areas.

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The small road that runs past the church and Andersons in the original photo which is now a pedestrian walkway was the end of Watling Street where is ran straight to the St. Paul’s Church Yard road that ran close around the cathedral. Pre-war, although St. Paul’s was the tallest building in London and so dominated the skyline, it was ringed on all sides by a tight network of roads and buildings. Re-building since the war has opened up the immediate cathedral surroundings.

We continue on our walk around the Stone Gallery, this time we have moved a bit further to the left and are now looking across to the centre of the City.

The tower of St. Mary-le-Bow still stands along Cheapside next to the burnt out shell of the church.

The road running across the photo at the back of the car park is Friday Street. So called due to the fishmongers who had their homes here and serving Friday’s market. A survival from the days when fish was eaten on a Friday. This street has now been lost under the One New Change development.

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The city skyline in the above photo is as it has been for hundreds of years with only the church towers and steeples rising above the surrounding streets. How different this now looks in 2014:

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As well as One New Change in the foreground, the road in front, New Change is a new routing of the original road Old Change that ran directly behind St. Paul’s, so close that it is obscured in the original photo.

In the City, the march of the new towers continues with Tower 42 on the left followed by the Gherkin, the Cheesegrater and the WalkieTalkie just appearing on the right.

Now for the final photo of this week’s walk around the southerly and easterly aspects of the Stone Gallery and we are looking roughly north-east at St. Verdast alias Foster on Foster Lane.

Note in the top right corner is the shell of the Guildhall. The Guildhall suffered badly on the night of the 29th December when the fire spread from the neighbouring church of St. Lawrence Jewry. The roof was destroyed and the wooden figures of Gog and Magog from 1708 were reduced to ashes, along with about 25,000 volumes from the library.

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And today’s photo of the same area, which I admit I did not realise I took a bit too low and cut of the top of the spire on the church. That is what comes with trying to balance an iPad with the original photos and a camera at the same time and not checking afterwards!

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To get a view of the streets around St. Paul’s and how they have changed, the following map is from Bartholomew’s 1940 Reference Atlas of Greater London. The original Old Change was between St. Augustine and St. Paul’s. This has been re-routed to the right and renamed New Change from which the development that is now on top of Friday Street takes its name. Watling Street and Cannon Street ran straight up to St. Paul’s Church Yard. This junction and the building plot where Cordwainer’s Hall was located are now gardens and pedestrian areas.

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Compare this 1940 map with the Google map of today:

View Larger Map

The following photo by the Daily Mail photographer Herbert Mason taken on the 29th December 1940 looking across Ludgate Hill towards St. Paul’s and now in the Imperial War Museum collection gives an impression of the scene with fires raging around the cathedral (photo © IWM (HU 36220A))

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Join me next week as I continue the walk around the Stone Gallery to view the North and Westerly views.

The sources I used to research this post are:

  • The Lost Treasures of London by William Kent published 1947
  • The Blitz by Constantine Fitz Gibbon published 1957
  • The City That Wouldn’t Die by Richard Collier published 1959
  • London by George H. Cunningham published 1927
  • Bartholomew’s Reference Atlas of Greater London published 1940
  • The Streets of London by Gertrude Burford Rawlings published 1926
  • And for a detailed minute by minute account I recommend reading The City Ablaze – The Second Great Fire of London 29th December 1940 by David Johnson published 1980

 alondoninheritance.com

 

A Walk In And Around St Mary-le-Bow

St Mary-le-Bow in Cheapside is one of the more well-known of the City churches being home to Bow Bells. The church also has one of the finest Wren steeples which, unlike the church adjacent to the steeple, survived wartime bombing.

My father took the following photo just after the war from Friday Street looking across the ruins of the city towards St Mary-le-Bow

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Friday Street is now lost under the One New Change development. Friday Street was on the south side of Cheapside, roughly halfway between Gutter Lane and Wood Street on the northern side, and ran down to Watling Street. The tower and steeple appear relatively unscathed from the outside unlike the church to the lower right which, although external walls remain, has been gutted and is now an empty shell. Within the tower fire did cause much damage and as a result the bells crashed to the ground.

As with many of these photos taken just after the war, it is impossible to take a comparison photo today. The space in between is now full of office blocks with no chance to get any view of the church.

St Mary-le-Bow is now best viewed from Cheapside and the small square adjacent to the church from where the beauty of the spire can be admired.

