Ratcliffe Cross Stairs

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For this week’s post, I am returning to my exploration of the ancient stairs that line the River Thames. In the 1920s books Wonderful London there is the following photo of Ratcliffe Cross Stairs, described as “an ancient and much used landing place and point of departure of a ferry. There is a tradition that Sir Martin Frobisher took boat here for his ship when starting on his voyage to find the North-West Passage. Ratcliffe Cross is the old name for the thoroughfare leading to this landing stage, whence Butchers’ Row meets Broad Street, Shadwell, and Narrow Street, Limehouse”:

I do not know if that is the ferry mentioned in the Wonderful London text, but it does illustrate perfectly how these stairs, and the causeway that ran from the bottom of the stairs, was used to take a boat either along the river to another set of stairs, or to a ship on the river.

The following map shows the location of Ratcliffe Cross Stairs, with the red arrow pointing to where the stairs meet the river ( © OpenStreetMap contributors):

Limehouse Basin is the area of water to the right of the map, and the dark pink road above is the Highway leading into the Limehouse Link Tunnel, with the dark pink line of Butcher Row running north.

Ratcliffe Cross Stairs leads from Narrow Street at the point where it does a sharp bend to head north to a dead end at the Highway.

In the following photo, the dark blue gates are the entrance to Ratcliffe Cross Stairs:

Ratcliffe Cross Stairs are in what was the old hamlet of Ratcliffe. The name came from Redcliff as the high ground along the route of the main street that ran from the City to the east of London, parallel to the river had red sandstone exposed in the slight cliff that descended down to the marshy land along the river.

The road that ran along this higher land became known at the Ratcliffe Highway (now just the Highway), as it followed the river from the City to the hamlet.

Although now not as well known as the stairs in Wapping, Ratcliffe Cross Stairs were important and well used river stairs, and to understand why, we need to look at maps that show the area at a time when development was limited, and much of east London was still fields.

The following extract is from “A New and Correct Plan of the Cities of London and Westminster”, published by Haines and Son in 1796. Firstly, a close-up of the location of Ratcliffe Cross Stairs (underlined in red), shows the stairs were at the end of a road (Butcher Street) which led directly down to the stairs (© The Trustees of the British Museum):

Now using the same map, we can zoom out, and we can see the wider context of the location of the stairs (red oval):

If we follow the route of the road that runs down to the stairs, then after running through some fields, and limited development along the road, we reach Stepney. Follow the main road through Stepney as it turns to the left, and we reach Mile End Old Town, so the road that runs directly to the stairs is the direct route from Stepney and Mile End.

Also, if we look to the left, we can see two main roads that run from the east of the City of London, which also run to Butcher Street, then down to Ratcliffe Cross Stairs.

So whilst today, the stairs are at a quiet location, where Narrow Street turns to a dead end, it was once at a key location, at the end of the main road that would have made the stairs the most direct route to the river from a wide area of east London.

Rocque’s 1746 map of London does not name the stairs, but the street leading back from the stairs is called Ratcliff Cross (centre of the map, along the Thames):

The above map also shows Butcher Row leading down into Ratcliff Cross, and there is a Watch House shown at the junction between Butcher Row and where the road to Stepney is off to the right, and the road to the City on the left.

A Watch House also confirms that this was an important route between Mile End, the City and the river.

The stairs appear to have been in use in the 16th century, and were probably much older. Although I cannot find an early, verified reference to this, Ratcliffe Cross Stairs were alleged to have been used by explorers and adventurers of the later half of the 16th century, such as Sir Hugh Willoughby and Sir Martin Frobisher.

Sir Hugh Willoughby was a soldier, who took command of an expedition funded by the Muscovy Company, to find a north east passage along the northern coast of Russia, to the Far East. Willoughby, along with his crew would die in the attempt.

Sir Martin Frobisher was a sailor who made three attempts to find the north west passage to China. He survived all three expeditions, but failed to find a way through from the Atlantic to the Pacific.

I have found references to Ratcliffe Cross being used by 16th century adventurers such as Willoughby and Frobisher in a number of books on London and in a series of newspaper articles on the history of east London in the East London Observer in 1912.

There is also a plaque in the King Edward VII Memorial Park in Shadwell, next to the air vent / old pedestrian access to the Rotherhithe Tunnel:

Just a note on spelling – the hamlet and the stairs seem to be referred to by both Ratcliff and Ratcliffe. I am using the version with an “e” at the end as this was the spelling used for the Wonderful London photo.

There are a couple of points here regarding the reference to famous adventurers leaving the stairs. They were just the boarding point where they would have got onto a smaller boat to be rowed to their ship which was either moored on the Thames, or at Deptford.

Locations along the Thames were also not the last place in the country that they would have set foot, as these expeditions frequently stopped at places such as Plymouth to take on any final provisions and to pick up and leave final messages.

There is also a question as to whether any reference to Ratcliffe Cross refers to the stairs, or to a cross.

There are multiple references to there being some form of cross near the stairs which was used as a place to receive a blessing before departing, to make proclamations, and as a place from where news could be spread.

The cross appears to have been just north of the stairs, and at some point along Butcher Row.

Again, referring back to the maps above, this would have been a good location for a cross given the convergence of roads, and the road running from Mile End, through Stepney and straight down to the stairs.

The following photo is looking north along the short stub of Narrow Street (that was Butcher Row) up to where the Highway joins the Limehouse Link Tunnel. Butcher Row continues north across the Highway.:

The cross was in place in the 18th century as the poet and playwright John Dryden has one of his characters mention having heard a ballad about the Protector Somerset being sung at Ratcliffe Cross.

There are also references to the cross being lost or demolished in the 18th century, and in the early 20th century there were attempts at setting up some form of commemoration of the cross, for example from the Shoreditch Observer on the 26th of July, 1913:

“The Borough Council in January last resolved to request the London County Council to consider the question of the commemoration of the site of ‘Ratcliffe Cross’ on the ground that the spot witnessed the departure of mariners in the time of Elizabeth.”

And from the East London Observer:

“The Council are aware that the question of a suitable perpetuation of the historic ‘Ratcliffe Cross’ has been recently referred to, and in this connection we beg to report that we have under consideration a communication from Mr. C. McNaught, dated 7th, December 1912, urging that some sign, signification, or memorial thereof should be placed on the pillars of the Ratcliffe entrance to the Ratcliffe and Rotherhithe Tunnel. We think that the suggestion embodied in the forgoing communication is one which should be supported, and therefore, we recommend that the London County Council be requested to give effect to what Mr. McNaught suggests in this matter, and that Mr. McNaught be informed of the actions taken.

Councilor Maynard could not see why a memorial of Ratcliffe Cross should be put on the most modern structure of Rotherhithe Tunnel. He did not think the London County Council would agree to it.

Councilor Brennan was in favour of the memorial, pointing out that the tunnel was the nearest spot to the site of the Cross.”

The above text is interesting, as it shows the conflict between commemorating old London on the latest infrastructure, and it also implies that the cross was not right by the stairs, rather towards where the Highway junction with Butcher Row is now located, as this is close to the entrance to the Rotherhithe Tunnel.

The Mr. McNaught mentioned in the above article was Charles McNaught. He appears to have been a local historian, and wrote a series of articles in the East London Observer titled “Roundabout Old East London”.

He seems to have been rather cynical about some of the well known historians who had published books about London. In one article, he writes that “When Sir Walter Besant and his lieutenants came down to Ratcliffe a little more than a dozen years ago, they found at first that the hamlet offered little to interest or instruct.”

He also wrote that “When Sir Walter Besant ‘discovered’ this part of London”

He implies that authors such as Besant (who wrote a number of books about the history of London) came to places such as Ratcliffe, with his “lieutenants”, they did not put the effort in to discover the real history of the place, and eventually found out what the locals already knew, whilst claiming to “discover” the place.

So we have stairs that were at an important location, at the end of a direct route from Mile End, that had an important cross close by which had some symbolic meaning for departing sailors, and was used to make announcements (the East London Observer reported that the cross was used to make a proclamation about Queen Victoria becoming queen), dates from at least the 16th century, and was known as a departing point for 16th century adventurers.

Time to take a look at the stairs:

The above photo is an earlier photo to my latest visit, just to show how far the water of the Thames comes in at high water. The above photo was taken when the tide had already been receding.

The photo below is when the tide was out, and shows a set of steps down to the foreshore:

The foreshore nearest to the steps seems to be comprised of a very fine sand. There was a strong breeze during my visit, and walking through this section risked fine sand being blown in the eyes.

The following map is a 1914 revision and shows Ratcliffe Cross Stairs (just above the EY of Stepney) (‘Reproduced with the permission of the National Library of Scotland“):

Just to the left of where the stairs meet Narrow Street, where the street heads north, there is the PH symbol for a Public House.

In researching Thames stairs, the majority appear to have had a pub located next to the stairs. This would have been a place to wait for your boat to arrive, a place for a first drink after you have arrive back, or just simply had some business next to the stairs.

The pub was the Ship Tavern, and in 1939 “East London’s oldest woman licensee, Mrs. Rose Hannah M. Jenkins (aged 69), who for 40 years was in charge of the Ship Tavern, Narrow Street, Stepney, has died. The Ship was formerly the resort of men from the sailing ships who used to land at Ratcliffe Cross Stairs.”

In the above map extract, the stairs do seem to have a causeway extending across the foreshore, and the 1920s photo shows this causeway. Ratcliffe Cross Stairs does have a Historic England listing, with the “Old stone slipway to River Thames” being Grade II listed.

The causeway has today completely disappeared. Whether it was demolished, gradually eroded, or perhaps is covered by the debris deposited on the foreshore by the river, I do not know. It would be good if it was the later.

The view from the foreshore looking towards the Isle of Dogs:

View of the river frontage of the buildings that face onto Narrow Street:

Foreshore looking towards the east:

View towards King Edward VII Memorial Park

A short distance along the foreshore showing the construction site for the Thames Tideway Tunnel:

Looking back from the foreshore towards the stairs. The causeway would have run down from the stairs to where I am standing.

The above photo shows a couple of things. Firstly the size of the tidal range on the Thames. I was standing close to the water to take the above photo and at high tide I would be completely underwater by several feet. The green algae on the walls shows the height of the tide.

Also, a bit hard to see, but the height of the foreshore drops off on either side of the stairs. The foreshore is covered in stones, the remains of bricks, bits of wood and concrete, and I do wonder if parts of the causeway remain below the surface.

I checked in my copy of the Port of London Authority book: “Access to the River Thames. A Port of London Authority Guide, Steps, Stairs and Landing Places on the Tidal Thames” (published around 1995), and the following table shows the entry for Ratcliffe Cross Stairs:

Interesting that it referred to the stairs as a landing place in 1977 (so still in use), and that the paving had been renewed. The implication was that in 1995 the stairs and causeway were in good condition.

After the post on Wapping Dock Stairs a few weeks ago, I did email the Port of London Authority with a question as to who is responsible for the Thames stairs, however so far I have not received a reply.

There is also the remains of the industrial use of the Thames. In the photo below there is a large layer of concrete, which may have been a slipway of some sort. The scaffolding is there to support maintenance work on the building above.

However behind the scaffolding is this large pipe which contains four smaller pipes. There were water draining from the two middle pipes, but I have no idea what they were used for, are they still used, and how far back they go.

There is a cobbled slipway on the foreshore, close by the stairs, and I did wonder if this was the site of the Wonderful London photo, however the slipway uses different stones, and is wider than the one in the photo:

The following extract is from the 1949 revision of the OS map. Ratcliffe Cross Stairs are in the centre of the map, and to the right I have highlighted a feature identified as a “jetty”:

Parts of this jetty are still visible:

Wood and concrete on the foreshore:

And the remains of an old shoe:

I do have a PLA Thames Foreshore Permit, but very rarely get the time for any serious searching. I have always wanted to find a complete clay pipe, but no luck. This would be a wonderful connection with those who once lived and worked on the river.

What I did find at Ratcliffe Cross Stairs was this stone bird:

It seems to have been made out of a lump of flint as the stone is exposed where part has broken off, however the overall shape of a bird and some of the decoration and colour can be clearly seen.

I have reported and sent photos to the Portable Antiquities Scheme Finds Liaison Officer at the Museum of London, so await an update as to whether it has any age.

The River Police are still a very visible presence on the Thames, and in 1937, Police Constable Earnest Butters of the Thames Police received £5 “in recognition of his courage in rescuing a five year old boy who had fallen into the river at Ratcliffe Cross Stairs on July 2nd”.

Ratcliffe Cross Stairs deserve more recognition, and more research. There are no plaques or information boards at the stairs to provide any information as to the historic importance of the location (as with all the Thames stairs).

The Ratcliffe Cross, after which the stairs are named is a fascinating bit of lost east London history, and has been added to my very long list of things to try and find out more about.

That is another set of Thames stairs explored, and all the stairs I have covered in previous blog posts can be found in the map at this link.

alondoninheritance.com

The Cyprus Street, Bethnal Green, War Memorial

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One of my father’s 1980s photos was of the war memorial in Cyprus Street, Bethnal Green:

Forty years later, I went back to take a 2023 photograph:

There are a couple of interesting changes to the overall memorial. The small memorial below the main First World War memorial is for the Second World War, presumably also for those from the street who died during that war. In my 2023 photo, this plaque has had a name added since the 1980s.

