Tag Archives: River Thames

Iron Gate Stairs

Underneath the northern tower of Tower Bridge, there is a late 19th century version of one of the old Thames Stairs, which has a name that refers to one of the gates that controlled access into the Tower of London. This is Iron Gate Stairs.

The stairs are shown before Tower Bridge was built in this extract from Langley and Belch’s, 1812 New Map of London (underlined in red):

Today, Iron Gate Stairs are reached via a tunnel which runs through the northern tower of the bridge, and comes out to a well maintained set of stone stairs:

As far as I can confirm, by checking and aligning a number of maps, the stairs today appear to be in the same location as the stairs shown in the 1812 map.

It shows the importance of these access points to the river, that they were included in the design of Tower Bridge, and it must have cost more, and been more complex, to route the access to the stairs through the tower, rather than relocate them to one of the sides of the northern tower of the bridge.

The Port of London book “Access to the River Thames, a Port of London Guide”. includes these stairs in the listing of all points of access to the river along the tidal Thames, and the PLA record for Iron Gate Stairs reads:

Stairs and Causeway
Constructed of Stone
A landing place in 1708 and 1977 and in use at the time of the book (around 1995)
Structure is listed
The stairs are gated
Bathing from these stairs is extremely dangerous

I cannot find a separate listing for the stairs on the Historic England website, so I assume that the stairs are included within the overall Grade I listing of Tower Bridge, as the access to the stairs is part of the structure of the bridge.

The name of the stairs is interesting, and it appears to refer to a gate that once controlled access to the south east corner of the area between the walls of the tower and the river.

In this 1852 plan of the Tower of London, there are a cluster of buildings in the lower south east corner, with a black line, indicating some form of gate, controlling access (red arrow):

© The Trustees of the British Museum Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)

Although not named, the stairs can be seen running down to the river, next to the gate.

After the construction of Tower Bridge, the name Iron Gate is retained, and although the stairs do not appear to be named (perhaps because they are under the bridge), iron Gate is used next to the tunnel underneath the approach to Tower Bridge, where today you can walk from the St Katherine Dock area, to the area between the Tower of London and the river.

In the following extract from the 1897 OS map, Iron Gate is shown just to the east of the bridge (‘Reproduced with the permission of the National Library of Scotland“):

And in the 1951 revision, the name is still in use, but on the western side of the bridge (not also the name Irongate Wharf in use in both maps) (‘Reproduced with the permission of the National Library of Scotland“):

So Iron Gate in the OS maps seems to continue to refer to a gate across this access through the wall created by the approach road to Tower Bridge.

As with all Thames stairs, there are references to the stairs in multiple newspaper reports over the centuries. For example, the following is from the Public Ledger and Daily Advert on the 9th of October, 1826, and unfortunately it does not record what Samuel Pearce did, which required such a public apology:

“CAUTION TO WATERMEN – I Samuel Pearce, Waterman, plying at Iron Gate Stairs, near the Tower, beg publicly to acknowledge and express my grateful feeling to John Morrison, Esq. for foregoing a prosecution against me, which I well merited, in consequence of an unprovoked and unwarrantable outrage committed on him on Friday evening; for which I cheerfully make this public apology, which he accepts, in consequence of the distressed state of my wife and infant family.”

Iron Gate Stairs were also the boarding point if you wanted to travel to “Harwich, Yarmouth and Places Adjacent”, as the 80 horse-power Steam Packet Swift sailed from the stairs on Sundays and Thursdays in the 1820s.

Indeed, Iron Gate Stairs feature in papers across the 18th and 19th centuries with all the usual stories of activities that happened at these places which formed a key access point between the land and the river.

As with other stairs, Iron Gate Stairs was a place where bodies recovered from the river were brought up to land.

The Historic England Monument Record for the Iron Gate refers to it being a gate tower constructed during the reign of Edward III (who reigned between 1327 and 1377), and that it was built to strengthen the defences of the Tower on the southern side of the complex, and that it commanded a “walled causeway through to the Develin Tower at the south east corner of the outer wall.“

Stow in the early 17th century refers to the Iron Gate as being “great and strong but not often opened”.

The Iron Gate was demolished in 1680 following a review of the Tower’s defences, and whilst looking for space to expand accommodation.

So whilst the gate tower was demolished, as shown in the 1852 map, a gate seems to have remained in place, although rather than the gate tower, just a standard gate.

After demolition, there also appears to have been a cluster of buildings around the location of the gate which seem to have been used for accommodation, storage and small industrial activity.

Construction of Tower Bridge cleared these buildings, and today we can see the area where the Iron Gate was located when looking towards the bridge, from the west:

And with some lovely historical continuity, the area of the Iron Gate is still gated, with a gatehouse and barrier across the road:

And looking through the walkway under the approach road to Tower Bridge, we can see gates part open across the walkway, as well as much larger and stronger gates set against the sides of the walkway:

In the following photo, the entrance to the walkway tunnel under the approach road is on the right, and the arch on the left provides access to the entrance to Iron Gate Stairs:

Which, as the PLA description of the stairs records, is gated:

Through the gate, and we can see the railings around the top of the stairs. The surrounding walls are covered in the white tiles that are common to the majority of the places where you can walk under the bridge:

View of how the tunnel exits the base of the northern tower of Tower Bridge, and the steps leading down:

As the PLA document records, a causeway is part of Iron Gate Stairs, and for the stairs this is one of the largest causeways to be seen. It covers a large space at the base of the stairs, both in terms of width and length into the river:

The stairs are part of the construction of Tower Bridge, and I assume that the causeway may well date from the same time (assuming it has been continuously repaired). I doubt whether the stairs would have had a causeway of such size prior to the bridge being built.

The need for a bridge at or around the location of Tower Bridge had been a pressing issue for many years prior to the construction of the bridge. In the later half of the 19th century, there was so much cross river traffic that an urgent solution was needed.

In 1884, the Southwark recorder and Bermondsey and Rotherhithe Advertiser was reporting that “The Corporation also propose to establish a steam ferry across the river, from Iron Gate Stairs, Little Tower Hill, to Horselydown Old Stairs, near Horselydown Lane. Another scheme for crossing the Thames is proposed by the Tower (Duplex) Bridge Bill. The structure would cross the river from Hartley’s Wharf, Horselydown, to Little Tower Hill, having in the centre of the river two loop bridges.”

The following year, the Eastern Argus and Borough of Hackney Times, was reporting about the construction of the new bridge, and that “the work will be done by the City Corporation which has set down five years as the period for completing it. It is to be formed from a point westwards of and near the Iron Gate Stairs to Hartley’s Wharf. The cost will be £750,000, and the structure will be of such a character as to admit of the passage at all times of the tide of vessels navigating the river. The bridge will be a great convenience to East London”.

The above report does call into question whether the current stairs were built on the site of the original Iron Gate Stairs, as the article states that the new bridge is to be built “westwards of and near the Iron Gate Stairs”.

A later article in June 1886 does though seem to confirm that the northern tower, and the stairs we see today are on the site of the original stairs, as when describing the works for the new bridge, the article states “On the north side, as already stated, it touches the shore at Irongate Stairs, from which a road will lead directly up to the Minories”.

In 1889, Watermen were complaining about the disruption to their trade “THE TOWER BRIDGE AND THE LONDON WATERMEN – The Select Committee of the House of Lords appointed to considered the Tower Bridge Bill proceeded to-day to hear the evidence of numerous watermen who claim compensation for disturbance of their occupation between Irongate and Horselydown Stairs in consequence of the construction of the works,. George William Shand was the first claimant”.

I would have thought that the watermen would have been far more concerned about the forthcoming loss of their trade between the two stairs once the new bridge had been opened.

Based on the majority of newspaper reports, aligning maps, and the Port of London Authority listing of Thames Stairs, I am as certain as I can be that the stairs we see today are in the same place as the original Iron Gate Stairs.

The railing by the side of the view over the stairs seem to have acquired evidence of many of the tourist visits to the site:

I had a good look around, however I could not find any signs that name iron Gate Stairs.

They are though yet another example of historical continuity, with the stairs being in roughly the same place after the construction of Tower Bridge, and being named after a gate dating back to the 14th century, located where there are still a barrier and gates in position, to close of the south eastern entry to the space between the Tower of London and the River Thames.

alondoninheritance.com

Free Trade Wharf, Ratcliffe

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The following photo was taken by my father in August 1948, and shows the buildings of Free Trade Wharf in the old area of Ratcliffe:

The same view, seventy six years later in 2024:

Despite the loss of the central Free Trade Wharf buildings, there are some features that can be found in both photos.

On the left of both photos, there are no buildings along the edge of the river, and trees can be seen in an open space leading back from the river. This is the King Edward VII memorial park.

The park, and the space it occupies, has a fascinating history which I wrote about in this post.

Staying on the left of both photos, a church steeple can be seen in the background. This is St. Mary’s Cable Street.

The central part of the photo is very different. The Free Trade Wharf was purchased by the Inner London Education Authority in 1977 with the intention of building a campus for the City of London Polytechnic, which had been formed in 1970 with the consolidation of the City of London College, Sir John Cass College and the School of Navigation.

These plans did not follow through, and the site remained vacant until the early 1980s when the growing trend for the construction of residential properties along the banks of the Thames resulted in the purchase of the site for residential development, and the building on the site we see today was built.

It is one of the more distinctive residential buildings along the river, and was designed by the architects Holder Mathias Alcock, who are still practicing today, although the name Alcock has been dropped.

Their distinctive design has been described as being of “dramatic ziggurat-style terraces”, and also looking as if it could have been made out of Lego.

Faced by red brick, the building does look good in direct sunlight, and the from what I have read, one of the reasons for the shape of the building, where the sides step back towards the centre, was to maximise the number of apartments that had a river view, rather than being a flat building along the river.

This new development retains the name Free Trade Wharf, and looking at an extract of the 1948 photo, we can see this name was displayed in white lettering along the side of the building facing the river:

Although this very clear naming of the Free Trade Wharf did throw me into a momentary bit of doubt about whether I had identified the correct location for the photo, as in the OS map, published a couple of years after my father’s photo, the building is marked as Charringtons Wharf, as can be seen in the following map, along the river and to the right of the park (‘Reproduced with the permission of the National Library of Scotland“):

To confirm, I checked in the book “London Wharves and Docks”, published by Commercial Motor in 1953, and the entry for Charringtons Wharf included a reference that “Occupier: Free Trade Wharf Co. Ltd”.

The Charringtons name came from the ownership of the site by Charrington, Sells, Dale and Company, who traded in coal and coke. I cannot find exactly when this part of the site became known as Free Trade Wharf, however as you can see from the above map extract, this name was also in use for the buildings to the right, which are on the right of my father’s photo, but hidden behind the cranes, and the black coloured ship on the right.

The Commercial Motor book provides some detail on trade at the wharf in 1953:

“Facilities: a. General, b. Rubber, matches, canned goods. Maximum cranage (cwt) 45, Storage space (cubic feet, covered); 869,450, Storage Space (cubic feet, uncovered): 5,000.

Customs facilities included Sufferance Wharf, Dry Bond, Captain’s Imperfect Entry (a Sufferance Wharf is a licensed private wharf where goods can be kept until the duty is paid. A Dry Bond is where goods can be stored before customs duty is paid. Dry refers to the type,, so dry goods unlike wet goods such as alcohol. Captain’s Imperfect Entry is a strange one. Captain’s Entry is where the Captain of a ship has provided the details of the goods he wants to unload to the warehouse, but I am not sure what Imperfect refers to).

The wharf had a jetty and a quay, with 250 feet being the maximum length of ships accommodated at the jetty and 210 feet at the quay. and the depth of water went from 24 feet at high water down to 2 feet at the jetty, and from 19 feet to drying out at the quay. “

Just to the left of the site today, is one of the construction locations for the Thames Tideway Tunnel:

King Edward VII Memorial Park and Thames Tideway Tunnel

The OS map shows the buildings to the right of my father’s photo, labelled as Free Trade Wharf. These buildings are much earlier than the main block, but are hidden behind the ship and cranes in my father’s photo.

An extract from this photo showing the dark coloured ship, with part of these buildings just visible in the background:

The buildings, the ones labelled as Free Trade Wharf in the OS map as can be seen in 2024:

These buildings are Grade II listed and they date from 1796, although there have been many alterations over the years.

They were built for the East India Company, and handled a variety of goods, including saltpeter, which was used in the manufacture of gun power.

The site later became a place where colliers from the coal fields in the north east of the country would unload, and is presumably where the Charringtons connection comes from.

There are two ships in the 1948 photo. the ship on the left has no visible feature to help with identification. I use a high resolution scan for my father’s photos, and despite this, I cannot read the name of the ship on the bow.

The ship on the right has no visible name, presumably it is on the bow and only the rear section of the ship is visible in the photo. What can be seen is the funnel, and this has the letters CL in a white diamond.

Ships with the identifier of the owning / operating company were once a frequent sight on the Thames, and as kids in the late 1960s / early 1970s, we would often go down to the Thames by Coal House Fort, through East Tilbury (which always fascinated with its village and Bata shoe factory in this isolated part of Essex).

I had the Observer’s Book of Ships and used this to check of the passing ships. I still have the book and checked it to see if the CL in a white diamond is listed, and fourth down, on the left column, I found it:

Turning to page 35, and CL is for Comben Longstaff & Co. Ltd of London, and who were listed as Colliers.

The company was named after William Comben Longstaff, who was born in Lambeth in 1896.

Comden Langstaff & Co. Ltd was originally involved in a range of maritime services including insurance, owning, managing and operating a fleet of ships that delivered raw materials and goods to the ports around the coast of the UK.

Newspapers of the time have many references to the purchase of new ships, sale of older ships, trade, routes etc. and the company seems to have been reasonably active.

The majority of their ships seem to have been built by John Lewis of Aberdeen, and the following article from the Aberdeen Press and Journal on the 9th of June 1948 is typical of the company’s coverage in the press:

“STEAM COASTER LAUNCHED – I have great faith in this country, but its only salvation is hard work, said Mr. Comben Longstaff at a gathering after the launching yesterday of the steam coaster Lancasterbrook, built by Messrs John Lewis and Sons Ltd, Aberdeen, for his firm, Messrs Comben Longstaff and Co. Ltd, London.

Mr. Andrew H.S. Lewis said the Lancasterbrook was a sister ship of the Londonbrook, built by his firm two years ago. She was an oil burner and was fitted with patent steel hatch covers.

They were building two other ships for the same owners.

Mrs. Comben Longstaff named the vessel which is 200ft in length and is of the raised quarterdeck type. The rudder is semi-balanced and streamlined and was made to the owners’ own design.”