A Church has stood on the site of St Mary-le-Bow for many centuries. The church to the right rather than the tower is the original site of the church. Apparently when the church was rebuilt after the great fire Wren brought the tower forward onto Cheapside and connected the tower to the church with the vestibule which can be seen in the above photo as the brick wall between tower and church.

As evidence of the age of the church, below is an 11th century crypt constructed when the church was rebuilt by Lanfranc of Canterbury as his London headquarters.

The crypt, although with some changes resulting from reconstruction of the church above following the great fire and wartime bombing is in fine condition and can still be visited with two entrances, either through the vestibule or through a small set of steps at a corner of the church in the square outside.

Part of the crypt of St Mary-le-Bow which also extends to the left of the photo.

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Following the great fire, Wren planned the reconstruction of the church. The original tower was not badly damaged and much money was spent on attempted restoration, however re-building was eventually found to be inevitable. This is when the decision was taken to emphasise the importance of the church by rebuilding with a magnificent tower and bringing the tower forward to Cheapside. The former church stood about forty feet southwards of Cheapside and in order to bring the new tower forward to the line of the street the site of a house not yet rebuilt after the fire was purchased.

The accounts for the rebuilding of the tower show the expense that was put into the construction:

To Thomas Cartwright and John Thompson, Masons, for building ye whole Stone wall inside and outside of ye New Tower of Bow from ye pavement to ye top of ye first great cornice with ye winding Staires ye Great Neech Portalls Pillasters windows and carvings according to contract by the great bearing date March  3 1676 – £1600

ffor building from ye top of ye first great Cornice to ye top of ye round Cornice according to Contract signed Septr. 22, 1676 – £2550

from ye Top of ye Cornice over ye Ionick Pillars to the top of ye Cornice under ye Pedestall, ffeb. 27, 1679 – £467, 1, 6

from ye Top of ye Cornice under ye first pedestal to ye under side of ye Spire, June 27, 1679 – £295, 16, 6

about finishing ye Piramids Pinicles and other works of ye Tower, June 8, 1680 – £551, 16, 0

The accounts continue to list in detail the various items and costs for the construction of the Tower which finally amounted to £7,388 8s 7d which must have been a considerable sum in 1680, with a further £8,033, 0s, 5d spent on the church resulting in a combined total of £15,421, 9s, 0d which is by far the most spent on the reconstruction of any of the City churches. For comparison, St. Lawrence Jewry was the next most expensive at £11,870 which really highlights the importance of St Mary-le-Bow.

The tower and steeple are best viewed from Cheapside.

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And from the small square adjacent to the church, we can admire the detail of the steeple. The steeple is 224ft in height and is second only in height to St. Brides.

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My father also took another photo from roughly the same spot as the first showing the full height of the spire:

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Rebuilding after the war was carried out between 1956 and 1964. The light inside the church along with the white walls, blue panels, gold decoration and stained glass is magnificent:

St Mary-le-BowUnlike the tower and steeple, the main church building is very difficult to view from a distance. The main church is surrounded by buildings and the best viewing point is from the small square outside the church. The following photo shows the church with the tower to the left. It was possible to get a bit further back, however the tree then obscured much of the church. Even so, you can see from my father’s original photo that although the core of the church was gutted, the walls remain to this day.

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The statue to the left of the photo is Captain John Smith, a former parishioner of the church. It was Captain John Smith who was leader of the Virginia Colony and was the first English explorer to map the Chesapeake Bay area and New England during the British settlement along the east cost of the United States.

As always, I find it fascinating to walk around a building to see what can be discovered on the external walls. Hiding at the top of the walls are these headers to rain water down pipes continuing a long tradition of dating and decorating these architectural features. A visible reminder of the rebuilding of the church after the war.

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There is also a plaque removed from the church of All Hallows, Bread Street commemorating that John Milton was baptised in All Hallows.

All Hallows, Bread Street was a victim of the gradual consolidation of parishes over the centuries. It was not just the Great Fire of London and the Blitz that destroyed the City Churches, there was an ongoing process of consolidation. As well as All Hallows, St. Pancras, Soper Lane was also united with St. Mary-le-Bow.

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On the corner of the tower you will also find the following carving:

St Mary-le-Bow

This is nothing to do with the function of the church, they are found carved on buildings, bridges and walls across the United Kingdom.