Below that there is a new plaque which has been added:

And below the above plaque is one of the ceramic poppies from the 2014 display in the moat of the Tower of London to commemorate the start of the First World War.

The memorial in Cyprus Street:

The memorial is not in its original location. I have read a number of slightly different stories online about the fate of the original memorial, and move to the current location. I will use the following quote from the publication “Not forgotten, A review of London’s War Memorials”, published by the Planning and Housing Committee of the London Assembly in 2009:

“The memorial was originally on the wall between numbers 45 and 47
but in the 1960s, when one end of the street was redeveloped for a
new housing estate, the main memorial was broken while it was being
removed. The community rescued the plaques and for a while the
fragments lay around the local pub, the Duke of Wellington. After a
number of years the community took the opportunity to use the
refurbishment of their street to make a collection to pay for a replica
of the original memorial to be made at a local stonemasons and got
permission from the housing association to relocate it to where it now
stands.”

The London Assembly document states that the current memorial is a replica of the original. I have read other accounts that state it was repaired, however if that is true, then it must have been a very good repair.

The problem with determining which sources are correct is difficult as even in the London Assembly document there is an error. It states that “The original Cyprus Street memorial was erected at the end of 1918 to commemorate the residents of the street who died in the First World War”, however I have found a number of reports from newspapers of the time which state that the memorial was unveiled in 1920, perhaps there was a two year delay between erecting the memorial and unveiling, however I doubt it.

It is always difficult to be 100% confident in many statements that are recorded as facts.

What ever the truth of the memorial, nothing can detract from what it represents – the impact of war on one small London street.

The plaque was unveiled on Saturday the 5th of June, 1920, and the East London Observer had a report of the unveiling in the following Saturday’s issue:

“A BETHNAL GREEN WAR MEMORIAL – In Memory of Cyprus Street Men. A touching ceremony took place last Saturday afternoon at Cyprus Street, Bethnal Green, where there was unveiled and dedicated a War Memorial Tablet to the men of the street, which is in the parish of St. James-the-Less, Bethnal Green, who had fallen in the Great War. The memorial was raised by the members of the Duke of Wellington’s Discharged and Demobilised Solders’ Benefits Club, of which Mr. Keymer is the Chairman.

The St. James Brass Band opened the service and after hymns, prayers and lessons, the Rev. J.P.R. Rees-Jones, Vicar of the parish, unveiled and dedicated the memorial tablet.

The tablet is of white marble with imperishable lead lettering, with a beautiful scroll, the work being executed by Messrs. B. Levy and Sons, ltd. monumental masons, Brady Street, Whitechapel, a firm which has gained much notoriety by virtue of the excellence of workmanship and design, and the tablet was greatly admired by all who attended the interesting ceremony.

The Vicar gave a short but inspiring address, and after an anthem, “What are these arrayed in white robes”, given by the St. James’s choir, and the hymn “Lead Kindly Light”, the blessing was pronounced, followed by the “Last Post”, the “Dead March” and “Reveille”. There was a large assembly, and for once in a way Bethnal Greeners stopped to think of something else than their every day cares.”

The names on the memorial joined the names on thousands of other war memorial that were erected after the First World War, and the problem with war memorial is that the sheer number of names hides that fact that these were all individuals, and I have tried to find out about some of those listed.

In the 1911 census (the nearest I can get to the First World War for a full list of those living in Cyprus Street), there were 827 people recorded as living in the street.

Given that 26 people are listed as having died during the First World War, assuming roughly the same number of people were living in the street as in 1911, then 3% of the street’s residents would die in the war.

Whilst this may initially seem a relatively low number, many families at the time would have large numbers of children, so as a percentage of adults in the street, it was much higher than 3%.

When comparing the names on the memorial, I was surprised that a relatively high number were not listed in the 1911 census, implying that they were not then living in the street, I did wonder if those commemorated were from surrounding streets, however the memorial clearly states that they are the men of Cyprus Street.

I did find a number listed in 1911, and the census records provide a more rounded view of the names on the monument, for example:

A. Gadd – The Gadd family lived at number 51 Cyprus Street. There were two Alfred Gadd’s in the family. The father who was 45 in 1911 and the eldest son who was 18. The father was a Cabinet Maker, and the son was Linen Collar Sorter. I suspect that it was the son who died in the war, as the father would have been approaching 50 by 1914. As well as the father and oldest son, there was the wife Elizabeth (44), daughters Rosalie (20, a Brush Hair Sorter) and Elizabeth (16, a Dressmaker)
J. Goodwin – The Goodwin family lived at number 91 Cyprus Street. There were two John Goodwin’s in the family, however the eldest son John was only 6 in 1911, so it is the father, who was aged 27 and listed as a Butcher who died in the war. As well as the father and oldest son, there was the wife Elisa (26) and children Robert (5), Charles (4), daughter Grace (2) and youngest son Sidney (0, born in 1911)
T. Hamblin – The Hamblin family lived at number 59 Cyprus Street. T. Hamblin refers to Thomas Hamblin who was 32 in 1911 and listed as a Dock Labourer. He lived in the house with his wife Elizabeth (30 and a Tailoress). No children are recorded.
W. J. Gardner – There was no W. J. listed in the 1911 census, but there was a William Gardner at number 64, so I assume he may have left his middle name out of the census. William Gardner was 27 and a Builders Labourer. He lived in number 64 with his wife Florence (25 and a Skirt Machinist) and daughter Florence who was 4.

Just four out of the twenty-six who are listed on the memorial, but it reminds us that these were individuals with jobs and families, who would have impacted by their loss for very many years to come. The youngest child, Sydney Goodwin would hardly have known his father and Sydney could have lived to the end of the twentieth century.

It is also interesting to compare the number of names on the memorials for the First and the Second World Wars, with far less from the street who died in the Second World War.

This comparison shows the absolutely appalling death rates from the trench warfare of the First World War.

The reference on the memorial to the Duke of Wellington’s Discharged And Demobilised Soldiers And Sailors Benevolent Club refers to the Duke of Wellington pub in Cyprus Street. The pub was built around 1850 as part of the development of Cyprus Street and surrounding streets. The pub closed in 2005, but today still very clearly retains the features of a pub, including a pub sign:

The Duke of Wellington, like many other pubs in the working class areas of London, had a tradition of hosting benefit and loan societies.

In 1911 there was a large advert for the Duke of Wellington in the Eastern Argus and Borough of Hackney Times headed “Important Notice”. It was one of the very many adverts that publicans would place in the local newspapers when they took over a pub. The advert would tell potential customers that all classes would receive a warm welcome, that only the very best beers and spirits would be served, and the advert of the Duke of Wellington also included that:

“The United Brothers Benefit Society meets here every alternate Tuesday evening and the Duke of Wellington Loan and Investment Society (which has been established for over 20 years) every Saturday evening. New members to both societies respectfully invited and heartily welcomed.”

It was hosting societies such as these, as well as the very many clubs and societies involved with sports and games that put these 19th century pubs at the heart of the communities that developed around them.

The pub, as well as much of the original Cyprus Street terrace houses are Grade II listed.

A chunk of the western part of Cyprus Street was badly damaged during the Second World War and the Cyprus Street Estate was built across the area that was damaged. This has effectively separated two parts of the original street.

In the following map, the red oval shows where Cyprus Street has been separated by the new estate, with a short stub of the street to the left, and the main section of the street to the right ( © OpenStreetMap contributors ):

The new estate can be seen just to the west of the old pub:

Cyprus Street is fascinating, not just for the war memorial, and architecture of the terraces, but also the way they are decorated, with many of the houses having a brightly painted front door and window shutters:

View along the main surviving section of the street:

Cyprus Street is identical to many other mid 19th century streets that appeared as Bethnal Green was developed, what has made it special is the war memorial and the retention of the majority of the original terrace houses.

As indicated by the Duke of Wellington’s Benevolent Club that erected the memorial, the pub must have played an important part in the community that lived along the street.

There were so many pubs in Bethnal Green (as there was across much of London), and in Bethnal Green the majority have closed, with many being demolished or converted into flats.

As I was walking to Cyprus Street, along Bonner Street, I saw another old pub just after the junction with Cyprus Street.

This is the Bishop Bonner, on the corner of Bonner Street and Royston Street:

Another 19th century pub, which finally closed in 1997. The first floor appears to be flats, however the ground floor looks rather derelict. It would be interesting to look in and see if any of the remaining bar furniture survives.

Name sign on the corner of the pub:

Always interesting to think of the thousands who have walked through these doors, when the pub was the hub of the local community for well over 100 years:

Whilst so many of London’s pubs disappear or are converted, the memorial in Cyprus Street remembers not just the residents of the street who died in the First and Second World Wars, but also remembers the community that was in the street at the time, that enabled the memorial to be created and maintained during the following decades.

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St. Paul’s Covent Garden, the Actors Church

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The tickets for all the walks of my new Limehouse walk sold out by Monday morning, so a very big thank you. The proceeds from these walks go towards the hosting, maintenance and research of the blog, so it is very much appreciated. I have had a number of requests for new dates, so have added two more, on the 31st of August and 10th September, which can be booked by clicking on the dates.

In 1951, my father took a couple of photos of the main entrance into St. Paul’s Church, Covent Garden:

St Paul's Covent Garden the Actors Church

He was far better at timing the position of the sun and weather conditions than I am, however the view is much the same today, some 72 years later:

A view of the main entrance to the church from the opposite side of the churchyard:

And the same view in 2023:

The church of St. Paul’s was one of the first buildings to be constructed as part of the development of the Covent Garden Piazza by Francis Russell, the 4th Earl of Bedford.

The Russell family were significant land owners, and within London this included the area around Covent Garden, along with significant holdings across Bloomsbury. The land at Covent Garden came into their position in 1552 when the first Earl was granted the land by the Crown.

Development of the Covent Garden Piazza and St. Paul’s Church commenced around 1630 when Inigo Jones designed the overall layout of the square. Construction of the church began in 1631 and it appears to have been completed and furnished by 1635, but was not consecrated until 1638 due to a dispute with the vicar of St. Martins-in-the Fields, mainly about the physical boundaries and the degree of independence of the new church. The Earl of Bedford had a family pew in St. Martin’s, but released this in 1635 when his new church in Covent Garden was ready.

The main entrance to the church is in Bedford Street, where the brick façade of the church can be seen between two pillars with ornate railings on either side, and providing a gate between the pillars:

Through the gates and we are into the churchyard:

The churchyard was closed to burials in 1853 and in the following couple of years all the tombstones were either removed or laid flat. The churchyard was renovated between 1878 and 1882, when the ground was also lowered and flattened.

Today, the churchyard has a wide path leading up to the entrance of the church, with seating along both sides of the path. To either side of the path are gardens and grassed spaces.

As can be seen in the above photo, the main body of the church and the churchyard are surrounded by tall terrace buildings along either side, and the church has long had a complex relationship with these buildings.

On both sides of the churchyard, there is a space between the wall of the churchyard and the adjacent buildings:

The plaque reads: “This lightwell is part of the burial ground of St. Paul’s Church. Written consent must be obtained before any use is made of this lightwell.”

Originally, the churchyard ran up to the walls of the buildings, and doors and windows in these buildings which provided access to the churchyard were long a cause of concern for the church, as there was an issue with people getting into the churchyard and causing a nuisance, as well as the general issue about security where all the surrounding buildings provided access.

In 1685, any door in these buildings onto the churchyard was ordered to be blocked up, unless it had been given permission by the church, who also then sold licences for the making of windows that looked out onto the churchyard.

During the later half of the 18th century, the churchwardens also had concerns regarding the rising levels of the churchyard due to the many people being buried, which seems to have included large numbers of non-parishioners as well as “with the remains of multitudes of Paupers”.

In the 1870s, the lightwell shown in the above photo was built, with lightwells on the north, west and south sides of the church. These lightwells served a number of purposes. They provided light into the lowest floors of the surrounding buildings, they provide a degree of security for the churchyard to prevent the churchyard being used for “various and improper purposes”, and as a benefit for the houses, they prevented “soakage” from the graves into the houses.

London churchyards must have been appalling places in the 18th and 19th centuries, and no wonder that burials were stopped in the mid 19th century. The vast majority seem to have been overflowing with the bodies of the dead, and the rising levels of churchyards gave an indication of the many thousands that had been buried in such a small space.

If we walk around the church into the old piazza and market area of Covent Garden, we get a very different view of the church:

This would have been the very visible side of the church on the new piazza that the Earl of Bedford was having built, and despite Bedford’s apparent request for a cheap church that would be “not much better than a barn”, Jones designed a grand Tuscan portico.

Whilst the portico is to the original designs, only the columns are probably original as the church was gutted by a fire in 1795, which required a significant rebuild.

The side of the church facing onto Covent Garden looks as if it should be the main entrance. When the church was built, Jones intended that it should have been the main entrance, with the altar being at the western end of the church.