The article mentions the Londonbrook, which had been built by the firm two years earlier, so presumably in 1946, and from checking photos of the Comben Longstaff ships, I believe the ship to the right of my father’s photo is the Londonbrook.

The company was sold in 1954, and William Comben Longstaff died in 1966.

Their ships continued operating around the coast of the country and in the late 1970s, two new ships were built, the Durhambrook and Devonbrook, continuing the Comben Longstaff tradition of adding “brook” to the end of their ship names.

The company ended operations in 1981, and all the ships were sold.

Both the Free Trade Wharf and the ships that docked at the wharf are from a time when you could sit on the river wall at Tilbury on a summer’s evening, and watch the ships passing along the river, checking them off in your Observer’s book.

alondoninheritance.com

Horn Stairs, Cuckold’s Point and Horn Fair

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If you wanted to visit somewhere in London on a very cold January morning, a bright day, but with ice having formed overnight on standing water, the last place you may think of is the Thames foreshore, however, on such a day, I went to one of my favourite places on the river – Horn Stairs and Cuckold’s Point:

Horn Stairs and Cuckold’s Point are in Rotherhithe, opposite Limehouse and the north-eastern part of the Isle of Dogs, on the inside of a bend in the river where it curves past Rotherhithe.

I have marked the location with the red arrow in the following map (© OpenStreetMap contributors):

Cuckold’s Point is the area of the river / foreshore slightly to left and right of the arrow head in the above map, and where, when the tide is low, there is a broad beach of sand and mud running down to the water.

I was walking from the west, and there were some stunning views across the river, and as I reached the stairs, the outline of the causeway running from Horn Stairs could be seen, with a pole towards the end of the causeway:

The steps over the river wall that lead to Horn Stairs:

From the top of these steps, we get a view of the remains of the causeway leading off across the foreshore from the foot of the stairs:

The upper part of the stairs, where they run over the river wall, are off concrete, with the main part leading down to the foreshore being a set of wooden stairs:

The upper part of the stairs look rather dodgy. From the top of the stairs it is difficult to tell how thick each of the steps is, and whether it will hold your weight if you walk down the stairs.

In the following photo of the top steps, you can see from the bolts on either side of each step, just how much appears to have eroded, or perhaps the wood has shrunk, also on the day I was at the stairs, there was ice in the hollows in each of the steps:

At the bottom of the stairs, we can see the remains of the causeway leading out towards the water:

The Port of London Authority (PLA) has very little information on the stairs in their listing of all the Steps, Stairs and Landing Places on the Tidal Thames (published around 1995), there is just a remark that the stairs are in “Reasonable” condition and that they were still in use.

The PLA does not record any early dates for when Horn Stairs were in use, and there are not that many references to the stairs, with Cuckold’s Point being the name used for any reference to the location.

In Rocque’s map of 1746, the stairs are not shown, but Cuckold’s Point is marked:

The earliest written reference I have found was in a newspaper article on the 25th of October, 1832 when the name Horn’s Stairs were used in a legal action against the owners of the Eclipse, a steam packet which ran between London and Margate, and was accused of running down a barge off Horn’s Stairs.

The name of the stairs did often appear as Horn’s or Horns rather than the singular Horn, and one of the possible sources of the name could be a Horns Tavern which was to be found near the stairs – although an unresolved question is what came first, the tavern or the stairs.

The name Horn is used in the majority of references from the late 19th century onwards, as shown in the following extract from the 1896 revision of the OS map, where Horn Stairs can be seen bottom left (‘Reproduced with the permission of the National Library of Scotland“):

In the above map, the causeway leading out from the stairs is labelled “Hard”, and would have provided a hard surface above the sand and mud of the foreshore, to walk to and from a boat at nearly all states of the tide.

Also in the above map a dotted line leading across the river to Limehouse Pier can be seen, and labelled as Limehouse Hole Ferry. This was a regular ferry that had run for a good few centuries between the two sides of the river. I wrote about the ferry in my post on Limehouse Hole Stairs and the Breach.

The fact that Horn Stairs does not appear in the 1746 map, and I can find no written references to the stairs earlier than 1832 does not mean that the stairs and a causeway have not been here for much longer.

The City of London Archaeological Society has a fascinating post on surveying stairs, which included a section on Horn Stairs, and in the post, 16th or 17th century hand made bricks were identified which may have formed an early hard standing on the foreshore.

The post can be found here.

Although I could not find the bricks exactly as shown in the photo in the City of London Archaeological Society’s post, (the foreshore is a constantly changing environment), I did find a number of this type of red brick, which can be seen in the photo below, to the right side of the causeway:

At the end of the causeway, and at the point just before where the Thames will recede to at low tide, is a pole labelled as a navigation marker on the PLA chart for this section of the river. The marker has a light at the top of the pole to ensure the marker can be seen in the dark:

At the end of the causeway:

Looking back to the river wall and the stairs down to the foreshore, which is a distance of some 50 metres, and the dark colouring along the river wall shows how high the water is when the tide comes in along Cuckold’s Point:

The naming of Cuckold’s Point is interesting, and the true source of the name cannot really be confirmed given the centuries that the name has been in use.

The word Cuckold means, according to the online Cambridge Dictionary “If a man is cuckolded, his wife has a sexual relationship with another man”, and the most repeated story about the use of the word Cuckold for the foreshore in Rotherhithe goes back to King John, who was on the throne between 1199 and 1216.

There are a number of variations to the story, but it generally goes that King John was hunting around Shooters Hill, Blackheath and Greenwich. He seems to have found himself in Charlton, and entered the house of a Miller, where he found the Miller’s wife alone.

The Miller soon returned home, but found his wife “in flagrante” with the King.

The Miller attacked the King intending to kill him, and to defend himself the King revealed who he was, and came to an agreement with the Miller that he could have all the land to the west that he could see from his house, which extended all the way to what is now Cuckold’s Point, where, at the time, there was a pole with a pair of horns mounted on the top.

The Miller, in some stories, also had to walk to Cuckold’s Point once a year, with horns on his head.

So the name Cuckold’s Point came from the position that the Miller had been put in by King John.

The King also gave the Miller the right to have a fair on the 18th of October, and this fair became known as the Horn Fair and was held in Charlton.

An early view of Cuckold’s Point can be seen in a painting by Samuel Scott in his work “A Morning View of Cuckold’s Point“, painted between 1750 and 1760:

Credit: Samuel Scott, 1750 – 1760 , Tate (N05450), Photo: Tate released under Creative Commons CC-BY-NC-ND (3.0 Unported)

The challenge with confirming that this is Cuckold’s Point is that there are no features which can be found today, however there is a set of wooden stairs leading down to the foreshore, and the slope and shape of the foreshore is very similar to that of today.

The painting does though give a very good impression of what Cuckold’s Point probably did look like. There are two Waterman’s boats where the water meets the foreshore, and there is a third approaching the same point.

There are people on the foreshore walking down to the boats from the stairs, presumably either to meet the people arriving on the boats, or to take one of the boats along the river.

The ships on the foreshore are in the location of Mr. Taylor’s Yard, as shown in Rocque’s 1746 map.

The river appears to bend to the right, which indeed it does, as it heads along the eastern side of Rotherhithe towards Deptford.

The painting does provide some support to an alternative theory as to the name Cuckold’s Point. Just to the left of the stairs can be seen a wooden frame, and this is believed to show a ducking, or cucking stool, which was use to punish and humiliate women, who were labelled as a scold, or had committed some form of sexual offence, such as cheating on a husband.

As was usual, there was no similar punishment or humiliation for the man involved.

As the site of a cucking stool, where the wife of a cuckold would have been punished, this may also be the source of the name, however this story does not seem to have gained much support over the years.

The broad sweep of the foreshore at Cuckold’s Point, looking west along the river in the direction of the City of London:

Standing at Cuckold’s Point on a cold January morning is a lonely experience. There is no one else around, and the river is also very quiet, with just the regular Thames Clippers causing a run of waves up to the foreshore.

These places were once busy, both along the rivers edge, the foreshore, and along the river, and it is fascinating to stand at these places, thinking of all the people that have stood in the same place, and the events that have taken place here.

I searched newspaper records for reports mentioning Cuckold’s Point for three decades in the first half of the 18th century, the 1720s, 30s and 40s and there are many references. The following is a sample of what went on around Cuckold’s Point in these years:

17th June 1721 – On Thursday last in the Afternoon Mr. Bailey, a Coasting officer, and Mr. Purser, a Custom-House waterman, made a seizure in the River near Cuckold’s Point of 1900 Weight of Tea, artfully wrought up in the sides of a Mackerel Boat filled with Fish, and supposed to come of Ostend.
11th of May 1726 – The Execution of Capt. Jeane, condemned at the late Sessions of Admiralty for the Murder of his Cabin Boy, is appointed for next Friday, he will be hanged in Chains over against Cuckold’s Point.
6th of October 1736 – On Monday last a Fisherman caught in his Common Net, near Cuckold’s Point, a Salmon 38 inches long and about 17 inches round, and sold the same to Capt. Bond, who was in sight when the fish was caught, and was going on board the East-India Man at Gravesend. The Fisherman being unable to hold his net, begged assistance of a man in the Captain’s Boat, who accordingly went; but as he was helping he fell accidentally into the Thames, from whence it being low water, he took the Fish in his Arms and threw it into the boat. The Fish was sold for 36 shillings out of which the Fisherman gave the Waterman 6 shillings for his Trouble.
23rd April 1737 – On Tuesday last, the Wind being very high, and the Tide rough, two boats, overladen with Passengers, were cast away between Cuckold’s Point and Deptford, and 17 persons drowned. Two other boats, near the same place, with 16 persons in them, and another at the Isle of Dogs, with six and a Waterman, overset, and seven of the former and all the layer were drowned,
23rd October 1742 – Yesterday a new ship, of 220 Tons and 20 Guns, intended for the West India Trade, was launched at Mr. Taylor’s Dock at Cuckold’s Point, and named the Anna Maria (see earlier extract from Rocque’s map of 1746 for location of Taylor’s Dock)
10th December 1743 – Last Tuesday upwards of 1000 Pairs of French Gloves with some Skins, were brought to the custom House. They were seized by Mess. Smith and Harris, Customhouse officers, as they were attempting to land them at Cuckold’s Point.
4th February 1744 – On Tuesday 200lb of Cocoa Nuts, 200 Weight of Tea and 20 Pieces of Cambrick, with some Lace, were seized at Cuckold’s Point, and brought to the Custom House; This seizure is valued at £300. (Cambric is a finely woven, plain cloth that came from France)
7th of March 1747 – Tuesday in the Afternoon as a Boat was going to Greenwich with six Passengers, it was overset near Cuckold’s Point by running foul of a Ships Anchor, by which accident Mrs. Sims and her Daughter, of St. Catherine’s Lane, were unfortunately drowned.
27th of March 1749 – On Monday last thirteen prisoners were tried at Kingston in Surrey, three of whom were capitally convicted, viz. John Rayner, for Robbery on the Highway, Thomas Pattin and William Walker, two Watermen, for knocking down Mr. Alison, in a Boat on the River Thames, near Cuckold’s Point, and robbing him of a Silver Coffee Pot, a Watch, and a Guinea and Half in Money.

These quiet places along the Thames were once full of life, and also unfortunately, death.

Looking along Cuckold’s Point to the east and there is a pier that reaches out over the foreshore. This is where you can catch the Thames Clipper RB4 service that runs between this pier at the Doubletree Docklands Hotel, across the river to the pier at Canary Wharf – a brilliant way of crossing the river.

A rather good example of historical continuity in London, the Thames Clipper RB4 service has almost exactly the same route as the old Limehouse Hole ferry that ran from Horn Stairs.

Some of the long length of the causeway still has a layer of stones that would have provided the hard surface to walk down to catch your boat:

I visited Horn Stairs and Cuckold’s Point in January, and this was probably the left over of some New Year’s Eve celebrations:

Returning to the story of the Miller and King John, one of the rights allegedly granted to the Miller was the right to hold a fair in Charlton.

Whatever the truth in the story of the Miller and King, a fair was held each year, on St. Luke’s Day, the 18th of October, and the following article from The Sun on the 20th of October, 1846 hints at the antiquity of the fair, and also provides a good overview of the event.

There is also a reference to Cuckold’s Point towards the end of the article, which I have highlighted in bold:

“HORN FAIR – This scene of popular amusement was held yesterday, according to ancient custom, in the healthful and pleasant village of Charlton.

In former times it was generally distinguished by riot and obscenity. Some of the worst class in London made parties to carry out the vulgar joke of cornuted husbands and wives (cornuted means to bear or have horns).

Horn Fair (the common name) is now changed to Charlton Fair, and the visitors, more enlightened that their ancestors, seldom indulge in those disorderly transactions which bore the stigma of indecency. It was formerly a mart for various forms of utensils made of horn, and tradition ascribes the origin to King John. An armour carried out by that licentious and infamous Prince with the wife of an honest miller was the foundation for the fair. John, surprised by the enraged husband, would have perished under the uplifted dirk of the miller, had he not saved his life by promising to redress the injury. The compensation was a grant of land the miller could see westward from the top of his mill. Agreeable to the royal donation, a fair was to be held annually, on St.-Luke’s-day, for ever.

Such is the oral account of the fair from year to year, and there is, we believe, at the present day, an aquatic custom at Cuckold’s-point, where it is said the mill stood, which bears out the story. The waterman, as he passes the stairs, or landing place, frequently tells his fare that a spider is crawling on his hat. The person naturally takes it off his head, and then Old Charon, with a laugh, requests he will put it on again, having properly paid his respects to the Horns at Cuckold’s Point.”

Note in the above article that the mill is described as being at Cuckold’s Point, however the majority of references refer to the location being in Charlton, and that Cuckold’s Point, where horns were mounted on a pole, was the place furthest west that the Miller could see from his place in Charlton.

The article also mentions that Horn Fair was held on St. Luke’s Day. The connection with St. Luke comes from ecclesiastical art, where St. Luke is often painted with an Ox, an example being this early 18th century print which shows St. Luke seated at a desk, with a winged ox with horns, behind him.

© The Trustees of the British Museum Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0)

There are very many references to Horn Fare, including some which describe events such as the following from 1742:

“Monday being St. Luke’s Day, a large Body of Cuckolds, both real and reputed, attended the King, the Miller, and his Wife, from the Sun Yard in Bishopsgate-street, to Horn Fair, held at Charlton in Kent, according to annual Custom.”.

