Category Archives: London Streets

Euston Station and HS2 – A 2022 Update

For the past five years, I have written an annual post on the work around Euston to create the extension to the station for HS2, recording the area from before work started to some point in the future, when the new station will be operational.

My first post was back in 2017 and covered St James Gardens, just before they were closed for excavation.

My second post in 2018 walked around the streets to the west of the station, as buildings began to close, and the extent of the works could be seen.

I then went back in 2019 as demolition started.

In 2020, demolition was well underway and St James Gardens had disappeared, and the associated archaeological excavation had finished

And in June 2021 I went back for another walk around the edge of the construction site.

It has been on my list to revisit for a 2022 update, but it always seemed a lower priority to other places, and with the end of the year approaching, I really wanted to walk the edge of the site again. After a morning in Fitzrovia in early December, the afternoon left time to visit Euston.

It was a lovely sunny, but cold, December day. Whilst the clear sky was welcome, the resulting low sun produced deep shadows which do not work very well with photographing scenes in a built area, but it was my last chance for 2022.

The size of the construction site is remarkable. In front off, and to the west of Euston Station, along Hampstead Road, up to the point where the rail tracks from Euston cross under Hampstead Road. The construction site then extends west alongside the rail tracks.

There continues to be background rumblings about the cost of HS2 and that it should be cancelled. Walking around the Euston site demonstrates what has been put into the site so far, and the sheer size. If it was cancelled what would happen to the space – another place of random towers as with Vauxhall?

The name HS2 I suspect is part of the project’s problem. Whilst it will offer a faster journey, the main benefit seems to be the extra capacity released on the existing lines by moving fast trains to the HS2 route. This extra capacity allowing services to improve to the places along the route – assuming there is the money and political will to do so.

Whilst the scale of the project at Euston is remarkable, this is only the London terminus of the route. There is a considerable amount of work along the whole of the route, and if you have driven along the M25, just north of the M40 junction, the massive work site can be glimpsed where tunneling starts on the 10 mile tunnel under the Chilterns.

Back to Euston, and the following map shows the area where work is underway, which I have outlined in red. There are two circled places which I will come to later in the post(Map © OpenStreetMap contributors).

This year, I started in Euston Station:

Then headed outside to see the front of the station, here the western side:

And the eastern side of the station:

In the forecourt of the station, is a statue to one of those buried in the cemetery at St James Gardens. An area where the graves have been excavated and the gardens now part of the overall construction site. See the 2017 post for a walk through St James Gardens. The statue is of Matthew Flinders:

Matthew Flinders was born in Lincolnshire on the 16th of March 1774. He joined the Royal Navy and in the early years of the 19th century he mapped much of the coast of Australia, and was the first to demonstrate that Australia was one single continent.

His chart of Australia, or Terra Australis, was published in 1814. Although the name Australia had been in use, Flinders use of the name for his chart, was the first to apply the name to the overall land mass of the country.

He had a lengthy return to London, however after his return his health deteriorated rapidly, His life at sea had taken a considerable toll on him, and he died at the age of 40 on the 19th of July 1814.

A brief announcement of his death in the London Evening Mail gives a hint of the challenges he had faced: “On Tuesday last, Captain Matthew Flinders, of the Royal Navy, greatly lamented by his family and friends. This Gentleman’s fate has been as hard as it has been eventful. Under the direction of the Admiralty, he sailed in 1801, on a voyage of discovery to Terra Australis; where, after successfully prosecuting the purposes of his voyage, he had the misfortune to run upon a coral rock and lose his ship: out of the wreck he constructed a small vessel that carried him to Mauritius, where, shocking to relate, instead of being received with kindness, as is the practice of a civilised nation to nautical discoverers, he was put in prison by the Governor and confined for six years and a half, which brought upon him maladies that have hastened his death. Fortunately for mankind and his own name, he survived a few days for finishing of the printing of the account of his voyage.”

His account of the voyage was published on the 5th of December 1814 as two volumes and “one very large volume, folio of Charts, Headlands and Botanical subjects”.

He died in a street roughly where the BT Tower is today and was buried in the burial ground for the parish of St. James Piccadilly, which was in use between 1790 and 1853, and which became St James Gardens until becoming part of the Euston HS2 construction site.

Matthew Flinders grave was discovered during the excavations to recover the bodies buried in the gardens, and his remains are due to be reburied at St Mary and the Holy Rood church in Donington, the village of his birth.

The statue, by sculptor Mark Richards, was initially unveiled at Australia House in 2014, before being moved to the forecourt of Euston Station.

Office block at the eastern edge of the forecourt:

Directly in front of Euston Station is an open space, where the Flinders statue is located. There is then a row of office blocks, under which is a bus station:

And a pub, the Doric Arch, part of which can just be seen in the above photo, and the following photo is one I took a while ago, after dark;

The entrance to the pub, and toilets, occupy the ground floor, with the main pub on the first floor, which is surprisingly good, given its location and modern construction in the base of an office block. Despite the appearance in the above photo, it can also get very busy.

The Doric Arch was originally called the Head of Steam, but changed name to the arch that once stood in front of Euston Station when the pub was taken over by Fullers around 2008.

The Doric Arch is still run by Fullers, and according to the pub’s website, one of the stones from the original Euston Arch after which the pub is named, is on display behind the bar. I have no idea how I have missed this, but it is a good excuse for a return visit.

The pub sign is now an image of the Euston arch:

Buses queue to leave their stops, underneath the office block in front of Euston Station:

In front of the office block is the London and North Western Railway War Memorial. Designed by the railways’ architect, Reginald Wynn Owen, to commemorate the railway company’s workers who died in the first world war:

The following photo shows the memorial in the same position, prior to the demolition of the original Euston Station and hotel:

Entrance to Euston Station, after removal of Doric Arch cc-by-sa/2.0 – © Ben Brooksbank – geograph.org.uk/p/2991077

On the right of the above photo is one of the gatehouses that are still on either side of the entrance to Euston Station. The gatehouse can still be seen today, although the gardens that were behind the gatehouse, running alongside Euston Road, are now fenced off and are part of the considerable area of works surrounding the station.

Walking to the west of the station, and this is the view along Melton Street, which is now closed off, apart from being a construction site access gate:

To the right of the above photo is the taxi drop off and pick up point for Euston Station:

There is still a walking route to the west of the station, along Melton Street, however this is lined by hoardings on either side:

The western walking route into the station:

Continuing on along Melton Street, with the station on the right:

Another construction access gate:

Where on the corner of what was Melton Street and Drummond Street is the original Euston station of the Charing Cross, Euston and Hampstead Railway. The station is one of Leslie Green’s distinctive station designs, and whilst all the buildings surrounding the station have been demolished, it still survives, probably due to all the infrastructure within and below the station (I visited the tunnels below in this post):

From alongside the station, we can look down what was Cardington Street. It was along here on the left that St James Gardens were located:

To exit the overall Euston site, the walker heads west through a corridor lined with hoardings (a theme of the entire site), towards Drummond Street:

Looking back, and the route is signposted to Euston Station:

A glimpse between the hoardings shows the size of the construction site running north from Euston Station:

This is the view to what was the corner of Cobourg Street and Euston Street. The Bree Louise pub was just on the left of the photo:

Looking north along Cobourg Street which is now fenced off, apart from the footpath to the left:

At the end of Cobourg Street is another gate to the main construction site:

And on the corner of Cobourg Street and Starcross Street, the Exmouth Arms is still there, and still open (small circle in the map at the start of the post):

Just behind, and to the west of the Exmouth Arms is a new building:

At the end of Starcross Street are these school buildings (large circle in the map at the start of the post):

The buildings were home to the Maria Fidelis School.

To free up the school site, HS2 have built a new school between Drummond Crescent and Phoenix Road, and the site in Starcross Street is now closed.

HS2’s plans for the school, also reveal the use of the new building between the school and the Exmouth Arms. From the HS2 website, the school and new building will “include welfare accommodation for HS2 site and management staff, and a Construction Skills Centre, including training rooms, workshops and interview rooms”.

The following view is the best I could get of the front of the old Maria Fidelis School, which shows a typical early 20th century brick school, with central curved section, and the playground area on the roof which is surrounded by metal fencing:

We have now reached the Hampstead Road, and the following view is looking north. Hoardings continue to screen off the construction site, and as well as the standard information panels, they are covered in site and health and safety information:

Looking down what was the northern end of Cardington Street, where it joined Hampstead Road:

Where to the right of the above photo there is a large temporary office complex:

Looking north from the old junction with Cardington Street, and construction works continue on both sides of the street. To give an idea of how far these works run, Mornington Crescent underground station is not that far after the tower blocks in the photo:

This is looking across Hampstead Road to where construction continues heading west, parallel to the existing railway tracks that run into and out off Euston Station.

Where there is another access gate:

The photo above and the photo below give an indication of the scale of HS2 construction works around Euston. In the above photo, work s continue for some distance from Hampstead Road west, parallel to the existing rail tracks.

At some point, a new bridge will be needed to take Hampstead Road across the extra railway tracks into Euston Station.

The works heading west of Hampstead Road in the above photos lead to the wonderfully named “Euston Cavern”, which is described in the HS2 Euston Approaches FAQ as “a very large, underground structure at the Parkway end of the worksite, to enable one tunnel to split into two, so that trains can access the tunnels from the necessary range of platforms at Euston”. This tunnel takes the tracks away from Euston and heads towards a new station at Old Oak Common.

In the photo below, I am looking south along Hampstead Road, with the hoardings fencing off the construction site disappearing into the distance. Although it cannot be seen, Euston Station is to the left, some considerable distance across the construction site.

The HS2 construction works around Euston are considerable, and construction on the line is continuing all the way to Birmingham.

My last walk round the site was in June 2021, eighteen months ago. From alongside the construction site, not too much appears to have changed. The fenced off area has expanded slightly, but looking in from the outside, it is still a massive ground level construction site.

According to the HS2 website, phase one of the route from Euston to Birmingham is scheduled to open between 2029 and 2033 – it will be fascinating to have watched the site evolve from the original streets, gardens and pubs to the latest iteration of Euston Station.

alondoninheritance.com

Boundary Markers in the City of London

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I have written a few posts about the blue plaques that can be found across the City of London, and for today’s post I would like to illustrate another feature that can be found across the City’s streets.

Wards are still a part of the way the City of London is organised, and in previous centuries, the division of the City into Parishes was also a key feature, and the City Livery Company’s also owned various properties, as they still do.

There was a need to mark these boundaries and ownership of property. Boundaries also needed to be regularly reaffirmed to maintain the boundary, and this needed to be done in a way that was obvious to those who walked and lived in London’s streets, with a clear record, before the ready availability of detailed maps.

The way to do this was by physical markers on a building or street, to show a boundary, to show in what part of the City’s parishes or Wards buildings belonged, or who owned the building.

There must have been hundreds of these within the City, and even today there are very many to be found, with almost every City street having a marker of some type.

In this post, I would like to highlight a selection of the boundary and ownership markers that can still be seen across the City’s streets.

The first is on the City of London Magistrates Court on the corner of Queen Victoria Street and Walbrook. I have arrowed the marker which is low down on the building:

Where there is a simple marker dated 1892 for the north-western boundary of Walbrook Ward:

Many boundary markers have survived multiple rebuilding’s of a site, and can still be found on relatively recent buildings, such as the location arrowed in Cheapside:

On the left is a parish boundary marker from 1817 for St. M. M. This is for St Mary Magdalene which could be found on Milk Street. This was one of the many City churches destroyed in the Great Fire of 1666, but the parish boundary still survived.

The boundary marker on the right is for the parish of All Hallows Bread Street, another church that is long gone, not in the Great Fire, but during the late 19th century when the City lost a number of churches due to declining numbers of parishioners.

There are another couple of plaques, the left plaque again for All Hallows, and the plaque on the right for St Mary-le-Bow (look closely to see how the right vertical of the letter M has been combined with the L):

There are a number of boundary markers along King Street, including the pair shown in the following photo:

On the left is the marker for St Martin Pomeroy, which was in Ironmonger Lane, again another church lost during the Great Fire and not rebuilt:

On the right is St Mary Colechurch, again lost during the Great Fire, but stood on the corner of Cheapside and Old Jewry. This is one of the older parish boundary markers in the City, dating from 1789.

Below are two boundary markers. On the left is St Mary-le-Bow and on the right, St Lawrence Jewry in Guildhall Yard. Both of these plaques date from the 20th century showing that they were still relevant, and being updated.

Parishes had multiple boundary markers to show their boundaries with adjacent parishes, so another marker for St Martin Pomeroy:

There are also markers recording the ownership of property, as on the side of the building in the following photo:

Where on the left are the armorial bearings of the Grocers’ Company, and on the right those of the Goldsmiths:

On the corner of Old Jewry and Frederick’s Place:

There is a plaque with two dates, 1680 and 1775. I think this may be a parish boundary marker for St. Olave Jewry, a church that was demolished in 1888:

I am not sure why there are two dates, and whether the plaque originally dates from 1680, and the 1775 date was added when the boundary of the parish was reviewed and confirmed.

In Princes Street, on the wall of the Bank of England:

There are multiple plaques, with top left, St Margaret Lothbury. Top right is St C.P. a plaque for the church of St Christopher which was on the site of the current day Bank of England. Bottom left is a second plaque for St Margaret Lothbury, 43 years after the plaque above.

The plaques for St Margaret Lothbury are on the left as that was their side of the parish boundary, and the two dates show the years when the boundary was confirmed.

Plaques such as these now in the middle of a wall of a building show where the parish boundary would have been when the area was more subdivided into smaller streets and plots of land. Indeed Roque’s 1746 map of London shows Princes Street turning east at this point, into where the Bank now stands, and where the parish boundary would have run, as illustrated in the following map:

In Lombard Street is another cluster of markers:

Shown in detail below, on the left is a plaque of the Fishmongers Company, then is All Hallows, Lombard Street which was demolished in 1939, although the tower was moved to Twickenham, where it can still be seen (subject for a future blog post). Then there is a plaque of the Haberdashers Company, which must have been there to show property ownership of adjoining properties by the Fishmongers and Haberdashers. The plaque at lower right is showing the boundary of St Edmund, King and Martyr, a church which is still on Lombard Street:

On the Marks and Spencer, at the entrance to Cannon Street station, are two plaques:

On the left is the boundary marker of St Swithin, London Stone, a church that was badly damaged in 1949, and demolished in 1962. On the right is the boundary marker of another church lost during the Great Fire, the church of St Mary Bothaw, that stood on the site of Cannon Street station.

