Category Archives: London Streets

Redchurch Street and the Dolphin Pub

If you would like to come on my Limehouse walk, I have just had a couple of tickets come available. Two tickets on Saturday 19th of August, and one ticket on Sunday 20th of August. All other walks are fully booked.

I was unsure about using this 1980s photo as the subject of a blog post, as there did not seem anything of specific interest in the view. The photo was taken at the junction of Bethnal Green Road (not visible, but to the left) and Redchurch Street, the street on the right:

I assume the two old columns were the reason my father took the photos. Rather than lighting columns, I believe these are ventilation columns for the toilets below ground:

The following photo is looking over to the location of the toilets, some forty years later in 2023. The toilets have gone, one of the columns remains, and a rather strange building now stands over the site of the toilets.

The column appears to be the one that was at the rear of the original photos, and has been relocated to the corner of the junction.

Bethnal Green Road is to the left and Redchurch Street is to the right.

Taking a look inside the building over the site of the toilets, and if you look at the far end to the right, it is hard to see, but there is a descent down to below ground level, a handrail on the left and a sloping ceiling. This was presumably the stairs down to the toilet area below.

And to the side of the building are the glass tiles which cover much of the area in the 1980s photos, and originally provided light to the space below, which I assume they still do.

The toilets in the 1980s photo were typical of the underground toilets found at many locations across London. They were built around the end of the 19th and start of the 20th centuries and were part of the late Victorian drive to improve the city.

They have now nearly all closed. The demands on local authority budgets have meant that facilities such as these, which are not part of their legal responsibilities to provide, were among the first to go.

The one exception is the City of London, and although they have closed their old toilets, they have at least installed new facilities, or included them as a requirement of planning permission for new developments.

Many of these you have to pay to use, however the City does have a number of free to use toilets tucked away in places such as their car parks under London Wall, or at the Minories.

I have been photographing the above ground remnants of these rather enlightened improvements to the City, so perhaps a subject for a future post.

And that was as far as I thought I could go with the two 1980s photos, but as usual with any London scene, there is always something else to discover and learn, and so it is with these photos.

If you look along the street on the right in the first photo at the top of the post, there is a pub sign, with the ground floor of the pub just visible. This was the Dolphin pub, and I have enlarged the section showing the pub sign below:

The Dolphin closed in 2002, and the ground floor is now occupied by a Labour And Wait store, with the floors above presumably being used as residential.

The old pub as it appears in 2023:

There is not that much to discover about the Dolphin. It did not feature in many news reports, or place any adverts as to the excellence of their beers which was typical practice for most London pubs.

The one newsworthy event seems to have been a robbery in 1929, when a Henry Bently, 39, of Scalater Street in Bethnal Green, leant over the bar to take four £1 notes from the till. He was pursued by the landlord, he escaped, but later came forward as he appears to have been a regular at the pub, and therefore well known.

The interesting thing about the 1929 article was that the address was given as Church Street, rather than Redchurch Street as the street is now know, so I started to look at some maps.

Firstly, the map of the area today, and in the following extract, the dark blue circle is around the space where the toilets were located, and you can see the main road of Bethnal Green Road heading south west, at this junction, with Redchurch Street turning off from Bethnal Green Road. The old Dolphin pub is marked by the red circle ( © OpenStreetMap contributors).

Looking at some older maps, starting with Smith’s New Plan of London from 1816, and I have again marked the location of the toilets with a blue circle, and Redchurch Street, then called Church Street is surrounded by the red oval:

Look to the north of Church Street and you will see a dense area of streets and buildings, which looks different to the streets in the wider area.

Some of the street names should provide a clue as to the name and reputation of the area as this was the Old Nichol, a notorious area of densely populated streets and courts which was inhabited by some of the poorest people in east london.

The streets and buildings of the old Nichol were demolished in the 1890s and the Boundary Estate, which was built on the site, was opened in 1900. Newspaper reports of the opening described the old and new estates as follows:

“One most interesting feature of the Boundary Street Estate is that it has been built on the site of one of the most notorious slum districts in London. This was known as the ‘Old Nichol’, and is described minutely under the title of ‘The Jago’ by Mr. Arthur Morrison’s story ‘A Child of the Jago’.

A population of 6,004 persons were displaced under the Council’s scheme, and the slum clearance revealed a pitiful state of things. In two common lodging houses, 163 people were found to be living. 2,118 people were living in 752 single rooms, and 2,265 in 506 two-roomed tenements. The inhabitants consisted of the poorest classes of unskilled labourers, and in addition to large numbers of button makers, box-makers, charwomen, worker-women and so-called ‘dealers’, included some of the vilest characters in London.

In one small street alone there lived no fewer than twenty ticket-of-leave men. (see below for explanation) These people were transferred to other districts. Of the inhabitants of the ‘Old Nichol’, those who are new tenants on the Boundary Street Estate can be numbered on the fingers of one hand. The present occupants of the dwellings are mainly of the better classes, policemen, postmen, commissionaires, together with a few clergymen, schoolmasters, and Church workers”.

A ticket-of-leave man was a person who had been released from prison on parole, and the ticket-of-leave was the document handed to the person, documenting their status on parole.

The Boundary Estate was opened by the Prince of Wales in March 1900, and we can jump forward to the 1948 revision of the OS map to see the new estate, with the central circular feature of Arnold Circus, with new streets radiating out from the circus (‘Reproduced with the permission of the National Library of Scotland“).

In the above map, I have again marked the location of the toilets by the blue circle, and the Dolphin pub by the red circle.

So far, so good, I then went to the 1898 revision of the OS map, which resulted in a bit of a mystery (‘Reproduced with the permission of the National Library of Scotland“).

In the above map, I have marked the location of the toilets with the blue circle, however to the left, the entire area north of Redchurch Street is shown as blank space, presumably the area demolished ready for the construction of the Boundary Estate.

The strange thing is that the Boundary Estate does not reach all the way down to Redchurch Street, and the Dolphin on the north side of the street had been built a few decades before the above map, and was still in use during the 1890s.

I checked the 1895 edition of the Post Office Directory, and it lists the Dolphin at number 85, along with a full range of businesses along the northern side of the street, including James Julier Fried Fish Shop at number 19, William Padley’s Dining Rooms at number 29, Nathan Bloom, Cabinet Maker at number 53 and Joseph Barker, Undertaker at number 71.

So the northern side of Church Street in 1895 had a full range of businesses, however in the OS map of three years later, the northern side of the street has disappeared, and is the lower boundary of the Old Nichol, that was in the process of being rebuilt as the Boundary Estate.

There were three years between the Post Office Directory and the OS map, and the streets on the northern side could have been demolished in those three years, however the Dolphin demonstrates this probably did not happen, and looking at the 1948 revision of the map shown above, the northern side of Church Street has the same layout of buildings as could be expected from the 1895 directory. It is very clearly not part of the Boundary Estate.

There is another PH for public house on the 1898 map on the north side of Church Street. This was the Black Dog pub, which although long closed, the original building can still be seen.

Whether the OS map shows a more extended area originally planned for rebuild, which was reduced during the development stage, or whether it was simply an error of mapping, it is unusual to find such a significant error in OS maps.

Redchurch Street / Church Street is a very old street. It is the core of the Redchurch Street Conservation Area as defined by the London Borough of Tower Hamlets. Their conservation area document also helps confirm that the northern side of the street was not demolished as part of the Boundary Street Estate.

To illustrate the age of the street, the following is an extract from Rocque’s 1746 map of London:

The future Bethnal Green Road is to the right. Church Street is within the red oval, however this part of the street is now part of Bethnal Green Road, which today turns a little south, below New Cock Lane and Cock Lane (within the yellow oval), which today is Redchurch Street.

When the extension to Bethnal Green was built, New Cock Lane seems to have changed name to Church Street, and the junction in the 1980s photo is where Bethnal Green Road and the old New Cock Lane diverged.

The change of name from Church Street to Redchurch Street took place at some point in the first half of the 20th century.

It was still Church Street in 1911, where in the census, James Cooper is listed as the Licensed Victuallier of the Dolphin pub, along with his wife Mary, and his sister-in-law Emma Bass who was listed as a General Help.

In the 1921 census, the street is still Church Street, and Cornelia John Alfred was the landlord, living in the Dolphin with his wife Leah.

So the name change seems to have taken place between 1921 and the 1948 OS map.

According to the Tower Hamlets Conservation Statement, the name Redchurch Street comes from the church of St. James the Great which is strange as the church is a reasonable distance east along Bethnal Green Road. The church was the first red brick church in the area when built around 1840, and seems to have given the description of the church to the name of the street. the church closed in the 1980s and is now housing.

The story of the Old Nichol and the Boundary Estate to the north of Redchurch Street is fascinating, and has been on my very long list of subjects for a blog post, however if you would like to read more about the Old Nichol, I can thoroughly recommend “The Blackest Streets: The Life and Death of a Victorian Slum” by Sarah Wise.

alondoninheritance.com

The Cyprus Street, Bethnal Green, War Memorial

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One of my father’s 1980s photos was of the war memorial in Cyprus Street, Bethnal Green:

Forty years later, I went back to take a 2023 photograph:

There are a couple of interesting changes to the overall memorial. The small memorial below the main First World War memorial is for the Second World War, presumably also for those from the street who died during that war. In my 2023 photo, this plaque has had a name added since the 1980s.

Below that there is a new plaque which has been added:

And below the above plaque is one of the ceramic poppies from the 2014 display in the moat of the Tower of London to commemorate the start of the First World War.

The memorial in Cyprus Street:

The memorial is not in its original location. I have read a number of slightly different stories online about the fate of the original memorial, and move to the current location. I will use the following quote from the publication “Not forgotten, A review of London’s War Memorials”, published by the Planning and Housing Committee of the London Assembly in 2009:

“The memorial was originally on the wall between numbers 45 and 47
but in the 1960s, when one end of the street was redeveloped for a
new housing estate, the main memorial was broken while it was being
removed. The community rescued the plaques and for a while the
fragments lay around the local pub, the Duke of Wellington. After a
number of years the community took the opportunity to use the
refurbishment of their street to make a collection to pay for a replica
of the original memorial to be made at a local stonemasons and got
permission from the housing association to relocate it to where it now
stands.”

The London Assembly document states that the current memorial is a replica of the original. I have read other accounts that state it was repaired, however if that is true, then it must have been a very good repair.

The problem with determining which sources are correct is difficult as even in the London Assembly document there is an error. It states that “The original Cyprus Street memorial was erected at the end of 1918 to commemorate the residents of the street who died in the First World War”, however I have found a number of reports from newspapers of the time which state that the memorial was unveiled in 1920, perhaps there was a two year delay between erecting the memorial and unveiling, however I doubt it.

It is always difficult to be 100% confident in many statements that are recorded as facts.

What ever the truth of the memorial, nothing can detract from what it represents – the impact of war on one small London street.

The plaque was unveiled on Saturday the 5th of June, 1920, and the East London Observer had a report of the unveiling in the following Saturday’s issue:

“A BETHNAL GREEN WAR MEMORIAL – In Memory of Cyprus Street Men. A touching ceremony took place last Saturday afternoon at Cyprus Street, Bethnal Green, where there was unveiled and dedicated a War Memorial Tablet to the men of the street, which is in the parish of St. James-the-Less, Bethnal Green, who had fallen in the Great War. The memorial was raised by the members of the Duke of Wellington’s Discharged and Demobilised Solders’ Benefits Club, of which Mr. Keymer is the Chairman.

The St. James Brass Band opened the service and after hymns, prayers and lessons, the Rev. J.P.R. Rees-Jones, Vicar of the parish, unveiled and dedicated the memorial tablet.

The tablet is of white marble with imperishable lead lettering, with a beautiful scroll, the work being executed by Messrs. B. Levy and Sons, ltd. monumental masons, Brady Street, Whitechapel, a firm which has gained much notoriety by virtue of the excellence of workmanship and design, and the tablet was greatly admired by all who attended the interesting ceremony.

The Vicar gave a short but inspiring address, and after an anthem, “What are these arrayed in white robes”, given by the St. James’s choir, and the hymn “Lead Kindly Light”, the blessing was pronounced, followed by the “Last Post”, the “Dead March” and “Reveille”. There was a large assembly, and for once in a way Bethnal Greeners stopped to think of something else than their every day cares.”

The names on the memorial joined the names on thousands of other war memorial that were erected after the First World War, and the problem with war memorial is that the sheer number of names hides that fact that these were all individuals, and I have tried to find out about some of those listed.