In the 18th century, the Press Gang took advantage of Horn Fair, as this report from the 27th of October, 1746 explains:

“Last Saturday Night a large Press Gang, with Horns on, and Music playing before them, came through Greenwich, Deptford and Rotherhithe, &c. from Horn Fair, which drew a great many Sailors out of their Retreats to see the Procession, several of whom were pressed for his Majesty’s Service, and sent directly on board the Tenders in the River.”

The stairs today look almost like archaeological remains, washed from under layers of mud and sand by a strong tide, a bit like Seahenge, discovered in Norfolk in 1998. I checked on the Historic England directory, and the stairs are not listed, and it is unclear who, if anyone, is responsible for these features. Sadly, they will probably continue to erode away. A great loss for future generations.

Temporary structures were erected for Horn Fair, and we can get a glimpse of these from reports about the fair, including one from 1819 where there was an unexpected heavy snow fall, which caused much damage to the fair, including temporary structures for “The Freemasons Tavern” and “The Crown and Anchor”, which had apparently been “fitted up with great splendor , and the proprietor had omitted to take down his lamps and lustres” – which along with bottles, crockery, furniture etc. were all badly damaged by the snow.

The Horn Fair was abolished in 1872. By then Charlton had ceased to be the “healthful and pleasant village of Charlton“, and was being rapidly developed.

Horn Fair did not fit in with the Victorian narrative of improvement, and riotous assemblies such as fairs, were seen as a threat to those living nearby, to law and order, and to the social structures of the time.

In the Morning Advertiser on the 27th of February, 1872, in between lists of the prices of coal, hops, potatoes, the cattle market, and an article listing the days of the arrivals of the mail from Australia, New Zealand, the Falkland Islands, Mexico, Egypt (all symbols of a new Victorian London), there was a brief article reporting on the official abolition of the Horn Fair at Charlton and the Blackheath Fair, both of which had “survived all other suburban pleasure fairs”.

Chalk on the foreshore at Cuckold’s Point, left over from a time when chalk was used to build a flat platform on which barges could be grounded:

The wooden steps of Horn Stairs. The condition of the individual steps seems to get worse with height, with those at the very top appearing to be in very poor condition. I assume this is because those at the top are much more open to the atmosphere, are washed by the river rather than being covered, and suffer more wave action.

Horn Stairs and Cuckold’s Point are wonderful places to take in the river, views across to Limehouse and the Isle of Dogs (but walk down the stairs at your own risk !!).

It is a place with a long history, shared with the history of the river, and a connection with a Miller and King in Charlton, and a historic fair held in the “pleasant village of Charlton“, which does still have a Hornfair Road near the original location of the fair

What ever the truth of the story of the Miller, his Wife and King John, it is a fascinating part of London’s long history, and tells much about life in London over the centuries.

alondoninheritance.com

Queenhithe – The Original London Dock

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The following photo was taken by my father from the south bank of the river, looking across to the north bank, it is where the walkway along the river turns slightly inland to pass under Southwark Bridge:

Queenhithe and the north bank of the River thames

The same view today:

View to the north bank of the River Thames from Bankside

The layout of the place is the same today, with the pillars (although today much more substantial) supporting the building overhead, being in the same place. The building on the left is now a Zizi Italian restaurant, replacing the warehouses and industrial buildings that once lined this stretch of the river.

The view is across to the north bank of the river, where a number of warehouses can be seen. Of these, there is only one building that remains today. That is the large warehouse directly underneath the dome of St. Paul’s Cathedral.

The subject of today’s post, is a feature on the north bank, that is just visible in the above photo.

Whilst the warehouses form an almost continuous line along the river, there is one place where the river cuts slightly in land to form a small dock. This can just be seen to the right of the following enlargement from the above photo and is Queenhithe Dock:

The view across the river today. Queenhithe can just be seen as the indention in the river wall, just to the right of centre. The tall brick building to the left is the warehouse seen below the dome of the cathedral in the above photos:

A closer view showing Queenhithe Dock. The building at the back of the dock is a recently completed hotel:

Queenhithe’s importance comes from the fact that it is a surviving dock space dating back to the Saxon and Medieval period.

The dock is believed to have been established by King Alfred after he reoccupied the area within the City walls in 886. At that time, it was called Ethelredshythe after King Alfred’s son in law, when it was a place where boats were pulled up on the foreshore with goods being sold from the boats.

The name Queenhithe comes from Queen Matilda, the wife of Henry I, who was granted the taxes generated by trade at the dock. Hithe means a small landing place for ships and boats.

Matilda also had built London’s first public lavatory at the dock, which was available for the “common use of the citizens” of London, and was no doubt built at the dock so the output of the lavatory could flow directly into the river – some things do not change.

Queenhithe is shown in the Agas map (from around the mid 16th century to the early 17th century), with one boat with a sail, and a smaller boat being within the dock:

The map appears to show some open space between the end of the dock and the houses lining Thames Street, and this space was presumably used for holding cargos being moved between the ships on the river and the land, and for conducting sales.

Writing in London Past and Present (1891), Henry Wheatley describes Queenhithe as:

“It was long the rival of Billingsgate and would have retained the monopoly of the wharfage of London had it been below instead of above bridge. In the 13th century it was the usual landing place for wine, wool, hides, corn, firewood, fish and indeed all kinds of commodities then brought by sea to London.”

The dock today is a much smaller part of what was the original dock and trading area. Excavations beneath some of the buildings surrounding the dock have found remains of a Roman quay along with the 9th century shore where trading took place, along with a series of medieval waterfronts, showing how during the medieval period the river wall was gradually being pushed further into the river.

The edge of the dock as it enters the Thames:

Queenhithe is classed as a Scheduled Ancient Monument, and is one of the areas along the river where any form of mudlarking or disturbance of the dock or foreshore is prohibited.

The Historic England description of the reason for designating Queenhithe as a Scheduled Ancient Monument provides a good explanation of the importance of the place:

“Quays are structures designed to provide sheltered landing places with sufficient depth of water alongside to accommodate vessels over part of the tidal circle. The features and complexity of quays vary enormously depending partly on their date but also on their situation and exposure, the nature of the underlying geology and alluvium, and the volume and types of trade they need to handle. By their nature, quays also tend to occur in proximity to centres of trade and administrative authority, usually in locations already sheltered to some extent by natural features. Basic elements of quays may include platforms built up and out along a part of the coast or riverside that is naturally deep or artificially dredged, or along an artificial cut forming a small dock on a riverside or coast.

Urban waterfront structures and their associated deposits provide important information on the trade and communication links of particular periods and on the constructional techniques and organisation involved in the development of waterfronts. Artefacts recovered through excavation and the deposits behind revetments will retain evidence for the commodities which were traded at such sites.

Major redevelopment schemes along the Thames in the past have meant that the site at Queenhithe Dock is a rare survival of a sequence of waterfront constructions dating from the Roman period. The timber quays, revetments and the occupation levels are well preserved as buried features. It will provide evidence for the riverside development of London including archaeological and environmental remains and deposits. These deposits will provide information about the river and riverside environment and, by extension, about the people who lived alongside and have used it. The site is of particular significance as one of the few early medieval docks recorded in London.”

At low water, the full extent of the foreshore within Queenhithe can be seen:

Queenhithe featured in a range of newspaper reports which help to give an idea of what life was like at the dock, and in London. Some examples:

3rd December 1741: “On Friday a wealthy Baker near Bishopsgate Street, was by two Money-Droppers, deluded into a Public House by Queenhithe, and there at Cards tricked out of above £100. Tis strange this stale Cheat should still prevail.”

According to the rather wonderful “The 1811 Dictionary of the Vulgar Tongue” by Francis Grose, a Money Dropper was a cheat who would drop some money, and then pretend to find it in front of someone, who he would then entice into a pub to share in his good luck at apparently finding the money.

Once in the pub, the Money Dropper would then cheat or rob the person he had enticed into the pub out of any money they had on them, and with the Baker, it was £100, a considerable sum of money in 1741.

Interesting that in 1741 it was thought that the was a “stale” cheat, so must have been a method employed by cheats for many years before.

The Lord Mayor’s procession (now the Lord Mayor’s show), when the new mayor took office was once a very riotous affair across the City. Crowds, fighting, fatal accidents – all very different to today. A long account of the November 1774 procession included the following reference to Queenhithe: “A man was run over by a coach at Queenhithe, and killed. A boat was overset near Queenhithe Stairs by the Watermen attempting to row passengers nigh enough to see the Lord-Mayor take water, and, it is said, six people were drowned”.

A reference to Queenhithe in 1799 adverts headed “Important Inland Communication” highlights how, in the days before the railways, goods arriving or departing from the river around Queenhithe could transfer goods across the rest of the country.

The advert stated that “The Public are respectfully informed, that Goods are regularly conveyed from Queenhithe, London, to Newbury, and from thence o Andover and Salisbury, and also down the Andover Canal to Southampton, and vice versa”.

It cost 11d (old pence) to send a hundredweight (about 112 pounds or 50kg) to Newbury, 2shillings and 6d to Salisbury and 2shillings to Southampton.

The advert shows how in 1799 there was an integrated transport system to transfer goods between London and surrounding counties and towns, as it also states the company “affords a regular communication with the following market and borough towns, and their respective neighbourhoods: Amesbury, Blandford, Cranborne, Christchurch, Dorchester, Downton, Fordingbridge, Fareham, Gosport, Havant, Kingscleare, Lymington, Mere, Newport, Poole, Portsmouth, Ringwood, Romsey, Shaftesbury, Whitchurch, Wilton, Wimborne and Yarmouth”.

It is often overlooked that the success of London as a trading port and as a commercial centre was only possible because of an interdependent relationship with a complex transport network between London and the rest of the country.

It was no good if people or goods arriving in London could not travel to destinations across the country with reliability and with a reliable timetable and cost.

One of my many unfinished projects is mapping out all the 18th century coach routes out of London. It was a very extensive network, equal in its day to the train network we have today.

As well as a reliable transport network, another important factor in the success of trade along the river was transparency in the pricing of key goods, so a market could develop based on pricing transparency. Here again, Queenhithe featured in many newspaper reports on the previous day’s prices:

“The Price of Flour for Bread at Queenhithe, from 4s, 9d per Bushel, Second Sort from 4s 4d to 4s 8d per Bushel. Windsor Beans £8, 2s per Quarter. Common Ditto £2 per Quarter.”

Sometimes the flour brought up for sale did not always sell as in 1757: “Last week several Mealmen at Queenhithe loaded their barges with the Flour that they had brought up for Sale, and sent it back”.

A “Mealman” was the name given to those who traded in grains and flour.

In the following photo, I am looking across the Thames from the north east corner of the dock:

There was a very similar view in the book Wonderful London, published in the 1920s, which shows lighters moored at the entrance, and inside the dock:

The description that goes with the above photo reads “Old Queenhithe, Once The Principal Dock Of London Port – All that is left of Queenhithe is an indentation in the line of wharves backing onto Upper Thames Street. But this, with Billingsgate, once formed the Port of London. It was called by its present name in the reign of Henry II, but as a dock it is centuries older, for we first hear of it in 899 during Alfred’s reign. To encourage its prosperity taxes were levied on foreign vessels discharging cargo elsewhere in the city. By Stow’s time it had fallen into disuse. It is now used for floating lighters to the surrounding warehouses”.

Queenhythe as a trading dock gradually lost its usefulness as the size of ships increased and the docks grew along the river, both within the City of London, and along the rest of the Thames.

As shown by the Wonderful London photo above, it did continue to be a place where lighters could be moored, with the relatively flat bottom of the dock allowing a lighter to be settled at low water, rather than being moored in the river. Space along the foreshore would have been at a premium during the 18th and 19th centuries, and partly into the 20th.

The Wonderful London photo shows the bed of Queenhithe appearing to be a level layer of mud. Today. the bed of the dock is mainly stone, broken bricks and the other detritus that gets carried along the river.

I suspect that the mud has gone as there is no activity in the dock today, and the lack of moored lighters and shipping along the river has increased the flow of the river, which has led to erosion of the mud.

If you look at the dock today, it gives the appearance that the mud has been cleared, and the incoming tide has pushed some of the old dock surface, and rubbish from the river, up to a pile at the back of the dock. Even an old scooter looks as if it is now becoming part of the buried history along the river:

Along the eastern wall of the dock is the Queenhithe Mosaic, which provides “A timeline displaying the remarkable layers of history from Roman times to Her Majesty’s Diamond Jubilee”:

The mosaic was design by Tessa Hunkin and Southbank Mosaics created the installation in 2014, and next to the river, it starts with the first Roman invasion:

Then we see the first reference to Queen Matilda and Queenhithe:

And that Queenhithe was London’s Grain Dock, a role it still had in the 18th century:

Other key London events are included such as when St. Paul’s Cathedral was first built in stone, and when London became a Saxon town:

There is then the 19th century “Big Stink” and World War 2 and the Blitz, which damaged so much of the area surrounding Queenhithe:

And finally the Millennium Bridge and the Jubilee. The mosaic is mainly a timeline, although the Thames flows along the length of the mosaic and at the end. as well as covering events in 2012, we also see the river opening out into the estuary, and four turbines from the wind farms that have covered parts of the wider estuary:

Rocque’s map of 1746 shows Queenhithe Dock with a small area of open space at the top of the dock, labelled Queen Hith (earlier references to the dock often spelt the Hith part without an e):

There are a number of boats which look as if they could be either sailing into, or away from the dock. There are also two sets of stairs. On the right are Queen Hith Stairs, and on the left are Queen Hith Little Stairs.

I can find a number of references to Queenhithe Stairs over the last few centuries. I quoted one earlier in the post with the story of the “boat was overset near Queenhithe Stairs“, when a Waterman was taking people out into the river to see the new Lord Mayor take to the river.

The Port of London Authority listing of all the steps, stairs and landing places on the tidal Thames does not have any reference to these stairs, however, they are still there. Not the nice set of stone steps leading down to a causeway on the foreshore, rather Queenhithe Stairs now consist of a vertical metal set of steps right up against the river wall, with a short set of steps providing access over the river wall as can be seen in the following photo, in exactly the same place as in the 1746 map:

Looking over the edge of the river wall, and we can see the vertical steps heading down to the foreshore:

There is a high river wall around Queenhithe, an essential bit of infrastructure to keep the surrounding land dry during times of very high tide, and building embankments along the river has been a continuous project in keeping the City of London dry.