Opposite Cannon Street Station is a plaque to St John the Baptist. Destroyed during the Great Fire, a church that originally stood on the banks of the Walbrook:

Back on Cheapside, there is a small plaque on the first floor of a building:

The plaque has the arms of the Skinners Company:

Markers showing ownership of property are often on the edge of a building, to show where the boundary is with the adjacent property, as shown in the photos above, and the photo below:

Where there is a plaque showing the arms of the Haberdashers Company:

On a wall in Great Trinity Lane are three plaques:

The plaque on the left includes the full name of the church, details the distance from the wall to where the boundary extends, and includes the names of the churchwardens in 1889.

In the middle is St James, Garlickhythe. I cannot find the meaning of the H.T. plaque on the right. It does not have the “St.” prefix of a church, but not sure what else it could be.

In Carter Lane, on a building at the junction with St Andrews Hill:

On the right is a plaque identifying the boundary of Farringdon Ward Within:

And an FP plate on the left, which stands for Fire Plug. Apparently in the early days of the fire service, and when many underground water pipes were made out of wood, firemen would dig down to the water main and bore a small, circular hole in the pipe to obtain a supply of water to fight the fire.

When finished, they would put a wooden plug into the hole, and leave an FP plate on a nearby wall to alert future firefighters that a water main with a plug already existed.

That is just a small sample of the very many boundary markers and markers identifying property ownership, that can be found across the City of London. Considering how many must have been lost over the years, there must have been a considerable number, probably lasting to the early 20th century, identifying Ward boundaries, Parish boundaries and where the City Livery Company’s owned properties.

Of course, it is not just the City where these can be found, there are markers all over London.

As an example, the following view is looking towards Horse Guards, from Horse Guards Parade:

There is a central arch through the Horse Guards building, a route that has featured in recent royal events where processions will frequently pass through the arch, and a roof mounted camera follows processions through, however look to the roof of the arch as you walk through, and there are two parish boundary markers:

On the right is St Margaret, Westminster, with the suffix of No. 6 which presumably means that this was the 6th marker in a series that marked the parish boundary.

I suspect the marker on the left refers to St Martin in the Fields, adjacent to Trafalgar Square.

These boundary markers are a fascinating reminder of the importance of the parishes and wards in the City of London, even how churches that were lost during the Great Fire in 1666, and not rebuilt, still have their parish boundaries marked on the streets.

Historic property ownership by the livery companies of the City can also be traced by the plaque on the walls of City buildings.

Once you notice them, you will find them on walls all across the City.

alondoninheritance.com

The Changing Face of Leicester Square

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Leicester Square, along with Piccadilly Circus, are probably the best known locations in London’s west end. A hub of entertainment, hotels and the shops of global brands. Both major destinations for tourists, they are busy places during the day, and late into the night, however Leicester Square started off as a very different place. Part of London’s westward expansion, large houses, terrace houses and ornamental squares.

In the 16th century, this part of west London was all fields. Development of the square, and the source of its name, would come between 1632 and 1636 with the construction of Leicester House, on the northern side of where the square is located today, but at the time the house was built, it was surrounded by fields.

The house was built by Robert Sidney, Earl of Leicester, so as with so many parts of London’s expansion over the last centuries, the square has taken its name from the original aristocratic owner of part of the land, and initial developer.

Formation of the square, and building of houses along the sides of the square came in the late 17th and early 18th centuries, and by 1755 the square was developed as shown in the following map, where the square was then known as Leicester Fields, a name from when Leicester House was the only building in the area.

In the above map, Leicester House can be seen on the northern side of the square, with a large courtyard to the front of the house, and gardens to the rear. The fields surrounding Leicester House have been buried under the building of the early 18th century.

The following print from around 1720 shows the appearance of Leicester Square (© The Trustees of the British Museum):

Leicester House can be seen set back from the street on the northern side of the square, and the sides of the square have been developed with the standard terrace housing of early 18th century London.

The central square has been laid out with formal gardens of grass and trees, with paths, and a tree in the centre of the square. This would be replaced with a statue of George I in 1747.

A close-up look at Leicester House shows a horse and coach at the front of the house, along with small groups of people who appear to be holding poles of some type, or perhaps rifles. Large gates protect the house from the street, and there are gardens, stables and outbuildings to the rear:

Leicester House went through a number of different residents, and perhaps the most important was the Prince of Wales who would later become George ll. He had been thrown out of the royal apartments at St. James’s Palace following an argument with his father, King George I, and moved in at the end of 1717.

George I died on the 11th of June, 1727. The Prince of Wales was away from London, but returned quickly to his home at Leicester House, and he was proclaimed King at the gates to his house – the only time that a new King or Queen has been proclaimed in what is now Leicester Square.

The King stayed in Leicester House until the end of 1727, whilst St. James Palace was being prepared for him.

Leicester Square’s first experience as a place of exhibitions and entertainment seems to have been in 1774, when the naturalist Ashton Lever took over Leicester House and turned it into a museum, to house and display his large collection of natural history objects.

The collection remained at Leicester House until Lever’s death in 1788, when it was then moved to the Rotunda in Blackfriars Road.

Thomas Waring, who had worked for Ashton Lever remained at the house until 1791, and it is Waring that offers a clue as to what the people were doing in the early print of the house, where there are people holding what appear to be poles in the courtyard.

Waring was a founder member of the Toxophilite (Archery) Society, and meetings were held at Leicester House, so perhaps those standing in the courtyard were archers with their bows.

Leicester House was demolished around 1791 and 1792.

Following the demolition of Leicester House, the square would rapidly become a destination for entertainments. One major building specifically for this purpose was Wyld’s Great Globe, open between 1851 and 1862.

Constructed in the square by the mapmaker and former Member of Parliament. James Wyld, the purpose of the Great Globe was to show visitors the wonders that could be found across the world, with models, maps and lectures.

A view of the Great Globe, before galleries were constructed at ground level, linking the main entrances, is shown in the following print (© The Trustees of the British Museum):

Wyld’s Great Globe was very popular and had very many paying customers. An impression of the educational approach of the Great Globe can be had from the following article in the London Sun on the 6th of June, 1854:

“WYLD’S GREAT GLOBE – Throughout the whole of yesterday, Mr. Wyld’s intelligent lecturer was unceasingly engaged in enlightening such of the public as sought here rather instruction than amusement, upon geographical features of the ‘Great Globe’, devoting, of course, as everybody now does, his chief attention to those parts which are rendered peculiarly interesting by the war with Russia. A brief summary of the Ottoman empire was very appropriately introduced, and served to place in a very clear light the momentous question which is now at issue,

The late discoveries in the Artic Regions likewise came in for a good share of notice; and the dry study of the globe itself, and of the various maps on the subject, was relieved by an inspection of a small, but valuable, collection of dresses, boats, and implements of war, of inhabitants of those unhospitable climes, and of birds and beasts which are found there. These articles are contained in a small anteroom which by clever illusion, is made to resemble a tent with the faint light which is only seen at the North Pole. The juvenile part of the visitors seemed to take an especial delight in examining the different objects in this little chamber.”

Although initially very successful, Wyld’s Great Globe suffered from local competition, and had to look at other forms of entertainment, and started to put on variety shows alongside the educational exhibitions and lectures.

One of the local competitors of Wyld’s was Burford’s Panorama which was located just north of the square, between Leicester Square and Lisle Street.

An idea of the panoramas available can be had from the following advert in the Illustrated London News on the 7th of June, 1851:

“BURFORD’S HOLY CITY of JERUSALEM and FALLS of NIAGARA – Now open at BURFORD’S PANORAMA ROYAL. Leicester Square. the above astounding and interesting views, admission 1s to both views, in order to meet the present unprecedented season. The views of the LAKES of KILLARNEY and of LUCERNE are also now open. Admission, 1s to each circle, or 2s 6d to the three circles. Schools half price. Open from 10 till dusk.”

The following section view shows the interior of Burford’s Panorama, with the views being exhibited on the walls of the circular building (© The Trustees of the British Museum).

Remarkably, the outline of Burford’s Panorama can still be seen today. On the 25th of March 1865, Father Charles Faure puchased the building that housed Burford’s Panorama. and the French architect, Louis Auguste Boileau transformed the building into a new church within an iron structure.

The new church opened in 1868 as Notre Dame de France, a French speaking church in London. The church has an entrance on Leicester Place, but it is only from above that we can see the circular form of the church, on the site of Burford’s Panorama.

Click this link to go to an aerial Google view where the outline of the Panorama can clearly be seen.

Another competitor to the Wylde’s Great Globe and Burford’s Panorama was the Royal Panopticon of Science and Art, also built in Leicester Square (© The Trustees of the British Museum):

The Royal Panopticon of Science and Art opened on the 17th of March 1854, and held scientific and artistic displays and lectures. The Royal Panopticon was popular, often attracting up to 1,000 vistors a day, but did have problems from the day of opening. In their report after the opening, the owners wrote that:

“Since the opening of the institution, everything that had taken place out of doors militated against its success. First of all there was the war; next, the attractive novelty of Crystal Palace, and finally the cholera – all tending to keep the public from visiting the Panopticon, which, under all such disadvantages had nevertheless been successful to a degree greater than could have been anticipated by the council.”

I suspect the owners were being a bit optimistic in their report, as the Royal Panopticon only lasted two years, closing in 1856, when the building became the Alhambra Theatre of Variety, which can be seen in the following photo from 1896 as the large building with domes on the roof. This version of the Alhambra was of a slightly more simple design, having been a rebuild of the original building which was destroyed by fire in 1882.The brick building to the right is Archbishop Tenison’s Grammar School, highlighting the different types of institution that have made Leicester Square their home.

The Alhambra Theatre of Variety seems to have offered a wide variety of entertainments. The following rather cryptic advert from the Westminster Gazette provides details of what was on offer during the evening of the 3rd of October, 1893:

“Alhambra Theatre of Varieties – Open 7:30 – At 8:40 the Grand Ballet, FIDELIA. And at 10.30 CHICAGO, Grais’s Marvelous Baboon and Donkey (first appearance in England), Thora, the Poluskis, R.H. Douglas, The Three Castles, the Agoust Family, and the TILLEY SISTERS &c.”

The Poluskis were the Poluski Brothers, Will and Sam who were born in Limehouse and Shadwell. There is a recording of their act in 1911 online here.

The Agoust family were a family of jugglers and there is a video of their act here.

The type of variety acts that the Alhambra specialised in started to decline in popularity after the First World War. During the 1920s, the cinema began to capture the imagination of those looking for a night out in London, and in 1936 the Alhambra was demolished, to be replaced with the Odeon Cinema, which can still be found on Leicester Square.

Another current cinema which followed a similar path is the Empire Cinema on the northern side of Leicester Square. Originally built as a variety theatre in 1884, the theatre started showing film in 1896, and over the following years started to offer a mix of live performance along with short films.

As with the Alhambra, variety theatre dropped in popularity during the 1920s, and in 1927 the majority of the Empire Theatre was demolished, and rebuilt as the Empire Cinema. The cinema has had a number of major upgrades over the years and it is still open as a cinema today.

The following photo from the 1920s shows the Empire on the left, on a damp night in Leicester Square.

A view across the central square to the northern side of Leicester Square in the early years of the 20th century:

That was a very quick run through of the history of Leicester Square. From the site of an aristicratic house surrounded by fields, to a typical London 18th century square surrounded by fine houses, which then became the site of 19th century entertainments, which have continued into the 20th and 21st centuries, with only really technology changes that have resulted in film replacing panoramas and variety theatre as the popular source of entertainment.

Time for a walk around the square. The view from the north-east corner:

On the north-east corner of Leicester Square is Burger King, housed in a rather impressive building.

The building was originally the Samuel Whitbread pub, opened in December 1958, and was Whitbread’s attempt at reviving London’s post war pub trade. Designed by architects TP Bennett & Son, with four distinct interior spaces by designers Richard Lonsdale-Hands Associates.

The pub was very much a 1950s design, and during the 1960s it started to seem dated, and did not have the benefit of being a traditional London pub to help.

Whitbread sold it to Forte in 1970, who renamed it as the Inncenta, however by the late 1970s, the pub, along with much of Leicester Square was becoming rather squalid, and suffered from lack of investment.

The building may change again, as the owners, Soho Estates are looking to redevelop the building to make it more of a “destination” site in Leicester Square.

View of the north-east corner of Leicester Square:

The Empire Cinema on the north side of the square, showing how buildings on the square have continued to adapt, as the site now has an IMAX cinema as well as a casino.

The above photo was taken within the central square, and the following photo is looking towards the central statue.

The gardens of Leicester Square are today rather basic. Surrounding trees with grass on the outer sides of the square. The square has been used for a number of commercial activities that take over the square. for example, in pre-Covid days, there was a Christmas Market across the square in the weeks before Christmas.

The square though does have a secret, as below the square is a key part of the West Ends electricity distribution infrastructure.

Below the square is a large, multiple level, electricity substation. The substation basically takes high voltage feeds from the main distribution network, and “transforms” this high voltage down to the 240 volts that ends up in the sockets of local homes, businesses and shops.

Large devices called transformers perform this function, and earlier this year the third of three new transformers arrived at Leicester Square as part of an upgrade of the substation in order to support the increasing demand for electricity in the West End. The southern part of the square is still fenced off as part of this upgrade.

In the centre of square today, is a statue of William Shakespeare, with below an inscription that records that the square was purchased, laid out and decorated as a garden by Albert Grant, and conveyed by him to the Metropolitan Board of Works in 1874:

The Graphic on the 4th of July 1874 provides some more details on how and why this happened, after the demolition of Wyld’s Great Globe:

“Bit by bit the rusty iron railings were filched away, while the statue of King George II on horseback became a butt of practical jokers. On one occasion (and at considerable expense) some systematic wags bedaubed it with whitewash, and finally the horse and rider parted company, the latter lying prone in the mud. The old proverb that when matters come to their worst they must perforce mend. Leicester Square had attained its nadir when Sir George Jessel decreed that the freeholders were bound to restore the Square to its original state of respectability.