In the 1911 census (the nearest I can get to the First World War for a full list of those living in Cyprus Street), there were 827 people recorded as living in the street.

Given that 26 people are listed as having died during the First World War, assuming roughly the same number of people were living in the street as in 1911, then 3% of the street’s residents would die in the war.

Whilst this may initially seem a relatively low number, many families at the time would have large numbers of children, so as a percentage of adults in the street, it was much higher than 3%.

When comparing the names on the memorial, I was surprised that a relatively high number were not listed in the 1911 census, implying that they were not then living in the street, I did wonder if those commemorated were from surrounding streets, however the memorial clearly states that they are the men of Cyprus Street.

I did find a number listed in 1911, and the census records provide a more rounded view of the names on the monument, for example:

A. Gadd – The Gadd family lived at number 51 Cyprus Street. There were two Alfred Gadd’s in the family. The father who was 45 in 1911 and the eldest son who was 18. The father was a Cabinet Maker, and the son was Linen Collar Sorter. I suspect that it was the son who died in the war, as the father would have been approaching 50 by 1914. As well as the father and oldest son, there was the wife Elizabeth (44), daughters Rosalie (20, a Brush Hair Sorter) and Elizabeth (16, a Dressmaker)
J. Goodwin – The Goodwin family lived at number 91 Cyprus Street. There were two John Goodwin’s in the family, however the eldest son John was only 6 in 1911, so it is the father, who was aged 27 and listed as a Butcher who died in the war. As well as the father and oldest son, there was the wife Elisa (26) and children Robert (5), Charles (4), daughter Grace (2) and youngest son Sidney (0, born in 1911)
T. Hamblin – The Hamblin family lived at number 59 Cyprus Street. T. Hamblin refers to Thomas Hamblin who was 32 in 1911 and listed as a Dock Labourer. He lived in the house with his wife Elizabeth (30 and a Tailoress). No children are recorded.
W. J. Gardner – There was no W. J. listed in the 1911 census, but there was a William Gardner at number 64, so I assume he may have left his middle name out of the census. William Gardner was 27 and a Builders Labourer. He lived in number 64 with his wife Florence (25 and a Skirt Machinist) and daughter Florence who was 4.

Just four out of the twenty-six who are listed on the memorial, but it reminds us that these were individuals with jobs and families, who would have impacted by their loss for very many years to come. The youngest child, Sydney Goodwin would hardly have known his father and Sydney could have lived to the end of the twentieth century.

It is also interesting to compare the number of names on the memorials for the First and the Second World Wars, with far less from the street who died in the Second World War.

This comparison shows the absolutely appalling death rates from the trench warfare of the First World War.

The reference on the memorial to the Duke of Wellington’s Discharged And Demobilised Soldiers And Sailors Benevolent Club refers to the Duke of Wellington pub in Cyprus Street. The pub was built around 1850 as part of the development of Cyprus Street and surrounding streets. The pub closed in 2005, but today still very clearly retains the features of a pub, including a pub sign:

The Duke of Wellington, like many other pubs in the working class areas of London, had a tradition of hosting benefit and loan societies.

In 1911 there was a large advert for the Duke of Wellington in the Eastern Argus and Borough of Hackney Times headed “Important Notice”. It was one of the very many adverts that publicans would place in the local newspapers when they took over a pub. The advert would tell potential customers that all classes would receive a warm welcome, that only the very best beers and spirits would be served, and the advert of the Duke of Wellington also included that:

“The United Brothers Benefit Society meets here every alternate Tuesday evening and the Duke of Wellington Loan and Investment Society (which has been established for over 20 years) every Saturday evening. New members to both societies respectfully invited and heartily welcomed.”

It was hosting societies such as these, as well as the very many clubs and societies involved with sports and games that put these 19th century pubs at the heart of the communities that developed around them.

The pub, as well as much of the original Cyprus Street terrace houses are Grade II listed.

A chunk of the western part of Cyprus Street was badly damaged during the Second World War and the Cyprus Street Estate was built across the area that was damaged. This has effectively separated two parts of the original street.

In the following map, the red oval shows where Cyprus Street has been separated by the new estate, with a short stub of the street to the left, and the main section of the street to the right ( © OpenStreetMap contributors ):

The new estate can be seen just to the west of the old pub:

Cyprus Street is fascinating, not just for the war memorial, and architecture of the terraces, but also the way they are decorated, with many of the houses having a brightly painted front door and window shutters:

View along the main surviving section of the street:

Cyprus Street is identical to many other mid 19th century streets that appeared as Bethnal Green was developed, what has made it special is the war memorial and the retention of the majority of the original terrace houses.

As indicated by the Duke of Wellington’s Benevolent Club that erected the memorial, the pub must have played an important part in the community that lived along the street.

There were so many pubs in Bethnal Green (as there was across much of London), and in Bethnal Green the majority have closed, with many being demolished or converted into flats.

As I was walking to Cyprus Street, along Bonner Street, I saw another old pub just after the junction with Cyprus Street.

This is the Bishop Bonner, on the corner of Bonner Street and Royston Street:

Another 19th century pub, which finally closed in 1997. The first floor appears to be flats, however the ground floor looks rather derelict. It would be interesting to look in and see if any of the remaining bar furniture survives.

Name sign on the corner of the pub:

Always interesting to think of the thousands who have walked through these doors, when the pub was the hub of the local community for well over 100 years:

Whilst so many of London’s pubs disappear or are converted, the memorial in Cyprus Street remembers not just the residents of the street who died in the First and Second World Wars, but also remembers the community that was in the street at the time, that enabled the memorial to be created and maintained during the following decades.

alondoninheritance.com

Two Pubs and the Jesus Hospital Estate

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Following last week’s post, I am staying in Bethnal Green, and after finding Ron’s Gents Hairdressers, I walked to find the location of the Queen Victoria pub and the Jesus Hospital Estate. The decorative features at the top of the Queen Victoria was the subject of one of my father’s 1980s photos:

When I found the pub, it was covered in scaffolding, and whilst the royal coat of arms at the top of the pub are still there, they had been painted white:

Unfortunately, my father did not take a photo of the whole pub building. I suspect due to the limited number of photos available when using a film camera. The pub today:

The Queen Victoria is on the corner of Barnet Grove and Wellington Row, a short walk north from Bethnal Green Road towards Columbia Road.

The pub has suffered the fate of so many pubs across London in that it has been converted to residential. The Queen Victoria closed as a pub in 1993.

I have mentioned a number of times in my posts about just how many pubs there were in London prior to the closures that started slowly after the 1940s, and accelerated quickly from the late 1980s onwards, and the location of the Queen Victoria is a prime example, as directly opposite, there was another pub:

Prince of Wales and Queen Victoria pubs, Barnet Grove

In the above photo, the Queen Victoria is on the right and the Prince of Wales is on the left, with Barnet Grove passing between them.

The Prince of Wales closed in 1995, and as with the Queen Victoria, it was converted to residential. Whilst the Prince of Wales has the pub’s name at the top of the corner of the building, there are no coat of arms:

The pub did once have the impressive arms of the Prince of Wales, as can be seen in the photo at this link from the alamy stock image site.

The building today is a shadow of its former self. I suspect the arms at the top of the pub were missing in the 1980s as I am sure my father would have taken a photo of them, as well as the Queen Victoria.

Both pubs seem to have opened in the late 1860s, and in the Hackney and Kingsland Gazette on the 28th of May, 1870, the new owner of the Prince of Wales was advertising:

“THE NEW Wine and Spirit Establishment, Conducted by the old caterer for public favour, C.H. Davies, of the ‘Prince of Wales, Barnet-Grove’, who begs to call attention of his friends and the public to his new premises replete with every comfort for the gentleman and mechanic, also to families who can be supplied with every article of the finest description including MALT LIQUOR, from the eminent Brewers of the day; SPIRITS (both foreign and British) of the highest strength and excellence, and WINES of the rarest vintage. Special arrangements have been entered into with the celebrated firm of Messrs. REID & Co. for a constant supply of their Splendid STOUT and PORTER.

Extensive and Commodious Rooms for large or small parties.

An Harmonic Meeting every Tuesday Evening at eight o’clock for gentlemen. An early visit is respectfully solicited.”

By 1907 a W. Tozer was the owner of the Prince of Wales, as in the Eastern Argus and Hackney Times he was thanking “the residents of the district and the public generally for the patronage they have accorded him since he took the proprietorship off this well known and old-established tavern 3 years ago.”

In the same article, it was mentioned that “The United Order of Druids, Baroness Burdett-Coutts Lodge (No. 948) meets at the house on the 1st and 3rd Tuesday in the month.”

The United Order of Druids was more of a fraternal and benefit society, and was open to all classes. I doubt there was much wandering around the streets of Bethnal Green in white gowns.

The branch that met in the Prince of Wales was the Burdett-Coutts Lodge. The lodge was named after Angela Burdett-Coutts, a remarkable women who was known as the wealthiest woman in the country after she inherited a fortune from her maternal grandfather Thomas Coutts, of Coutts Bank.

Angela Burdett-Coutts was a philanthropist who supported a diverse range of projects and causes. The link between the lodge that met in the Prince of Wales and Burdett-Coutts may have come from her charitable activities in the area with social housing and her founding of Columbia Market in 1869.

There are very few newspaper references to the Queen Victoria. Mostly licence changes, and in one report about an “Exciting Quoits Match”, the pub is named as the Queen Victoria Hotel, when a Mr Sayer, who appears to have been their champion Quoits player, was being challenged by Copeman and Wilstead, for £5.

The challenge was to take place on neutral territory at the May Pole in Chigwell. (Quoits is the game where a ring of iron or rope is thrown in an attempt to land it around a peg).

That there were two pubs directly opposite each other (as well as other pubs in the local area), shows the population density in this part of Bethnal Green. One of the reports mentioning the Prince of Wales covered above, may hint at the diverse range of people who lived here where the pub was advertised as having “every comfort for the gentleman and mechanic“.

In the following map, I have marked the locations of the Queen Victoria (red circle) and Prince of Wales (blue circle), and the surrounding streets show a dense network of terrace houses ( © OpenStreetMap contributors:

Walking north along Barnet Grove, and continuing after the Prince of Wales pub is a short terrace which still retains the shop fronts, when as well as local pubs, this street also had local shops to serve those who lived in the surrounding streets:

The title of this post is “Two Pubs and the Jesus Hospital Estate”, and I have covered the two pubs, but what about the Jesus Hospital Estate?

As a starter, the two pubs are on the southern edge of the “Jesus Hospital Conservation Area”, and I have marked the approximate boundary of the conservation area in the following map ( © OpenStreetMap contributors:

The area covered by the current conservation area has changed slightly over the years, however it started as an estate in the 17th century when the land was owned by James Ravenscroft in 1670. At that time, this was, as much of Bethnal Green still was, fields and farm land.

In 1679, James Ravenscroft founded the Jesus Hospital Charity in Barnet, Hertfordshire, and he bestowed the land in Bethnal Green to the charity.

The aims of the Jesus Hospital Charity were to provide for the support and maintenance of lady residents living in Ravenscroft Cottages in Wood Street, Barnet.

The charity is still in operation and has expanded the number of properties it owns in Barnet, and now “provides 63 unfurnished dwellings for ladies aged 50 plus, who reside alone and are fit and able to care for themselves”.

James Ravencroft’s son, George, made his name in the manufacture of lead crystal glass. He was primarily a merchant and came into contact with the glass trade after living for a couple of years in Venice.

On his return to London, he set up a glass works in the area of the Savoy, however he left the glass business in 1679, the same year as his father set-up the Jesus Hospital Charity. His father died the following year in 1680 and George died in 1683.

They were both Roman Catholics which, in the final decades of the 17th century, may not have made the family very popular.

In the early 19th century, the land was still being leased from the charity by farmers, and there had been very little change for the past 150 years, however limited building work did commence in the 1820s and 1830s.

One of the problems with the land in Bethnal Green was that it was some distance (given travel options at the time), from the trustees of the charity in Barnett. The trustees rarely visited. I assume they were happy as long as the money from leasing the land continued to flow to fund the charity’s responsibilities.

During a visit, the trustees found that the land had been developed with very poorly constructed, single storey houses, and that many were in a very dilapated condition. The streets in the area were also in a poor state, as were the sewers.

In 1862, a London surveyor based in Bishopsgate, by the name of George Clarkson was appointed to manage the redevelopment of the charity’s land.