They are Ordnance Survey Bench Marks carved into structures that are likely to be long-lasting and stable to provide a height reference. The horizontal line is the height reference above the Ordnance Survey datum.  This was used in the re-levelling of Greater London between 1931 and 1934 and established a height of 56.269ft above mean sea level at Newlyn in Cornwall (the Ordnance Survey datum for measuring heights above sea level). So if you now walk along Cheapside, past St. Mary-le-Bow, at least you know the height above sea level !

St Mary-le-Bow has always been a prominent landmark in Cheapside, a very busy route between Bank and St. Paul’s.  The following view taken from an early postcard shows how the steeple stood well above the surrounding buildings and then as now a clock on the front of the tower kept the busy people of Cheapside well-informed of the time of day.

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A fascinating church and I have not even covered the story of the Bow Bells, the nursery rhyme , Dick Whittington etc. as these are all well documented elsewhere.

The sources I used to research this post are:

  • The Old Churches Of London by Gerald Cobb published 1942
  • London by George H. Cunningham published 1927
  • Old & New London by Edward Walford published 1878

alondoninheritance.com

St Vedas and Foster Lane

This week’s photo finds us in Gresham Street in 1947 looking towards St. Paul’s Cathedral. With the exception of St. Paul’s and the church spires, all the other buildings have been demolished over the years following the war and only the street names and churches provide a tangible link back to the long pre-war period.

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The church in the foreground is St Vedas on Foster Lane, a Wren church built following the Great Fire of London.

As with many City churches, the core of the church has been destroyed with only the shell remaining, however the tower still stands and fortunately is structurally sound. It was the raid on the 29th December 1940 that caused the majority of the damage in the area around St. Paul’s. As well as high explosive bombs, over 100,000 incendiary bombs created so many fires that the area was devastated. Only the work of many volunteer fire-fighters managed to save St. Paul’s.

My grandfather had experience of incendiary bombs during one of the many raids that hit the area they were living in just to the west of Euston Station. An incendiary penetrated the flat above and armed with buckets of water and a stirrup pump he managed to put it out before a fire took full hold. If you could get to an incendiary bomb quickly you would have a chance. The problem was the sheer number of them that would fall in a raid with limited numbers of fire-fighters to get to them quickly, or they would lodge in inaccessible places and could not be put out. This, along with the risk of high explosive bombs falling at the same time.

The photo was taken from Gresham Street, looking across Gutter Lane to St Vedas. I spent an hour somewhat optimistically walking around this area trying to get any view of St Vedas from Gresham Street and surroundings for a comparison photo, however with the degree of new building in the area it is impossible. Coming from the Gresham Street area, you do not realise there is a church until you are almost alongside.

The only place I could get a clear photo of St Vedas is from the Cheapside / New Change crossing just across from St. Paul’s where St Vedas still stands proudly in amongst the building of the last 65 years.

St Vedas

A church was established on the site in the twelfth century dedicated to St Vedas who was a French saint, Bishop of Arras and Cambray in the reign of Clovis (who lived from 466 to 511) and apparently performed many miracles on the blind and lame. Following the invasions of the region by tribes in the late Roman period, Vedas helped to restore the Christian Church.

The dedication to St Vedas may have been by the Flemish community in London in the 12th and 13th centuries. It is an unusual dedication for a church in the United Kingdom as there is only one other church that is currently dedicated to St. Vedas which is in Tathwell in Lincolnshire.

Foster Lane was also known in the 13th Century as St Vedas Lane, which was gradually corrupted over time to Foster Lane (the church has also been referred to as St. Foster).

Foster is evolved from Vedast in such steps as Vastes, Fastes, Fastres, Faster, Faister and Fauster. For 100 years or more prior to the Great Fire, the church was known as St. Foster’s and is now also known as St. Vedas alias Foster.

In the 19th century, the interior of St Vedas was described as:

“a melancholy instance of ornamentation. The church is divided by a range of Tuscan columns, and the ceiling is enriched with dusty wreaths of stucco flowers and fruit. The altarpiece consists of four Corinthian columns, carved in oak and garnished with cherubim and palm branches. In the centre above the entablature is a group of well executed winged figures and beneath is a sculptured pelican.”

From 1838 there is a reference that the church did not have stained glass, the windows being covered by transparent blinds painted with various Scriptural subjects.

The following photo from “The Old Churches of London” shows the altarpiece  in St. Vedas before destruction in the war, exactly fitting the 19th century description.