The freeholders were preparing to appeal this decision, the Board of Works were about to apply to Parliament for powers to purchase the site, when Mr. Albert Grant, MP for Kidderminster, appeared on the scene, and has since acquired the freeholder property. Mr. Grant resolved to make a most generous and patriotic use of his purchase, by laying out this hitherto desolate area as an open ornamental place, provided with walks, lawns and parterres of flowers. The whole of the works have been designed and completed under the superintendence of Mr. Knowles, the well-known architect; and on Thursday last Mr. Grant handed over this munificent present to the Metropolitan Board of Works, as trustees for the people of London.”

The statue of William Shakespeare dates from the 1874 restoration of the square by Albert Grant. It was sculpted in marble by Giovanni Fontana, and is modeled on Peter Scheemaker’s monument in Poets Corner at Westminster Abbey.

Shakespeare is pointing to the phrase, “there is no darkness but ignorance” which comes from the play “Twelfth Night”

View from the square towards the Odeon Cinema:

Leicester Square today is a major tourist destination, and therefore attracts major international brands. One such being Lego, who have a queuing system outside their store. This helps manage the numbers inside, but also enhances the image if you can show large queues wanting to get inside your store.

The view towards Piccadilly, with the Swiss glockenspiel, which was originally on the Swiss Centre, which was demolished in 2008. I have some photos of that which I still need to find and scan.

A hotel, and large store for M&Ms was built on the site of the Swiss Centre:

A recent addition to Leicester Square is a Greggs. Not a global brand, and I do find the thought of a Greggs in Leicester Square, alongside the flagship stores of Lego and M&Ms, rather amusing.

Around the square are various works of art that represent characters from films, including Gene Kelly in a scene from Singing in the Rain:

The west side of the square with an All-Bar-One and a McDonalds. Just visible is a plaque between the two buildings.

Which records that the portrait painter Sir Joshua Reynolds lived and died in a house on the site, as well as where numerous members of the aristocracy and society sat for Reynolds to have their portrait painted.

Reynolds was not the only artist who lived in Leicester Square. William Hogarth had his main home in the south-eastern corner of the square. This was his central London base, and his house in Chiswick was his country retreat.

The southern side of Leicester Square:

For many years there has been a theatre ticket centre on the southern side of the square, selling tickets for shows that evening, or the coming days.

The hoardings on the right in the above photo are screening off the work site where upgrades are being made to the electricity substation below the square.

The eastern side of the square:

The building on the right is the offices of Global Radio, the company that owns radio stations such as Capital Radio and LBC – the two original London commercial stations that have since morphed into national brands.

The TGI Fridays on the ground floor was once the Capital Radio Cafe, which, and speaking from experience, was a perfect venue for early teenage children’s birthday parties.

Between TGI Fridays and the Odeon cinema, is Leicester Square’s only pub, Wetherspoons The Moon Under Water:

The pub dates from around 1992. Number 28 was one of the original Leicester Square houses that was demolished towards the end of the 19th century, and, following the mid 19th century approach to have exhibitions for entertainment, housed the Museum National of Mechanical Arts.

In the 1930s, number 28 was the site of the “400 Club” which was known as the club for the upper classes and aristocracy, with Princess Margaret becoming a regular client of the club in the 1950s. The Tatler would often have reports of who was to be seen at the 400 Club, and would include photos of men in Dinner Jackets and women in expensive jewelry.

That was a very quick tour of the history of Leicester Square. A square that started off as one of London’s typical residential squares, with fine houses and a central square, although with the unusual feature of Leicester House to the north.

A square that has quickly evolved into one of London’s centres of entertainment, starting with panoramas and scientific displays and lectures, which then became a home for variety theatre and then London’s hub for cinema, and which is where the majority of major films have their UK premier.

In the coming week, The Last Heist premiers at the Vue cinema in Leicester Square on Wednesday the 2nd of November, followed by Black Panther: Wakanda Forever at Cineworld on Thursday the 3rd.

However popular entertainment evolves in the future, I am sure that Leicester Square will play some part in being London’s West End hub.

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The Great Fire in Cripplegate

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Fires have been a risk within London for centuries. Streets full of houses, side by side with warehouses full of inflammable goods, industrial premises, and until recently, a lack of comprehensive measures to prevent fire. The 1666 Great Fire of London is the most famous, however there were many others. I have written about the 1861 Great Fire at London Bridge, and today I want to feature another fire, the 1897 Great Fire in Cripplegate.

I have touched on the fire in previous blogs in an area I have covered a number of times as my father took many post-war photos of the area where the Barbican and Golden Lane estates are located, and it is fascinating being able to peel back the many layers of history of a specific area.

For today’s post, I am really grateful to a reader, who came on one of my walks and then sent me a number of newspapers and special editions, printed at the time of the fire to provide a record.

The cover of the City Press “Record of the Great Fire in Cripplegate”:

The cover of the booklet includes a map of the area affected, showing the buildings damaged by the fire in black. The map shows an area of busy streets with lots of housing, warehouses and industrial premises. This is so very different to the area today, which is now covered by the Barbican estate.

I have marked out the area of the Great Fire in Cripplegate within the dark blue lines in the following map. The church of St Giles Cripplegate (also shown in the above map) is within the red rectangle (© OpenStreetMap contributors).

The fire started in the premises of Waller and Brown at numbers 30 and 31 Hamsell Street, just before one in the afternoon. They were described as mantle manufactures, so presumably manufactured parts of, if not all of the components used in a gas lamp.

The report of the start of the fire states that most of the factory hands were out in the streets as it was lunch time, so perhaps someone had left a naked flame near some inflammable material as they went for lunch.

The fire spread quickly, with the buildings on either side of Waller and Brown’s building, soon being alight.

The report of the Great Fire in Cripplegate, and the photos which follow, mention lots of streets affected by the fire. Streets that had stood for centuries, but were lost under the Barbican development. I have plotted these streets in the following map, and marked the location of Waller and Brown’s building, the start of the fire, with a dark blue circle (© OpenStreetMap contributors):

The fire brigade were quickly onsite, with the nearest station being in Whitecross Street (which was just to the right of Redcross Street in the above map).

The fire spread very quickly as most of the buildings were warehouses full of highly inflammable goods, and the account of the fire describes warehouses being burnt to the ground very quickly.

The following photo shows the view from the top of the ruins in Jewin Crescent, looking towards the tower of St Giles Cripplegate:

The following two photos are part of a two page spread which shows the devastated area between Hamsell Street and Well Street, looking south. Well Street to the left:

And Hamsell Street to the right:

Redcross Street seems to have formed a natural fire break. This was a major street in the area and one of the wider streets in Cripplegate unlike the rest of the streets that would be devastated by the fire.

The following photo was taken from the walkway underneath Gilbert House in the Barbican. Redcross Street ran left to right, from the corner of the building on the left (City of London School for Girls), across the water feature, and continuing underneath the buildings on the right. The fire started a short distance along the City of London School for Girls.

The following two photos show the destruction along Jewin Crescent.

Jewin Crescent started at where the City of London School for Girls in now located, ran along what is now the Thomas Moore Residents Garden, and rejoined Jewin Street under what is now Thomas Moore House (see map earlier in the post).

The following photo is looking across the residents garden, where Jewin Crescent occupied much of the space.

As the fire occurred during the early afternoon of a working day, there were very many people in the area and large crowds soon gathered which were a problem for the firemen attempting to get to the streets on fire and at risk.

Police and firemen tried to keep the crowd in order, but with difficulties. The report states that this was much easier in Redcross Street due to the large number of showers of burning embers that would blow across the streets. There were several cases of people in the crowd being badly burned by these, and that “many had damaged headgear”.

By the end of the day, police were being brought in from all across the City, and by the evening there were estimated to be a combined force of 500 firemen and police officers both fighting the fire and managing the crowds.

There were complaints about delays in getting sufficient fire appliances to the scene, however the first two appliances arrived just after one in the afternoon, only minutes after the alarm had been raised, four more arrived eight minutes later and within 30 minutes there were 19 steamers (steam driven pumps) at the scene of the fire.

The following photo on the left is looking down Well Street from Jewin Street . A bit hard to see, but on the left edge of the photo there is a sign for “Cup of Tea 2d”. This was the site of the Cripplegate Restaurant at number 12 Well Street. The building on the right of the left hand photo is that of the Bespoke Tailoring Company.

The above photo on the right shows the corner of Well Street and was occupied by London Hanover Stationers, as well as the Bespoke Tailoring Company – again, all buildings which would have had large quantities of inflammable materials.

The photo on the left in the following pair was taken from the western end of Jewin Crescent looking east. This was the edge of the devastated area. The building on the right of the left hand photo was that of Mr. M. Jacob, importer of straw goods. the building suffered considerable damage and again highlights that the area was one in which a small fire could spread very quickly due to the large amount of flammable materials.

The photo on the right was taken on the Sunday after the fire and shows firemen continuing to damp down the ruins, with clouds of smoke and steam still rising.

The report into the fire mentions that the astonishing rate at which the fire spread was due to “the nature of the buildings, the stock they contained, the distribution of enclosed courts, numerous communications in party walls and the narrowness and relative positions of the thoroughfares”.

So although many of the buildings appear separate, with a wall between the neighbouring building, many walls between buildings had been knocked through, allowing the fire to spread without the firebreak of brick walls between buildings. There were also holes in the floors between floors, these were called well holes, and allowed the movement of materials between floors,

The following two photos are looking along Jewin Street. The photo on the left looking towards Aldersgate Street, and on the right, looking east from Aldersgate Street.

In the photo on the left, the ruins of the Grapes Tavern can be seen on the left, and on the right of the left-hand photo are the premises of A. Bromet & Co, wholesale jewelers and C.W. Faulkner & Co. Publishers and Colour Printers.

The buildings in the right-hand photo were occupied by agents, who specialised in the import and export of goods, provision of raw materials to the businesses in the area, along with the sale of finished goods.

The following photo is the view across Well Street to Jewin Street, and looks similar to many of the photos of wartime damage in the same area. The photo was taken shortly after the fire, when many of the buildings had been demolished due to the dangerous state in which the fire left them.

The following photo is looking west from near the tower of St Giles church. Jewin Street ran from the left, then under Thomas Moore House which is the building on the left. Well Street ran right to left, from Jewin Street, roughly at the end of the paved floor in the lower part of the photo:

The following photo shows the corner of Hamsell and Jewin Streets and shows a closer view of the Grapes Tavern on the ground floor of the corner building.

The Grapes Tavern seems to have dated from the early 19th century. The first mention of the pub I can find dates from 1818 when it was called the Bunch of Grapes. It appears to have been rebuilt after the fire, and was finally lost when the area was bombed at the end of 1940.

The following photo from the report was titled “The Ruins of Hamsell Street”, and mentions that the remains of the lamp-post on the right was opposite the warehouse of Beardsworth and Cryer, manufacturers, which was totally burnt out, again a photo that looks as if it was of the bombed City.

In the right hand photo of the following pair, the name Soley refers to Mr. George Soley who was a fancy box manufacturer:

The photo on the left of the above pair was taken from St Giles Churchyard and is looking west. on the left is the medieval bastion that can still be seen today.

In the following photo, the bastion can be seen on the left. St Giles Church is on the right, and the old churchyard once surrounded the church, went beyond the bastion then ran onwards to the left.

The following two photos make up a two page spread, showing the area of Hamsell and Well Streets, with St Giles in the centre of the photo (split across the two pages).

In the first photo, Hamsell Street is the street in the foreground. On the right of the photo is a lower building compared to the ruins of the others in the view. This was the rectory of St Giles Cripplegate, and stood on what is today the paved area to the west of the church tower (see photo of that view today, above).

The second part of the two page spread looking to the right of the church:

Remarkably, there were few casualties and no deaths from the Great Fire in Cripplegate.

Some workers had narrow escapes, including having to scramble over roofs to reach buildings that were not yet on fire. A few firemen were injured, included a burn from falling cinders, and being cut by glass.

The Times newspaper started an appeal for funds to help workers who had lost their jobs as a result of the fire. The paper commented that “the most grievous feature of the calamity will depend upon the numbers of industrious people who will be deprived of work at the commencement of the winter season, and many of whom, as being skilled in a special industry which for a time will be almost entirely suspended, will find it difficult or impossible to find work elsewhere.”

The “Star’s” reporting on Saturday 20th November 1897 was very typical of newspaper reports of the fire – The Greatest Fire of Modern Times, Damage Estimated By Millions:

The fire was of such significance that an inquest was held in the following weeks. The inquest was opened on the morning of Monday the 6th of December 1897 in the Old Council Chamber of the Guildhall.

A jury was assembled from the wards of Aldersgate, Farringdon Within and Cripplegate. The following photo shows the assembled jury, looking very much a late 19th century jury that you would expect.

The jury was asked to provide their view on 11 specific questions relating to the fire, and in order to help them make their decisions, a large number of people were called to provide evidence. This included the owner of the business in which the fire started, a number of members of staff working within the building, the architects of the building, the District Surveyor of the northern district of the City, Professor Boverton Redwood, an analytical and consulting chemist to the Corporation of London, and members of the Fire brigade and of the New River Company.

I have written about the New River Company in a number of previous posts, and it was their water supply through the streets of Cripplegate that was essential in being able to fight the fire. It was estimated that 15 million gallons of water was drawn from the mains of the New River Company by the Fire Brigade during the battle to control the fire.