I found a mention of Queenhithe Stairs in a reference to building an embankment wall, when in 1856 the London Weekly Chronicle had an article on an Act of Parliament to progress a whole series of infrastructure projects across London, including;

“An embankment along the Middlesex side of the River Thames, which said embankment will commence at or near certain stairs called Queenhithe Stairs, in the parish of St. Michael, Queenhithe, in the city of London, and from thence run in a westerly direction along and in front of the north bank of the river, and terminate on the river bank at or about a point in the parish of Saint Margaret in the City of Westminster, in the county of Middlesex.”

Other parts of the Act included building a railway within the embankment, so this was one of the enabling acts for both creating a new wall along the river and building what has now become the Circle and District underground railway lines along the Embankment.

The embankment as actually built ended at Blackfriars and did not extend to Queenhithe Stairs. The warehouses along the river, with their need for easy access directly onto the river prevented the new embankment being built as far as Queenhithe, but it is one of those “what ifs” with the development of London over the centuries.

From the walkway along the side of the river, there is nothing to be seen of Queenhithe Little Stairs, and I cannot find any written reference to the stairs, however looking across from the south bank of the river, we can see a set of steps vertically up against the river wall in the place shown in Roqcue’s 1746 map:

Interesting how there is a rise in the height of the foreshore around the bottom of the steps, and how these stairs survive despite having very little practical use these days, although I suspect that with the height of the river wall, having stairs along the foreshore is a sensible precaution for anyone stranded on the foreshore as the tide comes in, or having fallen in the river, although with the tides in the river, getting to the stairs would be a challenge.

Queenhithe is an interesting survivor, as what survives is the space, rather than any physical structure such as a building, wall, paving, etc. Whilst there are remains of the use of the dock below the surface, Queenhithe’s importance is as a reminder of how the City and the Thames developed and for so many centuries, were interdependent.

Given the level of 19th century rebuilding of the City, I am surprised that Queenhithe survived, and was not replaced by new warehouses, however the dock had already given its name to a Ward, so the importance of the place must have long been clear, and removing the place that was the source of the Ward’s name was probably too much, even for Victorian commercial redevelopment of the City of London.

alondoninheritance.com

Hungerford Bridge and Hungerford Market

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My father took the following photo of Hungerford Bridge from the south bank in 1947:

The same view in 2022:

The photos are seventy five years apart, and as could be expected the core of the bridge is much the same now as it was in 1947.

There are some minor differences. The brick structure above the pier on the right was missing in 1947, although its appearance today may suggest it is part of the original structure.

Two signal gantries can be seen above the tracks in 1947, and on the left of the bridge the entrance to Charing Cross Station can just be seen, where today, the 1991 office block, Embankment Place, above the station is the major feature at the end of the bridge.

The white structures along the length of the bridge in the 2022 photo support the Golden Jubilee Foot Bridge which was completed in 2002. There is a second foot bridge on the other side of the railway bridge, to an identical design.

These foot bridges replaced a single, narrow footbridge that originally ran along the far side of the bridge. It was not that pleasant a foot bridge, always had large pools of water across the walkway after rain, and was often not the route of choice after dark.

Hungerford Railway Bridge was opened in 1864. It was built by the Charing Cross Railway Company to provide a route into the new Charing Cross Station from across the river.

It was not the first bridge on the site, and investigating further reveals the source of the name, a failed market, the original bridge, and a very strange death.

Charing Cross Station was built on the site of the 17th century Hungerford Market, and the site had originally been home to Hungerford House, owned by Sir Edward Hungerford.

The Hungerford family name dates back to at least the 12th century with an early reference to one Everard de Hungerford. The family name came from the Berkshire town of Hungerford, and over the centuries, the family amassed a considerable amount of land and property and became very rich.

Many of the Hungerford’s had key roles in the governance of the country (in January 1377, Sir Thomas Hungerford was elected speaker of Parliament), and in national events (for example during the Civil War Sir Edward Hungerford was in command of the Parliamentary forces in Wiltshire, where it was reported that he carried out his responsibilities with an unpleasant zeal).

The first record of the Hungerford’s owning a house in the Strand was when Sir Walter Hungerford took up residence in 1422.

The Hungerford’s would own a house in the Strand until the late 17th century, when Sir Edward Hungerford (the nephew of the Civil War Hungerford of the same name) decided to try and create a market to rival the recently opened, nearby, Covent Garden Market.

An Act of Parliament in 1678 granted Sir Edward Hungerford permission to let some of the grounds occupied by Hungerford House for building leases and also to open a market on the site on Mondays, Wednesdays and Saturdays. The market opened in 1682.

Despite being in what seemed to be an ideal location, the market was not really a success. It was sold to Sir Christopher Wren and Sir Stephen Fox in 1685 and after their deaths, it was sold on to Henry Wise around the year 1717.

It would stay with Henry Wise and his descendants until 1830.

The following print from 1825 shows the original Hungerford Market:

The image at lower left shows the bust that is on the wall of the market building, and the text below names Edward Hungerford and confirms the opening date of 1682. The coat of arms on the right is that of the Hungerford family.

In the above drawing of the market, there is a sign on the building on the right about Watermen. The text below is too small to be readable. This is probably some reference to the stairs and access to the river at the far end of the market.

The following print from 1830 shows a busy market scene, with the River Thames visible in the gap between buildings in the distance.

John Rocque’s map of 1746 shows the market between the Strand and the river, and shows Hungerford Stairs running down to the river:

As usual, to help with research, I checked newspapers for mentions of the old Hungerford Market. Papers of the 18th and 19th centuries record the numerous accidental and strange deaths that happened across London. I have read hundreds of these and one of the most unusual concerns a worker from Hungerford Market. This is a report from the Ipswich Journal on the 3rd of July, 1725:

“On Sunday Evening, an elderly Man that carried a Basket in Hungerford Market for his Livelihood, was drowned in an excessive Quantity of ‘Strip and go Naked’ alias ‘Strikefire’ alias ‘Gin’, at a notorious Brothel in the Strand; the poor miserable wretch expiring under too great a Dose of that stupefying Benediction.”

I have never heard of “Strip and go Naked” or “Strikefire” as a drink, and assume it was a form of Gin as this was the last alias.

It was with some trepidation that I put the name into Google, and the search results imply that it is now an American drink made out of beer, vodka and lemonade, also a cocktail made from beer, gin, vodka, lime juice, orange juice and grenadine.

Whatever it was in 1725, its description as a “stupefying Benediction” does sound rather appropriate.

18th century newspapers provide a view of the trades within Hungerford Market. These were in the paper for events such as bankruptcy so are not a complete list, but provide an indication: Wine Merchant, Butcher, Slaughter House, Oyster Merchant, Indigo Maker, Ironmonger, Coal Merchant.

As with any location which attracted people, there was also a public house – the Bull’s Head.

During the early decades of the 19th century, the market was becoming rather run down, dirty and surrounded by squalid housing.

The descendants of the Henry Wise, who had owned the building since 1717, sold the land and buildings to the Hungerford Market Company which had been formed in 1830.

The new company believed that by rebuilding, and providing a much improved market environment, the Hungerford Market could be just as big a success as Covent Garden and could also tempt some of the fish trade away from Billingsgate.

The new market buildings were much increased in size compared to the original market. New houses were built alongside, which included a number of pubs. The market buildings pushed the river embankment out by a further 150 feet and a set of stone stairs were constructed down to the river.

The following three prints of the opening ceremony on the 2nd of July, 1833, give an impression of the scale of the new market buildings and the grandeur of the opening, which was intended to give the market a considerable amount of publicity, and attract Londoners from as far afield as possible into the market.

The following print shows the view from the river, with crowds of people in front of the market and on boats on the river.

The opening of Hungerford Market was the place to be seen for the fashionable Londoner of 1833 as the following account from the Morning Advertiser on the 3rd of July, 1833 records:

“It having been announced that the opening of this splendid work was to take place yesterday at two o’clock in the afternoon, crowds began to assemble in the forenoon. By the specified hour, the concourse of people which thronged every part of the market, and all places adjoining, whence a view of what was going on could be had, was truly immense.

Of the numbers present it was impossible to form any conjecture which could be depended on. The large hall was most densely crowded with an assemblage of the most respectable kind, including much of the female beauty and fashion of this vast metropolis. The lower quadrangle was no less densely filled with an assemblage of the same class. The same may be said of the space appropriated to stalls and benches, underneath the colonnade. The quadrangle fronting the Strand, being open to all, was literally crammed with human beings. Indeed the open space in that particular part looked like a living mass of human beings.

The pavement on the south side of the magnificent building, which projects into the Thames, was so crowded with persons of all descriptions, that it was next to impossible to move from one part of it to another. The balconies at the top of the building, though a much higher price was demanded for admission to them, were filled with an assemblage of ladies and gentlemen. The view from these balconies was exceedingly interesting. It commanded an extensive prospect of the Surrey hills, and of a very considerable part of London, including a large portion of the Thames. Westminster and Waterloo Bridges were crowded with spectators, as were the tops of a great many houses in the neighbourhood of Hungerford-market.

The river was a most interesting scene; it was covered with boats, all as full as a regard to safety could justify. The coal barges in the neighbourhood of the market were so numerous and so close and so well filled that one could scarcely persuade himself they floated on water.

Taken altogether, we should say, it is very seldom indeed that so many human beings are congregated together.”

The following print shows the main attraction during the opening of Hungerford Market, a balloon ascent:

And the following print shows the balloon taking of from the quadrangle of Hungerford Market.

The balloon was piloted by George Graham, a prolific 19th century balloonist, who took two passengers with him in the basket.

The balloon took of at 4:30 in the afternoon. It went straight up for about sixty feet before heading in a south-easterly direction. Those in the basket waved their hats to cheers from the crowd as the balloon gained height.

By the time it had been up for 20 minutes it was described as being as small as a kite and after 30 minutes it was all but invisible, as it headed in the direction of Gravesend.

George Graham undertook many flights during the first half of the 19th century, and his wife was also a balloonist.

Margaret Graham was the first British woman to undertake a solo balloon flight, when in 1826 she took off from White Conduit Gardens in Islington, the location of her first flight with her husband just a couple of years before.

Individually, the couple would have a number of accidents. In one flight in 1838 George’s balloon hit a chimney on take off causing bricks to fall on an onlooker who died as a result. In a flight with his wife in 1851, the basket hit a rooftop just after launch causing him to fall from the basket and sustaining serious injuries.

In 1836, Margaret sustained serious injuries when during landing, her passenger stepped too early from the basket causing the balloon to rise, and Margaret to fall from a height.

In 1850 she suffered serious burns when a balloon caught fire.

George and Margaret had three daughters and the couple got them involved with ballooning. In 1850 Margaret flew with her three daughters causing something of a public outcry for taking all her children with her on what was considered a dangerous activity.

Despite having taken part in very many balloon flights Margaret died peacefully in her bed in 1880 at the age of 76.

Back to the opening of Hungerford Market, and in the evening there were fireworks and a ball was held which was “numerously and fashionably attended, and was kept up till a late hour with great spirit”.

The market buildings cost around £100,000 to build, and were expected to be a considerable success and rival Covent Garden and Billingsgate. At opening, all the market space had been rented out.

In the main hall, shops on the eastern side sold fruit and vegetables, butchers, selling meat, poultry and animal food took shops on the western side. There were large cellars and store rooms beneath the building and space for a large number of fish mongers. Space was provided for small traders with benches and stalls.

To try and tempt customers to the market, steam boats were run from east and west London along the Thames to the river stairs at the market. The market had one final trick to tempt what they called “the housewives of Lambeth and Southwark” to the market, and that was a bridge.

The above and below prints show the Hungerford Suspension Bridge which was opened to provide direct access to the market from the south bank of the river, and to provide another route over the river, as compared to cities such as Paris, London was believed to have too few bridges.

The bridge was designed by Sir Isambard K. Brunel and consisted of four individual chains running the length of the bridge, with two brick piers providing support for the chains.

The bridge was a considerable financial success. In their 1845 report for the first year of operation, the Directors recorded that tolls to cross the bridge raised £9,000 in a year. When the bridge was built it was expected that the daily traffic would be about 8,000 people, however after opening the bridge was attracting nearly 14,000 people.

The success of the bridge was such that the Board decided to pay the Directors £500 for their services to the company.

In a sign of what was to come, at the Board meeting in 1845, the Directors agreed to lease the bridge to the Central Terminus Rail Company for a fee of £186,000.

In the 1830s / 1840s, the area around Hungerford and Waterloo Bridges was being seen as a location for a railway terminus that would service the south east and south of the country, and connect into London Bridge – a subject way out of the scope of today’s post.

An interesting print from 1850 about flooding caused by a high tide shows some of the advertising for the Hungerford Bridge. The following print shows flooding in Vine Street which once ran where the Shell Centre building now stands on the South Bank, up to York Road. A large banner across the street directs people to the bridge, with another sign on the side of the terrace of houses towards the end of the street on the right:

The south bank, being part of low lying Lambeth Marsh was subject to frequent flooding at high tides as shown in the print.

In the following extract from the 1894 Ordnance Survey map, I have ringed the location of Vine Street (‘Reproduced with the permission of the National Library of Scotland“):

Despite the optimistic opening, steam boats bringing customers from along the river and the bridge to tempt customers from south London, the market was not a success.

In 1851 a Hungerford Hall was built on part of the site for lectures and exhibitions, however this building burnt down during an accident when lighting gas lamps. The fire also caused damage to the main market hall.

The market would close by the end of the 1850s.

Plans for new railways and stations had been developing during the mid 19th century, and the entire site of the market was purchased by the Charing Cross Railway Company in order to construct Charing Cross Station.

The station would serve as a terminus of a route from the south of the river, therefore a new bridge was needed, and this resulted in the demolition of the original Hungerford Bridge. The railway bridge was approved by the 1859 Charing Cross Railway Act, and construction of the new bridge started in 1860.

Charing Cross Station (and therefore the bridge) opened on the 11th January 1864, and quickly became a busy rail route between south and north sides of the river.

Demolition of the bridge was not the end for parts of the original suspension bridge.

One of Brunel’s projects had been the Clifton Suspension Bridge. This had run into delays and financial problems and Sir John Hawkshaw and William Henry Barlow took over construction of the bridge as consultant engineers, working to complete the bridge.

They were aware of the demolition of the Hungerford Bridge, and to help with the financial difficulties in completing the Clifton Suspension Bridge, they purchased the chains and ironwork from the original Hungerford Bridge for £5,000.

Many of these chains still remain, and look out on a very different view than when they spanned the River Thames (see my post on the Clifton Suspension Bridge and my visit to the hidden chambers beneath the bridge in this post):

As well as some of the chains still being in use, the core of the piers from the first bridge were used in the construction of the piers for the new railway bridge.

The new Hungerford Railway Bridge initially provided a route for pedestrians across the river, with two footpaths on either side of the bridge. A toll of a half penny was charged up to 1878.