The whole area of the Jesus Hospital Estate was cleared of the original buildings, new sewers were built along with new streets, and a total of 372 houses were built, as well as a number of pubs, including the Queen Victoria and the Prince of Wales.

It is these houses that we see when we walk the streets today.

Another old corner shop on the corner of Barnet Grove and Elwin Street:

View along Elwin Street, showing a continuous line of almost identical terrace houses:

With an almost mirror image along Quilter Street, although along this street there is a slight descent in the height of the land, which is accommodated for along the terrace by a step change in height as the terrace progresses, which can be best seen by the white bar that runs along the terrace just below the first floor windows:

Along the street there are a couple of houses which have pipes set into the wall, with LCC which I assume is for London County Council:

An example of which rises several feet above street level to a vent:

The London County Council never owned the houses along the street, but they would have taken responsibility for the sewers, so I wonder if they were installed as part of upgrades to the sewage system, or the Jesus Hospital Charity paid the LCC for drainage work to the houses.

In 1970, the Greater London Council served a compulsory purchase order on the land owned by the Jesus Hospital Charity. The GLC intended to demolish the estate, and there were plans to construct a large road through the area to link Victoria Park with the City.

There were ten years of legal negotiations between the GLC and the charity, and the estate was finally sold to the GLC in 1980 for a sum of £1.2 million.

Proposals for demolition were abandoned as there were many objections, including from the Jesus Hospital Estate Residents Associations which was formed in 1979 to fight against the GLC’s plans.

The Jesus Hospital Estate is today described by Estate Agents as a highly desirable place to live, and to show the incredible rise in house prices in this part of east London, in 1980 the charity sold the whole estate to the GLC for £1.2 million. Today, there is a single terrace house in Barnet Grove for sale, also for £1.2 million, so the sum you could have purchased the whole estate for in 1980 now buys you a single terrace house.

One of the reasons for the Estate Agents description of the area is that there is a large triangular green almost at the centre of the estate:

This is Jesus Green, but it was not part of the original 1860s development, when the 19th century approach was to pack as many terrace houses into the area as possible.

In the 1949 revision of the OS map, the area covered by Jesus Green today, is shown as a dense area of terrace houses, with an archway under one the houses in Barnet Grove leading into a central courtyard which housed a number of workshops (‘Reproduced with the permission of the National Library of Scotland“):

I cannot find an exact date, or reason for the demolition, however I believe the houses in this central triangle, outlined in red in the above map, were demolished in the 1970s. The LCC Bomb Damage maps show that this central area was almost untouched, so whether demolition was part of the GLC’s rebuilding plans, or for some other reason, I do not know.

I assume that after plans for demolition, road building and redevelopment were abandoned, the central area was turned into the green space it is today.

We can get an idea of what the streets surrounding the central gardens looked like before the houses in the centre were demolished.

The photo below is the view looking east along Quilter Street from Barnet Grove. There are terrace houses along both sides of the street. Quilter Street continued behind where I was standing to take the photo, but today, the central gardens are on one side and terrace houses on the other.

The name of the open space, Jesus Gardens is a reminder of the charity that owned the land for around 300 years. There are also a number of other reminders in the street names, for example;

Barnet Grove is obviously a reference to Barnet in Hertfordshire, where the charity was based, and where money generated by leasing the land in Bethnal Green was used to fund the homes for women. Barnet Grove predates the 1860s redevelopment so is one of the oldest streets, and street names in the estate.

Quilter Street is named after James Quilter, a solicitor, who was one of the charity trustees, during the 1860s redevelopment of the estate.

Elwin Street was named after the Reverend T.H Elwin, who was the Chairman of the charity at the time of the redevelopment.

The earlier pub advert referred to “the gentleman and mechanic”, so I had a look in the 1921 census to see who was living in Quilter Street, one of the streets of the Jesus Hospital Estate. A very brief sample:

At number 34 was Philip Samuel Hurman, aged 45 and listed as a French Polisher for Bradstad Brothers Pianoforte Manufacturer, along with his wife Esther (45), his son Philip Samuel (21) a Carman for Saunders & Nephew Provision Merchants, a daughter Jane (19) who was a Trousers Machinist for Lockwood & Bradley Wholesale Tailors, and a daughter Ivy Lilian (15) who was a Card Board Box Maker for Wright Brothers, Box Manufacturers
At number 47 was Frederick Tayor, aged 66, a retired Brewers Cellarman, along with his three daughters, Emily (34), Ellen (32) and Amy (28) who were all Tie Makers, working for J. Paterson.
At number 64 was Charles Moore, aged 40, an out of work cabinet maker. He was living in the house with his wife Emily (45), daughters Emily (20) and Rhoda (15) who were both listed as a Tailoress for Rego Clothing Company, and his son James (18) who was a Labourer for a Mr. Loveday, Glass Silverer
At number 90 was Wallace Henry Norris (32) who was a Carman for J.E. Read, Carman & Contractor, along with his wife Elizabeth (28) listed as having Home Duties, and their one year old daughter Ada May. There were also three sons aged 14 and below. the 14 year old son was listed as just having left school.

A very small sample of the thousands who lived in the streets of the estate, but they are typical of all I looked at. Manual workers, employed from a young age and the majority working in one of the very many manufacturing industries that were to be found around Bethnal Green in the 19th and early 20th centuries.

The Jesus Hospital Estate is a fascinating area, away from the bustle of Bethnal Green Road and Columbia Road, an estate which owes its existence to a charity in Barnet, Hertfordshire, and an estate that narrowly avoided full demolition by the GLC in the 1970s.

alondoninheritance.com

Ron’s Gents Hairdresser, Three Colts Lane, Bethnal Green

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In 1986, my father photographed Ron’s Gents Hairdresser’s in Three Colts Lane, Bethnal Green:

Rons Gents Hairdresser, Three Colts Lane, Bethnal Green

I have walked past the same place over the last few months, hoping that the business which occupies the site today would be open, but gave up last week, so here is a photo of what was Ron’s shop today, JML Unisex Hairdressers, which has not been open when I have been in Three Colts Lane over recent months.

The last review on Google was three months ago, so hopefully this is a temporary closure. It is interesting how businesses such as hairdressers do seem to occupy the same sites for very many years, often through several different owners.

They tend to be local businesses, do not need much space, and are not being replaced by an online service.

Covid probably led to an increase in home haircuts, but I suspect after lockdowns ended there was a rush to get a professional haircut.

It would be good if the shop front behind the shutters is much the same as in the 1986 photo.

I hope I have the name of the business right in the 1986 photo. The large S at the end of Ron threw me a bit, and there is no apostrophe between the end of Ron and the S, but Ron’s would make sense.

Looking above the door, the business is called Ron Salon Gents, Hairstylist:

The displays in shop windows from the past often cast a light on life at the time, and the large display on the right of Ron’s main windows shows that the hairdressers were very much of the “something for the weekend” type:

The shop is in the corner of a long block of flats that runs from Three Colts Lane up along Corfield Street. The following photo shows the shop, and in the first window down Corfield Street is one of the red and white striped signs that have long been the symbol for a barbers.

Three Colts Lane runs from Cambridge Heath Road in the east to Brady Street in the west. For a large part the route, the street has the brick viaduct carrying the railway through Bethnal Green towards Liverpool Street Station, along the southern edge.

Within this brick viaduct, there are rows of arches, many of which have been occupied by various businesses, the majority being in the motor trade.

Next to the 1986 photograph of Ron’s Hairdressers on the strip of negatives, there were two photos of signs advertising typical businesses for the area. The first features the Volkswagon Beetle, Herbie, made famous in the 1968 film The Love Bug:

The second was a large mural showing a BMW in one of the arches:

I wondered if there was any relevance to the registration number of the car, and a quick Google found that it was a BMW E30 Alpina C2 2.7 3-Series, and the car was subject to a road test which was published in the 19th of April 1986 issue of Motor magazine, which reports that the car would have cost you just over £19,000.

The road test article is available here. It was obviously the car to aspire to in 1986.

Although these photos were taken 37 years ago, I took a walk along Three Colts Lane and surrounding streets to see if any trace of them remained. I could not find anything, but the area is still a hub of car and taxi repair businesses, and some rather impressive graffiti and murals, as the following example of the A1 Car Care Centre on the corner of Three Colts Lane and Coventry Road illustrates:

Detail of the mural on the side of the building in Three Colts Lane:

The arches along Three Colts Lane have many businesses which support the taxi trade, and spend a short time in the street and you will see a number of taxis arriving and departing from these arches:

Entrances into these arches show dimly lit interiors where vehicles are serviced and repaired, as at Frame Right Eng. Ltd.’s Body Shop:

The size of these arches can be seen where roads pass through the viaduct. The differing heights of the arches also show how the viaduct into Liverpool Street Station has expanded over time:

At the end of Three Colts Lane, it turns into Brady Street which heads under the viaduct, and Dunbridge Street which continues along the northern side of the viaduct.

At this road junction, there is a derelict patch of land on the left, with another repair business in the arches on the right:

The derelict land on the left of the above photo was once the site of a pub, the Yorkshire Grey, which closed in 1998, and was then in residential use for a while, until the building was demolished around 2014. Surprising that the land has not been developed in the past nine years.

Continuing along Dunbridge Street, and there are a couple of very different businesses operating within the arches, including Urban Baristas:

And Breid Bakers:

I can never resist looking at old maps when I visit a place, and the outline of the street that would become Three Colts Lane seems to date from the end of the 18th century.

The following extract is from Smith’s 1816 New Plan of London. I have marked what would become Three Colts Lane, and the circle is around the area where Ron would open his hairdressing business:

The one constant in the map is Wilmot Street, shown within the yellow oval. The street has kept its original name, and still leads off from Three Colts Lane today, although the houses lining the street are today very different to the terrace houses that were built at the start of the 19th century.

Bethnal Green Road was then New Road, and Cambridge Heath Road was Dog Row and Kings Row.

In the early 19th century, there was still a fair amount of open space in this part of Bethnal Green. Over the next few decades, this would all be built over.

I cannot find a source for the name of the street. In 1818 it was Three Colt Lane, by the end of the 19th century it was Three Colt’s Lane, and today, the street sign has the name Three Colts Lane, so it has been Colt, Colt’s and Colts.

A colt is a young male horse, and as there was open space to the south of the early incarnation of the street, I wonder if there were three colts in this field, and the use of Lane rather than Street or Road may imply a route through what was a semi-rural area? It is this sort of visual imagery that was often used to name a location before streets were formally named, and when literacy levels were low.

There is also a Three Colt Street in Limehouse, but again I cannot find a firm reference as to the source of the name.

Ron’s was very much a barbers of its time, and I doubt that today you would find a barbers where a third of their window is taken up with advertising for contraceptives.

alondoninheritance.com

Bread Street – A Devastated City Street

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To start this week’s post, I have two photos taken by my father when he was standing where the One New Change development is located today, just to the east of St. Paul’s Cathedral:

The church in the background is St. Mary-le-Bow:

Despite the considerable building activity of recent decades, many of the City of London’s streets still have buildings dating from the late 19th and early 20th centuries, however some streets have absolutely nothing of any age, with all buildings of recent construction.

One of these is one of the streets that should have been in the two photos above, between the photographer and the church, and this street is Bread Street.

Bread Street runs south from Cheapside, just to the east of St. Paul’s Cathedral. It crossed Watling Street and Cannon Street to terminate on Queen Victoria Street,

The upper section of the street is in my father’s two photos, and in the following map extract from the 1951 Ordnance Survey map, I have marked the key features which can be seen in the two photos, and are also shown on the map (‘Reproduced with the permission of the National Library of Scotland“):

Bread Street is to the right of the red circle, which surrounds a feature marked as a “ruin”, which the photo confirms.

A few buildings still stand around the junction of Friday Street and Cheapside, and St. Mary-le-Bow is marked as a ruin, which the photos confirm where the main body of the church can be seen as an empty shell. The tower of the church is marked by a solid square on the map, confirming that the tower is still standing and survived without significant wartime damage.

In the above map, apart from the ruin, this part of Bread Street is completely empty, as is much of the surrounding land, although as can be seen, many buildings to the right survived, including those along Bow Lane, many of which can still be seen today.

The name of the street does appear to refer to bread. Harben’s Dictionary of London quotes “So called Stow says, of bread in olde times sold for it appeareth by recordes, that in the yeare 1302, the bakers of London were bounden to sell no bread in their shops or houses, but in the market”.