The questions asked of the jury, and their verdicts are as follows:

Where did the fire originate? – The fire originated on the first floor of No. 13 Well Street E.C. in the occupation of Messrs. Waller and Brown.
At what time? – At from a quarter to one to ten minutes to one on Friday November 19th
What was the cause of the fire? – The ignition of a stack of goods near the well-hole on the first floor (a well hole was a hole in the structure of the building between floors)
Was it from spontaneous combustion? – No
Was it from a gas explosion? – No
Was it accidently fire? – No
Was it wilfully fired, and if so, by whom? – Yes, by some person or persons unknown (This was decided by sixteen to six of the Jurymen)
Was there any delay on the part of the Brigade in arriving at the scene of the disaster? – There was no delay after reception of the call
Were the appliances and steamers and the coal and water supply sufficient? – With regard to the appliances at the fire, yes; as regards steamers at the fire, yes; as regards the coal, no; as regards the water, yes
What was the cause of the rapid spread and development of the fire? – The style and construction of the buildings, the narrowness of the streets, the late call and the further delay of fourteen minutes from the time of receiving the call to the first steamer to work
Have you any general suggestion or recommendation to make as to the reconstruction of the buildings destroyed? – We recommend that this area should be so reconstructed as to have greater regard to the safety of the adjacent property, and that all new buildings of the warehouse class, match-board lining should be prohibited for walls and ceilings and that all ceilings should be plastered and covered with fire-resisting materials

So the jury found that the fire had been started on purpose, but could not identify who had started the fire, although this was not the unanimous conclusion of the jury.

The report included a number of recommendations for how the area should be rebuilt after the devastation of the fire:

Recommendations included widening existing streets and building wider new streets. One recommendation included widening and extending Jewin Street all the way to Smithfield.

However in late 19th century London, the commercial imperative was key, and the area was rebuilt to the existing street plan, and again lined with warehouses and other commercial premises.

In a similar commercial vein, the City Press publication included several pages of adverts where advertisers made use of the fire to show the benefits of their products and services.

Dawney’s Fireproof Floors apparently withstood the tremendous fire and proved to be absolutely indestructible in a six storied druggist’s warehouse:

John Tann’s “Anchor-Reliance” Safes were again triumphant during the fire, and their advert included a couple of photos with their safes shown in the ruins of the buildings in which they were once housed.

If they are related, the Tann family seem to have had two seperate companies selling safes, with Robert Tann’s “Defiance” safes collecting some testimonials from the Great Fire.

The advert on the right in the above pair, and the following advert show the growing use of steel and expanded metal in the construction of buildings. There were no claims as to their products use in Clerkenwell, so these adverts were showing how buildings could be built to have prevent the spread of fire. The following Expanded metal Company also advertised the use of expanded metal as a tension bond in concrete.

Steel would become the dominant structural material in buildings over the coming decades and is used in all new City buildings today.

Another two companies looking to capitalise on the fire were the National Safe Deposit Company, who included a letter from Frederick Newton & Co who had lost their building in the fire, but were relieved that all their key documents were held by the National Safe Deposit Company, along with the Union Assurance Society who provided insurance for Fire and Life:

Another safe company – Ratner Safe Co. Ltd, who included a letter from Holyman & Co who had two Ratner Safes, which preserved all their papers during the fire. Mason & Co who had their “Steam Joinery Works” in Myddleton Street, Clerkenwell, were advertising “High-class joinery for the trade” and were ready for “every description of repair”.

More successful safes, a bucket fire-extinquisher, office fitters and a Fire Surveyor and Assessor Claims:

Another advert for the use of metal in construction, with fireproof flooring, the use of steel joists and “metal lathing” which was advertised for use in floors, ceiling and partitions:

The area of the Great Fire in Cripplegate was rebuilt quickly, with the new buildings continuing the commercial and industrial use at the time of the fire.

A new fire station was built soon after the Great Fire, in Redcross Street.

The justification for the new fire station in Redcross Street can be seen in this article from Lloyds Weekly Newspaper on the 4th of December 1898, which shows that the warehouses were full of the same type of materials as during the 1897 fire:

“Hitherto Watling-street has been the chief City fire station, and the proposed change would be of great advantage, as the warehouses in the vicinity of Wood-street are filled, as a rule, with the most combustible materials. On the northern side the station would be of very great utility to the over-crowded districts of St. Luke’s and Shoreditch, where most houses are old and the danger of fire considerable.”

In a little over 40 years after the Great Fire in Cripplegate, the area would be devastated again during one of the most damaging raids of the Second World War, when on the night of the 29th December 1940, fires created by incendiary bombs caused fires that would again lay waste to the warehouses and commercial buildings of Cripplegate.

The Barbican would be the post-war answer to “executive” housing in the City of London, and would erase the streets and street names of centuries.

I have written a number of posts, which include my father’s post war photos, covering the streets mentioned in this post, and the land occupied by the Barbican Estate. A selection of these posts:

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G. J. Chapman, Penton Street and Chapel Market

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My Wapping walk next Saturday is sold out. There are some places remaining on walks in Wapping, the Barbican, Southbank and Bankside later in October. Click here for details and booking for my final walks of 2022.

Many of London’s streets have lost much of their local character over the last few decades. Many long term trends have contributed to this. The spread of global brands, online shopping, local population change, quick profits through a conversion of a building to flats, architectural styles etc.

An example can be found in Penton Street, a turn off from Pentonville Road, just to the west of the Angel, where, in 1985, at number 10 Penton Street could be found the shop of G.J. Chapman:

The same view, 37 years later, in September 2022:

Chapman’s was a very different shop. Whilst there were plenty of general hardware stores, also shops that stocked gardening supplies, they did not usually have so much stock on display outside the shop. I cannot find exactly when Chapman’s closed, I do remember it was still open in the mid 1990s, but after that it became one of the ongoing changes that are so easily missed.

I assume that the building has become flats, with two front doors, mirroring the doors in the original shop. The white paint has been cleaned from the brickwork, and it is not clear how much of the original wooden surround to the shop front remains.

The space behind the BA Concorde advert on the left in 1985 is now occupied by a new block of flats.

Penton Street was one of the first streets built as part of the Pentonville development. The name comes from the owner of the estate on which the development was built, Henry Penton, the MP for Winchester. The addition of the French “ville” to Penton’s name may have been to give an upmarket feel to the estate, which was helped by the rural setting at the time of the original development, with much of the land to the north still consisting of fields.

Penton Street seems roughly aligned with a lane that ran through fields along what is now Amwell Street to the south, then up to Copenhagen Fields, although only a small part of the original lane, along Penton Street retains the original route.

The first terraces along Penton Street were built in the 1770s, and the area between Penton Street and the Angel was fully developed by the end of the 18th century.

The southern end of Penton Street joins Pentonville Road, opened in 1756 as the continuation of the New Road, an 18th century north circular around the north of the city, providing access to the docks, and for drovers driving sheep and cattle to market in Smithfield, whilst avoiding the crowded City streets.

The northern end of the street joins Barnsbury Road which continues north. It is a relatively short street and can be walked in a matter of minutes.

On the corner of Penton Street and Pentonville Road is the Lexington. A pub on the ground floor and music venue on the first floor. It was originally built in 1875 and was named the Belvedere, replacing an earlier pub on the site, with the same name, and dating from the development of Penton Street.

The Lexington today:

Penton Street seems to have been developed as a residential street, with terrace housing, however commercial premises and shops gradually took over parts of the houses, and there has been considerable redevelopment so even when the façade facing onto the street looks original, a glance behind will show a later rebuild, as can be seen in the example in the following photo where later brickwork forms the side wall to an earlier front wall:

Further along Penton Street is another large pub, the Chapel Bar. Again, another pub that has had a recent name change. It was originally the Queen’s Arms, and seems to date from around 1848 which is the year of the first newspaper mention that I can find:

The clown, Joseph Grimaldi, lived in Penton Street at what is now number 44 between 1799 and 1800, although I could not find any plaque on the building. There is a plaque on number 28 recording that the building was the London headquarters of the African National Congress between 1978 and 1994:

Although G.J. Chapman’s shop has gone, if we turn off Penton Street into Chapel Market, we find a street market, and a shop with a similar stock to Chapman’s, but without the impressive display of goods for sale on the street. Chapel Market Building & D.I.Y:

Originally Chapel Street, the street was developed soon after Penton Street and was lined with terrace houses by the 1790s. The street would stay residential for the first half of the 19th century, but would take on a much more commercial character from the 1850s onwards. This was probably down to the rapidly growing local population, and the commercial opportunities that such a population offered.

The ground floors of the large terrace houses were converted into shops which were extended over an original small front yard to bring the shop up to the edge of the street.

As well as shops, the street became the hub for a street market. The market may predate the arrival of shops in the 1850s, but again it was from 1850 onwards that the street became the venue for a large street market.

The mid 19th century also saw the large terrace houses turn into multi-occupancy houses and there were contemporary reports of much poverty and squalor in the street.

Over the years, the street has also seen many of the original terrace houses demolished and replaced with office blocks and large shops.

The following photo sums up the changes to Chapel Market, with stalls of the street market in the foreground, terrace houses to the right, with ground floor shops extended over the original yard to the street, and much later buildings on the left which replaced the original terrace houses:

Both the market and the shops now offer a very wide mix of goods and services from fast food, to fruit and veg, fishmongers, supermarkets, cafes, pharmacies, opticians, florists etc. with the stalls in the market changing during the week.

The name change from Chapel Street to Chapel Market came in 1936 to recognise the size and importance of the market.

The name chapel does not refer to any local chapel. There appears to have been an intention around 1770 to build a chapel of ease around Chapel Market and Penton Street, however a chapel was built much further to the west along Pentonville Road, but the name stuck with the intended original location near Chapel Street, now Chapel Market.

The market was open all day and all evening during the second half of the 19th century. An article in the Clerkenwell News in September 1870 reports on the raging of a “fever” in the area and the precautions that the local Parish Vestry were trying to implement. This included more frequent removal of refuse from Chapel Market and the application of disinfect along the gullies of the street.

The problem was that the market was seldom closed before midnight, so the best that the Vestry could do was to ensure that the street was swept and refuse removed by seven of the following morning, ready for the market to open again.

Chapel Market was the site of the first branch of Sainsbury’s in 1882 following on from their original shop in Drury Lane. The Sainsbury’s archive has a number of photos of the original shop, and Chapel Market in the late 19th century, and can be viewed here.

Marks and Spencer would also arrive in 1930. They now have a Food Hall on the street, and Sainsbury’s have moved to a much larger store, close by in Liverpool Road.

Today, the market sells things that in the 19th century would have been considered science fiction:

The entrance to Chapel Market from Liverpool Road:

So although G.J. Chapman’s shop has gone, and been replaced by a rather bland façade onto Penton Street, there is still a thriving local cluster of shops around the market in Chapel Market, which will hopefully continue to serve the local population for many years to come.

The 1985 photo of G.J. Chapman’s was taken by my father, and when I scanned the strip of negatives with this photo, there were a couple more which brought back the challenges of using film. There were two other photos of the shop, but in each photo a vehicle had just intruded into the photo:

Penton Street has always been a relatively busy road, and framing a photo, then trying to avoid any passing traffic is still a challenge.

I was using a digital camera where the number of photos is limited by the size of memory card, and each photo is basically free. This was not the case with film, and I well remember the challenges of trying to get the wanted photo in a busy environment with a 36 exposure film in the camera. Luckily, my father finally got a vehicle free photo of G.J. Chapman.

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Cloak Lane, St John the Baptist, the Walbrook and the Circle Line

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One of the pleasures of wandering around London streets are the random memorials and objects that have survived from previous centuries, and how they can lead to a fascinating story of an aspect of the City’s history. Perhaps one of the strangest can be found in Cloak Lane, to the west of Cannon Street Station, between Dowgate Hill and Queen Street.

The ground floor of one of the buildings on the northern side of Cloak Lane has a number of arches with metal railings, and a large memorial occupying one of the arches:

A closer view, and the railings have signs that imply that there is perhaps more to discover:

The monument provides some information:

The contrast between letters and stone is not that high in the above photo, so I have reproduced the text on the monument below:

There is much to unpack from the inscription on the monument, and it does not tell the full story.

The church of St John the Baptist upon Walbrook was one of the City churches that was destroyed during the Great Fire of 1666, and not rebuilt, so after the fire, only the churchyard remained.

I have circled the location of the surviving churchyard, at the junction of Cloak Lane and Dowgate Hill in the following extract from William Morgan’s, 1682 map of London:

According to “London Churches Before The Great Fire” (Wilberforce Jenkinson, 1917), St John the Baptist upon Walbrook was “Founded before 1291, and enlarged in 1412, and ‘new-builded’ around 1598. The west end of the church was on the bank of the Walbrook, hence the title.”

The Walbrook is one of London’s lost rivers, and in the following map I have marked the location of church and churchyard along with the Walbrook which made its way down to Upper Thames Street which was the early location of the Thames shoreline (© OpenStreetMap contributors):

The book states that the west end of the church was on the bank of the Walbrook. This is possibly an error as the eastern end of the church would have been on the Walbrook, or it should have read that the church was on the west bank of the river.

It is possible that the Walbrook ran further to the west than shown in the above diagram, however all the references I can find are to the river running roughly on and alongside Dowgate Hill.

The text on the monument mentions the District Railway, and the title for the blog is about the Circle Line. I will explain why I have used the Circle Line later in the post, however stand next to the railings alongside the monument, and a grill can be seen in the floor. Wait a few minutes and the sounds of an underground train can be heard coming up through the grill.

After the 1666 Great Fire, the church was not rebuilt, the churchyard remained, and would do so for the next 200 years. Buildings alongside did encroach on the churchyard, however it was still there in 1880. In the next few years there was some major construction work in Cloak Lane which would result in the loss of the churchyard.

This construction work was for an underground railway that in the newspapers of the time was referred to as the Inner Circle Railway. The following article from the East London Observer on the 31st May 1883 provides some background:

“THE INNER CIRCLE RAILWAY. With much less outward demonstration than might have been expected, considering the importance and magnitude of the works, there is now being contracted in the City of London an underground railway which, by uniting the Metropolitan and District systems, will complete the long looked for Inner Circle Railway, and be of immense service to the travelling public and the metropolis.