St Vedas

Work on reconstruction of St. Vedas commenced in 1953 and it is now a very bright and simple interior. There is still an altarpiece but without the degree of melancholy ornamentation as in the 19th century description. The following photo is as you enter the church and look down to the altar.

St Vedas And looking back towards the entrance to the church:

St Vedas

The following picture from “The Old Churches of London” provides an interesting view of the surroundings of St Vedas looking towards St. Mary-le-Bow in Cheapside.

St Vedas

This was still at a time when the spires of the City churches stood well above the surrounding buildings.

The spire of St Vedas is unusual when compared to many other Wren churches in that there are no vases to decorate the spire. The contrasting surfaces and cornices, concave and convex, emphasise the angles and on the light and shade across the spire.

It is always interesting to look at the outside of City buildings and on St Vedas I found two boundary markers just to the side of the main door. Interesting is the use of “alias Foster” as part of the name.St Vedas

St Vedas is a lovely church to visit and despite being so close to St. Paul’s and the thousands of people who visit this landmark everyday, and being in the heart of the city, it is a quiet and peaceful church. In the all too brief fifteen minutes I spent visiting the church I was not disturbed by a single person.

The sources I used to research this post are:

  • The Old Churches Of London by Gerald Cobb published 1942
  • London by George H. Cunningham published 1927
  • Old & New London by Edward Walford published 1878

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St. Nicholas, Cole Abbey – A Bombed Church and Film Location

This week’s photo taken in 1947, is looking across to St. Paul’s Cathedral from just south of Queen Victoria Street.

Dads Nicolas Cole

The photo clearly shows the devastation that wartime bombing caused to this area of the city and how amazing that despite this, St. Paul’s survived with relatively minimal damage.

The areas that were bombed were quickly cleared of any standing structures to make these areas reasonably safe, with just rubble, foundations and cellars remaining.

The exceptions to this were the churches of the city which, despite suffering terrible damage, were left standing ready for rebuilding.

The church in the foreground is St. Nicholas, Cole Abbey on Queen Victoria Street. The rebuilt church still stands, however finding the exact location of the original photo is impossible due to the amount of rebuilding and loss of many of the smaller streets.

The following is my 2014 photo:

2014 St Nicolas Cole Abbey

I am not in the exact position, my father’s photo was taken further back towards Upper Thames Street, however I could not get to the point I wanted due to the building that is now across the site.

The view across to St. Paul’s is also totally obscured by building with the exception of the very top of the dome.

As with the majority of City churches, it has been a location for a church for many centuries as the original St. Nicholas, Cole Abbey was founded before 1144. The church on the site was destroyed in the Great Fire and rebuilt by Wren as the first rebuilt after the Fire. The name of the church is somewhat misleading as it was never the site of an abbey. Some sources attribute the name to a derivation of coldharbour.

This is what St. Nicholas Cole Abbey looked like in the 1930s (from The Old Churches of London by Gerald Cobb):

old nicolas

Interesting to compare the 1930s drawing with the rebuilt church of today and admire how accurately the steeple on top of the tower has been rebuilt after complete destruction during the war.

St. Nicholas, Cole Abbey has also featured in film. The excellent Lavender Hill Mob released in 1951 was filmed in a number of London locations, including the bombed landscape between St. Paul’s and the river. The theme of the film is a gold bullion robbery which takes place outside of St. Nicholas when the van carrying the gold is hijacked and driven to a warehouse on the edge of the river.

This film is very well worth purchasing, not just for the story, the excellent Alec Guinness and Stanley Holloway along with a very early appearance by Audrey Hepburn, but also for the many scenes shot in the City just after the war and prior to the start of any rebuilding.

The following still from the film shows the hijacked van with the gold bullion being driven past St. Nicholas:

Lavender Hill Mob 1

And approaching the warehouse with St. Nicholas very clear in the background:

Lavender Hill Mob 2The area is so different today, however fortunately as across the City, the Wren churches continue to provide landmarks to the earlier topography of the City.

The sources I used to research this post are:

  • The Old Churches Of London by Gerald Cobb published 1942
  • London by George H. Cunningham published 1927
  • Old & New London by Edward Walford published 1878
  • And the film “The Lavender Hill Mob” released 1951 (and currently available on a remastered DVD)

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Queen Victoria Street and Upper Thames Street – A Lost Road Junction

Very much like last week’s post, this week’s was initially a bit of a puzzle and I could not locate where the following original photo had been taken.