This was a time when one of the main London markets operated in and around Cheapside and the surrounding streets, and there are other streets off Cheapside that still refer to the products sold, such as Milk Street and Honey Lane.

Richard Horwood’s map of 1799 provides an impression of the street at the end of the 18th century. In the following extract, Bread Street is running from the junction with Cheapside at the top of the map (just to the left of the letter P), down to Upper Thames Street, with the last section named Bread Street Hill, referring to the drop in height as the street headed down towards the Thames.

The section of Bread Street in my father’s photos is that between Cheapside and Watling Street.

The map shows that in 1799, the street was lined with individual houses, with some courts and alleys leading off from the street.

Although the area was devastated by wartime bombing, Bread Street had already suffered a number of significant changes.

Continuing south after the junction with Watling Street and in 1799 we came to a junction with Basing Lane and Little Friday Street. Both of these streets were lost when Cannon Street was extended up towards St. Paul’s Churchyard.

The construction of this major road extension in the mid-19th century, along with the construction of Queen Victoria Street, split Bread Street and separated it entirely from Bread Street Hill, which in turn cut-off Bread Street from easy street access to the Thames, and which no doubt was used to transfer the products needed for baking bread.

My father’s photos were taken from near Friday Street, which has disappeared entirely under the One New Change buildings. Bread Street survives, but the bombing shown in the two photos explains why the street is as we see it today. A street without any buildings of any age, with the majority built during the last few decades.

The view looking south along Bread Street from the junction with Cheapside:

One New Change is the large building to the right of the above photo, a building which stands over nearly all of the land seen in the foreground of my father’s photos.

Much of One New Change is a large shopping centre:

Looking south along the street:

Between Bread Street and St. Mary-le-Bow is Bow Bells House, a 215,000 square foot office building, constructed in 2007:

As Bow Bells House dates from 2007, it shows that many of these new buildings are second or third generation buildings after the devastation of war.

On the wall of Bow Bells House is a City of London blue plaque, recording that the poet and statesman John Milton was born in Bread Street in 1608:

Milton’s most well known work is the poem Paradise Lost. He was born in the street to reasonably affluent parents, his father, also John Milton and mother Sarah Jeffrey.

The street that John Milton would have known was lost during the 1666 Great Fire of London, so wartime bombing was the second time in the life of the street that it has been devastated, and put through a complete rebuild.

In the following photo, I have reached the junction with Watling Street:

Looking along Watling Street towards St. Paul’s Cathedral:

Watling Street is perfect example of why some city streets look as they do. In the above photo, I am looking along the final length of Watling Street as it approaches St. Paul’s Cathedral, and as with Bread Street, all the buildings are new.

However, walk a short distance east along Watling Street, and look back towards the cathedral, and this is the view:

Some new buildings, but many pre-war buildings remain, and perhaps this view hints at what Bread Street could have looked like before the war.

It is perhaps hard now to realise just how much whole areas of the City were devastated in the early 1940s, and how the buildings that once lined entire streets disappeared almost overnight.

But it does help explain why many of the City streets are as they are, with some streets lined with pre-war buildings, and others, even different lengths of the same street, consisting of entirely modern buildings.

alondoninheritance.com

Shenfield Street, Hoxton at the Coronation

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Before heading to Shenfield Street, a quick advert. I am still working on a couple of new walks for 2023, which should be ready in a couple of months, however I have set some dates for a limited number of my walks exploring Wapping, the Southbank and the Barbican.

If you would like to explore these areas, including the locations of many of my father’s photos, they can be booked here.

For this week’s post, I am in Hoxton, looking at how Shenfield Street was decorated for the Coronation – the 1953 rather than the 2023 Coronation. This is a series of photos of the street taken by my father. One of the photos includes something that enabled much of his photography across London, and wider afield.

This is Shenfield Street, looking west towards the junction with Hoxton Street, on Sunday the 31st of May, 1953, two days before the Coronation on the 2nd of June:

This is the same view today, at the end of April, just over a week before the 2023 Coronation:

The white building at the end of the street in both of the above photos is the White Horse pub. Open at the time of my father’s 1953 photos, but closed in 2023, having closed as a pub in 2013.

In the 70 years since the last Coronation, Shenfield Street has changed beyond recognition. Once a street lined with terrace houses, they have all since been demolished, to be replaced by the Geffrye Estate.

In the following map, Shenfield Street runs across the middle of the map, with Hoxton Street on the left and Kingsland Road on the right. In 1953, Shenfield Street provided a route between the two streets to left and right, but today is blocked for traffic, with only a pedestrian route through as shown by the grey section as the street approaches Hoxton Street (Map © OpenStreetMap contributors):

Construction of the street seems to have started in the late 18th century, however in 1799 as shown in the following extract from Horwood’s 1799 map of London, it was then called Essex Street, and is shown running across the centre of the following extract from the map:

The map shows that building started from the Kingsland Road end of the street, and the houses then constructed appear to be densely built terrace houses, which I assume are the same houses that were still to be found in 1953.

The name change is interesting. I cannot find the source of the name Essex Street, or when it was changed to Shenfield Street. Essex Street was still in use in 1915, but had changed by 1945, when Shenfield was recorded in the LCC Bomb Damage Maps.

Street names were often changed to avoid confusion when there was another local street with the same name, however the nearest Essex Street seems to have been leading off from the Strand, a distance from Hoxton.

Shenfield was an interesting choice for the new name of the street, as Shenfield is a town in Essex, probably now better known as the eastern end of the Elizabeth Line. So by choosing Shenfield there was a continuation of the Essex connection.

The following map extract is from 1957, and shows Shenfield Street with terrace housing lining the street as in my father’s photos. There is another Essex connection in the map. Towards the right of Shenfield Street, there is a small stub of a street heading north called Tiptree Street. Tiptree is another small town in Essex, some distance towards the northern part of the county, and no connection with Shenfield, so I have no idea why the two streets were given these names (‘Reproduced with the permission of the National Library of Scotland“).

My father took five photos of Shenfield Street, and I have located the position from where he took each photo, and the direction of view in the 1957 map (the first photo at the top of the post is the lower right photo):

At top left of the above map is a photo that you may recognise as it has been in the header of the home page of the blog since I started in 2014, however I have never been sure of the location. I knew it was around Hoxton, but not exactly where. I will show later how I confirmed the location, that the café decorated for the Coronation was at 27 Shenfield Street, at the junction with Jerrold Street:

The photo is special for me, as it is the only London photo that shows my father’s bike, which is propped up against the wall to the left of the café. The bike took him all over London whilst taking these late 1940s and early 1950s photos, as well as youth hosteling across the country and to Holland.

The café does appear to have been well kept, and the lettering on the windows advertising Breakfasts, Dinners, Teas and Snacks is rather ornate.

Jerrold Street still exists, however at the junction with Shenfield Street, the corner where the café was located has been cut to form an angled entry to Jerrold Street, so in the following photo the café would have been in the roadway and pavement leading back from the drain cover that can be seen in the road:

To the right of the café photo in the above map, is the following view, looking towards where Shenfield Street meets Kingsland Road. The photo was taken from the opposite side of the Jerrold Street junction, and the shop on the immediate right of the photo is at number 25 Shenfield Street:

In the above photo, Tiptree Street is along the street on the left, just after the lamp post, where Tiptree Street runs to the left.

The same view in 2023:

The location of the following photo, and direction of view, is at top right in the above map, it is looking towards the western end of Shenfield Street. The street which is running to the right, immediately in front of the location of the photo is again Tiptree Street:

The same view today, with not so much a street, rather an entrance to the estate leading off to the right, where Tiptree Street was once located:

It was this photo that allowed the location of the café to be identified. I have circled the location of the café in the following copy of the photo:

From the outside, the houses lining Shenfield Street look in a reasonable condition. Although there was significant bomb damage in a number of surrounding streets, Shenfield Street survived relatively unscathed, except for one house that was lost.

In Charles Booths poverty map, at the end of the 19th century, the street was classed as “Poor 18s to 21s a week for a moderate family”. In the following extract from the map, Essex Street as it was at the time of the survey, also has black lines running along the street, which means “Lowest Class, Vicious Semi-Criminal”:

A newspaper report from the 26th September 1922 offers a view of the conditions within the street:

“CROWDED STREET OF DOLE-DRAWERS. Amount Received Exceeds Pre-War Earnings. Every household in Essex Street, Hoxton is in receipt of relief from the Shoreditch Guardians, and the total so received is said to exceed the pre-war earnings of the whole street.

Probably one of the most congested streets in Shoreditch, Essex Street has several houses which are shared by six or seven families, and in one or two instances the number of people in each dwelling reaches 30.

Paper serves for glass in many of the windows.”

So the problem with the houses was not necessarily their construction, rather overcrowding and landlords who probably did not bother which much maintenance.

Another report from August 1939 shows how important it was (and still is), to have green, open space locally available:

“Novelty of Grass – Child Wedged In Railings. Three year old Lillian Turner always likes to visit her grandmother because in the backyard of her L.C.C. flat off Walmer Gardens, Hoxton, there was a patch of grass. She rarely sees grass, for there is none near her own home in Shenfield Street, Hoxton.

While her mother went upstairs to chat with her grandmother yesterday, Lillian ran out to the grass patch. She tried to squeeze through some railings to get to it, but became wedged by the shoulders.

Men passing tried to release her, but were afraid of hurting her and sent for the fire brigade. In a couple of minutes, six firemen with a fire pump and an ambulance arrived, but as they did so, Mrs. Turner managed to release her daughter, unhurt but suffering from shock.”

From the above description, you can understand why post war estate planning, such as the Geffrye Estate which was built following the demolition of the houses along Shenfield Street, included plenty of green space scattered across the estate.

The above two news reports also shrink the period for the name change from Essex to Shenfield Street to between 1922 and 1939.

The following photo is from the lower right position in the above map. Tiptree Street is the street leading off at the right. There is what appears to be an old shop on the corner at number 8, however most of the front of the shop appears bricked up and there is some strange contraption in front of the shop:

Look along the terraces of houses on the right, and half way along there is a light coloured wall. This was an internal wall of a house that was demolished following bomb damage.

The same view in 2023, with what was Tiptree Street on the right, and the location of the old shop was on the patch of grass:

This is the view looking down what was Tiptree Street, today access to the Geffrye Estate without any apparent naming:

Tiptree Street was originally lined with similar terrace houses to those in Shenfield Street. The terrace that was on the left survived the war, however only a single house survived on the right with the rest destroyed by bombing.

The whole area to the north and south of Shenfield Street is now part of the Geffrye Estate, which I again assume was built during the late 1950s / early 1960s. The estate consists of Geffrye Court, Stanway Court and Monteagle Court, as shown in the following estate map:

The name of the estate is interesting, and I am surprised it is still in use. I assume it is named after Sir Robert Geffrye who was twice Master of the Ironmongers Company as well as Lord Mayor of the City of London. Geffrye’s financial bequest enabled the Ironmongers Almshouses to be built, which are on Kingsland Road, just north of where Shenfield Street meets Kingsland Road.

The almshouses were purchased by the London County Council in 1911 to save the green space surrounding the buildings, as this space represented a significant part of the green space in the area.

It then became a museum by the name of the Geffrye Museum, however is now called the Museum of the Home.

Sir Robert Geffrye made some of his money from his involvement in the transatlantic slave trade through his investments in the Royal African Company.

Hackney Council have him as a contested figure in their Review, Rename, Reclaim initiative, and the council supported the Museum of the Home in a consultation as to whether a statue of Geffrye at the museum should be removed. The results of the consultation where that it should, however the museum trust decided to retain the statue.

There does not appear to be any mention on the Council’s Review, Rename, Reclaim web pages about renaming the Geffrye Estate.

Going back to the OS map of the street, and where Shenfield Street meets Kingsland Road, and on the northern corner there was the PH reference for a pub. This was the old Carpenters Arms which was demolished at the same time as the rest of the street in preparation for the construction of the Geffrye Estate. The corner where the pub was located is now an area of green space with a block of flats behind as shown in the following photo:

Shenfield Street today is so very different to 1953. I suspect that there must have been a street party along the street, for the street to be so decorated.

The houses in the 1953 photos look substantial and well built houses, although they were probably poorly maintained and in need of much modernisation. The problem with much of this type of housing was very poor maintenance and over crowding. With some care and updating, they could have been retained and would now form a rather impressive street.

Retaining the street would probably not have achieved the number of individual homes that the Geffrye Estate now provides, or the ability to include green space across the estate, a much needed improvement as green space was so very limited in this area of pre-war Hoxton.