This approach did not accord with the usual placement of the altar at the eastern end of Christian churches, so the entrance facing onto the Covent Garden Piazza was blocked up, and the altar is now behind this eastern wall.

The portico does though provide an excellent place to photograph the performers in Covent Garden and the large crowds that gather to watch:

The white building above the columns is the Punch and Judy pub, and Punch has an important link with Covent Garden as indicated by this plaque on the church:

In the years after the restoration of Charles II, a number of Italian entertainers came to England, including the puppet showman Pietro Gimonde who came from the city of Bologna.

It was Gimonde who Pepys saw in Covent Garden. At the time a Punch puppet show used the form of a marionette, where strings tied to a figure were manipulated by rods above the figure’s head.

Pepys must have been impressed by the show as two weeks later he returned to show his wife, and Gimonde must have made an impression on London society as in October 1662, he was part of a Royal Command Performance for Charles II.

Punch and St. Paul’s, Covent Garden featured in the first book of the Rivers of London series by Ben Aaronovitch, when the main character, Peter Grant meets the ghost of murdered actor Henry Pyke, who also takes on the personae of Mr. Punch, in the churchyard.

Whilst the Rivers of London series is fictional, some strange, violent and sad events have happened in St. Paul’s churchyard.

The London Bills of Mortality for the week of the 22nd to the 29th of January 1716 recorded that a person was “killed by a sword at St Paul’s Covent Garden”. Bills of Mortality also recorded a number of people who were simply found dead in the churchyard – possibly those who were sick, too poor, unable to find housing or food, or perhaps just found the pressures of life in 18th century London too hard to bear.

Time to take a look inside the church, away from the crowds around Covent Garden, and this is the view when entering through the main door from the churchyard:

As with any building of such age, it has been through very many repairs and restorations that have changed the church from its original form.

In the years after completion, the roof seems to have been a recurring cause for concern, with repairs having to be frequently undertaken, with the gradual loss of the decoration and painting across the ceiling.

By the 1780s, the church was in such a state that extensive repairs were needed. The architect Thomas Hardwick was chosen from the three that put in bids for the work. The church was closed and then followed a major programme of works that expanded as more problems were found.

From an initial budget of £6,000, the final cost when the church reopened in 1789 was £11,723.

This could have been money very well spent, however just six years later in 1795, some plumbers were carrying out work in a bell turret. They left the church for a midday break and left an unguarded fire still burning.

The fire escaped to the surrounding fabric, and soon spread to rapidly to gut the majority of the church.

The church apparently looked like one of the City church’s after the bombing of the 1940s, with only the exterior walls standing, the roof collapsed and the interior gutted.

You can probably imagine the feelings of the churchwardens when they viewed the gutted church just a few years after the period of closure and expense of a major rebuild, and they were now faced with a much larger challenge, and the difficulty of trying to raise yet more large sums of money, not long after having sought funds for the 1780s restoration.

Thomas Hardwick was again appointed for the rebuild, and money to fund the project was raised by the levy of a rate of one shilling in the Pound, and by selling annuities based on the security of the local rates.

The church was rebuilt and reconsecrated in 1798.

The pulpit (on the left of the following photo) is possibly by Grinling Gibbons, or by one of his pupils. Above the altar, is a copy of the Madonna and Child by the artist Botticelli:

There seems to have been an almost continuous programme of repair work to the church, along with occasional significant restorations, including one in the early 1870s by William Butterfield, which focused on the interior of the church, with an aim of making the interior a brighter and more pleasant place to worship. Butterfield’s work included the removal of the majority of the monuments on the internal walls.

Henry Clutton, who was architect to the Duke of Bedford made a number of proposals for restoring and improving the church in the late 1870s. Clutton’s view was that Inigo Jones had almost gone along with the original Earl’s requirement for a barn-like church, with a simple brick body to the church and with only the stone portico embellishing a simple brick barn.

Some of Clutton’s proposals were taken on by the architect A. J. Pilkington in the late 1880s. The major change to the church at this time was the replacement of the ashlar exterior (square cut stones used as a facing on a wall), by the red bricks we see today.

Following Pilkington’s work, the church has stayed much the same apart from repair and decoration work. There was some bomb damage to buildings around the church, but St. Paul’s survived the war without any damage.

The font in St. Paul’s church:

St. Paul’s Church is known as the Actors Church. The area around Covent Garden has long had an association with the acting profession. The Theatre Royal Drury Lane which was built by Thomas Killigrew in 1663, just thirty years after the church is nearby. Killigrew had received a Royal Charter from King Charles II allowing the theatre to be built.

In 1723, the Covent Garden Theatre was built. This is now the Royal Opera House.

The association with the acting profession can be seen in a number of ways. Performances are put on within the church and in the churchyard, and St. Paul’s has the Iris Theatre, its own professional theatre company.

Walking around the interior of the church and there are very many memorials to actors and those associated with the profession, including Gracie Fields:

Dame Anna Neagle-Wilcox. Usually better known as just Anna Neagle, but on the memorial including the surname of her husband, Herbert Wilcox, and below is Flora McKenzie Robson who had a long career in film, theatre and the stage:

Dame Diana Rigg, again another actress with a long and wide ranging career, and who was still working right up to the year when she was “Called to rehearsal”:

Nicholas Parsons, again another long career, and probably best known for Sale of the Century on TV in the 1970s and the BBC long running comedy show Just a Minute:

Three “Sirs” of the theatrical and film world who all died within 4 years of each other, Sir Terence Rattigan, Sir Noel Coward and Sir Charles Chaplin:

Memorial for Dame Barbara Windsor, with her well known line from the BBC soap EastEnders:

Barbara Windsor memorial Get out of my pub

In what is a brilliant bit of placement, which cannot be a coincidence, the memorial for Barbara Windsor is located behind the small bar in the church:

Memorials to actors Roy Dotrice, Edward Woodward, Sir Ian Holm, Geoffrey Palmer and John Tydeman, a former BBC Head of Radio Drama:

There are very few early plaques remaining in the church, as mentioned earlier in the post, William Butterfield’s work on the church in the 1870s removed many of the monuments that lined the walls of the church. A few remain including that of Thomas Arne, who wrote the music for a large number of stage works between the years 1733 and 1776, including works performed at Drury Lane and the Covent Garden Theatre.

Thomas Arne also put the words of a poem by James Thomson to music, to create the song Rule Britannia, as is recorded on his memorial, which also records that he was baptized in the church and buried in the churchyard:

There are very few memorials to those outside of the entertainment industries. One though records the dreadful death rate of children. On the right is recorded John Bellamy Plowman, the father who died aged 67, however on the left is what must have been his oldest son, also called John Bellamy Plowman who died aged 17 and was buried in the vault under the vestry, along with six other children who all died in their infancy:

View of the rear of the church, with organ and gallery.

There were once galleries down either side of the church which provided additional seating at an upper level. These must have made the church seem very crowded when full, and they were removed during an early restoration.

St. Paul’s Covent Garden will soon be 400 years old. Although it was rebuilt significantly after the fire in 1795, and restored and repaired many times over the centuries, it still is an Inigo Jones church, and goes back to the time before the market, and when the Piazza was first established.

It is also a church that connects to the profession that is still so important in this part of London.

alondoninheritance.com

Limehouse – A Sink of Iniquity and Degradation. A New Walk.

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(Dates for my new walk at the end of the post) The following photo was taken by my father from the eastern end of the King Edward VII Memorial Park in Shadwell. It is looking east along the Thames towards Limehouse:

The photo shows this stretch of the river as it was in the late 1940s. A busy place with docks, wharves and cranes, with barges and ships along the river.

The tall chimney is that of Limehouse (also called Stepney) power station. An electricity generating station that ran on coal transported along the river. The power station was built in 1907, however the tall chimney was added 20 years later in 1927 due to complaints about the amount of pollution that was being spread around Limehouse by the much smaller original chimneys. At the time of building, it was the tallest chimney in London at a height of 351 feet.

The power station was closed in 1972 and demolished soon after.

Just in front, and to the right of the power station chimney is the entrance to the Regent’s Canal Dock (now Limehouse Basin). Although the entrance is hard to see, the warehouses with the name of the dock, on the east side of the entrance to the dock from the river can be seen in this extract from the above photo:

The title for the walk “Limehouse – A Sink of Iniquity and Degradation” came from the book “Limehouse through Five Centuries” written in 1930 by the Reverend J.G. Birch of St. Anne’s, Limehouse. He used the phrase in his introduction to the book, and also added that he hoped that the book would help dispel this myth.

Limehouse has always had an air of mystery and intrigue, an exotic and dangerous place to those who did not live or work along the river.

The 1916 book Limehouse Nights by Thomas Burke featured a number of short stories centred on Limehouse, the opium dens and the Chinese community, which were also the background to the stories of Dr. Fu-Manchu by Sax Rohmer. The works by Burke and Rohmer featured appalling stereotypical views of the Asian community then living in Limehouse.

Stories about Limehouse exploited themes of violence, crime, sex and drugs and how the import of opium resulted in the exploitation of English women, often to sell opium in the fashionable West End.

The image of Limehouse as a place of intrigue and mystery continues to this day, with the 1994 book Dan Leno and the Limehouse Golem by Peter Ackroyd, on which the 2016 film The Limehouse Golem was based.

Whilst there were opium dens, crime and violence, Limehouse was a hard working place, based around the trade and industry that grew along the Thames. The Chinese population were frequently sailors who had settled in Limehouse and married local women, along with a temporary increase in numbers when ships with Chinese crew docked. Their numbers though were relatively low, not as large as popular literature of the time might suggest.

Limehouse was an early site of ship building. From Limehouse, sailors and traders set out along the Thames to cross the oceans of the world. Industry, warehouses and docks lined the river, with cramped housing alongside polluting factories.

Limehouse provided access to the Thames for the inland waterways, with the Limehouse Cut and the Regent’s Canal providing access to the river from the rest of the country. In the Regent’s Canal Dock (now the Limehouse Basin), ships unloaded all manner of cargo, including coal, timber, fruit and ice.

There was technical innovation, hydraulic power and an electricity generating station running on coal delivered via the river. The London & Blackwall Railway cut through Limehouse on a brick viaduct, paving the way for the Docklands Light Railway.

The decades after the 2^nd World War were not kind to Limehouse as trade along the river slowly declined and industry closed or moved away.

From the late 1980s onwards, Limehouse was transformed, with some major projects being driven by the developments on the Isle of Dogs just to the east.

I have long been fascinated by Limehouse, a place that for centuries was shaped by the relationship between the land and the river. Whilst today that contact is maintained by Limehouse Basin, the rest of Limehouse is now just a spectator to the activity on the river.

This walk will explore the history and development of Limehouse from the 15^th century to the present day. The people, those who settled in Limehouse, the relationship with the River Thames, trade, waterways, tunnels, streets, pubs and church, along with some of the reality of the opium dens.

As with the Reverend J.G. Birch, my aim with the walk is to dispel some of the myths about Limehouse and focus on the real history of this fascinating part of east London.

The walk will start at Limehouse DLR station and end at Westferry DLR station. It will take around 2 hours 30 minutes and is a walk of slightly over 2 miles.

The schedule of walks is listed below. Click on each date to get to the Eventbrite booking page:

~~Sunday 30th July at 11:00~~ (Sold Out)
~~Sunday 6th August at 11:00~~ (Sold Out)
~~Thursday 10th August at 13:00~~ (Sold Out)
~~Saturday 19th August at 11:00~~ (Sold Out)
~~Sunday 20th August at 11:00~~ (Sold Out)
~~Thursday 24th August at 13:00~~ (Sold Out)
~~Sunday 27th August at 11:00~~ (Sold Out)

Just added a couple of new dates as the original set sold out:

Or for an overview of all the walks on Eventbrite, then click here.

I look forward to showing you around this fascinating part of east London.

alondoninheritance.com

Two Pubs and the Jesus Hospital Estate

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Following last week’s post, I am staying in Bethnal Green, and after finding Ron’s Gents Hairdressers, I walked to find the location of the Queen Victoria pub and the Jesus Hospital Estate. The decorative features at the top of the Queen Victoria was the subject of one of my father’s 1980s photos:

When I found the pub, it was covered in scaffolding, and whilst the royal coat of arms at the top of the pub are still there, they had been painted white:

Unfortunately, my father did not take a photo of the whole pub building. I suspect due to the limited number of photos available when using a film camera. The pub today:

The Queen Victoria is on the corner of Barnet Grove and Wellington Row, a short walk north from Bethnal Green Road towards Columbia Road.

The pub has suffered the fate of so many pubs across London in that it has been converted to residential. The Queen Victoria closed as a pub in 1993.

I have mentioned a number of times in my posts about just how many pubs there were in London prior to the closures that started slowly after the 1940s, and accelerated quickly from the late 1980s onwards, and the location of the Queen Victoria is a prime example, as directly opposite, there was another pub:

Prince of Wales and Queen Victoria pubs, Barnet Grove

In the above photo, the Queen Victoria is on the right and the Prince of Wales is on the left, with Barnet Grove passing between them.