Initially the bridge provided four tracks across the river, however this was later widened to six tracks by the removal of the pedestrian routes, which were moved to a pedestrian way along the outside of the bridge.

The pedestrian route alongside the bridge as it appeared in the early 1950s:

The entrance to Charing Cross Station as it appears today:

The ornate construction in the forecourt is a reconstruction (not a replica) of the Eleanor Cross that was located nearby and destroyed in 1647. The original Eleanor Cross was one of several built across the country in the late 13th century to mark the route when the body of Queen Eleanor was carried from Nottinghamshire for burial in Westminster Abbey.

Although the main market buildings were very slightly further back from the front of the above building, they were built on the site of part of the building, the station concourse and the platforms down to roughly where Villiers Street is today, with the steps extending down into the river. The later construction of the Embankment pushed further into the river

The following postcard shows Charing Cross Station as it appeared at the turn of the 19th / 20th century when the main building served the planned purpose of a hotel. Designed by Edward Middleton Barry in the French Renaissance style and which became one of the most fashionable hotels in London. Barry also designed the cross in the station forecourt:

Plans for the reconstruction of London after the war proposed demolishing bridges such as Hungerford Bridge and routing rail traffic in tunnels, however there was no way in which this could be financially justified and the plans did not progress further than a paper proposal.

Hungerford Bridge now stands as a reminder of a centuries old family name, who had a house off the Strand in the 15th century, a site which became a market and is now occupied by Charing Cross Station.

All prints in this post are from the British Museum collection and reproduced under Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0) license.

alondoninheritance.com

County Hall and a Roman Boat

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Today, the River Thames runs between embankments on the north and south sides of the river, embankments built over the last 160 years, and were still being completed in the 1980s. For centuries the river had an extended foreshore which would shift with the tides, and particularly on the south bank, large areas of wet, marshy land.

One stretch of the embankment, built during the first decades of the 20th century, is the stretch in front of County Hall, the purpose built home of the London County Council, then the Greater London Council, and now home to hotels and tourist attractions.

County Hall photographed from Westminster Bridge:

The London County Council was formed in 1889 to replace the Metropolitan Board of Works and to gradually take on powers covering Education, Health Services, Drainage and Sanitation, Regulation and Licensing of a whole range of activities, dangerous materials, weights and measures, street Improvements – there was hardly an aspect of living in London that would not be touched by the LCC.

The problem with having all this responsibility was that the LCC also needed the space for all the elected officials and the hundreds of staff who would deliver the services.

The LCC initially had an office at Spring Gardens, near Trafalgar Square, the old home of the Metropolitan Board of Works, but quickly started looking for a new location as staff began to be scattered across the city.

A wide range of locations were suggested, but they were either too small, too expensive or too close to the Palace of Westminster – the London County Council wanted to be seen as a completely separate authority to the national government, but still wanted a prominent location, suitable for the governance of London.

The LCC already had a Works Department which occupied a small part of a site on the South Bank, to the side of Westminster Bridge.

The new St Thomas’ Hospital on the other side of Westminster Bridge had already started the improvement of the Lambeth side of the river, which included the creation of a large formal embankment.

The land across Westminster Bridge Road from the hospital provided a sufficient area for the LCC with space to grow. It was in a prominent position, directly facing onto the river, and importantly was on the opposite side of the river to the Palace of Westminster so was close to, but separate from the national government.

As the site was being acquired, attention turned to the design of the new building, and a competition was organised to invite designs for the new home of the LCC.

There were some incredibly fancy and ornate designs submitted, however the winning design was one of relative simplicity by the 29 year old architect Ralph Knott.

Construction of County Hall began in January 1909 with the construction of a coffer dam in the river, which allowed the new river wall to be built, reclaiming an area of land from the river. Work then began on excavation of the ground, ready for laying a concrete raft on which County Hall would be built.

Work was sufficiently advanced, that by 1912 the laying of the foundation stone could take place, and to commemorate the event, a booklet was published, providing some history of the construction of County Hall up to 1912, along with some plans and photographs of the original river frontage, and an important find during digging ready for the construction of the concrete raft.

County Hall would be built on a 6.5 acre site, and to achieve this area, a significant part of the foreshore and river needed to be reclaimed. In total two and a half acres of the river were reclaimed and a new river wall constructed to hold back the Thames.

A new river wall had been part of the construction of St Thomas’ Hospital, and the alignment of this wall would be continued with the construction of County Hall.

588 feet of new river wall was constructed. the most difficult part being where the wall would come up against Westminster Bridge. The piers of Westminster Bridge had been built on timber piles, and the foundations of the river wall would go a further 6 feet deeper than those of the bridge, so careful construction was needed to avoid damage to the bridge. This included steel piles driven around the foundations of the bridge to provide some protection from the excavations of the river wall.

Construction of the wall started in January 1909 and was completed in September 1910 at a total cost of £58,000.

The booklet includes the following diagram which shows the outline of County Hall, the alignment of the new river wall, and within the outline of County Hall, the original buildings on the site and the alignment of the old river wall, showing just how much was reclaimed from the river.

The site was occupied by businesses such as Cross and Blackwell with a jam and pickle factory, and the engineering firm of Peter Brotherhood who had their radial engine factory on the site. Their radial engine was an innovative machine used to power the Royal Navy’s torpedoes, as well as being a source of power for other machines including fans, and dynamos for the generation of electricity.

The booklet also includes the following photo of the site from Westminster Bridge. I suspect the embankment wall now runs roughly where the photographer was standing.

If you look at the edge of the photo on the right, there are a large flight of stairs leading down to the river, and at the top of the stairs can just be seen part of a pub. The pub had one side facing onto Westminster Bridge Road, and the other facing a small square and the river stairs. With limited research time, I have been unable to find the name of the pub, and it is not mentioned in the County Hall booklet.

This is the view of County Hall today, the photographer for the above photo was probably standing a bit closer to the river wall than I am, but everything in the following photo was built on reclaimed land.

The new river wall and embankment was a significant construction, and before work on this could start, a timber dam had to be built to hold back the Thames from the construction site. The dam consisted of a wall of tongue and groove timber piles, which had to be driven through four feet of mud, then eleven feet of ballast (sand, gravel etc.) before reaching London Clay, then driven further into the clay to provide a firm fixing.

This was needed as the dam would have to hold back a significant wall of water, as the tidal range could be over 20 feet, so the dam had to hold back sometimes no water (at very low tides) and at very high tides, a wall of over 20 feet of water pressing on the dam.

The embankment wall was a very substantial construction, reaching down over 35 feet below the original Trinity high water mark. Between the river wall and County Hall, a new public walkway was constructed, and under the walkway there were large vaults within the open space between the walkway and the concrete raft at the base.

The following drawing shows the construction of the wall and embankment:

Behind the wall, a large area was excavated. Due to the marshy, damp nature of the ground a concrete raft was needed across the whole area on which County Hall would be built. It was during the excavation to build that raft that a significant discovery was made of the remains of a Roman boat, seen in the following photo as discovered:

The booklet provides a description of how the boat was found:

“The discovery was primarily due to Mr. F.L. Dove, the present chairman of the Establishment Committee. While inspecting in January 1910, with Mr. R.C. Norman, the then Chairman of the Committee, the excavation for the concrete raft, he noticed a dark curved line in the face of the excavation immediately above the virgin soil, and some distance beneath the silt and the Thames mud. The workmen engaged suggested that it was a sunken barge, but Mr. Dove realised from its position that it must be of considerable antiquity, and accordingly requested the Council’s official architect to have the soil carefully removed from above.”

Mr. Dove was right about the considerable antiquity of the find. When excavated, it was found to be a Roman boat, constructed out of carved oak. It was lying 19 feet, 6 inches below high water, and 21 feet 6 inches below the nearby Belvedere Road.

The size of the boat was about 38 feet in length, and 18 feet across.

Within the boat were found four bronze coins, in date ranging from A.D. 268 to 296, portions of leather footwear studded with iron nails, and a quantity of pottery. There were signs that the boat had been damaged as several rounded stones were found, one of which was embedded in the wood, and there was indication that some of the upper parts of the boat had been burnt.

After excavation, the boat was offered to the Trustees of the London Museum, who accepted, and the boat was removed from site, with the following photo showing the transport of the boat from the excavation site. It is within a wooden frame to provide some protection.

The boat was put on display in Stafford House, then the home of the London Museum. (Stafford House is now Lancaster House, in St. James, a short walk from Green Park station).

The following photo shows the boat on display:

I contacted the Museum of London to see if parts of the boat were available to view, and was told a sorry story of the limitations of preservation techniques for much of the 20th century.

The boat was found beneath the silt and Thames mud in an area of damp ground. This created an oxygen free environment which preserved the boat’s timber.

As soon as the boat was exposed, it started to dry out, and over the year the timbers cracked and disintegrated. Museum of London staff tried to patch up with fillers, but this was long before the chemical means of conservation that we have today were available.

When the Museum of London moved to its current site on London Wall, only a small section was displayed, and this was removed from display when the gallery was refurbished in the mid-1990s.

Some key features of the boat such as joints and main timbers have been preserved as well as they can be after so many years, and are stored in the Museum of London’s remote storage facility, so not available for public display.

The Museum of London did donate some of the fragments to the Shipwreck Museum in Hasting, so I got in contact with them to find out what remained.

I had a reply from the former City of London archaeologist, Peter Marsden, who advised that much of what was preserved at Lancaster House was modern plaster of paris painted black. He also confirmed that only some ribs and a few bits of the planks survive, and are no longer on display.

Peter Marsden has written some fascinating books on Ships of the Port of London. They are very hard to find, however the English Heritage Archaeology Data Service has the book “Ships of the Port of London, First to eleventh centuries AD” available to download as a PDF from here. It is a fascinating read which includes many more discoveries in the Port of London as well as the County Hall Roman boat.

The age of the boat seems to be around 300 AD which is confirmed by the coins discovered in the boat all being earlier, and Peter Marsden managed to get a tree ring date of around 300 AD from one of the planks.

It is difficult to confirm exactly why the boat was lost on the future site of County Hall. There was much speculation at the time, including in the County Hall booklet, that the boat had been lost during battles in AD 297. The burning on parts of the wood written about in the booklet has not been confirmed, and the stones could have been ballast.

It seems more likely that the boat may have been damaged, or simply lost on what was the marshy Thames foreshore and land of the south bank. Away from the City of London, the boat was left to rot, gradually being covered by the preserving mud and silt of the river until discovery in 1910.

There is another feature on the plan of the new County Hall that suggests the boat could have been on the edge of the Thames foreshore.

On the opposite side of County Hall to the river is a street called Belvedere Road. This was originally called Narrow Wall. The first written references to the name Narrow Wall date back to the fifteenth century, and it could be much older. The name refers to a form of earthen wall or walkway, possibly built to prevent the river coming too far in land, and as a means of walking along the edge of the river.

In the following extract from John Rocque’s 1746 map of London, Westminster Bridge is at the lower left corner, and slightly further to the right, Narrow Wall can be seen running north.

Although straightened out and widened, Belvedere Road follows the approximate route of Narrow Wall.

If Narrow Wall was built along a line that formed a boundary between river and the land, then the Roman boat was close to this and would have been in the shallow part of the reed beds that probably formed the foreshore.

I have annotated the original plan from the booklet with some of the key features, including the location of the Roman boat:

The following view is looking along Belvedere Road / Narrow Wall, with County Hall to the left:

The following photo is a view of the entrance to County Hall from Belvedere Road. The Roman boat was found just behind the doors to the left:

There is a curious link between the finding of the Roman boat and the laying of the foundation stone commemorated by the booklet.

The foundation stone was laid on Saturday the 9th of March 1912 by King George V. Underneath the foundation station was a bronze box, the purpose of which was described in newspaper reports of the ceremony:

“Depositing a ‘find’ for some archaeologist of the future, the King and Queen watching the foundation stone of the new London County Hall being lowered into position. Before the stone was lowered into position and declared by the King to be well and truly laid, his Majesty closed a bronze box containing certain current coins and documents recording the proceeding, and caused it to be placed in a receptacle in the stone. Perhaps at some dim future day, when London ‘is one with Nineveh and Tyre’ this box and its contents will come to light beneath the spade of an excavator, burrowing amid the ruins of a forgotten civilisation.”

So having been the site of excavation of a Roman boat, the hope was that the bronze box would form an archeological discovery in some distant future.

I assume the bronze box is still there, below the foundation stone, in the north-east lobby adjacent to the old Council Chamber.

Construction of County Hall continued slowly. It was a large building requiring large numbers of workmen and materials.

The coal and dock strikes of 1912 and building workers strike of 1914 delayed construction. Work continued during the First World War, however war demands such as on the rail network caused problems with the transport of granite from Cornwall to London.

As parts of the building became useable, they were taken over by rapidly growing Government departments such as the Ministry of Munitions and Ministry of Food, who were able to prioritorise their needs over the LCC due to the demands of war.

By the end of September 1919, the LCC were able to retake possession of the building, and work on completion continued quickly, with over one thousand men working on the site by March 1921.

The building was soon substantially complete, was gradually being taken over by an ever expanding LCC staff, and was officially opened in July 1922.

The London County Council continued until the 1st April 1965. The London Government Act of 1963 restructured how London was governed, and this led to the Greater London Council (GLC) which took over from the LCC.

The GLC lasted to the 31st of March, 1986 when it was abolished by the 1985 Local Government Act, primarily down to conflict between the Labour held GLC and the Conservative government of Margaret Thatcher across the river.

The building was sold to the Shirayama Shokusan Corporation, a private Japanese company, for £60 million. and in the following years it would be converted to a hotel and the ground floor facing the embankment walkway hosts tourist destinations such as Shrek’s World of Adventure, a Sealife Centre and the ticket offices for the London Eye.

County Hall is Grade II listed, and the original Council Chamber of the LCC has been preserved, and is now available to hire and is used as a theatre.

The architect Ralph Knott worked on County Hall for most of his career. He had been called up into the Royal Air Force during the First World War where he was responsible for the design of airfield buildings, but he still kept in touch with County Hall construction. He returned to the County Hall project after the war to see the main building through to completion.

He was still working on plans for extension of the building late in his career, which were not finished at the time of his death at the young age of 50 on the 25th of January 1929.

County Hall is a fitting tribute to Ralph Knott. A relatively simple, but grand and imposing building facing onto the river, suitable for an institution that was to have so much impact on the 20th century development of London. A building of contrasting design to the Palace of Westminster on the opposite bank of the river.