I was planning to use Census data to map who lived in Shenfield Street to each of the houses, as using the OS map, the number of each house is easily identifiable in the photos, although I ran out of time – perhaps I will revisit in a future post.

You may also be interested in a couple of other posts showing Coronation decorations in London in 1953, including Whitecross Street and Ivy Street. Also, this post looked at Coronation Day in London.

alondoninheritance.com

Ely Place and St. Etheldreda

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Walter Thornbury’s opening description of Ely Place in Old and New London is a perfect summary: “A little north of St. Andrew’s, Holborn, and running parallel to Hatton Garden, stand two rows of houses known as Ely Place. To the public it is one of those unsatisfactory streets which lead nowhere; to the inhabitants it is quiet and pleasant; to the student of Old London it is possessed of all the charms which can be given by five centuries of change and the long residence of the great and noble.”

From St. Andrew’s church, cross the approach to Holborn Viaduct, then across Charterhouse Street, we can see the entrance to Ely Place:

Thornbury’s description hints at the long and complex history of the street and surroundings, and the gatehouse at the entrance to Ely Place confirms that this is not a normal London street.

Much of the street remains lined with houses from the 1770s development of Ely Place, although many have been modified and restored, and there was considerable bomb damage to the area during the last war, however the view still demonstrates what a fine late 18th century London terrace would have looked like:

Along the western side of Ely Place is a curious indentation in the terrace, and here we can see the church of St. Etheldreda, with to the right Audrey House, which according to the Camden Council “Area Appraisal and Management Strategy” is 19th century. I assume late 19th century (Audrey was another version of the name of Etheldreda):

View looking south. The terrace house immediately to the left of the church has a strange ground floor, which I will discover soon:

As Thornbury hinted, Ely Place has a very long history.

In the 13th century, the land appears to have been in the possession of John de Kirkeby, Bishop of Ely, as on his death in 1290, he left the land and nine cottages to his successor Bishops of Ely.

It was normal in the medieval period for important figures in the church to maintain a residence in London. This was so they had somewhere to stay when visiting the city, where they could entertain, and to ensure that although they might be representing places far across the country, they could still have a presence close to the centre of royal and political power.

The Bishops of Ely originally had a house in the City of London, however there seems to have been a falling out with Hugh Bigod who was the Justiciary of England in the mid 13th century, and who tried to deny them access to their property in the Temple. It may have been this event which either gave John de Kirkeby the idea, or he was persuaded, to leave the land following his death to the Bishops.

The Bishops won a legal case to continue use of their City house, but following the bequest of such a large area of land, in the still semi-rural area to the west of the City, it must have seemed a good idea to build a new London home for the Bishops of Ely.

The Bishops than started the development of the land, into a property suitable for use as their London home. A chapel to St. Etheldreda was probably one of the first buildings on the site, along with the bishop’s house. William de Luda, the bishop that followed John de Kirkby purchased some additional land and houses and left these to the Bishops of Ely on his death.

The house and grounds were continuously added to, and developed during the 14th century, and we can get an idea of the size of the place from the so called Agas map from around 1561:

I have marked the streets that formed the boundaries to the Bishop’s land, Holborn to the south (you can see the name Ely Place and St. Andrew’s church just to the right of where I have marked Holborn).

Saffron Hill is to the east, then just a lane winding along the top of the bank down to the River Fleet. Hatton Wall formed the boundary to the north and Leather Lane (identified using its earlier name of Lither Lane) to the west. To confirm locations, I have also marked Fetter Lane in yellow to the south of Holborn.

The house and chapel were in the southern part of the estate, with gardens and extensive grounds up to Hatton Wall.

The quality of the fruit from the gardens must have been well known as Shakespeare has Richard III saying to John Morton, the Bishop of Ely:

“When I was last in Holborn,
I saw good strawberries in your garden there
I do beseech you send for some of them.”

Ely House also appears in Richard II, where the dying John of Gaunt includes the following well known lines:

“This royal throne of kings, this scepter’d isle,
This earth of majesty, this seat of Mars,
This other Eden, demi-paradise,
This fortress built by Nature for herself,
Against infection and the hand of war,
This happy breed of men, this little world,
This precious stone set in the silver sea,”

John of Gaunt did stay in Ely House from 1381 until his death in 1399. His London residence at Savoy Palace had been destroyed during the Peasants Revolt. John of Gaunt was one of those that the leaders of the revolt demanded to be handed over for execution.

Other visitors to Ely House included Henry VII who attended a banquet in 1495 and Henry VIII with Catherine of Aragon, who both attended the final day of a five day “entertainment” in November 1531. A prodigious amount of food was recorded as being consumed during the five days.

The extract from the Agas map shown above dates from around 1561, and the grounds of Ely House would soon start to be developed.

Queen Elizabeth I required that the Bishop of Ely lease part of the grounds to her Chancellor, Sir Christopher Hatton in 1576.

Hatton started the developed of the land, which included construction of a new house for him in the gardens. The lease would stay in the Hatton family until 1772 when the last Lord Hatton died. It then reverted to the Crown.

In the years of Hatton ownership, Ely House had a varied history. During the Civil War the house was used as a prison for captured Royalists, as well as a hospital for injured soldiers. The Bishops of Ely returned in 1660 to part of the property, but by then much had been developed and was held by the Hatton family.

We can get an idea of the development of the area in the years before the death of the last Lord Hatton from the following extract from a map of St. Andrew’s parish, dated 1755:

We can see a considerably reduced Ely Garden just to the north of Holborn Hill, with Ely House marked, and the chapel just below the word House.

Hatton Street (now Hatton Garden) had been built, and housing and streets had been constructed up towards Hatton Wall at the north, to Leather Lane in the west and Saffron Hill to the east. The banks of the fleet had also been built on by 1755, and the words “The Town Ditch” rather than River Fleet give some idea of the state of the old river by the middle of the 18th century.

The Bishops of Ely finally left the property in 1772, when they were given Ely House in Dover Street. This probably worked well as the above map extract shows, the area was heavily developed, and the house and grounds were in a state of disrepair.

The following print issued in 1810, but probably drawn in the second half of the 1700s is recorded as showing Ely House in London (© The Trustees of the British Museum):

The view of the house in the above print does not look too much like the house shown in the parish map extract, however the following print dated 1772 from Grose’s Antiquities of England and Wales provides a better view as this shows the chapel on the right and house in the background, in the correct orientation as shown in the parish map (© The Trustees of the British Museum):

The parish map implies that there is an open space between the house and chapel, however in the above two prints, the two buildings appear to be connected.

The old chapel on the grounds of Ely House is the only structure remaining from the time when the Bishops of Ely owned the site. Today, recessed slightly from the street, the chapel is now the church of St. Etheldreda.

It is shown in this 1815 print, with the two late 18th century terraces on either side (© The Trustees of the British Museum):

The lower part of the church appears to have changed since the time of the above print. The original entrance looks to have been up some steps from the street and there seems to be two doors through into the church.

Today, if I have understood the layout of the church correctly, the altar would be behind these doors, so the church now has a different entrance, shown in the photo below:

Today, the entrance to St. Etheldreda is through a door into the ground floor of the terrace house on the left of the church. From here, the door leads through to a corridor that runs along part of the south wall of the church:

The church is dedicated to St. Etheldreda, and this dedication can be traced back to the Ely heritage of the church.

An 1825 newspaper description of Etheldreda provides some background:

“This day, October 19th, is the anniversary of St. Etheldreda; she was a Princess of distinguished piety, and daughter of Aunas, King of the East Angles, and Heriswitha, his Queen, and was born in the year 630, at Ixning, a small village in Suffolk; at an early age she made a vow of perpetual chastity, which is recorded she never broke, though she was twice married, first to Thombert, an English Lord, and afterwards to Egfrith, king of Northumberland, in 671. Having lived twelve years with this King, she retired from the world, and devoted herself to God and religious contemplation, erecting an Abbey at Ely, of which she became superior, and where she spent the remainder of her days.”

There appears to have been a bit more to her “retiring from the world”. She had married Egfrith when he was aged 15, but by age 27 he wanted a more normal marital relationship. Egfrith tried to bribe Etheldreda, but she was standing firm and left him, becoming a nun at Coldingham, before going on to found an abbey at Ely.

Ely Cathedral was dedicated to Saints Peter, Etheldreda and Mary in 1109, and the Bishops of Ely carried the dedication to Etheldreda to their chapel in London.

Along the corridor is the entrance to the crypt:

But before looking at the crypt, there is an interesting feature just to the right of the door:

There was an article in a 1926 edition of the Illustrated London News, which discussed the Roman City. The article states that “Equally curious is the fact that digging has revealed only the slightest signs of Christian worship in Roman London, although it is known that there was a Christian community in Londinium, and that it was ruled by a Bishop as early as the third century. The chief ‘clue’ is at St. Etheldreda’s Church, Ely Place. It is a curiously archaic bowl shaped font of limestone of similar form to the two which are preserved at Brecon Cathedral. it was found buried in the undercroft.

Of the St. Etheldreda’s font, Sir Gilbert Scott said ‘You may call the bowl British or Roman, for it is older than the Saxon period’; and some support to this statement is provided by the fact that Roman bricks have been found on the site.”

A quick Google for the Brecon fonts shows these to be Norman, not early Christian, and the main font in the church does look like the Brecon font, so I have no idea whether this feature on the wall is the one referred to in the article, whether the article is right, and whether St. Etheldreda had, or has an early Christian font.

A walk down into the crypt reveals a dimly lit space, presumably with seating laid out for a function such as a marriage:

Niches in the walls with religious symbolism:

The crypt is very different to how it was many years ago. In May 1880, members of the St. Paul’s Ecclesiological Society visited St. Etheldreda’s and their description of the church includes some history on the crypt:

“The members of the St. Paul’s Ecclesiological Society held their second afternoon gathering for the present summer on Saturday, and inspected the chapel of St. Etheldreda, in Ely-place, Holborn. At the construction of the chapel, which was formerly the private chapel of the Palace of the Bishops of Ely, was fully explained by Mr. John Young (the architect under whom the fabric has recently been renovated throughout), who discoursed on its early history and on the salient points of its chief architectural features, its loft oak roof, its magnificent eastern and western windows, full of geometrical tracery, its lofty side lights, its ancient sculptures, and lastly its undercroft or crypt, which till very lately was filled up with earth and barrels of ale and porter from Messrs. Reid’s brewery close by.

Removing the earth from the crypt, it may be remembered, there were discovered the skeletons of several persons who had been killed 200 years ago by the fall of a chapel in Blackfriars, and were here interred.

The ‘conservative’ restoration of the fabric – in the general plan of the late Sir George Gilbert Scott, had been frequently consulted – was much admired by the ecclesiologists.”

The fall of a chapel in Blackfriars occurred on the afternoon of Sunday 26th of October 1623, when around 300 people had assembled to hear a Catholic sermon by the Jesuit preacher, Robert Drury, at the French ambassador’s residence.

As it was a Catholic sermon, the congregation of people was considered illegal.

The roof of the hall in which the sermon was underway collapsed and around 100 people were killed. Rather than any sympathy, anti-Catholic feeling at the time unleashed a religious riot at the site of the tragedy.

I understand that the skeletons of those who died at Blackfriars, and were buried and subsequently discovered in St. Etheldreda’s were reburied, and still rest in the church.

View from the rear of the crypt:

One of the niches that line the crypt walls:

The church above is a lovely space. I do not know if this is the normal form of lighting, but it added to the impression of the age and history of the church. Very different to the typical brightly lit London church:

St Etheldreda was caught up in the religious changes brought about by Henry VIII and the dissolution of the monasteries.

The mass which had been celebrated by the Bishops of Ely in the Church of St Etheldreda since it was first built in the 13th century, was abolished, and the Book of Common Prayer became the standard for religious services.

Apart from a short period of five years when the Catholic Queen Mary was on the throne, the Catholic service was banned, and anyone participating in, or preaching a Catholic service would be treated as a criminal, with a death sentence often the result.

A special allowance was made in 1620 when the Spanish Ambassador, the Count of Gondomar, moved into Ely Place. Due to his position as Ambassador, and the custom that the ambassadors residence and grounds are considered part of the country they represent, which in the case of Spain was a Catholic country, Catholic services were allowed to be held in St. Etheldreda’s.

When Gondomar was recalled to Spain, his replacement was not allowed to take up residence at Ely Place, and permission for Catholic services was removed.