Dads photo qvs

There are no street names and no instantly recognisable buildings. I could not recall anywhere in central London with two streets joining, separated by a long length of steps. My only clue was the rather dark sign on the right hand side stating Southern Electric and Underground.

After checking the London stations of the Southern Railway I finally found where the photo was taken, but only because the buildings in the middle distance of the photo are still there, the rest of the scene is completely different.

The location is outside Blackfriars Station, looking east up Queen Victoria Street and my 2014 photo from the same position is shown below:

P1020341-BW

The foreground has completely changed, but what confirms the scene is the church tower (St Andrew by the Wardrobe) and the buildings around the church (the building behind the church is the British & Foreign Bible Society and the taller building behind that is the original Post Office Faraday building, opened on the 4th May 1933 and one of the main hubs for London telephone services).

John Stow in his 1603 Survey of London was rather dismissive of the church of St. Andrew, with the single sentence “then turning up towards the north, is the parish church of St. Andrew in the Wardrobe, a proper church, but few Monuments hath it”.

The “Wardrobe” reference in the church name is to the King’s Wardrobe that was moved out of the Tower of London in the reign of King Edward the Third. This was in a great house built by Sir John Beauchampe, Knight of the Garter, Warden of the Sinke Portes and Constable of Dover. He died in 1359 and his executors sold the house to King Edward the Third. Following this sale, the parson of St. Andrew’s complained to the King that “the said Beauchamp had pulled downe divers houses in their place to build the said house.”

As well as the buildings in the foreground, even the level of the streets has been changed with the level on the right being taken up to that of Queen Victoria Street thereby removing the steps at the road junction. It would be good to think that some part of those steps were left and are buried beneath the current street level adding to the layers of history buried beneath the City’s surface.

This small area is also a good example of how continuous development has reshaped London over the years, not just the buildings, but also the main thoroughfares through the City, and how the City has tried to manage the increasing volume of traffic passing within and through the City.

Queen Victoria Street is the main street on the left of both photos. In the long history of London, this, as the name implies, is a recent road.

It was fully opened to the public on Saturday 4th November 1871 and to quote from “The Face of London” by Harold P. Clunn:

“Queen Victoria Street was constructed by the late Metropolitan Board of Works as a continuation of the Victoria Embankment, with the object of providing London with a new main artery from the Mansion House to Charing Cross. It was the greatest improvement carried out in the City of London during the nineteenth century. Not only did it provide invaluable relief to the enormous traffic of Cheapside, but it completely altered the appearance of the City centre.”

The photos also demonstrate how the City has responded in recent decades when even Queen Victoria Street and the centre of the City were unable to manage the increasing volumes of traffic.

In the original photo there is a road that drops away to the right. This is the original route of Upper Thames Street which, with Lower Thames Street was the main through road running parallel to the River Thames and connected to all the short lanes and wharfs leading down to the river.

The following map is from Bartholomew’s Greater London Street Atlas of 1940, with the area of today’s post identified by the red oval.

QVS Map 1

The original photo was taken in front of Blackfriars Station looking up Queen Victoria Street and the road turning right below the steps can be clearly identified in the map as Upper Thames Street.

In recent decades the route of Upper Thames Street has been relocated to run far closer to the river, and rather than joining Queen Victoria Street, it nows runs underneath the river side of Blackfriars Station, underneath Blackfriars Bridge straight into the Embankment.

The following Google map shows the area as it is now with the re-routing of Upper Thames Street.


View Larger Map

Not clearly visible in the 2014 photo is the road, just past the bus stop, that leads down underneath the complex of buildings around Blackfriars Station to Upper Thames Street. This road is Puddle Dock, a reference to the original dock that was on this site.

Stow names this as Pudle Wharfe in 1603 and states almost against this wharf there is “one ancient building of stone and timber, builded by the Lords of Barkley and therefore called Barklies Inne. This house is now all ruine and letten out in severall tenements”

Puddle Dock was also probably the landing place for the first Baynard’s Castle which was built in this area by William the Conqueror. The role of Baynard’s Castle was to protect the western edge of the city as the Tower of London protected the east. The first Baynard’s Castle lasted from the 11th to the 14th century following which it was replaced by the second Baynard’s Castle further to the east.

Development of the Puddle Dock area started in 1952 when the Corporation of London offered the trustees of the Mermaid Theatre the lease of a bombed warehouse at Puddle Dock. The theatre opened in 1959 and is just under the building to the right on the road named Puddle Dock. The theatre has survived many attempts at closure and redevelopment and is now mainly a conference and events centre.