The Prince of Wales closed in 1995, and as with the Queen Victoria, it was converted to residential. Whilst the Prince of Wales has the pub’s name at the top of the corner of the building, there are no coat of arms:

The pub did once have the impressive arms of the Prince of Wales, as can be seen in the photo at this link from the alamy stock image site.

The building today is a shadow of its former self. I suspect the arms at the top of the pub were missing in the 1980s as I am sure my father would have taken a photo of them, as well as the Queen Victoria.

Both pubs seem to have opened in the late 1860s, and in the Hackney and Kingsland Gazette on the 28th of May, 1870, the new owner of the Prince of Wales was advertising:

“THE NEW Wine and Spirit Establishment, Conducted by the old caterer for public favour, C.H. Davies, of the ‘Prince of Wales, Barnet-Grove’, who begs to call attention of his friends and the public to his new premises replete with every comfort for the gentleman and mechanic, also to families who can be supplied with every article of the finest description including MALT LIQUOR, from the eminent Brewers of the day; SPIRITS (both foreign and British) of the highest strength and excellence, and WINES of the rarest vintage. Special arrangements have been entered into with the celebrated firm of Messrs. REID & Co. for a constant supply of their Splendid STOUT and PORTER.

Extensive and Commodious Rooms for large or small parties.

An Harmonic Meeting every Tuesday Evening at eight o’clock for gentlemen. An early visit is respectfully solicited.”

By 1907 a W. Tozer was the owner of the Prince of Wales, as in the Eastern Argus and Hackney Times he was thanking “the residents of the district and the public generally for the patronage they have accorded him since he took the proprietorship off this well known and old-established tavern 3 years ago.”

In the same article, it was mentioned that “The United Order of Druids, Baroness Burdett-Coutts Lodge (No. 948) meets at the house on the 1st and 3rd Tuesday in the month.”

The United Order of Druids was more of a fraternal and benefit society, and was open to all classes. I doubt there was much wandering around the streets of Bethnal Green in white gowns.

The branch that met in the Prince of Wales was the Burdett-Coutts Lodge. The lodge was named after Angela Burdett-Coutts, a remarkable women who was known as the wealthiest woman in the country after she inherited a fortune from her maternal grandfather Thomas Coutts, of Coutts Bank.

Angela Burdett-Coutts was a philanthropist who supported a diverse range of projects and causes. The link between the lodge that met in the Prince of Wales and Burdett-Coutts may have come from her charitable activities in the area with social housing and her founding of Columbia Market in 1869.

There are very few newspaper references to the Queen Victoria. Mostly licence changes, and in one report about an “Exciting Quoits Match”, the pub is named as the Queen Victoria Hotel, when a Mr Sayer, who appears to have been their champion Quoits player, was being challenged by Copeman and Wilstead, for £5.

The challenge was to take place on neutral territory at the May Pole in Chigwell. (Quoits is the game where a ring of iron or rope is thrown in an attempt to land it around a peg).

That there were two pubs directly opposite each other (as well as other pubs in the local area), shows the population density in this part of Bethnal Green. One of the reports mentioning the Prince of Wales covered above, may hint at the diverse range of people who lived here where the pub was advertised as having “every comfort for the gentleman and mechanic“.

In the following map, I have marked the locations of the Queen Victoria (red circle) and Prince of Wales (blue circle), and the surrounding streets show a dense network of terrace houses ( © OpenStreetMap contributors:

Walking north along Barnet Grove, and continuing after the Prince of Wales pub is a short terrace which still retains the shop fronts, when as well as local pubs, this street also had local shops to serve those who lived in the surrounding streets:

The title of this post is “Two Pubs and the Jesus Hospital Estate”, and I have covered the two pubs, but what about the Jesus Hospital Estate?

As a starter, the two pubs are on the southern edge of the “Jesus Hospital Conservation Area”, and I have marked the approximate boundary of the conservation area in the following map ( © OpenStreetMap contributors:

The area covered by the current conservation area has changed slightly over the years, however it started as an estate in the 17th century when the land was owned by James Ravenscroft in 1670. At that time, this was, as much of Bethnal Green still was, fields and farm land.

In 1679, James Ravenscroft founded the Jesus Hospital Charity in Barnet, Hertfordshire, and he bestowed the land in Bethnal Green to the charity.

The aims of the Jesus Hospital Charity were to provide for the support and maintenance of lady residents living in Ravenscroft Cottages in Wood Street, Barnet.

The charity is still in operation and has expanded the number of properties it owns in Barnet, and now “provides 63 unfurnished dwellings for ladies aged 50 plus, who reside alone and are fit and able to care for themselves”.

James Ravencroft’s son, George, made his name in the manufacture of lead crystal glass. He was primarily a merchant and came into contact with the glass trade after living for a couple of years in Venice.

On his return to London, he set up a glass works in the area of the Savoy, however he left the glass business in 1679, the same year as his father set-up the Jesus Hospital Charity. His father died the following year in 1680 and George died in 1683.

They were both Roman Catholics which, in the final decades of the 17th century, may not have made the family very popular.

In the early 19th century, the land was still being leased from the charity by farmers, and there had been very little change for the past 150 years, however limited building work did commence in the 1820s and 1830s.

One of the problems with the land in Bethnal Green was that it was some distance (given travel options at the time), from the trustees of the charity in Barnett. The trustees rarely visited. I assume they were happy as long as the money from leasing the land continued to flow to fund the charity’s responsibilities.

During a visit, the trustees found that the land had been developed with very poorly constructed, single storey houses, and that many were in a very dilapated condition. The streets in the area were also in a poor state, as were the sewers.

In 1862, a London surveyor based in Bishopsgate, by the name of George Clarkson was appointed to manage the redevelopment of the charity’s land.

The whole area of the Jesus Hospital Estate was cleared of the original buildings, new sewers were built along with new streets, and a total of 372 houses were built, as well as a number of pubs, including the Queen Victoria and the Prince of Wales.

It is these houses that we see when we walk the streets today.

Another old corner shop on the corner of Barnet Grove and Elwin Street:

View along Elwin Street, showing a continuous line of almost identical terrace houses:

With an almost mirror image along Quilter Street, although along this street there is a slight descent in the height of the land, which is accommodated for along the terrace by a step change in height as the terrace progresses, which can be best seen by the white bar that runs along the terrace just below the first floor windows:

Along the street there are a couple of houses which have pipes set into the wall, with LCC which I assume is for London County Council:

An example of which rises several feet above street level to a vent:

The London County Council never owned the houses along the street, but they would have taken responsibility for the sewers, so I wonder if they were installed as part of upgrades to the sewage system, or the Jesus Hospital Charity paid the LCC for drainage work to the houses.

In 1970, the Greater London Council served a compulsory purchase order on the land owned by the Jesus Hospital Charity. The GLC intended to demolish the estate, and there were plans to construct a large road through the area to link Victoria Park with the City.

There were ten years of legal negotiations between the GLC and the charity, and the estate was finally sold to the GLC in 1980 for a sum of £1.2 million.

Proposals for demolition were abandoned as there were many objections, including from the Jesus Hospital Estate Residents Associations which was formed in 1979 to fight against the GLC’s plans.

The Jesus Hospital Estate is today described by Estate Agents as a highly desirable place to live, and to show the incredible rise in house prices in this part of east London, in 1980 the charity sold the whole estate to the GLC for £1.2 million. Today, there is a single terrace house in Barnet Grove for sale, also for £1.2 million, so the sum you could have purchased the whole estate for in 1980 now buys you a single terrace house.

One of the reasons for the Estate Agents description of the area is that there is a large triangular green almost at the centre of the estate:

This is Jesus Green, but it was not part of the original 1860s development, when the 19th century approach was to pack as many terrace houses into the area as possible.

In the 1949 revision of the OS map, the area covered by Jesus Green today, is shown as a dense area of terrace houses, with an archway under one the houses in Barnet Grove leading into a central courtyard which housed a number of workshops (‘Reproduced with the permission of the National Library of Scotland“):

I cannot find an exact date, or reason for the demolition, however I believe the houses in this central triangle, outlined in red in the above map, were demolished in the 1970s. The LCC Bomb Damage maps show that this central area was almost untouched, so whether demolition was part of the GLC’s rebuilding plans, or for some other reason, I do not know.

I assume that after plans for demolition, road building and redevelopment were abandoned, the central area was turned into the green space it is today.

We can get an idea of what the streets surrounding the central gardens looked like before the houses in the centre were demolished.

The photo below is the view looking east along Quilter Street from Barnet Grove. There are terrace houses along both sides of the street. Quilter Street continued behind where I was standing to take the photo, but today, the central gardens are on one side and terrace houses on the other.

The name of the open space, Jesus Gardens is a reminder of the charity that owned the land for around 300 years. There are also a number of other reminders in the street names, for example;

Barnet Grove is obviously a reference to Barnet in Hertfordshire, where the charity was based, and where money generated by leasing the land in Bethnal Green was used to fund the homes for women. Barnet Grove predates the 1860s redevelopment so is one of the oldest streets, and street names in the estate.

Quilter Street is named after James Quilter, a solicitor, who was one of the charity trustees, during the 1860s redevelopment of the estate.

Elwin Street was named after the Reverend T.H Elwin, who was the Chairman of the charity at the time of the redevelopment.

The earlier pub advert referred to “the gentleman and mechanic”, so I had a look in the 1921 census to see who was living in Quilter Street, one of the streets of the Jesus Hospital Estate. A very brief sample:

At number 34 was Philip Samuel Hurman, aged 45 and listed as a French Polisher for Bradstad Brothers Pianoforte Manufacturer, along with his wife Esther (45), his son Philip Samuel (21) a Carman for Saunders & Nephew Provision Merchants, a daughter Jane (19) who was a Trousers Machinist for Lockwood & Bradley Wholesale Tailors, and a daughter Ivy Lilian (15) who was a Card Board Box Maker for Wright Brothers, Box Manufacturers
At number 47 was Frederick Tayor, aged 66, a retired Brewers Cellarman, along with his three daughters, Emily (34), Ellen (32) and Amy (28) who were all Tie Makers, working for J. Paterson.
At number 64 was Charles Moore, aged 40, an out of work cabinet maker. He was living in the house with his wife Emily (45), daughters Emily (20) and Rhoda (15) who were both listed as a Tailoress for Rego Clothing Company, and his son James (18) who was a Labourer for a Mr. Loveday, Glass Silverer
At number 90 was Wallace Henry Norris (32) who was a Carman for J.E. Read, Carman & Contractor, along with his wife Elizabeth (28) listed as having Home Duties, and their one year old daughter Ada May. There were also three sons aged 14 and below. the 14 year old son was listed as just having left school.

A very small sample of the thousands who lived in the streets of the estate, but they are typical of all I looked at. Manual workers, employed from a young age and the majority working in one of the very many manufacturing industries that were to be found around Bethnal Green in the 19th and early 20th centuries.

The Jesus Hospital Estate is a fascinating area, away from the bustle of Bethnal Green Road and Columbia Road, an estate which owes its existence to a charity in Barnet, Hertfordshire, and an estate that narrowly avoided full demolition by the GLC in the 1970s.

alondoninheritance.com

Ron’s Gents Hairdresser, Three Colts Lane, Bethnal Green

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In 1986, my father photographed Ron’s Gents Hairdresser’s in Three Colts Lane, Bethnal Green:

Rons Gents Hairdresser, Three Colts Lane, Bethnal Green

I have walked past the same place over the last few months, hoping that the business which occupies the site today would be open, but gave up last week, so here is a photo of what was Ron’s shop today, JML Unisex Hairdressers, which has not been open when I have been in Three Colts Lane over recent months.

The last review on Google was three months ago, so hopefully this is a temporary closure. It is interesting how businesses such as hairdressers do seem to occupy the same sites for very many years, often through several different owners.

They tend to be local businesses, do not need much space, and are not being replaced by an online service.

Covid probably led to an increase in home haircuts, but I suspect after lockdowns ended there was a rush to get a professional haircut.

It would be good if the shop front behind the shutters is much the same as in the 1986 photo.

I hope I have the name of the business right in the 1986 photo. The large S at the end of Ron threw me a bit, and there is no apostrophe between the end of Ron and the S, but Ron’s would make sense.

Looking above the door, the business is called Ron Salon Gents, Hairstylist:

The displays in shop windows from the past often cast a light on life at the time, and the large display on the right of Ron’s main windows shows that the hairdressers were very much of the “something for the weekend” type:

The shop is in the corner of a long block of flats that runs from Three Colts Lane up along Corfield Street. The following photo shows the shop, and in the first window down Corfield Street is one of the red and white striped signs that have long been the symbol for a barbers.

Three Colts Lane runs from Cambridge Heath Road in the east to Brady Street in the west. For a large part the route, the street has the brick viaduct carrying the railway through Bethnal Green towards Liverpool Street Station, along the southern edge.

Within this brick viaduct, there are rows of arches, many of which have been occupied by various businesses, the majority being in the motor trade.