The Acts of Parliament under which these works are being carried out were obtained in the names of the joint companies – that is to say, the Metropolitan and the Metropolitan District. They authorised the construction of a railway to commence by a junction with the District line at Mansion House Station, and to run under some houses south of the thoroughfare known as Great St Thomas Apostle, crossing Queen Street, then going along the south side of Cloak Lane, across Dowgate Hill, to the forecourt of the South-Eastern Cannon Street Station. Here is to be made a station.

The line is then to pass under the centre of Cannon Street, crossing King William Street, and is then to swerve slightly south. Between this point and Pudding lane is to be a second station, which will serve the busy district around it, including Gracechurch Street, Lombard Street and Billingsgate. By arrangement with the Corporation and the Metropolitan Board of Works, the narrow thoroughfares of East Cheap and Little Tower Street are to be widened on the south side, and Great Tower Street on the north side. The railway is to pass under the centre of the roadway, and will be constructed simultaneously with the new street. the line will then branch slightly to the north, and between Seething Lane and Tower Hill, another large station is to be built.

The line is then to pass by Trinity Square Gardens, joining the piece of railway already constructed.”

So by joining existing lines at Mansion House and Tower Hill, the new line would form what we know today as the route of the Circle and District lines between Mansion House and Tower Hill.

The Railway News (which also called the line the Inner Circle line) on the 18th of August 1883, provided additional technical information on the new line:

“From the Mansion House station to Tower Hill, there is no part of the line on a curve of less than 10 chains radius; the length from Cannon Street to King William Street is straight. The successive gradients are from the level at the Mansion House to a descent by a gradient of 1 on 100, followed by a rise of 1 in 355, then 1 in 100, next to 1 in 321, for 334 yards and then a fall of 1 in 280 for the remainder.”

I never fail to be impressed by the accuracy achieved in measuring and building these early lines, without the surveying equipment that we have available today.

Look through the grills and some of the monuments from the old churchyard have been mounted on the wall behind:

The new railway was just below the surface and was partially built using the cut and cover technique where the ground would be excavated to build the railway, which would then be covered over, with roads or buildings then completed on top.

Where cut and cover was not used, the railway would be tunneled underneath buildings, undercutting the foundations, bit by bit, with arches being built as the tunneling progressed to support the building above.

Railway News provides some detail:

“Near the western end of the line 200 feet of girder-covered way has been built between Queen Street and College Hill, and a large portion of the side wall has been advanced to Dowgate Hill. In this vicinity an important work, viz, a diversion of the main outfall sewer, has been successfully completed. It was lowered about 14 feet, and the length of this work from north to south being about 600 feet. The north side wall for the Cannon Street station, is also built, and rapid progress is being made with the excavations.”

The total distance of the new line between Mansion House and Tower Hill was 1,266 yards.

Behind the grills – an 1892 Walbrook Ward boundary marker:

The above extract refers to a diversion of the main outfall sewer in the vicinity of Dowgate Hill, which possibly was the sewer running down Dowgate Hill that carried what was left of the Walbrook river.

During excavation work for the new railway, there were a number of finds, which add to the question of the original route of the Walbrook.

In the book “London – The City” by Sir Walter Besant, he quotes from the notes of the resident engineer of the works, Mr. E.P. Seaton: “At the west end of the churchyard was found a subway running north and south. The arch was formed of stone blocks (Kentish rag) placed 3 feet apart, the space between filled up with brickwork. The flat bottom varied from 2 to 4 feet in thickness and was formed of rubble masonry.

A portion of the arch had been broken in and was filled with human bones. the other parts of the subway or sewer were filled with hand-packed stones. this is supposed to be the centre of the ancient Walbrook (this supposition is quite correct) and made earth was found to a distance of 35 feet from the surface. Clay of a light grey colour was then found impregnated with the decayed roots of water plants.

The foundations (it is a matter of regret that no plan of the foundations was taken; the opportunity is now lost forever) of the old church of St John the Baptist were discovered about 10 to 12 feet from the surface and composed of chalk and Kentish ragstones. They ran about north-north-east to south-south-west. Piles of oak were found which seem to denote that the church was built on the edge of the brook, which must have been filled up during Roman occupation, as numerous pieces of Roman pottery were found.

The bottom of the Walbrook valley was reached at 32 feet below the present street level, and is now 11 feet below the level of the lines in the station. During the excavations the piles and sill of the Horseshoe bridge which crossed the Walbrook hereabouts were also found near the churchyard, together with the remains of an ancient boat. These were unfortunately too rotten to preserve, but a block of Roman herring-bone pavement, formerly constituting part of a causeway of landing-place on the brook, is now at the Guildhall Museum. It was found beneath the churchyard 21 feet below the present level of the street.”

Besant can at times be unreliable, however as he is quoting from notes by the resident engineer, and the works were not long before the book was published, they should be an accurate record of finds during the work.

The finds imply that the Walbrook did run to the west of the church, so was further west of the route shown in the earlier diagram and was slightly further west of Dowgate Hill, or perhaps it was a separate channel or ditch.

There is another reference to the Walbrook, and its route in a report on the construction of the railway in the Standard on the 21st April, 1884, which refers to the sewer along Dowgate Hill that ran along the route of the Walbrook, needing to be lowered to make space of the railway. After completion, the sewer and Walbrook ran under the new rail tracks. The report describes the Walbrook as “flowing into the sewer down a flight of steps”.

These layers of history and archeology below the current surface of the City are really fascinating. We really do walk on London’s buried history when we walk the streets, and Besant’s description hints at what has been lost over the centuries, particularly during significant construction works of the later 19th and early 20th centuries, when these sites did not have an archeological excavation before construction commenced, and before the preservation techniques were available, that would have been needed to preserve the boat and wooden piles that were found.

Another of the memorials behind the metal grill – I wonder what John (died in 1804) and Uriah (died in 1806) Wilkinson would have thought if they knew their memorial would be hidden behind a metal grill, and above an underground railway?

The extract from Besant’s book mentions the “Horseshoe bridge which crossed the Walbrook hereabouts were also found near the churchyard”. The bridge also has a connection with Cloak Lane.

According to Henry Harben’s Dictionary of London (1918), the name Cloak Lane is of relatively recent origin, with the first mention being in 1677. Prior to this, the street was named Horshew Bridge Street after the bridge over the Walbrook.

A possible origin of the name Cloak Lane is from the word “cloaca” which is a reference to a sewer that once ran along the street down to the Walbrook, however as the name of the street is much later than the sewer and when the word “cloaca” would have been used, it is almost certainly not the source, which remains a mystery.

The first mention of this bridge dates back to 1277 when it was called “Horssobregge”, and was a bridge over the Walbrook close to the church of St John upon Walbrook.

During the medieval period, property owners in the neighbourhood of the bridge were responsible for keeping it in good repair. Around 1462, the Common Council ordained that land owners on either side of the Walbrook (which was then described as a ditch) should pave and vault the ditch, and if a landowner failed to comply, their land would be given to someone who would take on this responsibility.

Following the paving over of the Walbrook, the bridge became redundant, fell into disrepair and was eventually taken apart.

The following photo is looking down Cloak Lane towards Cannon Street Station, the entrance to the Underground station can be seen at the far end of the street, across Dowgate Hill.

I have arrowed two locations in the photo. The orange arrow is pointing at the location of the memorial, and was the location of the church and graveyard.

The second arrow is pointing to the site of another building that was demolished to make way for the works to construct the new railway – Cutlers Hall:

Cutlers Hall was the home of the Worshipful Company of Cutlers, one of the City’s ancient companies. When the Cutlers were organised into a Company, the trade consisted of the manufacture of swords, daggers and knives. As an example of how specialised a City workman was at the time, there were seperate trades for hafters, who made the handles, along with blacksmiths and sheathers (who made the sheath in which a sword or knife would be stored).

The first mention of the Cutlers dates back to 1328 when seven cutlers were elected to govern the trade, and in December 1416, a Royal Charter was granted to the company.

Hafters, sheathers and blacksmiths were gradually incorporated into the Cutlers Company.

The hall of the Worshipful Company of Cutlers was in Cloak Lane from the earliest days of the company, until the arrival of the Inner Circle Line, when the hall was demolished in 1883, having been the subject of a compulsory purchase order.

The Cutlers purchased a new plot of land in Warwick Lane, had their new hall designed by the Company’s Surveyor, Mr. T. Tayler Smith, and the new hall came into use in March 1888. The Cutlers have remained at the Warwick Lane site ever since.

The following print shows Cutlers Hall in Cloak Lane as it appeared in 1854 (© The Trustees of the British Museum):

There were many newspaper reports on the construction of the new railway, and the methods used to minimise disruption to the City above.

Cannon Street Station originally had a forecourt between the station entrance and Cannon Street. The tunnel needed to be built under the forecourt, and the method used to avoid disruption to the station was that the contractor:

“Provided 250 men for the occasion and 50 more as a reserve, the intended work was commenced after the dispatch of the Paris night mail, and then the busy hands plied their busiest. The paving slabs were removed; the twelve inch timbers were laid on the bare ground, three-inch planking put across them, and again three-inch planking over these. And in the morning when Londoners came to their duties in the City they were astonished to see the fore-court paved with wood, and an alteration completely effected, of which there was not a symptom or indication when they went home from their duties the evening before. Having thus laid their roof on the surface the contractor could carry on burrowing to his heart’s content. Beneath the wood platform a heading was soon driven through the soil; and the contractors went on their way below, whilst the cabs and the passengers were going on above”.

The following photo shows the Cannon Street Station Hotel and entrance to the station behind. The forecourt under which the Inner Circle Line was dug can be seen in front of the hotel.

The monument in Cloak Lane is a perfect example of what fascinates me above London’s history. There is so much to find in one very small section of street, and that London is not just what we see on the surface, there is so much below the streets, lost rivers, centuries of history, remarkable examples of construction methods used to build the start of the underground system in the 19th century, and so much more.

If you take a train on the Circle or District line to or from Cannon Street Station, on the western side of the station, recall the Walbrook and the church and cemetery.

I have also added trying to find out about the fate of the finds from the construction of the railway, given to the Guildhall Museum, and which are now hopefully at the Museum of London. And if anyone from TfL reads this post – if you could let me have a look behind the metal grills in Cloak Street – it would be much appreciated !

alondoninheritance.com

Bathurst Mews – A Pub and Stables

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Before exploring Bathurst Mews, a quick advert for a walk. Last year, I was involved in some walks exploring New River Head along with some colleagues from Clerkenwell and Islington Guides. For a one off in early September, we are running a series of walks that continue this theme, and for this year include a visit to see the 17th century Oak Room in the old offices of the Metropolitan Water Board, along with an external view of the Grade II listed White or Devil’s Conduit, believed to date in part back to the 14th century and originally sited in Queen’s Square, Bloomsbury.

The link for booking is here:

Bathurst Mews are located between Paddington Station and Hyde Park. One of west London’s stunning mews, but what took me back there was a couple of 1980s photos. The first of the Archery Tavern on Bathurst Street, next to the entrance to the mews:

The Archery Tavern is now the Stablehand, a bar and restaurant, which on their website is described as a gastro pub. The return to use as a pub is only in the last couple of years as following the closure of the Archery Tavern in 2006, it was a French restaurant.

The Archery Tavern was a pub for some 166 years, having opened when Bathurst Street was built around 1840. The first reference I can find to the pub was an advert placed in the Morning Advertiser on the 25th August 1841 for a “Strong, active servant of all work. One who is used to plain cooking and can make herself generally useful, with a good character, may hear of a situation by applying to Mrs. Oakes, Archery Tavern, Bathurst Street”.

One newspaper reference to the Archery Tavern, a reference that I have not seen before with other pubs, was from the Marylebone Mercury on the 24th of September 1976, and is a reminder that history almost always seems to repeat. The report was about a meeting held in the pub of the Hyde Park Ward, Young Conservatives, where Shadow Chancellor Sir Geoffrey Howe was the key speaker. His theme was that Great Britain was overspent and overtaxed, and that “Our strongest point ought to be that Conservative governments cut taxes”.

The name Archery Tavern appears to have been a reference to the land on which the pub was built being used for archery during the 1830s by the Royal Toxophilite Society. I doubt that this was a long lasting or formal use of the land as it is not mentioned on the society’s web site, who record that during the 1830s they used sites at “Canonbury House, Highbury Barn, The Honourable Artillery Company and, on two occasions, on Mr. Lords Cricket Ground”.

It is a shame that the pub name has changed from the 166 year old Archery Tavern, however the new name does continue a tradition of naming a pub after a local feature. The Stablehand refers to what we will find in Bathurst Mews.

Time for a walk along Bathurst Mews to find the second 1980s photo. This is the entrance to the mews from Bathurst Street:

Signs on either side of the entrance provide an indication of what makes Bathurst Mews different:

Bathurst Mews have two stables. They hire out horses for riding in Hyde Park, provide riding lessons, and are a reminder of what mews would have been like when they were used for the horses and carriages of the large houses that surrounded the mews.

The first is Hyde Park Stables:

Hyde Park Stables are immediately on the right after passing through the entrance, into the mews, and bring the unusual sight of horses, bales of straw and hay, and riders heading off to Hyde Park.

Inside the stables:

Bathurst Mews has apparently the last two remaining stables around Hyde Park, and just around the corner from the Hyde Park Stables are the Ross Nye Stables, here photographed in 1985:

The stables are still there, and look much the same, although the walls have been whitewashed:

The stables are named after Ross Nye, who grew up in Queensland, Australia. After arriving in London, he purchased an existing stables in Bathurst Mews and they became the Ross Nye Stables, and have continued following his death in 2020.

The row of stable buildings:

Looking along the full length of Bathurst Mews with the Ross Nye Stables on the left:

Bathurst Mews are just north of Hyde Park. The following map shows their location with the red arrow pointing to the site of the pub, and just above the tip of the arrow is the Hyde Park Stables. The blue arrow points to the Ross Nye Stables (© OpenStreetMap contributors).

Bathurst Mews and the surrounding streets were built in the late 1830s / 1840s. The name of the mews and Bathurst Street comes via Robert Thistlethwaite who inherited land in Paddington leased from the Bishops of London. His wife Selina was the daughter of Elizabeth Bathurst.