Returning to the original photo, I find it fascinating to look at the people in these photos. The following is an enlargement of the group of people in the centre.

QVS people

The photo was taken on a weekend but note the very formal dress of the men. They have all probably just arrived on a train into Blackfriars and are heading off into the City. The man on the left appears to have a typical pushchair of the time. The adult and child on the right possibly heading down Upper Thames Street to visit the Tower of London?

The streets around them must have seemed permanent. I wonder what they would have thought of the same location today?

The sources I used to research this post are:

  • The Face of London by Harold P. Clunn published 1951
  • London by George H. Cunningham published 1927
  • Old & New London by Edward Walford published 1878
  • Bartholomew’s Reference Atlas of Greater London published 1940
  • Stow’s Survey of London by John Stow, 1603 (Oxford 1908 reprint)

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The Butterworth Charity at St. Bartholomew the Great

One of the many things I love about London is that there are still customs being performed, away from the crowded “tourist” areas of the city which have been on-going for many years.

One of these is the Distribution of the Butterworth Charity which takes place every Good Friday in the churchyard of the Priory Church of St. Bartholomew the Great in West Smithfield. Within my father’s photo collection there are photos he took of this about 65 years ago, so to experience the same event, I took the short walk from St. Paul’s underground station to St. Bartholomew’s ready for the 11:30 start, where I joined a crowd of about 80 people arranged around the edge of the churchyard, on a mild, sunny April morning.

Rather than my explanation of the background to the Butterworth Charity, I will reproduce the following from the back of the Order of Service sheet:

Butterwork service text 1

The ceremony takes the form of a church service in the graveyard with the distribution of the charity part way through. The form now is a token distribution of money to a poor widow of the parish (there was only one “volunteer” for this) followed by distribution of buns to all who attended.

The following is my father’s photo of the distribution from about 65 years ago:

Dads Butterworth 4 with copy

The ceremony is held on the same flat gravestone every year. What I also find interesting in these photos are the people in the background. Note in the above the nurses in uniform, who had probably come from the adjacent St. Bartholomew’s Hospital. The widows of the parish are waiting to the right of the photo. The following is my photo from the 2014 distribution. I have converted this to black & white to give an up to date photo which compares more easily with my father’s original. Often I find that comparing a colour photo with black & white can over emphasise the differences.

DSC_1125 BW

The buildings along Cloth Fair at the back of the churchyard are the same. The tree to the left has grown considerably, fashion has changed and these days there are not so many “poor widows” in the parish to collect the distribution of the charity, however the scene has not changed that much in 65 years, and I suspect is much the same going back to the start of the Butterworth Charity over 100 years ago.

The following photos are from 2014:

The buns emerge from the church:

DSC_1117 veritcal

The procession along the edge of the churchyard:

DSC_1119

The service:

DSC_1123

The buns are distributed:

DSC_1128

The following are the rest of the original photos taken by my father:

Dads Butterworth 1 with copy Dads Butterworth 2 with copy Dads Butterworth 3 with copy Dads Butterworth 5. with copy

It was a perfect start to an Easter weekend.

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St Zachary, St Alban and Blowbladder Street

Back in the City, my next stop was a short walk down Gresham Street to find another small garden in the centre of the city.

This photo is the garden on the former churchyard of St John Zachary taken by my father just after the war.

Site of the church and churchyard of St John Zachary

Site of the churchyard of St John Zachary

The church was partially destroyed in the Great Fire of London in 1666, and was not rebuilt and what remains is the site of the former churchyard. During the blitz the site was converted into a garden and the site won the Best Garden on a Blitzed Site award just after the war. It has remained a garden ever since.

The following photo is taken from roughly where I believe may father took the above photo.

Looking towards the garden at the site of the churchyard of St John Zachary

Looking towards the garden at the site of the churchyard of St John Zachary

The plaque on the wall in the original photo has moved to the right and although not visible is on the wall heading to the right of the above photo.

What looks like the original plaque, now slightly relocated.

What looks like the original plaque, now slightly relocated.

I am sure this is the angle the original photo was taken from, as checking the map, the church tower seen in the background of the original photo is St. Alban in Wood Street, Whilst this is now obscured by office blocks, it can clearly be seen in the following map in the correct position from where I took the later photo, from the cross roads, looking across the garden.