Next to the 1986 photograph of Ron’s Hairdressers on the strip of negatives, there were two photos of signs advertising typical businesses for the area. The first features the Volkswagon Beetle, Herbie, made famous in the 1968 film The Love Bug:

The second was a large mural showing a BMW in one of the arches:

I wondered if there was any relevance to the registration number of the car, and a quick Google found that it was a BMW E30 Alpina C2 2.7 3-Series, and the car was subject to a road test which was published in the 19th of April 1986 issue of Motor magazine, which reports that the car would have cost you just over £19,000.

The road test article is available here. It was obviously the car to aspire to in 1986.

Although these photos were taken 37 years ago, I took a walk along Three Colts Lane and surrounding streets to see if any trace of them remained. I could not find anything, but the area is still a hub of car and taxi repair businesses, and some rather impressive graffiti and murals, as the following example of the A1 Car Care Centre on the corner of Three Colts Lane and Coventry Road illustrates:

Detail of the mural on the side of the building in Three Colts Lane:

The arches along Three Colts Lane have many businesses which support the taxi trade, and spend a short time in the street and you will see a number of taxis arriving and departing from these arches:

Entrances into these arches show dimly lit interiors where vehicles are serviced and repaired, as at Frame Right Eng. Ltd.’s Body Shop:

The size of these arches can be seen where roads pass through the viaduct. The differing heights of the arches also show how the viaduct into Liverpool Street Station has expanded over time:

At the end of Three Colts Lane, it turns into Brady Street which heads under the viaduct, and Dunbridge Street which continues along the northern side of the viaduct.

At this road junction, there is a derelict patch of land on the left, with another repair business in the arches on the right:

The derelict land on the left of the above photo was once the site of a pub, the Yorkshire Grey, which closed in 1998, and was then in residential use for a while, until the building was demolished around 2014. Surprising that the land has not been developed in the past nine years.

Continuing along Dunbridge Street, and there are a couple of very different businesses operating within the arches, including Urban Baristas:

And Breid Bakers:

I can never resist looking at old maps when I visit a place, and the outline of the street that would become Three Colts Lane seems to date from the end of the 18th century.

The following extract is from Smith’s 1816 New Plan of London. I have marked what would become Three Colts Lane, and the circle is around the area where Ron would open his hairdressing business:

The one constant in the map is Wilmot Street, shown within the yellow oval. The street has kept its original name, and still leads off from Three Colts Lane today, although the houses lining the street are today very different to the terrace houses that were built at the start of the 19th century.

Bethnal Green Road was then New Road, and Cambridge Heath Road was Dog Row and Kings Row.

In the early 19th century, there was still a fair amount of open space in this part of Bethnal Green. Over the next few decades, this would all be built over.

I cannot find a source for the name of the street. In 1818 it was Three Colt Lane, by the end of the 19th century it was Three Colt’s Lane, and today, the street sign has the name Three Colts Lane, so it has been Colt, Colt’s and Colts.

A colt is a young male horse, and as there was open space to the south of the early incarnation of the street, I wonder if there were three colts in this field, and the use of Lane rather than Street or Road may imply a route through what was a semi-rural area? It is this sort of visual imagery that was often used to name a location before streets were formally named, and when literacy levels were low.

There is also a Three Colt Street in Limehouse, but again I cannot find a firm reference as to the source of the name.

Ron’s was very much a barbers of its time, and I doubt that today you would find a barbers where a third of their window is taken up with advertising for contraceptives.

alondoninheritance.com

Samaritans, Physicians, Cutlers, the YMCA and Freemasons

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Firstly, a quick apology for an error in last week’s post. I had confused the size of the floors in the Swan pub, at Wapping Dock Stairs. The newspaper article I referred to stated they were 30 feet square on each floor, which I stated would have been just over 5 feet on each side (30 square foot, rather than 30 feet on each side of a floor), so a much larger room, and a reminder to me to read through my posts a couple of times before sending.

Thanks to those who let me know about the error.

For this Sunday’s post (and after reading through three times), a return to discover some of the fascinating stories told by the plaques that can be seen whilst walking around the City of London, starting with;

The Samaritans – St Stephen Walbrook

There is a blue City of London plaque on the side of St Stephen Walbrook, where St. Stephen’s Row heads along the rear of the Mansion House, arrowed in the following photo:

The plaque records that the Samaritans were founded in the church in 1953 by the rector, Chad Varah:

Edward Chad Varah. to give him his full name, was born on the 12th of November 1911 in the Lincolnshire village of Barton-on-Humber. He was the eldest of nine children and the name he would be known by came from St Chad, founder of the parish.

He did not intend to follow his father into the church, however he was persuaded by his godfather, Archbishop Hine.

In the early 1950s, he was based at Clapham Junction, carrying out house visits, and working as the chaplain of St John’s hospital, Battersea, however despite these activities, his stipend was very low, with hardly any money available for his work, and just enough to pay for a secretary. To help generate additional income, he took on a second career as a scriptwriter for children’s comics.

Varah had very liberal views for the time, particularly for a person of the church. He was a strong believe in sex education, and believed this was key for poorly educated young people.

His believe in the importance of sex education, and willingness to listen to people, to provide advice, and eventually to start the Samaritans may have come from an event in 1935 when Varah was an assistant curate in Lincoln. He had to conduct his first funeral which was for a 13 year old girl who had taken her own life. The girl had started her period, however without knowing what was really happening she feared she had a sexually transmitted disease which would result in a slow, painful and shameful death.

His lack of money whilst working in Clapham Junction, along with the responsibility of a parish, prevented any formal development of a system of help for those at risk of suicide, of which there was an average of three a day in London in the early 1950s.

Help came when he was offered the living of St Stephen Walbrook by the Grocers’ Livery Company. This was a City church without any parishioners when compared to Clapham Junction, and this provided Varah with the time to set up the service which would become the Samaritans.

Varah started with a single telephone on the 2nd of November 1953.

His connections in the publishing industry through his work on comics immediately led to some publicity for his new service, such as the following from the Daily Mirror on the 7th of December 1953:

“DIAL 9000 FOR WORDS OF COMFORT – A telephone emergency service, run on the same lines as the police 999 calls, will soon be available to people in distress who need spiritual aid.

All Londoners need do is dial Mansion House 9000, the number of the Telephone Good Samaritans, and advice will be given immediately.

The scheme has been thought up by the Rev. Chad Varah, 42, Vicar of St. Stephen’s in the City, and will be in operation within the next few months.

If a case is sufficiently urgent, a Good Samaritan will dash to the caller and try to comfort and help him or her, said Mr. Varah yesterday.

The Vicar hopes to enroll Samaritans – volunteer workers for his service – from all parts of London.

I want to spread the organisation so that there are at least two Samaritans for every four square miles of Greater London and the suburbs, he said.

I first got the idea from the many letters I received from people in mental and spiritual distress. And I have found that a chat, a kind word and some good advice from an outsider can often save a person’s life.

He said that he intended to deal with personal spiritual problems concerning everything from quarrels between married couples to would be suicides.

The qualifications Samaritans need are tact, patience and the ability to keep other people’s confidences, he said. Religion is a secondary requirement.”

The Daily Herald had a similar report, but ended with the following paragraph, which provides an indication of how many calls Chad Varah was receiving:

“Mr. Varah is now missing meals to keep up with the phone calls he is getting. The former vicar of St. Paul’s Clapham Junction, he has just taken over St. Stephen’s.”

He soon collected a group of volunteers together to take calls, and in February 1954 he handed over the responsibility to take calls to the volunteers leading to the organisation of the Samaritans.

Chad Varah was involved with the Samaritans for the rest of his life. He retired from St Stephen, Walbrook in 2003 after being rector of the church for 50 years. He died in 2007, just a few days before his 96th birthday.

A remarkable man, who started an organisation that must have saved countless lives since starting seventy years ago in St. Stephen Walbrook in 1953.

The City of London plaque to the founding of the Samaritans is next to a small alley, St. Stephens Row which runs alongside the church, and the rear of the Mansion House.

On the wall of the Mansion House close, to the plaque is a stone block, which I think warns that anyone sticking bills or damaging the walls will be prosecuted. There is no date, but from the faded script, and style, it is of some age:

St. Stephen’s Row leads between the church and Mansion House:

I suspect St. Stephen’s Row dates from the construction of the Mansion House.

The first stone of Mansion House was laid in 1739 and the home of the Mayors of the City of London was completed in 1758.

Although it was still under construction, by the time of Rocque’s 1746 map of London, it is shown on the map, and there is an alley between the Mansion House and St Stephen’s, which continues to the right of the Mansion House. Although it is not named on the map, it is the route of St. Stephen’s Row today:

Going back to William Morgan’s 1682 map of London, and the space for the future Mansion House was then occupied by the Woolchurch Market. There looks to be buildings between the market and church, but there is no sign of the alley:

There was a church which stood where the Mansion House now stands called St Mary Woolchurch Haw. The church was lost during the Great Fire of 1666 and not rebuilt, and the market took the name of the church.

I have written about the church and the market towards the end of the post at this link.

The view along St. Stephen’s Row, with the church on the left and Mansion House on the right:

The entrance to the churchyard at the rear of St. Stephen Walbrook from St. Stephen’s Row:

Now to a very different location:

The Royal College of Physicians

In Warwick Lane, which runs between Newgate Street and Ave Marie Lane, to the west of St. Paul’s Cathedral, there is a plaque shown arrowed in the following photo:

Recording that this was the site of the Royal College of Physicians between 1674 and 1825:

The origins of the Royal College of Physicians dates back to the early 16th century when a number of leading medical men, including Thomas Linacre, the physician to King Henry VIII became concerned about the state of medical practice in the country, the lack of any regulation, and the impact that untrained physicians were having on their patients.

Thomas Linacre, along with five other leading physicians, persuaded the kIng to allow the founding of a College of Physicians.

A Royal Charter was received and the College of Physicians was founded in London on the 23rd of September, 1518, and an Act of Parliament in 1523 extended the authority of the College from London to the whole of the country.

The “Royal” was added to the name after the restoration of the monarchy with Charles II in the later part of the 17th century.

The Royal College of Physicians original home in the City of London was destroyed in the 1666 Great Fire, and nine years later, following some successful fundraising, the Royal College purchased land and property in Warwick Lane.

The new building was designed by Robert Hooke, and had a large central courtyard with wings either side. There was a public gallery, an anatomy theatre which was topped by an octagonal dome, and a large library which was designed by Christopher Wren.

The view of the Royal College of Physicians in Warwick Lane © The Trustees of the British Museum):

The large courtyard at the rear of the block facing onto Warwick Lane © The Trustees of the British Museum):

By the early 19th century, the City was becoming a crowded, busy and dirty place, and the building in Warwick Lane had deteriorated so was sold in 1825, and finally demolished in 1890.

Following the exit from Warwick Lane in 1825, the College moved to Pall Mall, before moving in 1964 to Regents Park, where they remain to this day.

Although not marked by a plaque as it is still in use, there is an interesting building next to the plaque:

Cutlers Hall

This is Cutlers Hall:

My go to book on the City’s Companies (The Armorial Bearings of the Guilds of London by John Bromley, 1960) records the following about the Cutlers:

“The cutlery trade of the Middle Ages included the making of swords, daggers and knives of all kinds. originally it was a highly specialised industry, comprising the separate trades of hafters who made handles or hafrts, bladesmiths and sheathers, with the cutlers acting as assemblers and salesmen. Both hafters and sheathers were ultimately merged into the Cutlers Company while the bladesmiths were first united with the Company of Armourers, and then allowed by a decision of the Court of Aldermen of 1528 to depart unto the fellowship of Cutlers at will.”

Given their trade, you would expect the Cutlers to be one of the old Company’s of the City, and they are indeed, with the first mention of an organised craft of Cutlers in 1328 when seven cutlers were elected to govern the craft and search for false work.

The Cutlers moved to the hall we see today in Warwick Lane in the 1880s, when their original hall in Cloak Lane was demolished to make way for the construction of the Inner Circle Line by the Metropolitan and District Railway Company (now the route of the Circle and District lines between Mansion House and Cannon Street stations).

I wrote a post about the original hall, and the construction of the railway in this post: Cloak Lane, St John the Baptist, the Walbrook and the Circle Line

The arms of the Cutlers can be seen above the entrance to the hall, and the following image shows the arms:

The swords are an obvious reference to one of the products of the Cutlers. The use of elephants in the arms is old, and was recorded in 1445 where members of the Cutlers wore elephants as decorations on their coats or shields when the City welcomed Queen Margaret on her marriage to Henry VI in 1445.

The use of the elephant may be down to the use of ivory in the hafts (handle of a knife) made by members of the Company.

The elephant is featured in the sign hanging from the side of Cutlers Hall:

One remarkable feature of Cutlers Hall is the frieze along the façade of the building. The frieze is a detailed view of the work of cutlers, and was created by the sculptor Benjamin Creswick.

The following image shows the frieze, with the left most panel at the top:

The red terracotta frieze is a wonderful record of the work of the trades that formed the Cutlers Company.