A report on the construction of sewers in the London Sun on the 19th of November 1840 includes Bathurst Mews on the list, so by this time, the route of the mews had been laid out, allocated a name and construction was underway.

Land owned by the Bishops of London was transferred to the Ecclesiastical Commissioners, and the area developed as the Hyde Park Estate, which covers 90 acres and is bordered by Sussex Gardens, Edgware Road and Bayswater Road.

The Hyde Park Estate continues to be owned by the church, now in the form of the Church Commissioners.

The estate was built between the 1830s and 1850, so in London terms is relatively recent. Prior to development, the area was all fields, as the following extract from Rocque’s map of 1746 shows. I have marked the route of Bathurst Mews by a red line:

John Rocque 1746 map of Hyde Park and Paddington

The map shows that by 1746, Hyde Park was already a fully defined park, with the Serpentine running through the park (note to the left of the location of Bathurst Mews, we can see the route of the River Westbourne which was one of the main sources of water for the Serpentine).

To the north is the village of Paddington, still surrounded by fields in the mid 18th century.

The following photo is looking along Bathurst Mews towards the entrance into Sussex Place:

We can get an idea of the first residents in the mews by looking at two who were recorded as living in the mews in the 1840s:

Edward Munn – farmer and corn dealer
Henry King – livery stable keeper

A very small sample, but it does confirm the original purpose of the mews as the provision of stabling for the large houses behind.

Looking back along Bathurst Mews gives a good view of the much larger size of the houses that surround the mews, which give the impression of the mews being located in a fully enclosed valley:

Whilst many of the buildings in the mews would have been stables, then garages as transport in London changed from horse to vehicle, today, with the exception of the stables, they are almost all residential.

They have also functioned as small workshops and business premises.

In 1868, T. Longman occupied one of the buildings and was operating as a Bell-Hanger, Gas-Fitter and Locksmith.

In 1926, Mrs. Ann Cleave was running the Tyburn Kennels from a house in the mews.

In 1927, a Mr. Gold was advertising driving lessons and car repairs in the mews.

In 1968 a chauffeur agency was operating from the mews.

Today, they sell for well over a million pounds, and sale records show the crazy rate at which the prices of these building have risen over recent years. A three bedroom terrace house in the mews (not the house in the following photo) sold for £297,500 in 2004, and at the start of this year, was sold for £1,750,000.

As with many of London’s mews, residents line the outside of their houses with plenty of planting:

Whilst the majority of houses along the mews appear to be standard two storey, with the old stables / garage on the ground floor and living area above, there are a couple of different buildings, such as the building on the left of the following photo which looks to have been some form of warehouse. Again, now converted into residential.

Looking up towards the north-eastern end of Bathurst Mews, showing the entrance through to Sussex Place:

The above photo again shows the difference in size between the large houses surrounding Bathurst Mews, which were constructed as residential in the 1840s, compared to the mews houses where their horses and carriages, and later cars were stored, along with some very limited living accommodation.

The entrance to Bathurst Mews from Sussex Place:

The two stables offer a glimpse of what Bathurst Mews would have looked like when built. They are a unique set of mews in London, as far as I can tell they are the only mews which have operating stables.

They were an important part of living in London for the wealthy who occupied the new, large houses of the area. Even in 1922, they were being advertised as part of a nearby house sale, as this example shows:

“The important Town residence, 26, Sussex Square, Enjoying an enviable situation, actually a few yards from Hyde Park. 10 bed and drawing rooms, 4 bath and 4 or 5 reception rooms. Complete domestic offices.

Together with the Excellent garage and stabling premises of 4 Bathurst Mews, conveniently situated close to the House. 3 stalls, loose box, garage for 2 cars, living rooms over.”

Hopefully the two stables will remain for many years to come, to recall the original use of places such as Bathurst Mews.

My other mews visits include;

Kynance Mews – Kensington

Belgrave Mews West, and;

Groom Place, Belgravia

alondoninheritance.com

The Champion Pub and Oxford Market

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All my walking tours have sold out, with the exception of a few tickets on the Bankside to Pickle Herring Street tour. Details and booking here.

In 1980 I was wandering around London trying out a new zoom lens for my Canon AE-1 camera, taking some not very good photos. One of these was of the Champion Pub at the junction of Eastcastle Street and Wells Street, with the Post Office Tower in the background:

The photo was taken from the southern end of Wells Street towards Oxford Street, and a sign for Eastcastle Street can be seen on the right of the Champion pub. I think I was trying to contrast the old pub and the new telecoms tower.

A wider view of the same scene today, with the BT Tower as it is now known, starting to disappear behind the new floors being added to the building behind the Champion:

A closer view of the pub in 2022, 42 years after my original photo:

Given how many pubs have closed over the last few decades, it is really good that the Champion has survived, although it is a shame that the curved corner of the building has been painted, and it has lost the name which ran the full length of the corner of the pub.

The large ornamental cast iron lamp still decorates the corner of the building.

The curved corner to the upper floors was a key feature of many 19th century London pubs. They were meant to advertise the pub, the name could be seen from a distance on crowded streets, and the name would often give an identity to the junction of streets.

For an example of a pub which had a very colourful corner in the 1980s, and today displays the current name of the pub on the curved corner, see my post on the Perseverance or Sun Pub, Lamb’s Conduit Street.

The Champion is Grade II listed, and the Historic England listing details provide some background:

“Corner public house. c.1860-70. Gault brick with stucco dressings, slate roof. Lively classical detailing. 4 storeys. 3 windows wide to each front and inset stuccoed quadrant corner. Ground floor has bar front with corner and side entrances and fronted bar windows framed by crude pilasters carrying entablature- fascia with richly decorated modillion cornice. Upper floors have segmental arched sash windows, those on 1st floor with keystones and marks. Heavy moulded crowning cornice and blocking stuccoed. Large ornamental cast iron lamp bracket to corner. Interior bar fittings original in part with screens etc, some renewal.“

The “some renewal” statement refers to a few changes to the pub since it was built.

The first post-war renewal came in the 1950s. As with so many Victorian pubs across London, the Champion was in need of some refurbishment. Over 80 years of serving Wells Street, and open during the years of the second world war, resulted in the owners, the brewers Barclay Perkins, engaging architect and designer John and Sylvia Reid.

The Reid’s were better known as interior, furniture and lighting designers rather than architecture, and their changes to the Champion were mainly of design.

The large Champion name down the curved corner of the pub was a result of their work. The lettering was in 30 inch Roman, and the letters were shaded to give the impression that they had been engraved rather than painted. The new name replaced a number of old wooden signs that were mounted on the corner. The corner of the pub was floodlit at night, which must have looked rather magnificent, and ensured the pub stood out if you looked down Wells Street when walking along Oxford Street.

The interior had been rather plain and was painted in what were described as drab colours.

The Reid’s divided what had been two bars to form three, added button leather seating around the edge of the bars, restored the bar and some of the original iron tables, and they added new glass windows consisting of clear glass for the upper half and frosted, acid cut glass for the lower half.

Features inside the pub included the use of mahogany panels, etched and decorated glass windows between bars, and textured paper on the ceiling. refurbishment also included the first floor dining room.

Their refresh of the Champion pub did get some criticism as there were views that it was returning to Victorian design themes. The early 1950s were a time when design and architecture were looking at more modern forms, typified in the themes and designs used for the 1951 Festival of Britain.

The early 1950s update to the pub included plain and frosted glass on the external windows, not the remarkable, stained glass windows that we see today. These are the work of Ann Sotheran, and were installed in 1989.

They feature a series of 19th century “champions”, with figures such as Florence Nightingale and the cricketer W.G. Grace.

On a sunny day, these windows are very impressive when seen from inside the bar:

The missionary and explorer David Livingstone:

Newspaper reports mentioning the Champion cover all the usual job adverts, reports of crime and theft etc., however I found one interesting article that hinted at what the inside of the pub may have been like in the 1870s.

In September 1874, the Patent Gas Economiser Company held their first annual general meeting, where they reported that they had installed 50 lights in the Champion. Seems a rather large number, but spread across three floors, entering the pub in the 1870s would have been entering a reasonably brightly lit pub, with the hiss of gas lamps and the associated smell of burning gas.

The same report also mentions that the company had installed 1000 lights at the Royal Polytechnic Institution in Regent Street, 600 lights in the German Gymnastic Society in St Pancras Road, and 50 lights in the Hotel Cavour in Leicester Square.

To the left of the Champion pub, along Wells Street, building work is transforming the building that was here, and is adding additional floors to the top, which partly obscures the view of the BT Tower from further south along the street:

There was one further site that I wanted to find, and this required a walk west, along Eastcastle Street.

Eastcastle Street was originally called Castle Street, a name taken from a pub that was in the street. The name change to Eastcastle Street happened in 1918. I cannot find the reason for the name change, but suspect it was one of the many name changes across London in the late 19th / early 20th centuries, to reduce the number of streets with the same name.

At 30 Eastcastle Street is this rather ornate building:

Dating from 1889, this is the Grade II listed Welsh Baptist Chapel, the main church for Welsh Baptists in London.

Eastcastle Street is a mix of architectural styles. Narrow buildings that retain the original building plots, buildings with decoration that does not seem to make any sense, and rows of the type of businesses that frequent the streets north of Oxford Street.

At the end of Eastcastle Street is the junction with Great Titchfield Street and Market Place:

In the above photo, Great Titchfield Street runs left to right, and the larger open space opposite is part of Market Place.

The name comes from Oxford Market, a market that originally occupied much of the space around the above photo, with the market building on the site of the building to the left, and the open space in the photo being part of the open space around the market building.

in the following map, the Champion pub is circled to the upper right. On the left of the map, the blue square is where the market building of Oxford Market was located, the red rectangles show the open space around the market with the upper rectangle being where the open space can still be seen today (© OpenStreetMap contributors):

Rocque’s map of 1746 shows Oxford Market, just north of Oxford Street:

Oxford Market had been completed by 1724, however the opening was delayed as Lord Craven, who owned land to the south of Oxford Street feared what the competition would do to his Carnaby Market, however Oxford Market was finally granted a Royal Grant to open on Mondays, Wednesdays and Saturdays.

The market was built to encourage activity in the area, as the fields to the north of Oxford Street were gradually being transformed into streets and housing.

The market took its name, either from Oxford Street to the south, or more likely, Edward, Lord Harley, the Earl of Oxford who was the owner of the land on which the market was built as well as much of the surrounding land.

Harley had come into possession of the land through his wife, Lady Henrietta Cavendish Holles, who was the only child of John Holles, the Duke of Newcastle, the original owner of the farmland around Oxford Street.

The original market buildings were of wood, and the market was rebuilt in a more substantial form in 1815. The following view of the second version of Oxford Market comes from Edward Walford’s Old and New London:

We can get a view of what was for sale at Oxford Market from newspaper reports:

February 8th, 1826 – john Wollaston & Co were selling their Gin in quantities of no less than 2 gallons at a price of 15 shillings per gallon
January 20th, 1824 – A “Great Room” of 45 feet square in the interior of the market was being advertised as being suitable for upholsterers, warehousemen and flower gardeners. The room was fitted with an ornamental stone basin and fountain and was suited for a flower garden
April 25th, 1841 – The Oxford Market Loan Office was advertising loans of Ten Guineas, Ten and Fifteen Pounds, which could be had from their office at the market
May 18th, 1833 – Rippon’s Old Established Furnishing Ironmongery Warehouse was advertising Fire Irons, Coal Scuttles, Knives and Forks, Metal Teapots and Tea Urns for sale from their warehouse at the market
December 15th 1827 – The lease of a Pork Butcher and Cheesemonger store at the market was being advertised. The store had been taking in £3,800 per year
June 27th, 1801 – Several lumps of butter, deficient in weight, were seized by the Clerks of the Oxford Market and distributed to the poor

So traders in the Oxford Market were selling a wide range of products, butter, pork, teapots and coal scuttles, flowers and gin, and you could also take out a loan at the market.

Nothing to do with Oxford Market, however on the same page as the 1801 report of butter being seized, there was another report which tells some of the terrible stories of life in London:

“Wednesday were executed in the Old Bailey, pursuant to their sentences, J. McIntoth and J. Wooldridge, for forgery, and W. Cross, R. Nutts, J, Riley and J. Roberts, for highway robbery. The unfortunate convicts were all men of decent appearance, and their conduct on the scaffold was such as became their awful situation.

Some of the above prisoners attempted on Monday to make their escape from Newgate through the common sewer – they explored as far as Milk-street, Cheapside, when the intolerable stench and filth overpowered their senses; with great difficulty they found their way to the iron-grating and intreated by their cries to be liberated. assistance was immediately procured, when they were released without much difficulty.”

These two paragraphs say so much: that you could be hung for forgery, the statement that their conduct on the scaffold was “such as became their awful situation”, and their desperation in seeking an escape via the sewer. Milk Street is roughly 568 metres from the site of the Old Bailey so they had travelled a considerable distance in an early 19th century sewer.

Back to Oxford Market, and the following view is looking down Market Place towards Oxford Street which can be seen through the alley at the end of the street:

In the above photo, the market building was on the left, and open space in front of the market occupied the space where the building is on the right, the corner of which is shown in the following photo. The block was all part of the open space in front of Oxford Market.

Oxford Market was never really a financial success. For a London market it was relatively small which may have limited the number of suppliers and the range of goods available.

By the late 1830s, part of the market had been converted into offices from where out-pensioners of Chelsea Hospital were paid.

The market buildings was sold in 1876, demolished in 1881, and a block of flats built on the site.

Although Oxford Market is long gone, the street surrounding three sides of the old market building is still called Market Place, and the footprint of the building, and the surrounding open space can still be seen in the surrounding streets, and the wider open space and restaurants along the northern stretch of Market Place.

alondoninheritance.com

St Saviour’s Dock

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Before heading to St Saviour’s Dock, a quick thank you for ordering tickets for this year’s walks. At the time of writing, the Barbican walks and Wapping walks are sold out. Many of the Bankside dates have sold out, but there are some tickets remaining on later dates, and there are a few on the Southbank walks.

St Saviour’s Dock is an inlet from the Thames in Bermondsey, just to the east of Tower Bridge on the south bank of the river. We can look across the river near Hermitage Moorings on the north bank, and see St Saviour’s Dock just to the left of Butlers Wharf.