View Larger Map
I always like finding locations that appear in the background of photos, so I took a walk round to St Alban and what I found is either one of the most depressing views, or a wonder of survival. The following photo is looking down Wood Street from Gresham Street looking at the tower of St. Alban.

The tower is the only surviving part of the church and where once it had stood clear of the surrounding buildings, it is now surrounded on all sides by towering office blocks that are getting steadily higher and higher. It is no longer a church, the tower now houses the offices of a corporate finance advisory firm.

I am really pleased that the church tower has survived so we continue to have tangible evidence of the number of churches that once supported the population of the City of London and the Wren architecture of these churches that were generally rebuilt after the Great Fire, however I still find it very depressing that a building that once stood taller than its surroundings and held a special place in the daily lives of the population, is now dwarfed by the size and architectural style of the surrounding buildings. Almost being crowded out of a location that has functioned as a church for many hundreds of years.

The following engraving of St Alban from 1810 shows the church standing clear of its surroundings as it would have done from when it was rebuilt between 1682 and 1685 and the later half of the 20th century when the surrounding office blocks were constructed. The change that the tower has seen in the last 330 years is incredible.

A view of the Wren church of St. Alban Wood Street as it stood in the early nineteenth century (1810). Engraved by William Johnstone White from an original drawing (now in the British Museum) by William Pearson.

A view of the Wren church of St. Alban Wood Street as it stood in the early nineteenth century (1810). Engraved by William Johnstone White from an original drawing (now in the British Museum) by William Pearson.

Where once, standing on the top of the tower would have provided wonderful views over the city, with only the spires of the other city churches breaking above the roof level. Now, you would be staring straight into the floor of an office, with many other floors stretching above.

The streets in the surrounding area also tell a story of both continuity and change. The following map is of Aldersgate Ward from John Strype’s  ‘A Survey of the Cities of London and Westminster’ which was first published in 1598. (reproduced with the kind permission of Motco Enterprises Limited )

Map of Aldersgate Ward from John Strype's John Strype's ‘A Survey of the Cities of London and Westminster’

Map of Aldersgate Ward from John Strype’s  ‘A Survey of the Cities of London and Westminster’

The churchyard of St. John Zachary is labelled as number 5 in the bottom right of the map (just to the left of A in WARD).

Noble Street (which still exists) is clearly visible running vertically past the churchyard, however Gresham Street does not exist. Maiden Lane running past the churchyard where Gresham Street is now.

If you continue to the bottom of the map there is the wonderfully named Blowbladder Street. Aligning this with current mapping, this is now part of Cheapside.

Defoe gives an origin of the name Blowbladder Street in his “A Journal of the Plague Year” where he states: ” and which had its name from the butchers, who used to kill and dress their sheep there (and who it seems had a custom to blow up their meat with pipes to make it look thicker and fatter than it was, and were punished there for it by the Lord Mayor)”.

Time to move on, but next time you see a church tower standing clear above the surrounding buildings or landscape, please remember the tower of St. Alban fighting to retain a link with the past against the tide of encroaching office blocks.

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The First Bomb And A Church Shipped To America

A dark, wet and windy Thursday evening in February. I am browsing through a couple of thousand of scanned photos that my father took across London just after the war. Negatives, many of them on old nitrate film that are now being viewed on technology not imagined when these photos were taken. I have long wanted to find the current locations of these photos and see how London has since changed.

Where to start? One photo stands out as the logical start point for my journey. It represents the point where the impact of the Second World War first came to central London. The start of the destruction of the city and the resulting rebuilding during the following 65 years.

I print out the photo and a couple of days later find myself standing in Fore Street.


View Larger Map

This photo was taken in Fore Street just after the war. The Corporation of London have erected a sign to mark this point as the location where the first bomb fell on the city.

Site of the first bomb on central London during the Second World War

Site of the first bomb on central London during the Second World War

After this first attack on the 25th August 1940, heavy bombing started on Saturday September 7th and continued for the next 57 nights. London then endured many more months of bombing including the night of the 29th December 1940 when the fires that raged were equal to those of the Great Fire of 1666. Hundreds of people were killed or injured, damage to property was enormous and 13 Wren churches were destroyed. Or the night of the 10th May 1941 when over 500 German bombers attacked London. The alert sound at 11pm and for the next seven hours incendiary and high explosive bombs fell continuously across the city.