Sad that the Roman boat has been substantially lost. Preservation of organic remains that have been in waterlogged soil for centuries is difficult, but thankfully now much better, as seen for example, with the preservation of the Mary Rose in Portsmouth.

I hope that no readers comment that the bronze box beneath the foundation stone has been removed. It would be great that it is still there for archaeologists in the distant future to dig up.

alondoninheritance.com

Tunnelling the Baker Street and Waterloo Railway

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A couple of week’s ago, I wrote about the construction of the Greenwich foot tunnel, based on a pamphlet published in 1902 by the Institution of Civil Engineers. The pamphlet included details of another recent tunnelling project, constructing the tunnels of the Baker Street and Waterloo Railway (known from the start as the Bakerloo line), under the Thames between Embankment and Waterloo Stations.

Parliamentary Acts of 1893 and 1896 had approved construction of the Baker Street and Waterloo Electric Railway, initially running from Dorset Square near Marylebone Station, to Waterloo Station. Further requests for extensions were approved and by 1904 the line ran from Paddington to Elephant and Castle.

The route of the Baker Street and Waterloo railway ran beneath the Baker Street Station of the Metropolitan District Railway, by Regent’s Park and Crescent Gardens into Portland Place, through Langham Place to Oxford Circus (where the tunnels pass over those of the Central Line with a clearance of only 6 inches at one point), down Regent Street to Piccadilly Circus, along Haymarket and Cockspur Street to Charing Cross, along Northumberland Avenue, then under the Thames to College Street, Vine Street and Waterloo Station.

The majority of the tunnel went through London Clay and was a relatively easy construction project, however there was a challenge where the tunnel went underneath the Thames.

The following diagram from the pamphlet shows the route under the river, from Northumberland Avenue to College Street on the opposite side of the river. The station shown above Hungerford Bridge, labelled Charing Cross Station, is now Embankment Station.

The diagram shows a “River Stage” extending south from Hungerford Bridge. This was a large platform, 50 feet wide and 370 feet long on which were built workshops, stores, steam cranes, boilers and air-compressors, staff buildings along with two shafts down to where the tunnels would be built.

The construction platform and shafts on the Thames were needed due to a strange anomaly found in the bed of the river when test boreholes were made along the route of the tunnels.

In the middle of the river there was a sudden depression in the London Clay through which the rest of the tunnel had been bored. This had filled with gravel, which was porous to water and required a different tunnelling method to the rest of the route, which would use compressed air to help keep out water as the tunnel went through the gravel.

The following diagram shows the route under the Thames of the Baker Street and Waterloo railway, the depression in the London Clay and short distance of gravel through which the tunnel would need to run.

The diagram also shows the shafts sunk down to the level of the tunnels for their construction, along with the temporary work platform created on the river.

College Street on the right is now under the Jubilee Gardens.

Note also in the diagram how the depth of the two tunnels diverge as they route under the Thames, with the “up” line having a rising gradient towards Waterloo (shown as dotted lines) and the “down” tunnel having a descending gradient towards Waterloo.

The ground beneath the streets and buildings of London is generally invisible, but is just as interesting as the surface. I have written about some of the areas where the geology beneath the city has influenced the development of an area, for example, how water shaped north Clerkenwell, Bagnigge Wells, St. Chad’s Place and a Lost Well, and also when oil was found beneath the streets of Willesden.

There are many features below the surface, some as a result of ice and freezing, some as a result of water, for example when the Thames was a much wider river, and the multiple smaller rivers that ran into the Thames, and some the result of human activity.

I wondered whether the feature shown in the 1902 pamphlet was still there. I suspect we look at the Thames at low tide, and assume a uniform bed to the river as it descends from one side of the river, to rise on the opposite side.

The Port of London Authority (PLA) have a complete set of survey and navigation charts on their website, detailing the river from Teddington to Southend. They show a very different view of the Thames, a view that is essential to those on the river. The depth of water, obstructions, navigation lights, moorings etc.

A view where bridges almost disappear, with only the piers supporting the bridge shown on the chart, as these are the key features for those on the river.

The PLA kindly gave permission for me to include an extract from the chart for Lambeth Reach in today’s post, an extract which covers the area where the tunnel for the Baker Street and Waterloo Railway was constructed.

Port of London Authority chart for Lambeth Reach

Hungerford Bridge can be seen in the centre of map, although only shown by black lines, with the piers supporting the bridge as the key feature.

The depth of the water is shown in metres (the depth is the average depth at the lower of each day’s two tides, which should show the minimum depth of water for those travelling along the river). The green areas along each side of the river are where the land is exposed at each low tide, with the height being shown (numbers underlined).

The depth of the Thames is typically between 2 and 3 metres at low tide in the central part of the river, however as can be seen just south of Hungerford Bridge (arrowed) there is a small area where the depth increases to a maximum of 5.4 metres, which is the same area as the depression in the London Clay shown in the 1902 diagram. Today’s Bakerloo line runs a short distance below the deepest area of this depression.

The PLA charts show how the depth of water gradually increases as the Thames heads towards the estuary, which is to be expected. They are some other similar features to the depression by Hungerford Bridge. For example, just off Limehouse Marina, there is a small area where the bed of the river suddenly descends from an average depth of between 6 and 7 metres, down to 11.7 metres, which is quite a depth at low tide.

Returning to the 1902 diagram of the route of the tunnels, it shows the tunnels running under College Street on the south bank of the river. This is one of the many streets that were lost following clearance of the area for the Festival of Britain.

The 1894 Ordnance Survey map shows the location of College Street (underlined in red) in the following extract (‘Reproduced with the permission of the National Library of Scotland“):

Interesting to compare the above map with the PLA chart. In the OS map, the priority is the land, so the river is shown as a blank stretch of water, with no defining features.

The location of College Street today, is under the northern edge of the Jubilee Gardens. The Thames has also been pushed back, with the construction of the embankment and walkway along the river for the Festival of Britain. In the following map, I have marked the location of College Street, pre-1950 edge of the river, where the shafts to the tunnels and the working platform were located, along with the route of the tunnels which today form the Bakerloo line ( © OpenStreetMap contributors).

Looking at the area today, the tunnels of the Bakerloo line, run roughly under the blue van in the photo below. The edge of the grass to the right is the approximate pre-1950 boundary with the Thames.

This view is looking back towards Waterloo Station from the walkway along the south bank, following the route of the Bakerloo line tunnels and College Street:

in the following view, the work platform extended from the first bridge pillars on the opposite side of the river (in front of the white boat) and extended 370 feet to the left. The depression in the London Clay is in the centre of the photo, and the Bakerloo line tunnels are running from the white ship to where I am standing to take the photo.

One of the benefits stated in the 1902 pamphlet of the work platform in the river was that material excavated during the construction of the tunnels could be taken away by barge, saving the transport of large amounts of material through the city’s streets.

The river continues to be used for a similar purpose, with close to the route of the Bakerloo tunnels, a new construction site on the edge of the river for the Thames Tideway Tunnel or the Super Sewer, being dug at a much greater depth to the Bakerloo line tunnels, but with the same need to understand the geology through which the tunnel will be bored beneath London, and to transport materials via the river.

There is a superb aerial view on Google Maps of the above Tideway Tunnel construction site showing the shaft down to the tunnel, which can be found on this link.

The two tunnels of the Bakerloo are each 12 feet in internal diameter, and were located in the gravel bed at a distance of 23 feet apart from the centre of each tunnel. As the tunnels approach the south bank, they move closer and the east bound tunnel will be running vertically over the west tunnel along the old route of College Street. This was done to keep the tunnels within the limits of the street.

Presumably this was done to avoid any damage to the buildings on either side of the street, or to create problems with later construction on the street, where deep cellars may have been built.

To get from College Street to Waterloo underground station, the tunnel crossed Belvedere Road and then routed along Vine Street. This street was also lost during clearance for the Festival of Britain, and in the late 1950s, the Shell Centre complex was built over the site of the street (only the tower block still remains).

I worked in the building during the 1980s, and fortunately working in what would today be called IT (lots of network, radio and telephone cabling), was able to access many of the tunnels built as part of the complex. There were two tunnels between the upstream (with the tower block) and downstream buildings of Shell Centre (on the opposite side of the railway viaduct to Hungerford Bridge). One of these tunnels was for pedestrians, and the other was a service tunnel.

The service tunnel had a raised section which went over the upper tunnel of the Bakerloo line, and it was possible to hear trains rumbling through the tunnels below.

To start construction of the Baker Street and Waterloo railway tunnels, two shafts of cast iron, 16 feet in internal diameter, were sunk from the work platform on the Thames. They reached down 50 feet. I like to assume these cast iron shafts are still below the surface, filled in, as probably too difficult and expensive to remove.

From a chamber at the bottom of the shaft, tunnels were started heading in both directions, with special attention paid to the tunnels under the Thames due to the gravel. The gravel was waterlogged, and at high tide, the combination of river and waterlogged gravel gave a head of 70 feet which created a considerable pressure of water through which the tunnel had to be driven.

A special shield was constructed, weighing 29.5 tons and with an outer steel cylinder of 13 feet in diameter. The shield included 14 hydraulic rams, each 6 inches in diameter, to push the shield forward as the gravel in front of the shield was excavated.

The following diagrams show some of the detail of the shield’s construction, including the hydraulic rams, their controls and the pipes feeding the rams, along with elevations of sections of the shield. Each hydraulic ram could be operated independently

Specially constructed iron rings were designed for the tunnel wall under the river. Each ring was 18 inches wide, and constructed of seven segments. Initially, the joints between the rings were machined to give a smooth fit between rings where bolts were inserted to join the two, however this design was soon revised with rough surfaces on the joints, which were then packed with creosoted pine wood (figures 7 and 9 below).

Gaps were grouted using a specially designed grouting machine (figure 10 above), which applied the grout at pressure, through special grouting holes, to help make the rings water tight.

The first part of the tunnel was through London Clay, however as the tunnel approached the centre of the Thames, it hit the water bearing gravel shown in the diagram earlier in the post. This required a change in tunneling method.

Compressed air was now used to keep the tunnel pressure at a level slightly higher than the pressure of the water through which the tunnel was being bored. This prevented water entering the tunnel, but required adjusted working conditions for the workers, with shifts reducing from 12 to 8 hour shifts.

Air pressure was also adjusted as the tide above rose and fell as the pressure of the column of water above the tunnel through the gravel and the river changed.

As the air pressure in the tunnel was higher than the water column, air would escape from the tunnel, up through the gravel, and could be seen by those on the side of the river as water spouts, with the position of the spouts changing as the tunnel progressed across the river.

The configuration of the shield needed to change as the shield approached and entered the gravel. The following drawings show the shield as it approached and then went through the gravel (called ballast in the diagrams).

Work on the first tunnel commenced on the 19th March 1900. it had taken the previous January and February to construct the shield at the bottom of the shaft. On the 2nd of April, work was stopped to allow the construction of an 8 foot thick bulkhead brick wall in the tunnel. This would form the airlock to the section of the tunnel through the gravel where compressed air would be used.

Tunneling restarted on the 2nd of May and on the 6th of June the shield entered the gravel, and on the 15th July, the tunnel was fully within the gravel.

During the period of tunneling through the gravel, there were a few “blowouts” where water entered the space behind the shield. The design of the shield allowed time for the men working to escape, and provided a means of re-entering sections, and continuing work.

On the 27th September, the tunnel re-entered London Clay, with the last of the gravel seen on the 6th October 1900.

Tests were then carried out by removing the pumped air pressure to check for leaks, repairs carried out and compressed air was ended on the 27th October, with the airlock being demolished in November 1900.

The second tunnel was constructed in 1901, with the majority of the same workers, and using many of the lessons learnt on the first tunnel. This second tunnel was completed separately as the shield from the first tunnel was reused.

There were no deaths during construction, two “illnesses” due to working in compressed air, neither of which appear to have been serious. Workers were provided with hot coffee, clean work clothes, and a place to change before and after work. A doctor was assigned to the project to monitor those working in the part of the tunnels with compressed air.

Figure 11 at the top of the following diagrams highlights the method of tunneling in loose, water-bearing gravel:

The Baker Street and Waterloo Railway commenced services in 1906, from Baker Street to Elephant and Castle. The Middlesex & Surrey Express on March the 9th, 1906 provided a description of the new railway:

“The Bakerloo, London’s new tube railway, running from Baker-street to Kennington-road, will be opened tomorrow. There are intermediate stations at Waterloo, Embankment, Trafalgar-square, Piccadilly Circus, Oxford Circus and Regent’s Park, and a novelty about the new stations is that they are each treated in a separate colour scheme.

A uniform fare of twopence for the whole or any distance is to be charged, and trains will run at frequent intervals from half-past five in the morning until twelve thirty at night. The cars are of the usual type, well lighted, and with good, if not excessive provision made for ‘strap-hangers’ and one can imagine a scramble for straps taking place during the busiest hours. Collisions are rendered practically impossible for a most ingenious system, of automatic signaling has been adopted. Should, however, there be a prolonged breakdown, passengers will be able to leave the trains as a lighted footway has been provided between each stopping place along the whole length of the line.

The booking halls at the various stations are almost palatial in their design, and a feature of the lift accommodation is the use of compressed air in the rapid opening and shutting of the gates. All the wood used in construction has been rendered fire resisting”.

What is not mentioned in any of the news reports covering the opening of the Bakerloo is the tunnel under the river, and the challenges that were overcome in building two rail tunnels through water logged gravel under the Thames.

There was speculation at the time that the depression in the clay was caused by dredging for an earlier tunneling project for the Whitehall and Waterloo Railway.

This was a scheme to build a pneumatic railway in an iron tube under the river, the tube being sunk into the river bed rather than bored. The Railway News on the 20th of May, 1865, provided a description of project;

“THE WHITEHALL AND WATERLOO RAILWAY. Arrangements have now been completed which will admit of the commencement of works of this proposed railway immediately on the necessary Parliamentary powers being obtained. The bill has passed the Commons, it is now unopposed in the Lords and in a few days it may be expected to receive the Royal assent.

The railway is to be worked on the pneumatic principle, and is to be carried under the River Thames from Scotland-yard to the Waterloo Station of the London and South Western. The work must, of course, be finished before the wall of the Thames Embankment on the north side is built up, hence the necessity of pushing forward the preliminary arrangements as quickly as possible.

The railway will be formed by an iron tube, twelve feet in diameter, sunk into the bed of the river and supported in piers – a bridge, in fact, built in, not over the waters. the iron tubes will be made by Messrs. Samuda, and the laying of the tube and the other works will be undertaken by Messrs. Brassey and Co. The principle upon which the line will be worked will be much the same as that adopted on the experimental railway in the grounds of the Crystal Palace. The machinery will be on the Surrey side at the York-road Station.