Cross over to the south bank of the river, and on approaching the dock, there is a walkway spanning the entrance:

View from the footbridge across to the north bank of the river, at low tide, with thick mud across the foreshore:

Looking along St Saviour’s Dock – a carpet of mud:

St Saviour’s Dock is a very old feature of this section of the river. Originally the mouth of the River Neckinger, although it is very hard to pin down exactly where the Neckinger ran with any certainty, and how much of the water course was a natural river.

There were many streams and ditches in this area of Bermondsey and much of the land was low lying marsh. Some of the ditches which may have once been part of the Neckinger can be seen on 18th century maps, which I will come to later in the post.

Looking south along St Saviour’s Dock, the bends in the dock give the impression of a natural feature. Early maps show the sides of the dock as relatively straight, so the curves we see today may have been the result of extending some of the warehouses that line the dock as an attempt to maximise warehouse space.

At the far end of the dock, it comes to an abrupt halt at “Dock Head” at the junction of Jamaica Road and Tooley Street.

It is impossible to know for sure as to the origins of St Saviour’s Dock. It appears to have been part of the lands of Bermondsey Abbey, and what was then a natural watercourse, had banks created on either side, and a mill built on one side of the dock by the abbey at some point around the 13th century.

Just to the east of St Saviour’s Dock is Mill Street, apparently named after a mill stream which ran along the route of the street and which powered the mill, which was used to grind corn for the abbey. Mill Street is on the other side of the warehouses that line the eastern side of the dock, so is very close and complicates the mapping of waterways in the area.

The land around St Savoiur’s Dock was fully developed between the 16th and start of the 19th centuries, as maps from the 17th and 18th centuries confirm.

The following is an extract from William Morgan’s map of London from 1682. St Saviour’s Dock is located just to the lower right of centre of the map:

Note that the name of the dock in the map is Savory’s Dock. This may be a simple corruption of the name, or it could have been a rather sarcastic description of the dock given that there was much pollution from the surrounding buildings, and Bermondsey’s growing industry, that ended up in the dock.

I like the depiction of a small boat in the dock. It looks too wide to be a waterman’s boat, and could have been a lighter that transported goods between boats moored in the river and the warehouses lining the dock.

By the time of Morgan’s map in the late 17th century, it appears that buildings were lining the majority of the dock, and streets had been built to the east.

If you click on the above map to enlarge, you can see that to the right of St Saviour’s Dock were a number of water channels, and that to the lower centre edge of the map, there are what appear to be two water channels either side of a road, with a name of “The Neckincher” along the street. presumably this name applies to the water channels, and is a version of the name Neckinger.

This is the problem with being sure as to the route of the Neckinger, and how much of the route was a natural feature, and how much were artificial channels and ditches used to perhaps provide water to the industries in the area, or to drain what was low lying, marshy land.

Seventy three years after Morgan’s map, a 1755 map has St Saviour’s Dock on the edge of the map, with the surrounding area looking much the same as in 1682:

It is interesting that the name Savory Dock was again used on this later map. This name does not appear to be used when reporting anything about the dock in newspapers. For example on the 10th of January 1730, the Kentish Weekly Post used the name Saviour in a report that “Last Sunday, a Man, well dressed, was found drowned in St Saviour’s Dock”.

I can find no newspaper reference to the Savory spelling of the dock’s name.

Newspaper’s do give us an idea of the type of businesses and properties that surrounded the dock in the years around the publication of the above map. For example, on the 11th of January 1762 there was a report of a fire in one of the buildings along the dock:

“Thursday morning a fire broke out in a granary belonging to Mess. Hemmock and Co. Corn Lightermen, at St. Saviour’s Dock, near Dock Head, which was consumed, together with 8 dwelling houses, and a great many warehouses, and other out-buildings; three other dwelling houses were greatly damaged. Mr Allport, a biscuit maker, and his family, ran into the street almost naked, not having time to save anything. It being low-water, it was with difficulty a whole tier of ships was preserved, as they lay upon the mud close to the Dock, and nothing parted them from the flames but a crane house, which took fire several times, but by the activity of the firemen was prevented from getting to a head. We hear no lives were lost.”

So in 1762, St Saviour’s Dock was surrounded by a granary, dwelling houses, and a great many warehouses, which does align with the view presented in the above maps. As well as the granary, there are also mentions of a “Mr John Robinson’s Rope Warehouse” in the dock in the mid 18th century.

The following map is dated 1813 and includes the names of the wharfs along the dock. Only two also have the names of products stored, with a granary at lower left of the dock and a lime yard at upper right.

What is interesting about the above map is the area to the left (east) of St Saviour’s Dock.

On this map there are a number of streams / ditches shown, along with bridges over these. I have highlighted the waterways with arrows.

The area between the waterway on the left and St Saviour’s Dock is the area that would become known as Jacob’s Island (after Jacob Street running through the centre). It was Charles Dickens who would bring some notoriety to this small patch of Bermondsey when he apparently located Fagins den and Bill Sykes death in Jacob’s Island in his novel, Oliver Twist.

In the lower left of the map, I have included the photo of Bridge House, a house that was built over one of the bridges (arrowed). I have researched and written about the location of Bridge House in my post “A Return To Bermondsey Wall – Bevington Street, George Row And Bridge House”.

The above map does confirm that the area was still a place of ditches and streams in the early 19th century, all possibly once part of the Neckinger, but would disappear during the rest of the 19th century as new warehouses and roads were built. The ditches do not appear to have any connection to St Saviour’s Dock or the River Thames, so must have just held stagnant water.

The following print shows a view of St Saviour’s Dock around 1840 – but the print is not quite what it seems (© The Trustees of the British Museum):

Underneath the name St Saviour’s Dock is the name “Southwark” rather than Bermondsey. The above print is really of the dock just to the north west of Southwark Cathedral, where the replica of the Golden Hind is now located.

Southwark Cathedral was originally the church of St Mary Overie. The church was renamed St Saviour’s at some point around the Dissolution of the Monasteries in 1539, and this name would remain in place until 1905 when it became Southwark Cathedral.

The small dock just to the north west of Southwark Cathedral was originaly Mary Overie Dock, but with the renaming of the cathedral, the dock took on the name of St Saviour’s Dock and is shown with this name in Rocque’s map of London from 1746, and in this 1811 print which shows the church of St Saviour (Southwark Cathedral) at lower centre, and St Saviour’s Dock to upper left.

The 1895 OS map continues to show the Southwark dock as St Saviour’s Dock.

So there were two St Saviour’s Docks, and we need to be careful with references to the name. Today the Southwark dock is the location of the Golden Hind replica, and the address on the Golden Hinde’s website is back to the original name of St Mary Overie Dock.

The 1895 Ordnance Survey map of the Bermondsey St Saviour’s Dock shows that the dock was lined with warehouses, wharfs and factories, including a flour mill, coal wharf, packing case factory and lime wharf – the typical mix of industries that you would find along any stretch of the industrial Thames in the 19th century.

As with so much of the London docks, St Saviour’s Dock went into decline after the war. Warehouses located down a narrow inlet just were not suitable for the size and type of ships, and containerisation would kill off any hope of using warehouses such as those found in the dock.

St Saviour’s Dock remained as an open inlet to the Thames, but the buildings along the edge of the dock started a path to dereliction.

St Saviour’s Dock has been used in a number of films. One of these in the years before the buildings were transformed is Derek Jarman’s 1978 film Jubilee.

Jarman lived for a time in Butler’s Wharf, between the dock and Tower Bridge, and the film, which is still available as a DVD, whilst a typical Jarman film and very much of its time, is good to watch for one interpretation of punk and the late 1970s, but also for some London location spotting.

In the following clip, the characters Bod, Mad and Chaos are about to throw a body over the side of St Saviour’s Wharf, to the mud below, with the empty warehouses in the background:

From the 1980s onwards, the majority of the wharfs lining St Saviour’s Dock would be converted to apartments and offices. A walk along the side streets that follow the dock to the east and west reveals how many have survived.

Starting in Mill Street which runs along the eastern side of the dock, and to the north east corner is New Concordia Wharf:

New Concordia Wharf was originally built in 1882 as St. Saviour’s Flour Mill, however after one of the fires that seemed to be a frequent risk to the wharfs along the river, it was rebuilt between 1894 and 1898.

St. Saviour’s Flour Mill / New Concordia Wharf included a flour / corn mill, continuing a tradition of milling flour that goes back to the original mill built on the banks of the dock by Bermondsey Abbey in the 13th century.

Rather than being powered by water, the mill was steam powered, and the water tank and chimney remain, although the water tank has been somewhat hidden by changes to the roof of the building.

The chimney was truncated in 1979, and now looks rather ungainly with what appears to be a concrete slab on the top of the chimney, but is still an unusual sight on the end of a warehouse.

Conversion of New Concordia Wharf to apartments was carried out between 1982 and 1983 and was one of the first examples of the warehouse conversions that would become the standard for the type of building along the Thames.

We then come to Grade II listed St. Saviour’s Wharf:

St. Saviour’s Wharf was built in 1868, and was for sale by auction in 1870. The advert for the auction provides some details of this 1868 building:

“Saint Saviour’s Sufferance Wharf, together with the modern pile of warehouses in Mill Street erected in 1868 in the most substantial manner under the superintendence of an eminent architect and so arranged as to fulfil all the requirements of the Metropolitan Buildings Act and of the Fire Insurance Companies. The premises comprise three double warehouses each with five floors and basement, having a frontage of 117 feet next Mill-street.

The various floors are carried on columns from basement to roof, and are strongly timbered. The ground floor is asphalted. The party walls are 2 feet 3 thick, and there is no communication between the three warehouses, except on the basement.

There are two staircases to each warehouse, and loophole doors and windows on each floor fronting the land and waterside.

The floors of two of the warehouses are divided by brick walls 2 feet 3 thick, communicating by chambers, enclosed by wrought iron folding double doors.”

The details of the construction of the buildings were important for potential buyers. Not just to show the strength of the building, but also that the building was designed to limit the spread of fire.

Fires in warehouses were a continual risk. Buildings on top of each other, all crammed with highly combustible goods resulted in frequent fires, and the newspapers almost always had reports of fires in warehouses along the Thames (for example, see my post on the “The Great Fire at London Bridge”).

No idea what the purchaser of St Saviour’s Wharf paid for the buildings, however today, a 2 bedroom apartment is for sale at £1.2 million.

The view along the southern end of Mill Street, with more wharfs and warehouses. Unity Wharf nearest.

Unity Wharf is Grade II listed and is now mainly office / commercial space. In the 1953 publications “London Wharves and Docks”, Unity Wharf is listed holding Canned and Cased Goods, Bagged produce and General.

To the side of Unity Wharf is the entrance shown in the following photo:

It was gated half way along on my visit, but appears to be one off, if not the only passage through the wharfs to the side of St Saviour’s Dock.

In the 1895 Ordnance Survey Map, the passage is shown, and marked as “Free Landing Way”, which I assume meant that it could be used by anyone to land something by boat in St Saviour’s Dock, and the passage provided a route between water and Mill Street. I would have loved to have got to the end of the passage and looked over the edge into the dock.

At the end of Mill Street, we reach the junction of Jamaica Road and Tooley Street. In the following photo, the steps to the left of the red bins lead up to the wall at the very end of St Saviour’s Dock – the point labeled Dock Head in the 17th and 18th century maps earlier in the post.

Climb the steps, look over the wall, and we can look down on St Saviour’s Wharf:

Towards the northern end of the dock where it meets the River Thames and is spanned by the footbridge:

We can now walk along Shad Thames, the street that runs along the wharfs on the western edge of the dock.

The buildings have a couple of footbridges between the wharfs on the right and additional warehouse space on the left. These were used to transport goods between buildings without having to travel up and down floors and across the street, although looking closely at one of the bridges, I doubt these are original, they look either very good restorations or new copies of what would have spanned the street.

The following photo shows the “B” warehouse of St Andrew’s Wharf:

This building dates from 1850 and is Grade II listed, but as can be seen by the changes in brickwork, it has been partially rebuilt a number of times, most recently when it was converted for residential use.

We then come to the point in Shad Thames where it leaves the wharfs that line St Saviour’s Dock, and turns west to head towards Tower Bridge.

At this corner point is the much rebuilt and restored Butler’s Wharf:

And that brings me to the end of a look at St Saviour’s Dock, and the wharfs and warehouses that line this ancient inlet from the River Thames.

Although the buildings have been converted to residential and commercial, they do still provide a really good impression of what the dock would have looked like from the late 19th century onwards.

The thing that is missing is noise and activity. Walking the area today and it is quiet. No lighters in the dock, no goods being loaded and unloaded and very few people walking the streets.

The dock itself is always thick with mud, and I have never seen anyone searching the dock or foreshore. A good thing as it looks highly dangerous, but intriguing to imagine what is buried beneath the mud given the centuries of use of St Saviour’s Dock.

alondoninheritance.com

Soho Square

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Soho Square can be found near the junction of Charing Cross Road and Oxford Street. A busy square, with lots of traffic, parking and occasionally it is used as a film set.

The centre of Soho Square is a large open space, and the square is surrounded by a considerable mix of architectural styles, reflecting the number of times that buildings have been demolished and rebuilt since the square was originally laid out, and the range of individuals. organisations and companies that have made the square their home.

Soho Square was part of London’s northwards expansion and the first houses on the square were originally built around 1670.

The following extract from Rocque’s 1746 map of London shows Soho Square, with Oxford Street to the north, but still much open space further north, which would be developed during the second half of the 18th century.

Soho Square, as well as many of the surrounding streets, was built on open space known as Kemp’s Field or Soho Fields.

The site of the square was leased to a bricklayer by the name of Richard Frith, who started construction of the first houses, with the first leases of these houses dating to the 1670s and 1680s.

The square was originally called King’s Square, presumably after Charles II, who was on the throne during the early years of the square’s construction. It would keep this name until the first decades of the 18th century, when it would gradually become known as Soho Square, with formal recognition of the new name of the square on maps such as Rocque’s in 1746.