Detail of the stained glass above the altar:

The church was included in the use of Ely house and grounds as a hospital and prison during the Civil War.

Anti-Catholic feeling can be seen in the treatment of the uncle of Sit Christopher Wren. Matthew Wren was Bishop of Ely and tried to restore the grounds of Ely Place from the Hatton family, however he was reported for his “Popish ways” and imprisoned in the Tower of London. When he was finally released, the land which he had tried to restore had been built over and was very much as shown in the earlier parish map extract.

The change to the way that the State viewed the Catholic faith started in 1829 when the Catholic Emancipation Act was passed. This Act allowed Catholics to have their own churches, and for the Catholic mass.

In 1843, St. Etheldreda’s church opened as a Welsh language church, however the church reverted to the Catholic faith in 1873 when the church was purchased by the Rosminians – a Catholic congregation also called the Institute of Charity.

The church has featured in commemorations of Catholics who had been executed in earlier centuries. In 1912, it was reported that “Several hundreds of ‘the faithful’ marched in procession on Sunday afternoon from Newgate to Tyburn, along the route followed by the Catholic martyrs in a less tolerant age. The pilgrimage is the third of its kind, having been inaugurated three years ago.

Following the Crucifix, which was held aloft by Father Fletcher, came 150 men who marched in front of 190 women, most of whom recited prayers along the route.

The first stop was at the church of St. Etheldreda, the ancient church of the Bishops of Ely at Holborn. Thence the procession, the numbers of which increased with every mile covered, visited in turn the Catholic Church in Kingsway and St. Peter’s, Soho, and finished up at the Convent, near Tyburn.”

A sign today outside the church states that it was returned to the Old Faith in 1874 and that it continues in the care of the Rosiminian Fathers.

View towards the rear of the church:

Side windows of stained glass:

St. Etheldreda’s was badly bombed during the last war. There was significant damage to the roof and all the original stained glass was lost. When one bomb fell, there were people sheltering in the crypt, luckily there were no casualties.

The church was restored over the following years, and officially reopened on the 2nd of July, 1952 as commemorated by a plaque embedded in the wall under the Royal coat of arms:

Walking back outside, and along the corridor there must have once been a café on the other side of this door, with an old Luncheon Vouchers sticker on the door:

Back in Ely Place, and it is officially a dead end, although there is a doorway through to Bleeding Heart Yard, which the general walker is encouraged not to use:

There is some rather wonderful tiling on the blank arches at the end of the street which presumably also records the date when this wall was built:

On the western side of Ely Place is an entrance to Ely Court:

Along the alley is the pub Ye Old Mitre:

The Mitre (a bishops hat) is believed to have been founded in 1546 for the servants at the Bishop of Ely’s house, although the present buildings are later. The Grade II listing of the building states that it is “Circa 1773 with early C20 internal remodelling and late C20 extension at rear”, and that “near entrance glazed in to reveal trunk of what is believed to be a cherry tree, marking the boundary of the properties held by the Bishop of Ely and Sir Christopher Hatton”. There are also stories that Sir Christopher Hatton and Queen Elizabeth I danced around the tree, however I always find such stories somewhat doubtful.

The Mitre seen from further along the alley shows the late 18th century origins in the architectural style of the building:

On the front of the building is a mitre, and I have read some sources that state that this is from the original Ely House, however I can find no early source for this, and it is not stated in the Historic England listing details so I am dubious that it is from the original house:

Again, only a very brief description of a place with so much history, and a church that tells much about the state and country’s attitudes to the Catholic faith over the last five hundred years.

Ely Place was once a part of the church of Ely in London. Many of the rights associated with such a status have been removed over the last couple of hundred years, however it is still a very distinctive place, and the street and St. Etheldreda are well worth a visit.

You may also be interested in my post Ely Cathedral and Oliver Cromwell, when I visited Ely to find the location of some of my father’s photos from 1952.

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Ivy Street – A Hoxton Mystery

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The photo for this week’s post was taken by my father on the 31st of May, 1953 in Hoxton Street, looking down Ivy Street. Above the entrance to the street is a banner which reads “Ivy Street send their greetings to the Queen”, and along the street there are flags and decorations that run the length of the visible section of the street. The photo was taken a couple of days before the Coronation of Elizabeth II on the 2nd of June 1953

This should have been such an easy location to find, however I did have my doubts and the building on the right of the entrance to the street was a bit of a mystery when I compared with the same scene today, as shown in the following photo:

Where there was a butcher in 1953, today is a shop where you can apparently buy Hoxton’s best kebab. The building on the right looked pre-war, and a view of the complete terrace of which the kebab shop is at the end, further confuses:

The terrace does not look of post-war design or construction. The end of terrace part with the kebab shop has the same brickwork, windows, decoration etc. as the rest of the terrace. It does not look like a recent addition to an existing terrace.

The butchers shop on the corner in my father’s photo does looks relatively new. Clean brickwork when compared with the building on the left of the entrance to Ivy Street. I did wonder whether the butcher’s shop was a temporary build following wartime bomb damage, however although there was much bomb damage in the area, the LCC Bomb Damage Maps do not show any damage to this corner building.

My father took a second photo, a short walk down Ivy Street, and although Ivy Street has changed considerably, there are a couple of features which confirm the location.

The same view today:

The following extract from the Ordnance Survey map was published in 1954, but surveyed in 1953, so the same year as my father’s photo. Ivy Street can be seen running left to right across the centre of the map. Hoxton Street is on the right, and at the junction of Ivy and Hoxton streets can be seen a building with numbers 241 and 243. The butcher’s in my father’s photo is number 241, and with 243 it must have been a double width building. The kebab shop today is number 241 (‘Reproduced with the permission of the National Library of Scotland“).

There are a number of features which confirm the location and can be traced today, which I have outlined in the photo below, starting the with red circle which surrounds the sign used in the 1950s for a school. As can be seen in the above map, there is a large school to the right of Ivy Street (in the direction of the photo). The school also has a playground on the opposite side of the street, and I have also marked these on the photo, with walls aligning with where the school and playground should have been.

Further down the street, I have marked a feature in a blue circle. This is on the only building in the street that can be seen in the two photos:

The feature in the blue circle is the decorative feature on the edge of the building, and the following comparison photos are an extract from the 1953 photo and 2023 photo showing the feature:

In the above 1953 extract you can just see a sign protruding from the building at top right. In my 2023 photo, the fixings for this sign are still on the wall.

The sign was a pub sign, as this building was the Queen Adelaide at number 54 Ivy Street. The PH in the OS map extract also confirms the location of the pub.

It is hard to date the pub. It does not appear to be that old as the earliest reference I can find date to the 1890s, when the pub seems to have been host to some rather strange competitions, as illustrated with the following from the Sporting Life on the 28th November 1891:

“BIRD SINGING – A LINNET handicap will take place on Nov 29th at 1.15, three pairs of birds, 6s prizes. Also a chaffinch handicap at 8.30 for 6s, three pair. On Saturday night, at 8.30 sharp, a chaffinch handicap. First prize, leg of mutton, second, shoulder of mutton; third, shoulder of mutton,; fourth, shoulder of mutton. open for all comers. Don’t forget – The Queen Adelaide, Ivy-street, Hoxton (five minutes’ walk from Haggerston or Shoreditch Station.”

And on the 22nd January, 1892:

“BIRD SINGING – LINNET HANDICAP. On the evening of the 17th inst. Mr. Ben Wilton, host of the Queen Adelaide, Ivy-street, Hoxton gave a handsome dinner service to be contested for in an open handicap, which was witnessed by nearly 150 persons. the coveted prize was won by Mr. George Everitt, whose bird achieved 4 score 10, Mr. Chilcott’s bird doing 4 score 6. The remainder of the evening was enjoyably spent, and brought to a most successful issue by a hearty vote of thanks to the popular proprietor.”

The Queen Adelaide closed in the 1960s and the building was acquired by Hoxton Community Projects. It is now home to the Ivy Street Family Centre, and there is a good photo of the old pub on their website here.

In the 1953 photos, it is just possible to see the street has a slight curve to the right. The alignment of the street is the same today, however just after what was the turning into Ivy Walk (after the pub) is the Arden Estate:

The following extract from one of the 1953 photos shows roughly the same view (I was just standing to the left of the street where I should have been on the right). The pub is on the left in both photos, and where the Arden Estate now stands, was a row of terrace houses:

Reading reports of the activities in the pub over the years and seeing the photos of the decorated terrace street does illustrate the sense of community that must have existed in these streets, before being swept away with post-war rebuilding.

A clue as to when the buildings on Ivy Street at the junction with Hoxton Street were rebuilt are these stones on the wall of the building on the left of Ivy Street, indicating an original build date of 1842 (the building on the left of my father’s photo), and a rebuild date of 1963.

What I cannot find is whether this rebuild date also applied to the building on the right – the butcher in my father’s 1953 photo, and the kebab shop in my 2023 photo.

On the right of the Ivy Lane photos is a school, now the Hoxton Garden Primary School, which can be seen above the tall brick wall on the right of old and new photos of Ivy Street:

So, this is the correct location for my father’s photo. It could be that the new terrace on the right was built in the early 1960s when the building on the left was constructed.

What is interesting is the choice of construction material (brick) and design, both of which are broadly in line with the type of terrace houses that would have been in this part of London. If only far more post war rebuilding was as complimentary to the rest of the street in which they were built.

As with almost any London street, there were plenty of other interesting buildings close to where Ivy Street joined Hoxton Street, and the area will be a subject for a future post (I have already explored part of Hoxton in this post).

Almost opposite Ivy Street is this building – “Office For The Relief Of The Poor”:

Offices for the relief of the poor, Hoxton

This was the parish relief office which was part of the St. Leonard’s, Shoreditch workhouse complex that stretched from Hoxton Street back to Kingsland Road. Many of the buildings are now part of St. Leonard’s Hospital.

Opposite Ivy Street is the old Unicorn pub, now a Papa Johns Pizza shop:

The Unicorn closed around 2008, and dates back to the very early 19th century. The first reference I can find to the pub is a report in the Morning Chronicle on the 9th of November, 1819, when there was a “DARING ROBBERY – Saturday evening, a little after dusk, some villains robbed the Unicorn public-house, Hoxton, by getting in at the one pair of bed-room window; they carried off a large quantity of wearing apparel, and a five pound Bank of England note.”

The name is unusual and does not seem to have any reference to Hoxton. There were so many pubs in London in the 19th century, and each pub would have wanted their own distinctive identity and name, so people could recognise the pub, and know which was their local and where they would meet friends.

As many people were illiterate at the time, graphical pub signs helped with the identification of a pub, and with the Unicorn, there is the added benefit of a carved unicorn and shield between the windows on the upper floor, leaving no doubt as to the name of the pub, even if you could not read the pub name.

A very short walk away is another closed pub – the Green Man:

The Green Man appears to date from the 18th century. The earliest reference I found was in 1801, when the pub is used as a reference for a location, so was already a known landmark.

The article from the “Oracle and Daily Advertiser” on the 5th of February 1801 reads: “WHEREAS EDWARD SHORT left about two years ago SIX BOXES in the care and possession of Thomas Newman, at No. 1, opposite the Sign of the Green Man, Hoxton Town; if the said Edward Short does not remove said Boxes within fourteen days from the 5th of February 1801, they will be sold.”

The article shows how important visual references to a location were, when many people could not read and pub signs were key local reference points. I wonder if Edward Short did reclaim his six boxes?

There is the ironwork that once held the pub sign, still projecting from the Green Man. It has the hand symbol of the Ind Coope brewery, and the date 1856. This may have been when the pub was rebuilt, however I cannot find any confirmation of this, although strangely there are hundreds of news reports mentioning the pub in the 1840s and 1860, but very few in the 1850s, so perhaps it was closed for a while and rebuilt.

When I take photos of ordinary streets, away from the landmarks that are a common subject for photos, I often get a curious glance, and a look at what I am photographing – the person probably trying to work out what there is of interest that prompts me to take a photo.

Hoxton was the first time that I have been glared at by a cat, who did not seem to happy to be the subject of a photo:

When I was researching the photo of Ivy Street, I had nagging doubts over whether it was the right location, despite a large sign over the entrance to the street with the name.

It was just that the building on the right hand corner of the entrance today, looked pre-war, and very different to the building in my father’s photo.