The whole of the works will be completed in twelve months from the date of commencement. The cost of the undertaking will be about £130,000. The total weight of iron in the tube will be about 5,000 tons, and it will be sunk in four separate sections.”

The project soon ran into financial difficulties, the proposed timescale and costs for the project were hopelessly optimistic. In February 1868, papers were reporting that “The Whitehall and Waterloo Railway is at a complete standstill, and the directors advise the abandonment of the concern, unless, as they say, something turns up between this and the spring. They, of course, hope the South Western will help them in their difficulty, but one would think nothing could be farther from the thoughts of the directors of this company.”

In 1871, the company formed to build the Whitehall and Waterloo Railway was wound up.

The route of this earlier railway did follow much the same route as the later Baker Street and Waterloo Railway, and some parts of the iron tube were found during excavation for the construction of the Shell Centre complex, however I am not sure whether the depression in the London Clay was caused by dredging for this abandoned project.

The shape looks natural, the plan was to dig in the tunnel across the river to bury the iron tube, however the PLA chart shows the change in depth running along the river.

Whether natural or man-made, it was a considerable achievement to bore two tunnels that would become the Bakerloo line, through water bearing gravel, under a considerable head of water, at the start of the 20th century.

If you travel from Embankment Station to Waterloo on the Bakerloo, you will pass through this area of gravel soon after leaving the station.

alondoninheritance.com

Old Barge House Stairs

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For today’s post, I am returning to one of my favourite subjects, the old stairs that lined the river and provided such an important connection between the Thames and the streets of London on both the north and south banks of the river. The stairs for today’s post are Old Barge House Stairs:

In the above photo, there are some modern steps descending from the river wall, just to the left of the large OXO sign. The remains of a wood and stone causeway can be seen to the left of the base of the steps towards the river.

The causeway is all that is left of Old Barge House Stairs. The following view shows the stairs from the opposite direction to the above photo:

The stairs are located on the north western corner of the Oxo building on the south bank of the river, a short distance to the west of Blackfriars Bridge. I have ringed their location in the following map. The two piers on either side are the piers from where I took the above photos (Map © OpenStreetMap contributors).

The name Old Barge House Stairs comes from their proximity to the King’s Barge House, along with accommodation for the Royal Barge Master. It was here in the time of Henry VIII that the King’s Barge was stored.

The stairs appeared on maps as early as 1720, as shown in this extract from “A Plan of the City’s of London, Westminster and Borough of Southwark”, where Old Barge House Stairs are shown in the centre of the map:

I do like the way that the map shows the boats that were probably used by the watermen associated with the stairs, clustered around the stairs.

If you visit Old Barge House Stairs when the tide is high, you will find just the top of a modern set of metal stairs that run down from the walkway in front of the north western corner of the Oxo building. Visit at low tide, and the causeway that would have once led from the original stairs is visible:

I doubt that the causeway we see today dates back to the time of the above 1720 map. These stairs and their causeways were remade several times over the centuries due to continual erosion by the river, as well their changing importance relative to other river stairs.

What I find so fascinating about these river stairs is that they provide a fixed point between two very different worlds – the land and the river. They are where people moved between the two, and they provided a fixed point of reference to understand what was happening in these two very different worlds.

On the land around the stairs, they would be used as a reference to events happening near-by. This would help people find a location, or the best way to travel. For example, the following advert from the Morning Chronicle on the 5th September 1806 is the equivalent of today using an underground station as a point of reference:

“Oak Scantlings, Mahogany Plank and Boards, and Two Thousand Deals &c. By Mr Farebrother at Mr Gresham’s Wharf (late Gales) near the Old Barge-house-stairs, Narrow Wall, Lambeth, on Monday next at 12.”

Newspapers mainly report bad news, and the River Thames has been the scene of so many tragic events over the centuries. A quick scan of old newspapers reveals an almost daily report of accidents and deaths on the river. It was a very dangerous place, as well as the scene of tragedies such as that reported in the Morning Chronicle on the 8th April 1831:

“On Tuesday evening, about five o’clock, a middle aged French lady, elegantly attired, hired a waterman, named Oxley, belonging to Waterloo-bridge stairs, to row her to the Old Barge House stairs. On the man being about to land her, she desired to return back and proceed to Westminster-bridge. He instantly pulled round, but previous to his arriving near the bridge, he asked the lady which stairs she would like to be landed at? To which she replied the lower one. When nearing them the lady placed her muff and purse in the boat and taking a portrait out of her bosom, and her bonnet off, she precipitated herself into the river before the waterman could prevent her. By great exertion, however, he succeeded in catching hold of her after she floated through the second arch, and by prompt assistance, she was rescued from the death she meditated. She was conveyed into the Swan tap, where every attention was paid her, but she would neither give any explanation of her rash conduct, nor her name or place of residence. her friends, however, by some means, became acquainted with the circumstance and they sent a coach for her, the coachman being desired to drive to Thornhaugh-street.”

And this very sad report from the Kentish Mercury on the 16th February 1847:

“On Wednesday an inquest was held by Mr. W. Carter at the Mitre, Broadwall, Blackfriars-road, relative to the death of a newly-born male child, found under very remarkable circumstances. Mark Marten, a lighterman, deposed that he was proceeding down the river on Friday morning last, and whilst passing Raymond’s-roads on the upper side of Blackfriars-bridge, he saw a market basket floating down with the tide.

He pulled it into his boat, and rowed ashore at Old Barge House Stairs, where he opened it, and found the body of a child wrapt in a piece of flannel, and covered with meadow hay. On the top of the basket was a label, to the following effect ‘to be opened with care, from an old friend’. Witness gave the body to the police, and inadvertently destroyed the label, which in a moment of excitement, threw into a fire. Mr. E. Doubleday, surgeon, said that he had examined the body, which was that of a male child, fully developed. There was sufficient evidence of the child having breathed, but he was unable to say to what extent. The deceased from the appearance of the body, had clearly received the necessary attention at his birth.

The coroner remarked that the fact of the paper being destroyed by the first witness was an unfortunate occurrence as all chance of tracing the guilty party was lost. He left the case in the hands of the jury, who returned an open verdict of Found Dead in the River Thames.”

The above two reports cover some of the more unusual events where the stairs were involved. There were also very many more tragedies at the river in the vicinity of each of the stairs, for example in August 1880 at old Barge House Stairs, 16 year old John Thomas Glue, who drowned after simply going for a swim during his dinner hour. Ten or eleven yards from the bank, he suddenly had cramp, was swept by the tide under a barge near the steps where he drowned.

What would not have been reported in the newspapers are the thousands of people who have used these stairs, using the services of the watermen who gathered around the stairs like taxis in a taxi rank, waiting to take their fare to their destination of choice.

Today, Old Barge House Stairs are found between the Oxo building and Bernie Spain Gardens. The gardens are one of the few places of grassed, open space in the immediate area as this is a very built up area.

The old ITV Studios buildings, IBM Offices and the National Theatre are found to the west. Housing, offices and streets inland. In terms of London’s development, building around Old Barge House Stairs has been relatively recent, with the majority taking place during the 19th century.

For centuries the land around Old Barge House Stairs was part of Lambeth Marsh, an area of land roughly between Lambeth and Blackfriars Bridges and inland to St George’s Circus.

In the following extract from Rocque’s 1746 map of London, Old Barge House Stairs is marked in the centre of the map:

The map shows that by 1746, the land along the river had been built on, however inland it was mainly fields and agriculture. The Tenter Ground was an area used for the drying of newly manufactured cloth. Frames were set up across the field and the cloth was stretched across the frame to dry. If you look on the left side of the map, there is a building marked Dye House, so it is possible that cloth dyed in this building would be dried on the Tenter Ground.

The street running from the left is called Narrow Wall. This street ran from the current location of Westminster Bridge, running along the length of the south bank. The first written mentions of Narrow Wall date back to 1443, and it seems to have been a raised causeway or walkway with the sandy foreshore to the north. The name describes its original appearance as a Narrow Wall which would have helped prevent high tides coming too far inland.

Today, Narrow Wall is better known as Belevdere Road and Upper Ground. This later street name can be seen continuing to the right of the map, with the name again describing the physical characteristics of the street, when so much of the surrounding land was low lying, marshy, and would have been regularly threatened with flooding.

A long street called Broad Wall runs south from Old Barge House Stairs for the length of the map.

The name Broad Wall again defines how this street originally formed. It was also along the line of the western boundary of an area of land known as Paris Garden. The boundary was formed by one of the branches of the River Neckinger, which also seems to have gone by the name of Widefleet.

There was a syndicated article about Paris Garden in a number of newspapers in March 1890, which mention the boundary, and how the stream eventually became a sewer which entered the Thames at Old Barge House Stairs:

“Paris Garden, known as the King’s manor as appertaining to its lord and copyholders, formerly lay in St. Saviour’s Parish, and was famed for its mill, water-courses, pastures and wild plants. In 1670 nearly all of it was taken for the new parish of Christchurch, as constituted under the will of John Marshall, who had died 40 years before. Comprising the ancient hide of Wideflete, and covering nearly 100 acres, it had been given in 1113 by one Robert Marmion to the Cluniac Monastery of Bermondsey, whence, almost fifty years later, it passed to the Knights Templar, who set up a chapelry there, and from them to the Knights Hospitaler of St. John.

In the early years of the fifteenth century it became a sanctuary for offenders. Ultimately passing to Henry VIII, it was granted as dowry for Jane Seymour. Lord Hundens and others, who got the manor from Queen Elizabeth, conveyed the land and manor house to Thomas Cure, a benefactor to the parish. The manor house has been identified with the Holland’s Leaguer, or Nob’s Island, one of the many houses of ill-fame that formerly flourished on Bankside. The moated and castellated ‘Leaguer’ which was kept by one Susan Holland, in 1630, stood south-westwards of the present Falcon drawing dock. Latterly known as Beggars Hall, it was pulled down in making the southern approach to Blackfriars Bridge; yet some authorities question the survival of the original building to that time. The Widefleet was converted into a sewer, having its outlet by Barge House-stairs.”

The outline of streams can be seen in the 1746 map, however these can be more clearly seen in the Agas map which shows London in the mid 16th century. The map does not show Old Barge House Stairs, however the land of Paris Garden is shown as the built and cultivated area in the centre of the map, with Paris Garden stairs to the right of the line of buildings along the river. In the following extract of the Agas map, I have marked the location of Old Barge House Stairs (red circle):

The map does illustrate the number of streams in this part of the south bank, and running south from the future location of the stairs is a street (Broad Wall), with a stream running along the west side of the street, one of the branches of the Neckinger, or the Widefleet, which drained into the Thames at the location of the stairs.

The Neckinger / Widefleet is not visible today and does not drain into the river next to the stairs. Presumably any running water from the stream is now part of the sewer system.

The river walls here are high, protecting the low lying land from the waters of the Thames:

The causeway will gradually erode over the years as the daily tides cover and roll back from the structure. It would be interesting to know if the causeway extends further towards the river wall, under the sand of the foreshore.

Thames stairs are so much more than the physical remains we see today. They are a reference point between the land and river, which help tell a story of the area, and the many thousands of people who have in some way come into contact with them.

The problem with researching these posts, is finding a reference to the subject of a post which raises a whole set of new questions, which I frequently do not have time to follow up. One example concerns a potential bridge across the River Thames which would have landed at Old Barge House Stairs.

In 1862 the London Gazette reported on the incorporation of a new compnay, for the making of new bridges over the River Thames. Application was being made by the new company for a new Act that the company was intending to bring before Parliament. The Act proposed a range of new bridges, including:

A bridge, to be called the Tower Bridge, for horses, animals, trucks and passengers across the River Thames. Works to commence at Irongate Stairs near the Tower of London, and to terminate at Horseleydown Old Stairs.
A bridge, to be called St Paul’s Bridge, for horses, animals, trucks and passengers across the River Thames, commencing from the foot of St Paul’s Steam-boat Pier and terminating at Mason’s Stairs, Bankside.
A bridge, to be called the Temple Bridge, for horses, animals, trucks and passengers across the River Thames, commencing on the north side at a point distant 100 yards or thereabouts in a south-easterly direction from the commencement of the Temple Steam-boat Pier near Essex Street, and terminating at certain Stairs called Old Barge-house Stairs at the end of Old Barge-house Alley

As well as the above, the Act also proposed the New Chelsea and Battersea Bridge and the Wandsworth Bridge.

Tower Bridge would be built, however construction was not started for a further 24 years after the above Act.

St Paul’s Bridge continued to be a proposed solution in the early decades of the 20th century, but was never built.

As well as the 1862 Act, a Temple Bridge was proposed in the 1943, Abercrombie County of London Plan, published by the London County Council, but would also not be built.

Today, there is a short stretch of Barge House Street from Upper Ground to behind the Oxo building, and there is a stretch of Broadwall from Upper Ground to Stamford Street, so some of these old street names, and reminders of the history of the area can still be found when walking today.

alondoninheritance.com

The Thames from Cherry Garden Stairs

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The subject of this week’s post is one of the earliest of my father’s photos as it dates from 1946. The negative is 75 years old and is not in that good a condition. The scanned image needed some processing to get it to the state you see below, and it is still rather grey with poor contrast.

The photo is from Cherry Garden Stairs, Bermondsey, looking along the river towards the City, with the dome of St Paul’s Cathedral visible through Tower Bridge.

The same view today, with the dome of St Paul’s Cathedral in exactly the same place, however a very different river scene (the perspective looks different due to the very different camera and lens combinations used).

The location of Cherry Garden Stairs is shown in the following map, with the stairs located within the red circle at lower right. The 1946 photo looks along the southbank of the river towards Tower Bridge (Map © OpenStreetMap contributors).

The two photos show a very different scene.

In 1946, the river bank was lined by warehouses, wharves and docks, with cranes along the river. A large number of lighters and barges are moored in the river, and directly in front of the camera, which would have been on the foreshore of the river.

In the 2021 photo the towers of the City are visible to the right, along with the Shard on the left. There are no more working warehouses, wharves or docks, and traffic on the river is today very different.

The river is though still used to transport construction equipment to a major construction site. In the 2021 there is a large shed on the left bank of the river, with the metal work of a travelling crane extending from the shed to over the river.

This is Chambers Wharf, one of the main construction sites for the Thames Tideway Tunnel. Chambers Wharf is one of the project’s main drive sites, with boring machines transported to the site via the river, and lowered by crane down to the point where the machines drive out, creating the tunnel.