Today, only a couple of the original houses remain, although in a much modified state.

Soho Square has seen continual waves of development, and a walk around the square today reveals a large range of building size and architectural type. Some buildings are on the original narrow plot, larger buildings have incorporated several adjoining plots of land.

On a weekday, the square is a hive of activity. There is a considerable amount of traffic through the square, parking along both sides of the road around the square, and on the day of my visit, filming had taken over one side of the square.

The open space in the centre of the square was separate from all this activity, and provided a space to look at the buildings surrounding the square before being blocked by leaf growth on the trees.

The following photo is looking to the east, with the tower block of Centre Point in the background.

The brick tower in the background is part of St Patrick’s Catholic Church. During the first years of the square, there were a number of large houses leading back from the square, one of these was Carlisle House, which was built by the Earl of Carlisle around 1690.

Carlisle House was leased by Father Arthur O’Leary, a Franciscan Friar, who managed to raise sufficient financial support from a number of wealthy Catholic families.

The house was converted so that it could be used as a place of worship, and was consecrated on the 29th of September 1792. It was one of the first Catholic places of worship opened after the Catholic Relief Acts of 1778 and 1791, which removed many of the restrictions placed on the Catholic faith during the reformation.

The current church was built on the site of Carlisle House between 1891 and 1893.

In the centre of the square is a small wooden building:

The wooden building is Grade II listed, and is described by English Heritage as a “Garden arbour/tool shed”. It was built around 1925 for the Charing Cross Electricity Company to provide access to an electricity sub-station below ground. It did not serve this purpose for too long as the underground space would become an air raid shelter during the Second World War.

The electricity substation was not the first utility to be built in Soho Square.

When the first houses in the square were built, there was competition from the water companies that served London to provide water. One of these companies was the New River Company who supplied water from their reservoirs at north Clerkenwell.

Whilst the supply worked to the City, Soho was on higher ground, and this small difference in height between the reservoir and Soho Square, along with the haphazard way in which the water distribution system had grown, resulted in a poor, low pressure supply to the new houses of Soho Square.

Sir Christopher Wren was asked to help with understanding the problems of distributing water to Soho Square and the developing area of the West End, however Wren looked at the whole system and recommended that the problems could only be addressed by effectively replacing the entire system with a new, integrated design.

The New River Company also commissioned John Lowthorp (a clergyman, who was also a member of the Royal Society) to look at the distribution problems,

Lowthorpe established that it was not water supply problems to New River Head (indeed the New River supplied enough water for the whole of London), as with Wren, Lowthorpe identified the distribution network and the organisation of the company.

This would only be fixed over a number of years, one of the short term fixes was the construction of a cistern in Soho Square to store water from the New River Company’s reservoirs for onward distribution.

The north east corner of the square:

The north west corner of the square:

The above two photos show the range of different buildings around the square, and the changes in building height and roof line.

This is very different to when the square was built, as this print from around 1725 shows, with terrace housing lining three sides of the square (© The Trustees of the British Museum).

The view is looking north, and shows that in the first decades of the 18th century, Soho Square was really on the northern edge of the built city. The name of the square at the top of the print uses the original name of King’s Square, as well as the future name of Soho Square.

The hills in the distance are those of Hampstead and Highgate, and the street running north from the square crosses Tiburn Road.

This would later be renamed Oxford Street, and was named Tiburn Road as it led to the Tiburn or Tyburn tree or gallows at the western end of Oxford Street, at the junction of Oxford Street with Edgware Road and Bayswater Road.

The above map uses the spelling of Tiburn, rather than the more common Tyburn. Rocque also uses the Tiburn spelling for the street and the gallows.

By the time of the above print, the centre of the square had been laid out as formal gardens.

A statue can just be seen in the centre of the above print. I have enlarged this below:

The statue is of Charles II, above a fountain with a small surrounding pond.

Old and New London included a description of the statue and fountain:

“In the centre was a fountain with four streams. In the middle of the basin was the statue of Charles II, in armour, on a pedestal, enriched with fruit and flowers; on the four sides of the base were figures representing the four chief rivers of the kingdom—Thames, Severn, Tyne, and Humber; on the south side were figures of an old man and a young virgin, with a stream ascending; on the west lay the figure of a naked virgin (only nets wrapped about her) reposing on a fish, out of whose mouth flowed a stream of water; on the north, an old man recumbent on a coal-bed, and an urn in his hand whence issues a stream of water; on the east rested a very aged man, with water running from a vase, and his right hand laid upon a shell.”

Old and New London also comments that “the statue is now so mutilated and disfigured, and the inscription quite effaced”. There is also a comment that the statue could be the Duke of Monmouth (who we will come to later), rather than Charles II, however the consensus seems to be that it is the king rather than duke.

The statue was removed around the time that Old and New London was published. An article in the Illustrated London News on the 26th February 1938, records what happened to the statue, and its eventual restoration to the square:

“The statue of Charles II, by Caius Gabriel Cibber, the father of Colley Cibber, Poet Laureate, actor and dramatist, has been restored to Soho Square after an absence of sixty-two years. It was placed in the Square, then called King’s Square, during Charles II’s reign and surrounded a fountain bearing the emblematical figures of the Thames, Severn, Tyne and Humber.

In 1876 it was in such a bad condition that it was taken down and removed to Mr Goodall’s residence at Grims Dyke, Harrow Weald. There it was re-erected in the middle of a large pond, where it remained during the subsequent tenure of Sir. W.S. Gilbert. When Lady Gilbert died in 1936 she bequeathed the statue to the Soho Square Gardens Committee, who had it skilfully restored and have placed it on the north side of the Gardens.”

So although Charles II is no longer on his high pedestal, and the fountain and pond have long gone, he is back in Soho Square:

There is a small plaque near the northern entrance to the central garden that records an event in recent history.

Two trees can be seen in the following photo, with a small concrete block between them:

The plaque records that one of the trees (I assume the one on the right) was planted to replace a tree lost during the Great Storm over the night of the 16th to 17th October 1987:

On the north west side of the square, the French Protestant church glows red and orange in the low sun of an early spring day. The church was built in 1891 on the land released when two of the original houses on the square were demolished.

The following photo shows the rather wonderful, number 3 Soho Square:

The building is very narrow compared to many of the other buildings on the street, and although it is the third building on the site, the width of the building is because it is on the same plot of land as the original house when the square was first built.

The first house was built in 1684, it was rebuilt in 1735, which in turn was demolished for the current building which dates from 1902. The mix of the concave upper floors with the large bay windows on floors one and two, along with subtle decoration make number 3 one of the more interesting of the 20th century buildings on Soho Square.

To the right of number 3, is a single building that now occupies the space of numbers 4 to 6, the corner brick building shown in the following photo:

The building was originally constructed as a warehouse in 1804 by John Trotter, a contractor for army supplies.

With the end of the Napoleonic Wars, just eleven years after the warehouse was completed, John Trotter converted the warehouse into the Soho Bazaar.

The Soho Bazaar was a market place for a wide range of goods, and the bazaar would last for much of the 19th century. A newspaper report from the later years of the bazaar provides a good description of what could be found inside, and also why the bazaar was under pressure from the shops opening on nearby Oxford Street, and across the city. Published on the 17th of October, 1885:

“It is a long time since I walked round the Soho Bazaar, for the pretty stalls there have been greatly superseded by the many fancy shops that are now everywhere in London. but the old place, though somewhat changed in character, is the depot for many specialties which of themselves would not pay if a whole shop had to be hired for their sale.

All sorts and kinds of fancy work, of contrivances for the comfort of invalids, and such like inventions are to be seen, and, moreover, there is a large register office for domestic servants and convenience for interviews with them, in connection with the bazaar, and one great recommendation of it to me is that all the stall holders are women, not flighty girls, and they are attentive and pleasant to inquirers or purchasers of their own sex, and not on the look out for a possible flirtation, which is the great drawback to most bazaars.

I went there the other day to see myself the ladies work stall, and its appearance is most encouraging, for the work I saw was well executed, attractive, and useful. Every lady who desires to sell her work there is expected to pay a fee of a guinea a year for expenses.”

The stalls in the bazaar seem to have sold all manner of homemade products, and there was also a kindergarten, where babies were given special rugs to play / crawl on. The rugs had cutout animals and other figures to attract attention.

Compare the above print with my 2022 photo of the building, and although the ground floor has been significantly remodeled, the upper floors are the same, after 200 years.

On the south side of the square is the Hospital for Women, which combined / rebuilt houses already on the site:

At the very top of the left building of the hospital, is the date “Founded 1842”. This refers to when the hospital was originally founded in Red Lion Square as the Hospital for the Diseases of Women, before moving to Soho Square in 1852.

Records in the National Archives state that “The Hospital was closed in 1939 on the outbreak of war, and a First Aid Post was opened in the Outpatients Department by Westminster City Council”, and that in 1948, the hospital “was amalgamated with St. Mary’s Hospital and The Hospital for Women became part of The Middlesex Hospital Group”.

The first building on the site of the Hospital for Women, was one of the earliest buildings to face onto Soho Square.

Monmouth House was built for the Duke of Monmouth, however he seems to have spent very little time there.

After Charles II’s death, Monmouth led a rebellion with the aim of taking the throne. He was defeated at the Battle of Sedgemoor on the 6th of July 1685. After capture, Monmouth was executed on Tower Hill on the 15th of July 1685.

The house was sold after Monmouth’s death, converted to auction rooms in 1717, and demolished in 1773.

The house on the south east corner of Soho Square, at the junction with Greek Street, is the House of Charity / House of St Barnabas.

On the day of my visit, it was being used as a film set:

Despite appearances, the building is not one of the original houses on the square. The house we see today was completed in 1747 after the original house on the site was demolished.

The building was used by one of the organisations that would eventually become the GLC. In 1811, the Westminster Commissioners of Sewers occupied the building, then the Metropolitan Board of Works who stayed on Soho Square until their move to Spring Gardens, before moving to County Hall on the South Bank as the London County Council.

When the Metropolitan Board of Works moved out, it was sold to the House of Charity, which had been established in 1846 for the relief of the destitute and the homeless poor in London.

Now the House of St Barnabas, which works to get people into secure, paid employment, through training and support. The interior of the building still has many of the original features, and is why the building is attractive as a film set.

To the west of the square, Sutton Row provides a route to Charing Cross Road, and St Patrick’s Catholic Church is on the right:

On the left is Grade II listed, number 21 Soho Square, an 1838 / 1840 rebuild of the original house on the site, which, during the late 18th century had, as Old and New London tactfully described, been a “place of fashionable dissipation to which only the titled and wealthy classes had the privilege of admission”, basically a high-class brothel.

After being rebuilt, the building was taken on by Crosse & Blackwell, and numerous 19th century adverts give Soho Square as the address for Crosse & Blackwell – manufacturers of Pickles, Sauces & Jams etc.

There are three interesting buildings in the north-east corner of Soho Square. The building on the right in the photo below is one of the original houses on the square. Although considerably modified, it does give an indication on what the terrace houses would have looked like as the square was completed.

The centre house has a blue plaque, recording that Mary Seacole lived in the house:

Mary Seacole was a Jamaican nurse who learnt many of the local techniques for practicing medicine. She traveled widely, and was involved with the treatment of people suffering from cholera outbreaks in Jamaica and Panama.

In 1853 she was responsible for nursing services for the British Army in Jamaica, however she had heard about the suffering of soldiers in the Crimean War, and asked that she be sent to the Crimea to work as an army nurse.

This request was not approved, so she funded her own trip to Crimea where she set up the “British Hotel” to provide a place of rest and treatment for injured and sick soldiers. This was the same war where Florence Nightingale was also working, but Mary’s British Hotel was closer to the front.

After the end of the Crimean War she returned to Britain, however she had very little money left, having funded the trip to the Crimea, and in 1856 she was declared bankrupt, as the Globe on the 7th November 1856 reported:

“The bankrupts, Mrs Mary Seacole and Thomas Day the younger, are described as of Tavistock-street, Covent-garden, and Ratcliff-terrace, provision merchants, and formerly of Balaklava and Spring Hill, front of Sebastopol. Mrs. Seacole is a lady of colour, and has been honoured with four government medals for her kindness to British soldiery. She was present in person, and attracted much attention, the gaily coloured decorations on her breast being in perfect harmony with the rest of her attire.”

Whilst in London, she wrote and published her biography, and a review sums up how she was viewed:

“The Wonderful Adventures of Mrs Seacole in Many Lands has just been published by Mr James Blackwood of Paternoster Row. Of Mrs Seacole, Dr. Russell says in a brief preface ‘If singleness of heart, true charity and Christian works; if trials and sufferings, dangers and perils, encountered boldly by a helpless woman on her errand of mercy in the camp and battlefield, can excite sympathy and move curiosity, Mary Seacole will have many friends and many readers’. Mrs Seacole’s autobiography is interesting, includes many strange episodes, and, we doubt not, will obtain numerous readers.”

Proceeds from the book, along with a fund raised by the Prince of Wales provided Mary with sufficient funding to live in comfort for the rest of her life. She died in London in 1881, and newspaper announcements of her death started with the headline “DEATH OF A DISTINQUISHED NURSE”.

Over the following decades, her name disappeared, with Florence Nightingale being more associated with the Crimean War.

A group of nurses from the Caribbean visited Mary’s grave at St. Mary’s Roman Catholic Cemetery in Kensal Green, and started to campaign for greater recognition for her. This was supported by the local MP to Kensal Green and in 2016, a statue was unveiled in the grounds of St Thomas’ Hospital on the south bank of the Thames just to the west of Westminster Bridge.

The large disk behind the statue of Mary is an impression taken from the ground in the Crimea where Mary Seacole worked to help soldiers during the Crimean War.

I cannot find out exactly when Mary Seacole lived in Soho Square. Newspaper reports of her life after she returned from the war mention a number of different addresses in London so she seems to have moved around.

Very little of the original Soho Square remains, the statue of Charles II, and a couple of the houses, although all have been repaired and modified, but the square does show how London streets have changed and adapted to different uses over hundreds of years, and how much there is to find in a London square.

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Soho Square

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