Having now walked along the street, there are many other features that confirm it is the right location, and I suspect the brick terrace from the corner of Ivy Street and along Hoxton Street was probably built in the 1960s, so the mystery is not quite solved, however the choice of brick and a terrace design that would have been in keeping with much of the street has helped preserve the character of this part of Hoxton.

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Mornington Crescent and the Corn Laws

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Mornington Crescent and the Corn Laws – two totally unconnected subjects, but there is a tentative connection to the Corn Laws not far from Mornington Crescent underground station which I will get to at the end of today’s post.

The name Mornington Crescent may bring little recognition, apart from a Camden station on the Northern Line, or the name may be instantly familiar from the BBC radio comedy “I’m Sorry I Haven’t A Clue” where it is the name of an invented game which requires the naming of a random set of locations to finally get to Mornington Crescent.

The entrance to Mornington Crescent station on Hampstead Road:

Mornington Crescent station was built as part of the Charing Cross, Euston and Hampstead Railway, and opened on the 22nd of June 1907. The station is one of Leslie Green’s distinctive station designs with the exterior walls covered in red oxblood faience tiles. The station is now on the Northern Line.

The station takes its name from the nearby street of the same name, a street that was once prominent, but is now hidden away behind a rather glorious 1920s factory.

The location of the station is shown by the blue circle in the following map, and the larger red circle shows the area covered in this week’s blog (Map © OpenStreetMap contributors):

Mornington Crescent (the street, not the station) is the curved, crescent shaped street that starts to the left of the station, curves around a large grey block and then rejoins Hampstead Road. The following extract from the 1894 Ordnance Survey map shows the area in the late 19th century, with Mornington Crescent then looking onto a garden, the larger part to the left of Hampstead Road and a small part to the right (‘Reproduced with the permission of the National Library of Scotland“).:

The large grey block in the map of the area today, and which now occupies the area where the garden was located is the wonderful old Carreras cigarette factory, now offices:

The Carreras brand dates from the early 19th century when the Spanish nobleman Don José Carreras Ferrer started trading cigars in London. The business expanded into other forms of tobacco such as snuff and cigarettes, and became a significant business during the late 19th century.

What really drove the brand’s expansion, and the opening of the Mornington Crescent factory was the transformation of Carreras to a public company in 1903, when a Mr. W. J. Yapp (who had taken over the company from the Carreras family) and Bernhard Baron (of Jewish descent, who was born in what is now Belarus on the Russian border, who had moved to the United States and then to London), became directors of the company.

Whilst in New York, Bernhard Baron had invented a machine that could manufacture cigarettes at a faster rate than existing machines, and in London the Carreras company was the only one that took on the new machines, other tobacco companies preferring to stay with their existing means of production, or machines over which they held monopolies.

By the start of the 1920s, Baron was Chairman of the company and wanted to create a large, modern factory, which would enhance the brand’s reputation for the purity and quality of their cigarettes, and provide a good working environment for the company’s employees.

The result was the new factory on the old gardens between Mornington Crescent and Hampstead Road.

Designed by the architectural practice of Marcus Evelyn Collins and Owen Hyman Collins, along with Arthur George Porri who acted as a consultant, the design of the building was inspired by the archeological finds in Egypt during the 1920s, with the tomb of the Egyptian pharaoh Tutankhamun being discovered in 1922.

The building was one of the first (and I believe the largest at the time) building to use pre-stressed concrete, and also to be fitted with air conditioning and dust extraction equipment.

The innovative construction of the building, and the technologies used to maintain the internal environment were mentioned in all the major news reports that covered the opening of the building on the 3rd of November 1928:

“Carreras new factory at Camden Town, which was opened by Mr. Bernhard Baron, the chairman of the company, constitutes not only the largest reinforced concrete building under one roof in Great Britain, but also that rare thing – the realisation of one man’s dream.

Mr. Baron is a practical idealist. He set out to make cigarettes, he wanted them made in the best way, and in the best conditions. He wanted the people who made them to be happy in their work, it has all come true.

The opening ceremony was as impressive in its simplicity as the new building is in its efficiency and design. Mr. Baron performed it himself, not so much as chairman of the company, but as the father of the three thousand employees who have helped him to achieve success. He said, at the luncheon, that he felt it a great honour to have opened the factory, and that he wanted his employees about him at that moment to share his pleasure. That was why he decided on a simple ceremony, a family celebration, as it were, of the culmination of one stage of his life’s work.

Carreras new building embodies all that is best in factory design. It is well lit, and well ventilated and as healthy as it is possible to make it.

Most important of all, it has been fitted with an air conditioning plant which is the only one of its kind in the British tobacco industry, and which ensures a consistently ideal atmosphere for the manufacture of the perfect cigarette. The air which enters the building is first washed clean with water. It is then adjusted to the required temperature and humidity. Outside, London may be shivering or sweltering, damp or dusty. Inside, every day is a fine day; all weather is fair weather. It is well known that the English climate is the best in the world for the manufacture of tobacco; it can now be said that Carreras climate is the best in England.

The façade of the building, which stretches five hundred and fifty feet along Hampstead Road, is something fresh in London architecture – a conventionalised copy of the Temple of Bubastis, the cat headed goddess of Ancient Egypt.”

I have read several modern references to the opening of the building which include that the Hampstead Road was covered in sand, there were chariot races and Verdi’s opera Aida was performed, however I cannot find these mentioned in any of the news reports from the time that covered the opening of the building. As seen in the above report, the “opening ceremony was as impressive in its simplicity as the new building is in its efficiency and design“.

The opening of the factory was seen as an improvement to the area, although it had resulted in the loss of the open space between Mornington Crescent and Hampstead Road, as newspapers reported that “When the move to save the London squares was first begun, Mornington Crescent was cited as one of London’s losses. It had been acquired by Mr. Bernhard Baron as the site of his new factory. I doubt whether had it been saved we Londoners would have gained anything. Now when you come out of the Tube station, the eyesore of that dirty bit of green, backed by decaying Victorian basement houses is no more. Instead, there is the finest factory in London, an architectural triumph for Mr. Marcus Collins, the culmination of a life’s work for Mr. Baron and a model workplace for his 3,500 employees.”

The Mornington Crescent factory remained in operation until 1959 when Carreras merged with Rothmans, and cigarette production was moved to a factory in the new town of Basildon in Essex.

The building was sold and in 1961 it became office space, with the name of Greater London House, and all the Egyptian decoration was either removed or boxed in.

This would remain the fate of the building until the late 1990s when a new owner refurbished the building and restored the Egyptian decoration that we see today, as close as possible to the original design.

In the following photo of the main entrance to the building, two black cats can be seen on either side of the steps:

These are not the original cats as following the closure of the factory in 1959, one was transferred to the new factory in Basildon whilst the other was shipped to a Carreras factory in Jamaica.

After walking north along Hampstead Road, through the works for HS2, the restoration of the Carerras building has retained some wonderful 1920s architecture to this part of Camden, however it has almost completely hidden Mornington Crescent, and a walk along this street is my next destination, starting from the northern end, opposite the underground station, where the Lyttleton Arms now stands:

If you look closely at the top corner of the building, you will see the original name of the pub as the Southampton Arms. The pub was renamed the Lyttleton Arms in honour of the jazz musician and radio presenter, Humphrey Lyttleton, who was also the long running host of the radio panel game I’m Sorry I Haven’t a Clue from 1972 until his death in 2008, the show that included the game Mornington Crescent.

During the 1920s, the same decade that the Carerras factory was built, the Southampton Arms, as the pub was called, was one of the centres of conflicts between the gangs who tried to control race course betting, including the Clerkenwell Sabini Brothers and Camden’s George Sage.

The following report from the St. Pancras Gazette on the 6th of October 1922 illustrates one of the incidents:

“RACING MEN’S FEUDS – At Marylebone on Tuesday, Alfred White, Joseph Sabini, George West, Simon Nyberg, Paul Boffa, and Thomas Mack made their eighth appearance on the charges of shooting George Sage and Frederick Gilbert with intent to murder, at Mornington-crescent, Camden Town, on August 19, having loaded revolvers on their possession with intent to endanger life, and riotously assembling.

Helen Sage, wife of one of the prosecutors, said she was talking to her husband outside the Southampton Arms at Camden Town when several taxicabs drove up and a number of men alighted. She then heard a shot, but could not say who fired, as it was dark. The witness admitted that she told the police that West and White fired the shots, but now declared that this statement was untrue.”

Strange that Helen Sage, who was presumably the wife of the shot George Sage declared that her statement was untrue. Possibly some witness tampering or gangs not giving evidence against each other, preferring their own form of justice.

The first section of Mornington Crescent (from the north) is not part of the original, and this will become clear with the architectural style as we walk along the crescent. These later houses are smaller and less impressive than the original part of the crescent:

And after crossing the junction with Arlington Road, we can now see the original terrace of buildings from when Mornington Crescent was laid out:

In the middle of the above terrace there is a blue plaque, to Spencer Frederick Gore, the painter, who lived in the building between 1909 and 1912.

Gore painted the view from his house across the gardens and the view along Mornington Crescent. The Tate have one of his paintings of the gardens online here.

The following view is of the continuation of the terrace houses along Mornington Crescent, at the junction with Mornington Place:

Construction of Mornington Crescent started in the early 1820s and was not complete until the 1830s. It is named after Richard Colley Wellesley, the Earl of Mornington and Governor-General of India. He was also the eldest brother of the Duke of Wellington, so was from an influential family.

Mornington Place heads up to the rail tracks to and from Euston Station:

The street was built around the same time as Mornington Crescent and comprises smaller three storey terrace houses, although with some interesting architectural differences:

At the end of the street, we can look over the brick wall and see the rail tracks, with HS2 works continuing on the far side:

Looking back down Mornington Place towards the old Carreras factory – originally this view would have had the gardens at the end, through which Hampstead Road would have been seen:

Albert Street is a turning off Mornington Place, a terrace of new buildings occupies a space which on the 1894 OS map appears to have been an open space with a larger building set back from the road.

There is a smaller brick building between the modern terrace and the large brick terrace of houses. This is Tudor Lodge:

Tudor Lodge is Grade II listed. It was built between 1843 and 1844 for the painter Charles Lucy, and believed to be to his own design. The plaque on the building though is to George Macdonald, Story Teller, who lived in the building between 1860 and 1863. An interesting building in a street of mainly 19th century terrace houses.

Rather than walk along Albert Street, I returned to Mornington Crescent and the rear of the Carreras factory, where there is a chimney:

I have not been able to confirm whether or not the chimney is original, however rather than being the more common round chimney it seems to have the appearance of an obelisk, similar to Cleopatra’s Needle on the Embankment, so if original, the chimney continues the Egyptian design theme of the building.

Almost at the end of Mornington Crescent now, and the final row of terrace houses before reaching the Hampstead Road. The following photo gives an indication of the changes to the outlook of the houses when the Carreras factory was built. Rather than looking out on the gardens and across to Hampstead Road, they now had the view of the rear of the large factory.

By the time the factory was built, many of the houses were almost 100 years old, and their condition was not that good, many were subdivided into flats. Their condition would deteriorate further during the 20th century, there was some bomb damage along the terrace in the Second World War and it has only been in the last few decades that many of the houses have been restored.

In this final terrace of Mornington Crescent there is another blue plaque, to another artist, this to Walter Sickert, recorded as a painter and etcher:

Sickert was at the core of the Camden Town Group of artists, a short lived group of artists who gathered mainly between 1911 and 1913.

The building at the southern end of Mornington Crescent, which has a Hampstead Road address is of a much more impressive design, presumably as it was at a more prominent position. Just seen on the wall behind the tree is another plaque:

This plaque is to the artist George Cruikshank, who lived in the building from 1850 until his death in 1878.

On the opposite side of the street to the house in the above photo is a water trough for horses. I took a photo, but was not intending to include the photo in today’s post:

Until i found the following photo in the Imperial War Museum collection showing a horse and cart of the London, Midland and Scottish Railway pausing to drink at the trough, with Mornington Crescent in the background of the photo:

Horse and cart at Mornington Crescent — VAN GIRL: HORSE AND CART DELIVERIES FOR THE LONDON, MIDLAND AND SCOTTISH RAILWAY, LONDON, ENGLAND, 1943 (D 16833) After collecting another load from the depot, Lilian Carpenter (left) and Vera Perkins pause in Mornington Crescent to allow Snowball the horse to drink from a trough. Copyright: © IWM. Original Source: http://www.iwm.org.uk/collections/item/object/205200501

Pleased I found the photo, but rather frustrating as if I had found it before visiting I could have taken a similar view, however it does give a good impression of Mornington Crescent in 1943.