Chambers Wharf was one of the many wharves between Tower Bridge and Cherry Garden Stairs. The following map is from the 1953 edition of London Wharves and Docks, and the left of the river covers the area from Tower Bridge to Cherry Garden Stairs seen in my father’s photo.

The type of goods that these wharves dealt with are (from the top of the left bank of the river):

Coles Upper Wharf: Bulk grain, flour, cereals
Butler’s Wharf: Tea, rubber, colonial produce, bulk grain, fresh fruit
Upper Odessa Wharf: Cereals, non-hazardous chemicals, bagged goods
Adlards Wharf: General and bagged goods, timber
Sterling Wharf: General, strawboards and wood pulp boards
Chambers Wharf and Cold Storage: All types of food including highly perishable refrigerated dairy produce and quick frozen goods
Fountain Dock: Grabable rough goods, coal, granite, ballast and sand
Fountain Stairs Wharf: General, flour, cased goods
Powells Wharf: Foodstuffs
Farrands and Cherry Garden Wharf: General goods in bags, cases and casks, flour and corn starch

Also in the above map is St Saviour’s Dock, which I will save for a future post.

The list of wharfs does show the considerable range of goods that were being handled in the stretch of the south bank of the river shown in the 1946 photo.

The following extract from the 1949 edition of the Ordnance Survey map shows Cherry Garden Street in the centre of the map, running up to Cherry Garden Stairs, which are at the lower left of Cherry Garden Pier (‘Reproduced with the permission of the National Library of Scotland’).

A pier at the site seems to date from the later half of the 19th century, and Cherry Garden Pier is still there today, although used by a private company with no public access.

One interesting point in the above map, is to the right of the map is the Millpond Estate, a 1930s housing development which can still be seen today. The location of the estate had been the site of a flour mill, mill pond and terrace housing. The mill pond was once part of an extensive irrigation system that ran inland to much larger ponds – lots more to discover around this part of Bermondsey.

Cherry Garden Stairs are one of the many old stairs that provided access to the river. The earliest newspaper reference I can find to the stairs dates from the 25th May 1738 when “Yesterday morning an eminent Shoemaker at Cherry Garden Stairs, Rotherhith, was found drowned in the River Thames”.

The stairs are probably much older than the 1738 reference. Leading back from the location of the stairs (see above map) is a street called Cherry Garden Street. The street is named after a pleasure garden that was here called Cherry Garden.

In volume four of the 1912 edition of the History of the County of Surrey in the Victoria County History series, there is reference to a Jacobean style house called Jamaica House which could still be found in Cherry Garden Street until 1860.

This house appears to have been part of the gardens as in the same volume, there is a quote from Pepys which reads “To Jamaica House, where I never was before, together with my wife, and the Mercers and our two maids, and there the girls did run wagers upon the bowling green: a pleasant day and spent but little”.

Pepys visit is referenced in an article in the Westminster Gazette on the 7th October 1910, which also recalls an inn that was located by the stairs: “Cherry Garden-street, the scene of yesterday’s big riverside fire, occupies the site and preserves the name of the old Bermondsey ‘Cherry Garden’, once a well-known place of public resort. The Cherry Garden was favourably known to Pepys, who recorded his visit there in his famous diary. At Cherry Garden Stairs there was formerly a celebrated inn known as the Lion and Castle, a name supposed to have been derived from the marriage which took place between the Royal House of Stuart and that of Spain. Close by was the even more famous Jamaica, traditionally supposed to have been the residence of Cromwell”.

Edward Walford in Old and New London (1878) doubts the Lion and Castle name originating from a Stuart / Spanish name and prefers the source to be “the brand of Spanish arms on the sherry casks, and have been put up by the landlord to indicate the sale of genuine Spanish wines, such as sack, canary and mountain”.

The Lion and Castle pub seems to have been at Cherry Garden Stairs from the late 18th century to some point around the 1860s. It was not shown on the 1895 OS map.

It may have been that the stairs were used for river access to the pleasure gardens and that was why they took the name of the gardens. Rocque’s map of London in 1746 shows Cherry Garden Stairs (right on the corner edge of my copy of the map):

Thames stairs were so very important for centuries in the life of the river, and for all those who had some connection with the activities carried out on, or alongside the Thames.

As well as providing access to and from the river, Thames stairs were a key landmark. There are hundreds of newspaper references to Cherry Garden Stairs during the 18th and 19th centuries. The majority of these are adverts of ships for sale, for lease, or that were about to set out and were advertising for cargo or passengers.

For example, the Public Ledger and Daily Advertiser on the 8th May 1818 has the following advert: “Has only room for a few Tons of Goods, and will be dispatched immediately. For Gibraltar direct. The fine, fast-sailing Brig PRINCE REGENT, Henry Stammers, Commander. lying at Cherry Garden Stairs. burthen 118 tons. For Freight or Passage”.

Other reports concern accidents, collisions, drowning and bodies pulled from the river near the stairs. Such an incident is recorded in the last newspaper reference to the stairs that I can find, when on the 29th November 1936, Reynold’s Newspaper recorded that a ten year old Bermondsey boy had fallen into the Thames from Cherry Garden Stairs and had drowned.

Thames stairs and pubs also seem to be a magnet for crime. For example, there are reports of passengers being rowed across the Thames and then robbed in, or close by the pubs that were often located near the landside of the stairs.

The tide was in when I arrived at Cherry Garden Stairs to taken the comparison photo. Access to the foreshore is now via a modern set of metal stairs that run over the embankment wall that was built as part of the walkway / tree lined open space that runs along the river. Difficult to photograph without being on the foreshore, but the stairs can be seen at the end of the wall in the following photo:

The walkway to the pier can be seen in the background.

I am sure that my father took the original photo from the 1946 version of the stairs, as it was by standing on the stairs that I could get the dome of St Paul’s Cathedral in exactly the same position. At this distance from Tower Bridge and the cathedral, even a small change in position changed the orientation of bridge and dome.

There is much more to discover in this part of Bermondsey, so it is an area I will be returning to again.

alondoninheritance.com

Limehouse Cut and Angel Underground Station

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Before starting on this week’s post on the Limehouse Cut and Angel Underground Station, can I thank you for all the feedback following last Sunday’s post. It is really appreciated.

I also hope that if you receive my posts as a subscriber, this one does reach you. For the last few days there has been a rather obscure error message in the component that links the blog with the WordPress tool that manages e-mail subscriptions. The hosting company is investigating, so my apologies if it does not reach you automatically.

You may well be wondering what on earth brings the Limehouse Cut and Angel Underground Station together in one post. I can assure you there is a common theme linking these two locations, which I hope will become clear as you read through the post.

Limehouse Cut

If you walk east along Narrow Street in Limehouse, over the bridge that crosses the channel from Limehouse Basin to the Thames, then turn towards the river along the Thames Path, and at the end of the new apartment buildings that go by the name of Victoria Wharf, you will find a short channel in from the river:

This was the original river entrance where the Limehouse Cut connected to the River Thames.

The Limehouse Cut was opened in 1770 to provide a direct route between the River Thames and the River Lea at Bromley-by-Bow.

The River Lea entered the Thames to the east of the Isle of Dogs, so the Limehouse Cut provided a much shorter route for barges heading to the City and east London by avoiding the need to travel around the full loop of the Isle of Dogs.

The following extract from the 1816 edition of Smith’s New Plan of London shows the Limehouse Cut running as an almost straight line from the River Lea at top right to the Thames, where I have marked the point where the Limehouse Cut connects to the river with a red circle – this is the short channel in my photo above.

The area to the lower left of the Limehouse Cut was mainly open space, with a limited number of buildings and streets, however this would be changing very soon.

Soon after the 1816 map was published, another canal was built to help with transport across the city. The Regent’s Canal ran from Limehouse and headed north to loop around north London, allowing goods to be transported from the river to the north of the city, thereby avoiding the congested road system.

Part of the Regent’s Canal included a large basin, an expanse of open water just before the point where the Regent’s Canal entered the river. There were warehouses around the basin, and barges would gather, waiting to transit to the river when tides allowed the locks to be open.

The Regent’s Canal Basin, and the entrance to the river was built immediately to the west of the Limehouse Cut.

For eleven years between 1853 and 1864, the Limehouse Cut was diverted into the Regent’s Canal Basin, however after 1864 the original entrance was back in use, with a new bridge carrying Narrow Street over the canal. This would last for another 100 years.

The following extract from the 1955 revision of the Ordnance Survey map shows the Limehouse Cut running from top right down to the River Thames, with the Regent’s Canal Basin immediately to the left, labelled as “Dock” (‘Reproduced with the permission of the National Library of Scotland’).

By 1968 industrial activity in the area had been in long decline as was trade on the Regent’s Canal and Limehouse Cut. The entrance to the river was again closed, and the Limehouse Cut diverted into the Regent’s Canal Basin that was renamed as the Limehouse Basin.

The following extract is from a map of the area today. Limehouse Cut is coming in from top right and diverting straight into Limehouse Basin, I have again circled the original entrance with a red circle (Map © OpenStreetMap contributors).

The pink road that appears to loop across the north of the Limehouse Basin is in reality underground as this is the Limehouse Link Tunnel.

The following view is looking across the old entrance to Limehouse Cut. The wooden boards may well be the original planks that lined the entrance to the canal.

A couple of high explosive bombs landed in the immediate vicinity so the area surrounding the wooden planks may well be repaired bomb damage.

A very faded information board at the old entrance to the Limehouse Cut:

Between 1853 and 1864, the Limehouse Cut had been diverted to the Thames via the Regent’s Canal Basin. In 1864, the original entrance was restored, and a new wrought iron girder bridge was installed to carry Narrow Street over the Limehouse Cut. This 1864 bridge remains in place, although because of the filled in entrance, the bridge is not that obvious apart from the iron side walls as the street is carried over the Limehouse Cut. This is the view from Narrow Street looking south towards the Thames:

The view looking north:

Looking over the northern edge of the bridge, we can see the section of the Limehouse Cut that was originally the lock that controlled access between the non-tidal canal and the tidal river. Much restored late 19th century lock keepers cottages line the western side of the old lock (to the left in the photo below):

The old Regent’s Canal Basin, now the smaller Limehouse Basin, today hosts a marina, and provides links with the River Thames, Regent’s Canal and via the Limehouse Cut, the River Lea, and are all really interesting walks.

The old Limehouse Cut entrance is evidence of the canal’s original 1770 route into the River Thames for one of London’s early transport systems.

Angel Underground Station

Today, the entrance to Angel Underground Station is on the corner of a modern brick office block, facing onto Islington High Street. It has not always been in this position.

To find the original station, you need to walk south to the junction of Islington High Street with Pentonville Road, and walk a short distance along City Road and on the left is a rather strange looking building:

This is the original Angel Underground Station.

The Angel Station opened in 1901 as part of the City and South London extension from Moorgate. Six years later in 1907, the line was extended on towards Euston station. Today, Angel Station is on the Bank branch of the Northern Line. The following extract from the 1954 Ordnance Survey Map shows the original station in the centre of the map, on the corner of City Road and Torrens Street. This is the station building photographed above (‘Reproduced with the permission of the National Library of Scotland’).

When Angel Station was built, it had a narrow central platform, with both tracks running either side of the platform. Whilst this was probably fine for the short period of time before the line was extended, it was a rather dangerous place when the platform was crowded, and busy trains ran in both directions.

The following clip is from the 1989 BBC film Heart of the Angel (link at the end of the post), showing the crowded platform.

From the same film is a clip of the 1989 entrance to the station, looking down City Road and is on the right of my photo of the station at the top of this section of the post.

The platforms were also served by lifts from the ground level building. The exterior cladding around the original brick building was a later addition to provide extra space. The view down Torrens Street with the station on the right:

By the late 1980s, the station had a long history of overcrowding along the narrow single platform. It would frequently be rather chaotic when two trains pulled in, with passengers leaving both trains onto a narrow platform full of passengers waiting to get on the trains.

The lifts were also relatively small for the number of passengers at busy times and would also frequently break down. At the end of the 1980s a major rebuild of the station began.

A new tunnel was excavated to take the northern branch, thereby separating the northern and southern tracks so each could have their own platform. The southern branch today occupies the space of the original tunnel so has a rather wide platform compared to a normal station, as the platform occupies the space of the original platform and the northern tracks.

Escalators were installed to avoid the use of lifts, and these took passengers between the platforms and the new station entrance on Islington High Street.

The new station opened in 1992, leaving the original station building to sit on the corner of City Road and Torrens Street.

Crossrail 2 includes a station at Angel, and the complete eastern side of Torrens Street, including the original station building, was designated in the safeguarding map of sites for Crossrail 2 construction and operation.

The following view looks along Torrens Street at the buildings included in the safeguarding map.

The buildings along this side of the street are an interesting mix of old warehouses.

Candid Arts Trust occupies a 19th century warehouse:

And at the end of the street is an early 20th century building that was constructed on the site of a smithy and may have been used to stable horses, however it would be occupied by a metal working and plating company.

And there is still evidence of this activity:

The building is now occupied by the “Islington Metal Works” – run by a hospitality company and the site is used for Wedding Receptions, Corporate and Christmas events.

The link between these two very different sites, in different parts of London is hopefully now clear; that they are the redundant entrances to once busy transport links that have now been diverted.

The entrance to the Limehouse Cut was once a busy route for barges moving between the Lee River and the River Thames, with the Limehouse Cut now diverted into Limehouse Basin.

The original entrance to the Angel underground station has now been closed for some thirty years, with passengers now diverted along escalators rather than lifts to the new station entrance on Islington High Street, with a considerably improved and safer platform layout at the station.

There are many examples of these across London where the ever changing transport system adapts to changing technology, different patterns of use and improvements.

A film was made for the BBC 40 Minutes series in 1989 documenting 48 hours in the life of the Angel station.

Heart of the Angel was made by the BAFTA award winning director Molly Dineen, and it is a very honest portrayal of a station struggling to cope with the numbers of passengers using the station and the creaking infrastructure supporting the station.

if you have a spare 40 minutes, it is well worth a watch and can be found here.

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Tag Archives: River Thames

Iron Gate Stairs

Free Trade Wharf, Ratcliffe

Horn Stairs, Cuckold’s Point and Horn Fair

Queenhithe – The Original London Dock

Hungerford Bridge and Hungerford Market

County Hall and a Roman Boat

Tunnelling the Baker Street and Waterloo Railway

Old Barge House Stairs

The Thames from Cherry Garden Stairs

Limehouse Cut and Angel Underground Station

Limehouse Cut

Angel Underground Station

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Limehouse Cut

Angel Underground Station

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