Now to St. Paul’s Churchyard to find two very different organisations, starting with the:

Young Men’s Christian Association

In front of the cathedral, there is an office block with shops on ground level running along the line of St. Paul’s Churchyard. There is a covered walkway in front of the shops, and at the western end of this walkway, next to the old gate of Temple Bar are two plaques, the first arrowed in the following photo:

The arrow is pointing to a plaque on the wall recording the founding of the Young Men’s Christian Association:

The plaque states that in 1844, George Williams with eleven other young men employed in the City of London…….Founded the Young Men’s Christian Association. But why here?

The Drapery House mentioned in the plaque was the offices, factory and warehouses of Hitchcock, Williams & Co.

The firm was established in 1835 by George Hitchcock and a Mr. Rogers, who would leave in 1843. George Williams (mentioned in the above plaque) who originally joined the company as an apprentice, became a Director with Hitchcock in 1853 when the partnership Hitchcock, Williams & Co was formed. Always based in St. Paul’s Churchyard, firstly at number 1, then at number 72, with the firm expanding to take in many of the surrounding buildings.

George Williams, as well as becoming a partner with Hitchcock, received a knighthood from Queen Victoria for services, which included the inauguration of the Young Men’s Christian Association (YMCA) which was founded in a room of the company’s premises in St. Paul’s Churchyard.

The history of the YMCA states that the group founded the YMCA as “a refuge of Bible study and prayer for young men seeking escape from the hazards of life on the streets of London”.

The buildings of Hitchcock, Williams & Co. were destroyed during the raids of the 29th December 1940. A paragraph in the newspaper reports of the raid included a mention of the company and the YMCA:

“The historic room in which the Young Men’s Christian Association was started was among the places destroyed on Sunday night. With seven other buildings, the George Williams Room – named after the founder, the late Sir George Williams – was burned to ashes. It was situated in the premises of Messrs. Hitchcock, Williams and Co, manufacturers, warehousemen and shippers, of St. Paul’s Churchyard, and was originally one of the bedrooms used by the 140 assistants employed in the Hitchcock drapery business.”

As stated in the plaque, “from its beginning in this place inspired of God the association grew to encompass the world” and all because George Williams started as an apprentice here, in one of the many businesses that once lined St. Paul’s Churchyard.

I wrote a post dedicated to the company’s experience in the 1940s in this post: Operation Textiles – A City Warehouse In Wartime.

The Grand Lodge of English Freemasons

There is another plaque in the same place as the plaque recording the YMCA. Directly opposite, in the entrance to the covered walkway shown in the photo of the location of the YMCA plaque is the following:

The significance of the plaque and the site is the reference to the Grand Lodge, as prior to 1717 there had been four London lodges, and on the 24th of June 1717, they met at the Goose and Gridiron Tavern in St Paul’s Churchyard, and elected Anthony Sayer as the first Grand Master.

This was the first Grand Lodge not only in the country, but also across the world of Freemasons.

The four original lodges had all met in pubs; the Goose and Gridiron in St. Paul’s Churchyard, the Crown in Parkers Lane, the Apple Tree in Covent Garden, and the Rummer and Grapes (no location given).

Pubs continued to be used for meetings, but in 1767, the Grand Master, the Duke of Beaufort had the idea for a Central Hall, and a committee was formed to purchase land for a new hall, and a “plot of ground and premises consisting of two large, commodious dwelling houses, and a large garden situated in Great Queen Street” were purchased.

The hall built on the site was opened in 1776, and the Freemasons still occupy the same site, with the current hall being built between 1927 and 1933.

The plaques featured in today’s post show the wide range of organisations that have made the City of London their home over the centuries, or have been founded in the City.

From organisations such as the Samaritans, who must have been responsible for saving and helping so many people since 1953, to global organisations such as the YMCA, City Livery Companies, Medical Institutions and the Freemasons.

And they all continue to make their mark today.

alondoninheritance.com

Wapping Dock Stairs

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If you have been on my Wapping walk, you will hopefully recognise the following view, and it is a view that I find fascinating as it represents the history of crossing the Thames between Wapping and Rotherhithe..

The main feature in the photo is Wapping Station, a station on the London Overground that from Wapping crosses under the river to the next stop on the route south at Rotherhithe.

I will touch on the station later in the post, but the main focus of today’s post is at the end of the walkway to the right of the station, a walkway that leads up to Wapping Dock Stairs.

If you have been reading the blog for a few years, you will realise I have a strange fascination with Thames Stairs.

Not so much the physical stair, although these are really interesting, historical structures, rather what the stairs represent.

For centuries, these were the main interface between the land and the river. If you were travelling up, down, or across the river you would use one of the Watermen who would cluster at the base of the stairs, to row you to your destination.

If you were leaving London, you would reach the boat taking you to your destination via a river stair, or if you were arriving back in London, you would return to the land via the stairs.

Countless thousands of people have used these stairs. For some, arriving at the stairs would be their first view of London, for those leaving, it could be their last view of London.

Many of those who have had to flee the country, for political or religious reasons, would have left the country via Thames stairs. Perhaps leaving in disguise, or in the dead of night to avoid recognition, to catch a boat to take them away from the country.

I have covered many such stories in previous blog posts, and will provide links at the end of today’s post, but for now back to Wapping Dock Stairs.

As with nearly all the stairs in Wapping, Wapping Dock Stairs are old, and date back to at least the end of the 17th century, and are probably much older.

In Rocque’s map of 1746, the stairs are shown in the centre of the following extract, with Wapping Dock Street being the street that leads up to the stairs:

Richard Horwood’s map of London from 1799 also shows Wapping Dock Stairs, and when compared to Rocque’s map, Horwood adds a level of detail with individual buildings lining the streets:

The location today, with the stairs and station circled, is shown in the following map ( © OpenStreetMap contributors):

Turning off Wapping High Street, this is the approach to the stairs. The walkway on the right leads to an entrance to the building on the right. The walkway on the left leads to the stairs.

Nearly every set of stairs in Wapping had a pub by the side of the approach to the stairs. Only two can be seen today, the Town of Ramsgate by Wapping Old Stairs, and the Prospect of Whitby by Pelican Stairs.

Wapping Dock Stairs also had a pub, the Swan, and we can get a view of the pub from an advert in the Morning Advertiser on the 2nd of December,1806 when the lease came up for sale:

“A lease for 21 years, and immediate possession, of the SWAN PUBLIC HOUSE, situate at the corner of Wapping Dock Stairs, as eligible a spot for business as any along the coast; it contains in the basement, an extensive dry cellar; on the ground floor, a convenient bar, large tap-room, and good parlour, and three stories above, with a space of about 30 feet square on each floor, divided into numerous well-proportioned rooms; here is an abundance of accommodation for lodgers, as well as ample conveniences for an extensive business; common industry and attention would assuredly beget here a very lucrative trade. May be viewed at any time for a week prior to the sale. Particulars to be had of Mr. Harris, No. 12, Gracechurch Street.”

There are many newspaper references to these pubs by stairs, and so often they offer a glimpse into a story which you really want to know more about, for example, from the Morning Advertiser on the 26th of August, 1808:

“If the next of Kin of Hendrick Steerwell, late belonging to the West India Merchant ship Ranger, dec. will apply at the Swan, Wapping Dock Stairs, they will hear of something to their advantage.”

This brief advert leaves so many questions unanswered. Who was Hendrick Steerwell, where and how did he die (presumably whilst serving on the West India Merchant ship Ranger). What did he leave that would be of advantage to his next of kin, did they benefit, and also what happened if there were several next of kin.

A whole story could be written based on that single advert from 1808.

The advert also highlights that the stairs were a key part of the pub’s location. Rather than giving an address on Wapping High Street, the pub is specifically mentioned as being at the stairs.

Back to Wapping Dock Stairs, and approaching the stairs there is a strong metal gate preventing any access to the stairs. Behind the gate are the stone steps often found at these stairs which added a bit height and therefore flood prevention from high tides:

Looking over the gate, and we can see why they were fenced off so securely:

There are stone steps that run down to where a series of wooden steps once led down to the foreshore. These wooden steps have completely eroded away.

From the bottom of where the wooden steps should have been, the remains of a causeway leads out across the foreshore, into the river.

Much of the causeway has also eroded, leaving only the wooden stakes on either side that would have held the causeway in position.

From the top of Wapping Dock Stairs, we can look across the river to Rotherhithe. This view would once have been full of ships, with ships being moored around the stairs, some of which were often for sale, such as on the 20th of November, 1805 when the following auction was advertised:

“This day, the 20th Instant, at Three precisely, The good Smack Ocean, built at Burnham in Essex, in 1798, is a strong, clinch-built vessel, and is well adapted for the Oyster Trade, a Pilot Boat, &c, well founded in stores. Lying at Wapping Dock Stairs.”

To pursue my rather nerdy interest in Thames Stairs, I have finally got hold of a copy of a book published by the Port of London Authority, titled “Access to the River Thames. A Port of London Authority Guide”, with the sub-title of “Steps, Stairs and Landing Places on the Tidal Thames”:

Although the book is not dated, I believe it was published around 1995.

It covers all the steps, stairs and landing places on the part of the Thames managed by the PLA, the tidal Thames, and covers from Richmond down to Southend.

There is an outline map, based on the area covered by a PLA chart for sections of the river, with the stairs along that stretch of the river marked and named.

There is a table for each set of steps, stairs and landing places describing key features of each. I copied the details for Wapping Dock Stairs into the following table:

The categories for each set of stairs, landing places etc. in the book are the same, allowing them to be compared.

For Wapping Dock Stairs the stairs are described as having a broken causeway and wooden stairs. This probably means that the wooden stairs were part there, but in the following 30 years they have disappeared completely.

Bathing is dangerous, and public access to the stairs is blocked by a fence which the London Borough of Tower Hamlets will remove when the stairs below Mean High Water Mark are made safe.

I have always wondered about responsibility for these stairs. The London Borough of Tower Hamlets were responsible for putting in the metal gate, but are they responsible for the stairs down to the foreshore, or is it the Port of London Authority who, along with the Crown Estate are the primary owners of the foreshore.

I have emailed the PLA asking who is responsible for the stairs, it will be interesting to see the reply.

The tables for all stairs, from Richmond to Southend list whether the stairs were a landing place in 1708 and 1977. Wapping Dock Stairs is listed as a landing place in 1708, which sets a minimum age for the stairs as over 300 years.

I do not know why 1708 has been used for all stairs, steps and landing places along the tidal Thames. A few quick searches have not revealed any surveys or maps that were made of the whole tidal river in 1708 – probably another question for the PLA.

The Grade 2 listed building that the table states that the stairs are adjacent to is the 1920s Gun Wharves that runs along 124 to 130 Wapping High Street.

I wrote at the start of the post that the photo of Wapping Station and Wapping Dock Stairs show the methods of crossing the river that have been in use for hundreds of years.

In the early 19th century, the increase in the numbers of people crossing the river by boat resulted in a proposal for a foot tunnel under the river.

The result was a foot tunnel where the rail route under the river is today. I walked through the tunnel in 2014, and the following is a brief extract from my post on the tunnel, which you can find here.

A Thames Tunnel was badly needed. It was a four mile circuit between Rotherhithe and Wapping via London Bridge and ferries carried 4,000 people across the Thames every day at Rotherhithe.

Marc Brunel was convinced that a tunnel could be built and had the concept of a shield to protect workers at the face of the tunneling work. A meeting with investors was held on the 18th February 1824 and a company formed with Brunel appointed as engineer.

The shaft was started in March 1825 and all appeared to be going well, however in January 1826 the river burst through, but work pressed on and by the beginning of 1827 the tunnel had reached 300 feet.

As work progressed, in addition to the risk of the river breaking through, there were all manner of problems including strikes, mysterious diseases (the River Thames was London’s main drain, polluted with a considerable amount of sewage) and explosions from “fire-damp”.

The river continued to burst through. On Saturday 12th January 1828 six workman were trapped and drowned and despite the hole being filled with 4,000 bags of clay the project was temporarily abandoned due to lack of funds. The tunnel was bricked up and no further work carried out for seven years.

Work started again on the 27th March 1835 and carried on for a further eight more years.

In March 1843 staircases were built around the shafts and Marc Brunel led a triumphant procession through the tunnel. Marc Brunel’s son Isambard worked with his father during the construction of the tunnel and was appointed chief engineer in 1827, however his work with the Great Western railway took him away from the tunnel during the later years of construction. Marc Brunel worked on the tunnel from start to finish.

As one of the sights of London, the Thames Tunnel was a huge success. Within 24 hours of the tunnel’s opening fifty thousand people had passed through and one million within the first fifteen weeks.

It did not remain a foot tunnel for long. The Thames Tunnel was purchased by the East London railway in 1866 and three years later was part of London’s underground railway system.

View along one of the tracks in the tunnel:

The wall between the two tracks in the tunnel had arches spaced at roughly regular intervals along the length of the tunnel.

When the tunnel first opened for foot passengers, a number of enterprising Londoners set out stalls in these arches selling to those who had come to walk through the tunnel. There were reports at the time of how all these stalls selling food, souvenirs etc. degraded the walk through the tunnel. Low level crime was also attracted to the tunnel.