Behind the sign is a devastated landscape, not a single undamaged building stands, to the right of the photo, the shell of a church tower is visible. All this, the result of months of high explosive and incendiary bombing.

Fore Street is between Moorgate Station and the Museum of London and is in the shadow of the Barbican buildings and the towering office blocks along London Wall. The temporary sign has long gone and was replaced by a stone plaque on the building that stands at the end of Fore Street where it leads into Wood Street, however my visit is not well timed. As is typical with London buildings, the one with the plaque is going through a refurbishment and the side is completely covered. I just hope that in the enthusiasm for rebuilding, this marker of a key event in London’s history will survive.

The plaque should be on the wall behind all this building work.

The plaque should be on the wall behind all this building work.

But does anything from the original photo survive? Unlikely, but I decide to look around. Behind the fencing in the original photo, there is a wall, walking down Fore Street and looking through the building entrance I see a wall, castellated on the top on the left of the wall and straight topped to the right. The wall I see through the gap looks the same as the wall in the original photo (although the angle is different, the original must have been taken towards the corner of Fore Street and Wood Street).

Looking towards the remains of the Roman Wall from Fore Street

Looking towards the remains of the Roman Wall from Fore Street

Plaque on the Roman Wall

Plaque on the Roman Wall

I find my way to the back of the building to a small garden, the former churchyard of St Alphage and here stands the wall, a lengthy section of the old Roman Wall. The garden is small, surrounded on all sides by towering offices and I suspect, the majority of the day in their shadow.

The garden at the former churchyard of St Alphage

The garden at the former churchyard of St Alphage

Despite all the building of the last 65 years, there are many locations like this throughout the city. To me, they are the deep foundations of the city, anchoring the city to the bedrock of history reaching back to the Roman foundation of the city as a commercial centre.

Apart from the Roman Wall, the only other structure that may have survived is the church tower seen in the right hand edge of the original photo. The city of London originally had dozens of churches and many of these still survive, if not as working churches, but as the remaining shell of the building, or just a single tower.

If the church tower still stands, it is hidden behind the office blocks of London Wall, so a quick walk across London Wall in the general direction of where the church should be found.

Nothing!

But I do find another small garden, at the end of which there is a plaque on the ground. The plaque has an etching of a church which has the same tower and window style as the one in the
photo. Checking the map, the alignment with the original photo looks right.

The plaque in the garden of St Mary Aldermanbury

The plaque in the garden of St Mary Aldermanbury

This is the site of St Mary Aldermanbury. Records of a church on this site date back to 1181. The original church was destroyed in the Great Fire of London in 1666. As with so many other churches destroyed during the Great Fire, a Wren church was rebuilt on the site. This is the church that was damaged in Second World War.

The garden of St Mary Aldermanbury

The garden of St Mary Aldermanbury

Scaffolding surrounds the Church of St. Mary in London, England. Photograph courtesy of the National Churchill Museum Collections’

Scaffolding surrounds the Church of St. Mary in London, England.
Photograph courtesy of the National Churchill Museum Collections’

After the war, the heavily damaged church had the unique distinction of being taken apart, shipped to Fulton, Missouri in the USA in 1965, and rebuilt to mark the visit of Churchill to Westminster College in 1946. The church now sits above the National Churchill Museum.

Westminster College was the location of Churchill’s speech that included the famous phrase “An iron curtain has descended across the continent”

St Mary Aldermanbury now rebuilt at the National Churchill Museum. Photograph courtesy of the National Churchill Museum Collections’

St Mary Aldermanbury now rebuilt at the National Churchill Museum.
Photograph courtesy of the National Churchill Museum Collections’

The tower is the church tower that can be seen in the background of the original photo. The National Churchill Museum can be found here along with more information on the move and rebuilding of the church.

Sign at the entrance to the garden on the site of the church of St Alphage

Sign at the entrance to the garden on the site of the church of St Alphage

I wonder how many of the many thousands of people who work next to these locations, who walk along these streets everyday, understand the history around them.

Despite the incredible amount of construction work over the past 65 years and which continues with buildings getting higher and more out of touch with their immediate surroundings, there is still so much to be found across the city.

Sign at the entrance to the garden at St Mary Aldermanbury

Sign at the entrance to the garden at St Mary Aldermanbury

 

That is my first photo. My next stop is another city garden, where nearby I find an almost fantasy like link to another world, followed by a walk to the Thames to explore a wider view of London.

 

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