Returning to the space opposite the underground station, we can look south and get a view of the overall size of the Carreras factory, a building that occupied the site of the gardens between the crescent and Hampstead Road.

The space just to the north of Mornington Crescent underground station is the junction of Hampstead Road and Camden High Street, along with Crowndale Road and Eversholt Street.

To the east of the underground station at the road junction is the club / music venue Koko:

Originally the Camden Theatre when built in 1900, it then had a series of owners as both a theatre and a cinema, until 1945 when it was taken over by the BBC and used as a theatre to record radio programmes, including the Goon Show, with the very last Goon Show being recorded in the theatre on the 30th April 1972.

The BBC left in 1972, and from 1977 the building has been a live music venue, firstly as the Music Machine, then the Camden Palace and now Koko.

The building has hosted very many acts in its long history, including the Rolling Stones and the Faces, with my most recent visit to the Damned in February 2018 (and whilst researching the post I found a review of the Damned concert here).

The title of this post is Mornington Crescent and the Corn Laws, and it is only now that I can get to the final part of that title. In the open space opposite the underground station is a statue:

The statue is of Richard Cobden and was erected in 1868. Cobden did not have any direct relationship with Camden, however it was an impressive location for a statue, and it was put up due to the residents of Camden’s appreciation of Cobden’s work in the repeal of the Corn Laws.

The Corn Laws were a set of laws implemented in 1815 by the Tory Prime Minister Lord Liverpool due to the difficult economic environment the country was in following the wars of the late 18th and early 19th century.

The Corn Laws imposed tariffs on imported grains and resulted in an increase in the price of grain, and products made using grain. These price increases made the Corn Laws very unpopular with the majority of the population, although large agricultural land owners were in favour as they made a higher profit from grain grown on their lands.

The Corn Laws were finally repealed by the Conservative Prime Minister Robert Peel in 1846, and they reflect a tension between free trade and tariffs on imports that can still be seen in politics today.

Richard Cobden was born on the 3rd of June, 1804 in a farmhouse in Dinford, near Midhurst in Sussex. His only time in London appears to have been after his father died, when Cobden was still young, and his was taken under the guardianship of his uncle who was a warehouseman in London.

Not long after he became a Commercial Traveler, and then started his own business which was based in Manchester, which seems to have been his base for the rest of his commercial success.

During his time in Manchester Cobden was part of the Anti-Corn Law League and was known as one of the leagues most active promoters.

The Clerkenwell News and London Times on the 1st of July 1868 recorded the unveiling of the statue:

“The Cobden memorial statue which has just been erected at the entrance to Camden Town was inaugurated on Saturday. Although this recognition of the services of the great Free Trade leader may have been looked upon in some quarters as merely local, the gathering together of some eight to ten thousand people to do honour to his memory cannot be regarded in any other light than that of a national ovation.

The committee had arranged that the statue of the late Richard Cobden at the entrance to Camden Town – with the exception, perhaps, of Trafalgar Square, one of the finest sites in London – should be unveiled on Saturday, that day being understood to be the appropriate one of the anniversary of the repeal of the Corn Laws, and the event was so popular that the surrounding neighbourhood was gaily decorated with flags for the occasion. The windows and balconies of Millbrook House, the residence of Mr. Claremont, facing the statue, had been placed at the disposal of Mrs. Cobden and her friends, including her three daughters.

A special platform had been created in front of the pedestal, covered with crimson cloth, and in the enclosure in front the band of the North Middlesex Rifles were stationed, and performed whilst the company assembled.

The report then covers at some length, all the speeches made which told the story of Cobden’s life and his actions in the repeal of the Corn Laws. There were many thousands present to witness the event, and at the end; “after the vast assembly had dispersed Mrs. Cobden, accompanied by Mr. Claremont, the churchwardens, and other friends, walked round the statue and expressed her high gratification at the fidelity of the likeness.”

The statue was the work of the sculptors W. and T. Willis of Euston Road, and is now Grade II listed.

I suspect if you turn right out of the entrance to Mornington Crescent underground station, you will be surprised to know that the space in front of you was compared to Trafalgar Square as one of the finest sites in London.

It always fascinates me how much history there is at almost any place in London, and Mornington Crescent is no exception. Whether the arrival of the underground, the architecture of the Carreras factory, race course gangs at the pub, historic streets, entertainment venues and radio shows and the statue of a free trade advocate – all within a short walk of Mornington Crescent.

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The IMAX Roundabout at the end of Waterloo Bridge

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Roundabouts in cities are a problem. Whilst they are built to simplify traffic flow, they take up a large amount of space, and leave a central area for which it is difficult to find a purpose due to its isolated location.

One such roundabout is at the southern end of Waterloo Bridge, where York Road, Waterloo Road, Stamford Street and the approach to Waterloo Bridge all meet. I photographed the roundabout from the Shell Centre viewing gallery in 1980:

Roundabout at the end of Waterloo Bridge

Beneath the roundabout were a large number of pedestrianised access routes to the surrounding streets and the central space provided access between these, so you could walk between any of the surrounding streets without having to cross a road.

It was always a rather bleak space. Concrete planters were scattered around the central space, and for a time in the 1980s the GLC organised what we would now call a pop-up market at lunchtimes, hoping to attract workers from the surrounding offices, although with traffic on the surrounding roundabout, it was not that pleasant and most people headed to the Jubilee Gardens or the walkway alongside the Thames.

A rather innovative use for the central space was found in the late 1990s when the British Film Institute opened an IMAX Theatre in the centre of the roundabout:

The IMAX is of circular design to fit the central space, and is surrounded by a glass wall which makes the building ideal for advertising and for displaying films that are being shown in the theatre. It is a very obvous landmark when approaching from any of the surrounding streets, and with the low sun of a December day, produces strange light reflections on the streets of the roundabout.

So, a very clever use of a difficult city space. One that has to overcome a number of obstacles, for example vibration and soundproofing from both the traffic on the roundabout, and the Waterloo and City line which runs just 4 metres below the theatre, which gives me an excuse to show a map of the route of the Waterloo and City line, with the location of the roundabout and IMAX marked by a red circle (Credit: The Engineer, July 26, 1895, Public domain, via Wikimedia Commons):

The IMAX Theatre was opened in 1999 and designed by Bryan Avery Architects. I have walked past the IMAX countless times, but what got me thinking about the use of space and the problems of inner city planning and maintenance was when I was walking alongside the roundabout in late December.

Access to the IMAX is via the steps down from the surrounding streets that also provide access between the streets without having to cross at surface level.

The steps down in the following photo are on the side of the roundabout between York Road and Waterloo Road. It was the start of the Christmas school holidays and I noticed a mother and child going down the stairs, then coming up, looking around, walking to another set of stairs, then back to the one in the photo. They were going to the IMAX, but there is no obvious signage and the stairs down do not look the most inviting.

I walked down the stairs, and met the smell that is familiar to such spaces:

Tunnel under the roundabout leading to the central space and the IMAX:

Once in the central space of the roundabout, we can see the curving wall of the IMAX and the extensive planting that creates a rather unique space:

More than 2000 plants were originally planted, comprising of honeysuckle, jasmine, wisteria, clematis, ivy, Boston ivy and Japanese vine. An automated watering system was installed, which looks to have worked well as the plants now look very established and have grown up from the side walls, across supporting cables and up to the sides of the IMAX:

There is a very tenuous link between the current centre of the roundabout, and an earlier use of the space, when it was occupied by Cuper’s Gardens, one of the many gardens and places of entertainment that were found on the south bank of the river in the 17th, 18th and early 19th centuries.

The following map is interesting as it shows the area in 1825, eight years after Waterloo Bridge was opened. It is titled “A Plan of Cuper’s Gardens with part of the Parish of Lambeth in the year 1746 showing also the site of the Waterloo Bridge Road and the new roads adjacent”.

The map helps define the exact location of Cuper’s Gardens as the church of St. John is also shown. The large roundabout (circled) now covers part of Cuper’s Gardens at the junction with Stamford Street:

Old map of Cuper's Gardens and Waterloo Bridge

The “gardens” around the IMAX are very different today, and the whole area is rather a surreal space. The outer wall has been painted light brown, possibly to resemble the earth through which the space descends. Large, twisted trunks (which look like roots) of the presumably now over 20 years growth extend up along the walls, and the outer wall is occasionally cut through with the access tunnels to the streets above:

The entrance to the IMAX Theatre:

Looking up between the planting and the curved glass wall of the IMAX dominates the view:

When the IMAX was opened, as well as the central space surrounding the theatre, the walkways and tunnels leading up to the streets were cleaned, restored and painted, with many of the walls being painted blue, and some lighting being set into the walls.

You can see the effect that this was intended to create. The central space with substantial overhead plant growth, the surrounding earth coloured walls, covered in the trunks of the plants, with the walls being cut through by the blue painted walkways to the surrounding streets.

It all creates an intriguing and surreal space, appropriate for walks to the IMAX.

Service access tunnel and pedestrian walkway leading to Belvedere Road:

View up through the plants with the new tower blocks that have taken much of the old Shell Centre site:

Walking up to the surrounding streets, and it is clear what was intended, and the problems that result in the walkways not being that much of an inviting route to the IMAX. The following photo shows the walkway up to the western side of Waterloo Bridge:

Access tunnel from IMAX to Waterloo Bridge

Many of the walls are covered in graffiti, including the main walkway, and the tunnels that connect the east and west walkways:

Many of these walkways and tunnels make really good subjects for photography. The blue walls, the grafitte, and the hidden destination of these tunnels adds to their mystery, however if you did not know the area, were taking children to the IMAX, and it was at night, they are not inviting, and there were very few people using them as I wandered around taking photos.

Global conspiracy theories meet South Bank direction signs:

Looking back down the walkway from the western side of Waterloo Bridge:

Underground tunnel leading up to Waterloo bridge with IMAX in background

Whilst the view of the IMAX in the above photo provides an indication of the destination of the walkway and the tunnel, it does not encourage you to walk down, there should be signs above the tunnel and better lighting in the entrance to the tunnel.

One of the walkways that crosses between the west and east sides of Waterloo Bridges crosses the service tunnel:

Walkway up to the eastern side of Waterloo Bridge:

Underground tunnel leading up to Waterloo Bridge

This is the view from the eastern side of Waterloo Bridge, with the IMAX in the centre of the roundabout, and the blue painted entrance to the walkway and tunnels that lead to the IMAX:

The direction post to the left of the pavement does have a direction to the IMAX with an arrow pointing straight up, the implication being to head down the tunnel rather than walk on the pavement to the right. As with the other entrances, the tunnel does not offer an inviting prospect. No signage above the point where the walkway enters the tunnel and poor lighting at the entrance to the tunnel so it looks very dark and forbidding.

The Waterloo IMAX Theatre is a brilliant use of a difficult space, as well as being a building that has some technically clever ways of avoiding sound and vibrations. For example, the first floor is mounted on oil-damped spring bearings, and the walls inside the glass outer wall are 750mm thick. During construction, pile foundations were installed around the tunnels of the Waterloo and City line. A thick concrete slab was then built on top of the pilings to support the weight of the building above.

The IMAX apparently has the largest screen of any cinema in the UK and has the equipment to support normal film format as well as IMAX Digital and 3D.

A shame that whilst the intention with the tunnels and walkways is clear, and they could have provided a creative and innovative space, what appears to have been limited maintenance and care over the years has resulted in a rather poor experience when walking to the theatre at the centre.

TfL did have plans back in 2017 to transform the area and remove the roundabout, creating a surface level pedestrianised space up to the IMAX, however these plans appear to have been paused due to “the pandemic and current funding restraints”.

Given TfL’s current funding constraints, I suspect the roundabout will be there for some years to come.

More 1980 photos from the viewing gallery of Shell Centre are in this post.

alondoninheritance.com

A London Inheritance

A Private History of a Public City

Category Archives: London Streets

Redchurch Street and the Dolphin Pub

The Cyprus Street, Bethnal Green, War Memorial

Two Pubs and the Jesus Hospital Estate

Ron’s Gents Hairdresser, Three Colts Lane, Bethnal Green

Bread Street – A Devastated City Street

Shenfield Street, Hoxton at the Coronation

Ely Place and St. Etheldreda

Ivy Street – A Hoxton Mystery

Mornington Crescent and the Corn Laws

The IMAX Roundabout at the end of Waterloo Bridge

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