Looking at the arches in what is now a railway tunnel shows a quality of design and finish that was meant to be seen by people walking through, rather than speeding past in a train.

So in summary, the view across to Wapping Station and the adjacent Wapping Dock Stairs shows:

The means of crossing the river between Wapping and Rotherhithe for hundreds of years by taking a boat from a Thames Stair
The introduction in 1843 of a foot tunnel which offered a new and unique way of crossing the river, and;
The purchase of the tunnel by the East London railway in 1866 and integration into London’s rail network, part of which it has remained to this day

There was another feature that I wanted to find related to the station. Walking slightly in land, along Clave Street, then Clegg Street, where on the corner is this building, part of the landscape of Wapping prior to the development of recent decades:

With some lovely metal fittings that allow the wooden door to be rolled along the front of the building:

Which I suspect have not worked for many years:

At the back of the building, there is a small green space, with a children’s playground in Hilliards Court. At the side of the playground is this structure:

Stand here for a few minutes and you will soon hear the very clear sound of a train, either pulling away from, or slowing down into, Wapping Station. An unexpected sound in this very quiet Wapping green space, coming from an air vent to the tracks below.

Openstreetmap includes the route of the railway, even though it is underground at this point. I have circled the air vent at the top of the following map ( © OpenStreetMap contributors):

The PLA book on Steps, Stairs and Landing Places on the Tidal Thames lists a total of 241 from Richmond to Southend, along both banks of the river – so I have only scratched the surface.

If you are interested in reading about the other Thames stairs I have covered, then:

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London in the 1920s

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The last week has been really busy, and I am somewhat behind on post research, so for this week’s post I will revisit a set of books I have looked at a couple of times over the years, and discover some of the photos which show London in the 1920s, the 1926 book Wonderful London.

This was a three volume set, edited by the poet and novelist Arthur St John Adcock. The aim of the books was to show “The world’s greatest City. Described by its best writers and pictured by its finest photographers”.

The individual photos are not dated, however they must be from the years immediately before 1926, so these photos show London as it was 100 years ago – a very different place.

As the weather this weekend is forecast to be a hot one, I thought I would start with three photos from a set under the heading “London’s Annual Heat Wave Always Forgotten By The Next Year”

The following photo is captioned that “The road-menders seem uncomfortable at any time of the year”, which is a rather strange comment as the focus is on the hot temperatures – perhaps a miss-print.

It is always difficult to judge how far these were posed photos. The men in the above photo certainly look as if they have been asked to stand in a particular way, although I suspect that preparation for the photo did not go to the length of digging a hole in the road.

The following photo is of a man with an ice-cart, a job that involved pushing a cart around the city streets, loaded with a large block of ice, and making delivers to customers:

Whilst the above two jobs involved exposure to the heat of the city, the book shows a job that would be envied by those working across the streets on a hot summer’s day – the cold storage man, who was responsible for managing and moving the goods stored in a cold storage facility:

A typical summer sporting activity in London “Looking towards the pavilion from the Mound Stand at world-famous Lord’s”:

The books provide a bit of background history to many of the photos, and for the Lord’s photo, there is: “Lord’s the property of the Marylebone Cricket Club, consists of some 10 acres of property acquired at various times. The club originated at Finsbury, where it became known as the Artillery Ground Club. Cricket had been played there since about 1700. In 1780 the Artillery Ground Club moved to White Conduit Fields. There one of the attendants was named Lord. In 1787 the club ground was moved to Dorset Square and called Lord’s. In 1811 another move was made to a site near the Regent’s Canal, and in 1814 the final move to the present site. Lord took up and re-laid the turf at each move. the ground has a character of its own with the dignity of long establishment behind it which appeals to all Londoners.”

If your preferred game was golf rather than cricket, there was, what was described as “the only golf course in the City of London”. Not so much a golf course, but rather a putting green on the roof of Adelaide House, next to London Bridge. A building which is still there, and with the monument just behind:

The books include many photos of London’s streets as they were 100 years ago.

The following photo is captioned: “Turning south from Hammersmith High Road one walks down Hampshire Hog Lane, named after an inn at the corner, eventually reaches High Bridge, seen in the distance. this crosses the Creek, the mouth of the Stamford Brook, and is thought that the earliest settlement of Hammersmith centred here”:

Some of these photos can be a puzzle. For example, the caption to the above photo states that you turn south from Hammersmith High Road to walk down Hampshire Hog Lane, however Hampshire Hog Lane leads south from King Street. It did at the time of the photo and it does still.

Today, Hampshire Hog Lane is a small stub of a street. There is a pub on the corner as there was in the 1920s, the Hampshire, which is now more a restaurant than a pub.

You cannot walk down to where the bridge was, which has also disappeared, as has the creek. The Great West Road, the A4 has now carved across the southern part of the lane, and Furnivall Gardens now covers the location of the southern part of the creek and the bridge.

Although the scene in Hampshire Hog Lane has gone, the building in the following photo taken in Glebe Place, Chelsea can still be found. The book records that it “was probably a cottage used by factory hands in the employ of Bentley, Wedgewood’s partner”:

Streets in central London are also covered, with the following view of “George Court, an alleyway to the Adelphi from the Strand”. Very different buildings now line the alleyway:

Buckingham Palace has been seen on TV screens cross the world this year, however its only gained its current appearance just over 100 years ago – “George III bought Buckingham House in 1762 and in 1825 it was much altered by Nash for George IV. Edward VII was born here in 1841, and six years later the building was extended into a quadrangle. It then appeared as in the photo with an ugly and undignified frontage”:

The following photo of the palace as it is now is captioned “In 1913 Sir Aston Webb undertook to improve the one view that the public ever get of their King’s residence, with the result seen in the photograph”:

One of the trends in how London’s streets have changed over the years, is the grouping together of plots of land, and the construction of a large building on a plot which was once occupied by a number of smaller buildings.

Such an example can be seen where the Albany meets Piccadilly. The Albany was a house occupied by the Earl of Sunderland in 1725, then the first Lord Melbourne acquired it and spent vast sums on the building, only to exchange it with the Duke of York, for a house in Whitehall.

The Albany was set back from Piccadilly, and approached through a narrow driveway. In 1926, this driveway was accessed through an arch leading through a building facing onto Piccadilly:

Today, the house is still there, however, the buildings seen in the above photo have been replaced by two larger buildings, and the access shown in the above photo has been replaced by a narrow, open street. It is opposite the bookshop Hatchards.

I suspect that as long as there has been photography, ‘Then’ and ‘Now’ photos have been a theme, and there were a number in Wonderful London. The following photo is of Oxford Street in the 1880s:

And the following is 40 years later in 1926, with included in the caption that “the only features of the old order left for the new are the two buildings on the right-hand side of the road and nearest the right edge of both photographs”:

The following photo is titled “A Fine Morning In June: The Rose Day Of Queen Alexandra”, with the caption “Rose Day is an annual effort for raising funds for various charitable causes, including hospitals. it was founded by Queen Alexandra in the fiftieth year of her residence in England and persists after her death. The flowers used are made by blind and crippled workers and represent the dog rose, which was the Queen’s favourite flower. London’s streets are extensively patrolled by hundreds of ladies deputed for the task, who in return for two pence, or even a penny, will sell a rose – and a smile”:

The Alexandra Rose Charity is still running, and Rose Days ran between 1912 and 2012. Today, the charity is focused on providing “families on low incomes access to fresh fruit & vegetables in their local communities”.

Many of London’s markets feature in the books. The following photo shows the “Gracechurch Street entrance to Leadenhall Market – City Clearing House for Poultry”:

The book provides some historical background to Leadenhall Market: “In 1411 the Corporation of the City of London obtained the property of the manor of Leaden Hall from Sir Richard Whittington – of pantomime fame – who in turn had purchased it from the Nevilles. The market has flourished ever since, though the Great Fire destroyed it. The present premises date from 1881, when £140,000 was spent on new approaches alone. The market stands on the south side of Leadenhall Street with its main entrance in Gracechurch Street and Lime Street to the south”.

I was in Gracechurch Street a couple of weeks ago, and the main entrance to Leadenhall Market is getting somewhat over shadowed by the new buildings near by:

One of the other London markets featured in the books, is Covent Garden, with a view of “Stalls that display the products of many climes in the fruit department at Covent Garden”:

And this photo of “Early morning in the Covent Garden”, as “soon after their journeys from the market gardens beyond outer London to reach Covent garden in time”:

We just had a few Bank Holidays during May, and in previous Bank Holidays, Hampstead Heath would have been the destination of many Londoners seeking a day away from the streets of the city.

The description in Wonderful London of a Bank Holiday Monday on the heath, reads “It is a scene of riotous joy, the centre of promiscuous revelries. There are merry-go-rounds with loaded horses sinuously revolving, swings that thrill the most blasé patron, and booths where mild games of chance are played. Steam organs , wheezing and panting, grind out different popular airs simultaneously. Men shout, women scream, and children are cacophonous in every possible manner.

Performers on assertive musical instruments, particularly trombones and accordions, abound. The atmousphere is heavy with cheap perfumes, engine oil, the smell of cooking and sun-baked shell fish. Here Cockney London enjoys a ‘fresh air’ holiday.”

Although the book was highly critical of the result of these Bank Holiday revelries: “Garbage-littered tracks of the vandals who invade Hampstead Heath on every Bank Holiday”:

“On the day after a Bank Holiday dirty paper, empty cans, orange peel and banana skins give even the most Arcadian, the most freshly green avenues and glades of Hampstead Heath, and indeed all the parks and commons of London, an air of sordid debauch. The lover of open space is not so much angered by the site as filled with pity for his thoughtless fellow creatures. Many appeals have been made to the trippers, begging them not to cover the grass with rubbish, but all to no purpose. It is all the more extraordinary when we consider that all these defilers of natural beauty have a certain amount of education, and should be able to realize the ugly effects of carelessly throwing refuge in every direction”.

The above commentary to the photo is the most negative of any I can find across the three volumes of Wonderful London. There were many other aspects of London in the 1920s that could have warranted criticism, such as the working conditions of many of the city’s manual workers. poverty and the state of much of London’s poorer housing, but the focus was on the litter on Hampstead Heath.

If you did not want to spend a Bank Holiday on Hampstead Heath, you also had the option to go to Margate, by train:

Or by Paddle Steamer:

Here again the commentary is interesting: “It might be thought that the Cockney would want to have his holiday in the contrast of a comparative loneliness, but no! The first thing he does is to choose an August day, a platform hidden by moist humanity from which a dusty and uncomfortable train will take him to an almost equally crowded ‘watering place’. All this is lucky for the few others since England is not large enough for everyone to be by himself. A more ventilated way to is to go to Margate by boat from the Old Swan Pier just above London Bridge and opposite Fishmongers Hall.”

The commentary seems to lump everyone who was probably working class at the time as a “Cockney”. The commentary also ignores the fact that those who went on such trips often had extremely limited cash for a day away, did not have the time and opportunity to plan anything else, and probably went to places where they were accepted and catered for.

They did not have the means to plan or afford a trip which the lucky few could afford, such as – “All this is lucky for the few others since England is not large enough for everyone to be by himself.“

A couple of months ago I wrote a post about a tram route to Highgate, and included a bit about the Angel pub, not knowing that there was a photo in Wonderful London that included part of the Angel.

The following photo is looking down Highgate High Street (Pond Square is off camera to the right). The Angel is the pub on the right:

Assuming that photo was taken shortly before the books publication in 1926, it must have been one of the last photos of that version of the pub, as it was completely rebuilt between 1928 and 1930, with the pub we see today being the result.

The book also includes a number of photos of life on the canals – a trade that must have been challenging and difficult given the significant decline in canal trade following the transfer of the movement of goods to the railways.

The book paints the people who worked on the canals in a somewhat idyllic light: “Some quiet moments of peaceful canal life”, and comments that “While employment as a whole in England tends to more and more hurry and less of that spirit now old fashioned, but which produced so much fine craftsmanship and an individuality which came to be associated with English craftsmen, yet it is pleasant to reflect that there is still one calling where contemplation is possible.

Here we see an old wife, born and bred on the waters, busily making fast the stern of her barge”:

“While the bargee and his mates are at dominoes in the hold”:

I doubt that the “old wife, born and bred on the waters” had much time for contemplation.

A horse could tow a cargo of twenty-five tons at about three miles an hour:

The following photo is titled “A Canal Washing Day”, and that “On the barges there is no room to stand upright in the cabin, and washing is done in the well. it is to be wondered what happens when it is raining on washing day”:

Barges on the canals into and around London would often carry goods to and from ships in the London docks. A profession that would dissapear in the decades following these photos.

The photo below is of a bargee pushing his boat through the lock at Brentford:

The books also feature some photos of the areas around the fringes of London. Places that were still rural, but were starting to feel the expanding influence of London in the 1920s.

The following photo shows some “elderly timber cottages hard by Hadley Green. the village atmousphere has survived even the advent of the villa and the bus”:

The following photo shows the Cherry Tree at Southgate (the pub which is on the right hand end of the terrace of buildings). The Cherry Tree is still there, as is the whole terrace. The streets in front of the terrace, the street furniture and the traffic look very different to this scene from 100 years ago:

These photos show a very different London in the 1920s. In the following 100 years, the city has changed dramatically. Buildings, street scenes, jobs, entertainment. It is only some of the buildings of state institutions that have stayed the same, such as Buckingham Palace.

It is fascinating to see the city in these old photos, but working with my father’s old photos has really emphasised to me that photos show a snapshot of the city at a specific point in time. London will always change, and someone in 100 years time, looking back on the city of today, will probably find what we take for normal, just as so very different as we view the 1920s.

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Wells, Somerset – A Cathedral, Water and Swans

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In August 1953, my father was cycling / youth hosteling around Somerset, as part of his post National Service trips with friends around the country. One of the places visited was the City of Wells in Somerset, and this is his photo of Wells Cathedral:

Seventy years later, and the view is the same:

Apart from the loss of a couple of chimneys to the right of the Cathedral, the view has not changed, not really surprising given the age of the building and its significance. The only feature that will confirm the top photo dates from 1953 are the clothes worn by the people at the very bottom of the photo.

There are a couple of minor changes and restorations to the façade. For example, in 1953, some of the niches at the top of the central part of the façade were empty. Today, there is a statue and carved objects in these niches:

Wells is a smallish town in Somerset, not that far to the north of Glastonbury. The town’s status as a City dates back to the medieval period and the importance of the Cathedral. This was formally recognised in 1974 when Queen Elizabeth II confirmed city status on Wells.

Evidence of a Roman settlement at Wells illustrates the long history of the place, and the name provides a clue as to why people would want to settle here, and why the city has such a significant Cathedral.

Wells takes its name from wells that can still be found, wells that seem to provide an almost continuous flow of large amounts of water, and water makes it presence known across the city, including along the High Street and the Market Place where channels of water flow between the road and the pavement:

The Market Place today is today mainly lined with shops and cafes targeting visitors, however there were a large number of locals in the cafes during our visit. The Market Place, with the towers of the Cathedral in the background, does look like the dream location for a tourism advert, but it has not always been so peaceful.

After the Monmouth Rebellion, in 1685, Judge Jeffreys held what were known as the Bloody Assizes in the Market Place and condemned 94 people to death for supporting the Monmouth rebellion. Judge Jeffreys would later be found hiding in Wapping, where he was recognised by someone who had the misfortune to come up before him. See this post for the story.

Even if you have not been to Wells, you may find some of the places in the city familiar. Wells was the location for many of the exterior scenes of the film Hot Fuzz by Edgar Wright (who grew up in Wells) and Simon Pegg.

The Cathedral was digitally removed from the film, but many other locations are recognisable, including the pub, the Crown at Wells (or Sandford as the town was named in the film):

View looking back along the Market Place, close to the entrance to the Cathedral. The board in front of the bin advertises both a Heritage Walk and a Hot Fuzz Location Walk:

There may have been some form of religious establishment on the site of the Cathedral before the first known church to be built close to the current site when around the year 705, Ine, the Saxon King of Wessex built a Minster.

The first documented reference to the Minister dates from 766 when the Minster was recorded as being near the “Great Spring of Wells”, highlighting that the wells have always been a focal point for having both the church and a settlement here.

Wells prospered due to its surrounding agricultural land, the wells, and the growing importance of the church, and in the year 909, Wells became the centre of a new Somerset diocese.

Wells has long had a religious relationship with Bath, and in 1088, King William Rufus granted the estates to Bishop John of Tours, who relocated to Bath, and the church at Wells ceased to be a Cathedral.

Wells was still an important church, and in 1175, construction of the new church commenced. Work on the church continued for the next few centuries, resulting in the magnificent building we see today.

Whilst the front of the church, seen in my father’s and my photos, is really impressive, in the Medieval period it would have been even more so, as it was brightly painted, and some small remaining traces of paint have been found in niches among the statues.

The interior of the Cathedral would also have been brightly painted, however over the years it was painted over, whitewashed, and any remaining traces of paint were lost in the 1840s when the building was vigorously cleaned.

Of the statues on the front of the church, three hundred of what were around 400 of the original medieval statues survive.

The interior of the Cathedral is magnificent, and at the end of the nave there is a scissor shaped structure:

The scissor arches were built between 1338 and 1348 to provide additional support to a high tower and spire that had been built above the Cathedral in 1313.

The weight of the tower caused large cracks to appear in the tower structure, and the scissor arches were the innovative solution to provide additional support.

Dating from around 1390, the Cathedral has what is believed to be the second oldest working clock in the world. The mechanism was replaced in the 19th century, however the dial is the original from the 14th century. The original mechanism is now on display in the Science Museum.

Above the clock face there is a turret, where every quarter hour, jousting knights appear and circle the turret. The same figure of the jousting knight has been knocked down for over 600 years.

To the right of the clock, and high up on the wall, is a figure, dressed in Stuart costume, that strikes the bell at every quarter:

Steps leading up to the Chapter House:

At the top of the stairs is the entrance to the Chapter House, which has a remarkable roof, consisting of thirty two ribs or tiercerons (which give the name of tierceron vault to the structure), which spring from the central pillar:

The Chapter House was completed in 1306, and provided a place for the governing body of the Cathedral (called the Chapter), to meet.

Above each of the seats around the edge of the room are brass plaques which name the “Prebend” which was the farm or estate from where the income came to fund the “Prebendaries” who were the priests who were part of the Chapter.

The Chapter House did have stained glass, however it is believed that these were smashed by Cromwell’s soldiers during the English Civil War.

Interior of the Chapter House:

Wells Cathedral organ:

Seating for the choir, with covered seats at the rear for Cathedral officials:

Wooden door within the Cathedral:

I could not find a date for the door, however the decoration is impressive. The decorative ironwork gives the impression of plants growing across the door:

Many of the floors within the Cathedral would have once been covered with colourful floor tiles, however today, only the following small patch of medieval floor tiles remain:

The Lady Chapel:

The Lady Chapel was ransacked during the English Civil War, when many of the Puritan soldiers thought that the decoration and stained glass of the Lady Chapel was still adhering to the Catholic faith.

In the Cathedral gardens:

There are a number of wells and springs surrounding the Cathedral, and in the following photo I am looking down into one of these in the Cathedral gardens. The sound of running water rises from the darkness of the entrance:

The Bishop’s Palace was the next place in Wells to find the location of one of my father’s photos.

This is the entrance to the Bishop’s Palace, across a moat that surrounds much of the palace:

This is my father’s photo from 1953 showing the moat, a couple of swans and part of the surrounding wall / gatehouse, in which there is an open window:

The open window is the point of interest, as zooming in on this, it is just possible to see a bell mounted on the wall, and a rope hanging down to just above the level of the water:

Swans pulling the bell at Bishop's Palace

The bell is still there today, although in a slightly different position, and the rope had been taken inside the window.

There is a tradition with the swans at wells, which is believed to date back to the 1850s, when a Bishop’s daughter taught the swans to ring the bell for food.

The swans still ring the bell for food, however to stop them doing it at random times throughout the day, the rope hanging from the bell is tucked into the window, until the time for feeding.

Once through the gatehouse, we can see the Bishop’s Palace. The Chapel in the centre, and the walls of the ruined Great Hall on the right:

And what must be one of the most tourist friendly scenes – croquet on the lawn of the Bishop’s Palace, with Wells Cathedral in the background:

Inside the Chapel of the Bishop’s Palace. The Chapel was built between 1275 and 1292 for Bishop Burnell who was Lord Chancellor for Edward I. The Chapel has been used by the Bishop of Bath and Wells for many centuries.

Interior of the Bishop’s Palace:

In the gardens of the Bishop’s Palace, between the palace and the cathedral, we find the main evidence of the wells and springs that gave the city its name and led to the original religious establishment.

The wells and the streams running from the wells have been enclosed, with large gardens around the main wells. Originally, water would have risen from the ground here, and flowed away through a number of streams and marshy land.

There are five large springs that rise through the artificial pond seen in the photos above and below. Four of these springs rise through the sand and gravel at the bottom of the pond. The fifth source of water is at the far end of the pond in the above photo, and is water that is piped from wells beneath the lawns close to the cathedral.

In the photo below is the spring that was once called the Bottomless Well, due to the assumed depth of the well. It has been partly filled and lined with gravel, to prevent the flow of water from undercutting the stone walls of the pond.

The features where the water rises up through the ground at the bottom of the pond are known locally as “pots”, and after periods of heavy rain, the surface can be seen to bubble with the flow of the rising water.

The waters that rise through the ground in Wells originate across the southern side of the Mendip Hills, to the north and east of Wells.

A story of farmers in a hamlet to the east of Wells throwing waste chaff from their corn threshing, into a swallet hole, where a stream sinks into limestone, with the chaff reappearing at the springs in Wells was one of the first demonstrations of where the water was coming from, a distance of three miles.

Later tracing activities would identify eight or nine underground streams that were feeding the springs, with the time taken to travel underground dependent on the amount of rain that had fallen.

An experiment with one of the more remote swallets demonstrated that water would normally take 24 hours to reach Wells, however at times of drought it could take up to a week or more.

When dye has been used to trace the flow of water, the concentration of dye is the same at any of the springs in Wells, from any of the sources of water. This proves that the water from the remote swallets, where streams disappear below the surface, is carried to Wells along a single underground river, where it then rises to form a number of springs.

As the underground river rises in height, it breaks through the surface at different places to form the “pots” where it rises up from the limestone, through marl and finally through the gravel just below the surface.

The average daily output of the springs is about 4 million gallons. This can fluctuate between 40 million gallons after periods of high rainfall and flood, down to 1 million gallons during a drought.

Water is drawn of from the pond through an underground tunnel and a separate sluice, that both feed water into the moat around the Bishops Palace.

Some of the water from the springs is used to feed the streams running along the gutters of the High Street, as seen in one of the photos earlier in the post.

Whilst the springs and water from the springs rose in the land owned by the Bishop, in 1451, Bishop Beckington built a well house and laid lead pipes from the well house into the Market Place to provide water for the inhabitants of Wells.

The 15th century well house in the foreground of the following photo, surrounded by plants:

Part of the moat surrounding the Bishops Palace, with the cathedral in the background:

The above scene creates the impression of a smooth and calm flow of water, however there have been times when the level of rainfall has created some very dramatic conditions at Wells, such as this description of the springs from 1937, when “a torrent bursting up and even heaping sand above its level, making in gardens gaping holes out of which water gushes, at times leaping into the air, overflowing lawns and, with impetuous torrent, doing its best to sap ancient foundations”.

The closest part of the cathedral to the ponds and springs is the Lady Chapel, and there has been concern over the years that the amount of water in the springs after periods of high rainfall, could damage the buildings and undermine the structure.

Pipes take water from the springs closet to the cathedral away to the ponds, but at times in the past, water has been seen to erupt through the lawns.

On a sunny and warn late spring day, the gardens are glorious and the constant presence of water provides a connection with the geology below the ground and the water flowing in from the surrounding countryside.

There was one last place that I wanted to visit, and to find it, we walked to the side of the Cathedral, where there is another clock:

The clock on the exterior of the Cathedral is driven by the same mechanism as drives the clock inside the Cathedral. This clock is believed to have been added around the 14th and 15th centuries, but has been restored a number of times since.

Not far from the clock is Vicars Close, dating from 1348, it is believed to be the oldest, mainly original, medieval residential street in Europe:

The houses were originally built to accommodate vicars, however since the 1660s, some of the houses have been leased out to other residents.

At the end of the street (see above photo), is a chapel. The Chapel, as well as a number of the houses are now used by Wells Cathedral School.

All the houses are Grade I listed.

View from the chapel end of the street, looking back to the Cathedral:

Wells is a really fascinating place to visit. I wish my father had taken more photos of the place in 1953, however the cost and limitations of film at the time, as well as how much could be carried on a bike probably limited the number.

What I like about Wells is it reminds us that towns were usually built at a location due to what was there at the time. Wells was built at this site because of the springs / wells that gave the place its name. Wells that are only there due to the unique geology of this part of Somerset.

You may also be interested in my visit to nearby Glastonbury, which can be found here.

alondoninheritance.com

A London Inheritance

A Private History of a Public City

Ratcliffe Cross Stairs

The Cyprus Street, Bethnal Green, War Memorial

St. Paul’s Covent Garden, the Actors Church

Limehouse – A Sink of Iniquity and Degradation. A New Walk.

Two Pubs and the Jesus Hospital Estate

Ron’s Gents Hairdresser, Three Colts Lane, Bethnal Green

Samaritans, Physicians, Cutlers, the YMCA and Freemasons

The Samaritans – St Stephen Walbrook

The Royal College of Physicians

Cutlers Hall

Young Men’s Christian Association

The Grand Lodge of English Freemasons

Wapping Dock Stairs

London in the 1920s

Wells, Somerset – A Cathedral, Water and Swans

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The Samaritans – St Stephen Walbrook

The Royal College of Physicians

Cutlers Hall

Young Men’s Christian Association

The Grand Lodge of English Freemasons

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